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Elizabeth Cabot is all business. She knows how to maximize her investments and cut her losses - in both her career and her personal life.
So when she discovers that Jack Fairfax has deceived her, she's determined to end their relationship. Putting a stop to their budding romance is easy, but breaking up their business deal will be more difficult. Despite all her efforts, she has no luck disentangling herself from Jack's client company, Excalibur. But the situation becomes even more strained when a lethal act of sabotage threatens to put both their companies out of business for good.
Elizabeth is no fool. If she can help Jack save Excalibur, she'll recoup her substantial investment plus millions in profits. Putting her emotions aside, she insists on helping him search for the scientist who's disappeared with a valuable new crystal that could revolutionize their high-tech industry. She'll go in, solve the problem, and get out.
The trail leads Elizabeth and Jack to a fringe film festival, but their goal is as elusive as the shadowy black-and-white images from the classic noir films. Life starts to imitate art, and double-dealing seems to be the name of the game. For these business adversaries turned reluctant partners, keeping an eye on each other - and the lid on their sizzling attraction - seems the only insurance against further treachery. But with millions at stake, trust can turn to betrayal in the blink of an eye.
Using film noir and film festivals as its backdrop gives Soft Focus a uniquely intriguing and refreshing edge. Love, treachery, loyalty and death all unfold with immensely entertaining results.
More Reviews and RecommendationsA former librarian with a degree in history, Jayne Ann Krentz is a prolific, bestselling romance novelist and a passionate advocate of the genre.
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May 01, 2000: i read this book and enjoyed it to a certain degree, but I felt that the characterization let somethng to be desired. I didn't get close to them as I most often do in other books. . .the plot was fine, but still not one that was well rounded...
Name:
Jayne Ann Krentz
Also Known As:
Amanda Quick, Jayne Castle
Current Home:
Seattle, WA
Place of Birth:
San Diego, CA
Education:
BA in History, University of California at Santa Cruz, MA in Librarianship from San Jose State University (California)
Awards:
Jane Austen Commemorative Medal from Romantic Times magazine for her work educating readers about Romance.
A successful corporate and academic librarian-turned-author, Jayne Ann Krentz wrote serial romances for several publishers (including industry powerhouse Harlequin) before breaking out in the '90s as a writer of romantic novels. To say that she has been successful is an understatement: A New York Times- bestselling author with more than 23 million copies of her books in print, she writes three sub-genres of romantic suspense under three different pen names: contemporary romances as Jayne Ann Krentz, historicals as Amanda Quick, and futuristic/paranormal romances as Jayne Castle. (In her early career, she employed at least three additional pseudonyms!) In 2006, the prolific Krentz launched The Arcane Society series -- crossover thrillers written under all three noms de plum that feature members of a secret organization devoted to the study of the paranormal.
It would be hard to find a more passionate advocate for romantic fiction than Krentz. In 1992, she edited and contributed to Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance, an award-winning nonfiction essay collection that serves an eloquent apologia for the genre. She has also received the Jane Austen Commemorative Medal from Romantic Times magazine for her work educating readers about Romance. "The Romance genre is the only genre where readers are guaranteed novels that place the heroine at the heart of the story," she says on her website. "These are books that celebrate women's heroic virtues and values: courage, honor, determination and a belief in the healing power of love." Clearly, her legions of loyal fans agree!
I have finally reached the point in my career where I have some say over cover art. Unfortunately, it turns out that I have absolutely no talent for cover art design. Thank heavens I'm with a publisher (Putnam/Berkley) that maintains a terrific art department.
I love green tea and red wine and was absolutely thrilled when it turned out that both are now considered health foods.
I love all animals except for squirrels which, I strongly suspect, are aliens from outer space who are here to take over the planet. You have been warned.
What are your ten favorite books, and what makes them special to you?
My list of favorite books changes constantly, depending on what I'm reading at the moment. Recently I've read and enjoyed the following:
1) Mistress of the Art of Death, by Ariana Franklin: Fabulous historical suspense featuring a most unusual heroine - a medieval coroner.
2) Innocent as Sin, by Elizabeth Lowell: Lowell's novels of romantic-suspense always give the reader a thoroughly researched glimpse beneath the surface at the dark side of some aspect of the modern world. In this case the subject is the international arms trade. In Arizona? Who knew?
3) Agnes and the Hitman, by Jennifer Crusie and Bob Mayer. Wildly funny and very, very clever romantic-suspense. Great title, too.
4) The Secret Servant, by Daniel Silva. I'm a huge fan of the series which features a secret agent named Gabriel Allon. I've learned more about the intricacies of the situation in the Middle East from these books than I ever will from the newspapers.
5) Now & Then, by Robert B. Parker. The latest in a long-running series that features a PI named Spenser. This is archetypal stuff. Love it.
6) Night Life, by Elizabeth Guest. There is a lot of vampire fiction out there right now but this one is unique. The mythology is based on ancient Egypt and Guest's take on the story is far more romantic than violent.
7) A Cold Day in Hell, by Stella Cameron. Chilling suspense, quirky characters, hot romance and a steamy, bayou setting. Oh, yeah, and there's this weird dog...
8) Scent of Darkness, by Christina Dodd. The latest in Dodd's Darkness Chosen series. Great paranormal romance and so wonderfully politically incorrect.
9) Big Girls Don't Cry, by Cathie Linz. Nobody does warm hearted romantic comedy like Linz. And I loved her plus-sized heroine!
10) Natural Born Charmer, by Susan Elizabeth Phillips. For my money Phillips has reinvented the modern women's fiction novel. 'Nuf said.
What are some of your favorite films, and what makes them unforgettable to you?
Sadly, I'm not really into films. They don't suck me into a story the way a good book does. And they almost never get the romantic angle right.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I love classic rock. But I never listen to music of any kind when I write. I find it distracting.
What are your favorite kinds of books to give -- and get -- as gifts?
I tend to give the kind of books that I love to read - suspense or romantic-suspense. I like to receive interesting non-fiction dealing with almost any late 19th century subject. I'm always looking for intriguing historical tidbits to slip into my Amanda Quick titles.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
The only writing ritual I maintain is a disciplined schedule. I'm at my desk by seven every morning and I stay there until I get something done. I've tried waiting around for inspiration to strike. Sadly, that approach doesn't work for me.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
It took me six long years to get published. I stopped counting rejection slips that first year. The lesson, I think, is that perseverance counts. Also, it takes time to teach yourself how to write genre fiction - and it is very much a self-taught craft.
What tips or advice do you have for writers still looking to be discovered?
If you're interested in writing genre fiction (romance, suspense, paranormal, mysteries, fantasy, etc.) attend the annual convention of Romance Writers of America. I don't care what genre you're working in, I guarantee you will learn more about the current market and the business of writing at an RWA convention than you will at any other conference.
Future Fortunes and a Femme Fatale
Jayne Ann Krentz has authored more than a score of New York Times bestsellers, including her futuristic and historical romances written under the pseudonyms Jayne Castle and Amanda Quick. Her newest contemporary romance, Soft Focus, has an almost historic feel to it with its glimpse of the fringes of the film noir world and a character who is a classic femme fatale. Yet it's a very modern-day story of high-tech suspense and sizzling passion rendered with Krentz's hallmark style, wit, and intrigue.
Elizabeth Cabot and Jack Fairfax became involved in a steamy affair while working together on a project. Elizabeth, as the administrator of philanthropic funds, knows a good investment when she sees one. And Excalibur, the small, family-run R&D company that Jack has been hired to rescue from near financial ruin, looks highly promising with its star attraction: a newly developed crystal with the potential for revolutionizing the computer industry. After working closely with Jack, Elizabeth thinks he might be a good investment as well, an investment for her heart. But Elizabeth discovers that Jack is hiding a devastating secret, one that brings their affair to a screeching halt.
Despite her total withdrawal from Jack on a personal level, Elizabeth is far too smart to pull the funding for Excalibur, for she knows that once the crystal hits the market, it can not only provide a return on her investment but add millions in profit as well. But before that can happen, the laboratory at Excalibur is sabotaged, one of the employees is found murdered, and the crystal is stolen. Forced to work together in hopes of recovering the crystal so they can realize the success of their respective goals, Elizabeth and Jack follow a trail to an exclusive, glitzy resort in Colorado, where a neo-noir film festival is being held.
Amid a panoply of black-and-white movie showings, staged murders for a spur-of-the-moment contest, and a spate of weird phone calls and other happenings, Elizabeth and Jack try to track down the crystal. Things aren't made any easier with the arrival of several business adversaries, who hope to get their own hands on the crystal, one of whom has a highly personal reason for wanting to see Jack fail. As Elizabeth and Jack slowly close in on the crystal, a killer, a traitor, and a talented scam artist, they also close in on each other. For despite their differences, their passion for each other cannot be denied.
Soft Focus is a showcase blend of Krentz at her best: sparkling style, a keen sense of place, edge-of-your-seat suspense, and a collection of winsome and wily characters. The gritty glamour of the film-noir set provides the perfect backdrop for suspense, while also making for an eclectic and intriguing cast of supporting characters.
Beth Amos
Elizabeth Cabot is all business. She knows how to maximize her investments and cut her losses - in both her career and her personal life.
So when she discovers that Jack Fairfax has deceived her, she's determined to end their relationship. Putting a stop to their budding romance is easy, but breaking up their business deal will be more difficult. Despite all her efforts, she has no luck disentangling herself from Jack's client company, Excalibur. But the situation becomes even more strained when a lethal act of sabotage threatens to put both their companies out of business for good.
Elizabeth is no fool. If she can help Jack save Excalibur, she'll recoup her substantial investment plus millions in profits. Putting her emotions aside, she insists on helping him search for the scientist who's disappeared with a valuable new crystal that could revolutionize their high-tech industry. She'll go in, solve the problem, and get out.
The trail leads Elizabeth and Jack to a fringe film festival, but their goal is as elusive as the shadowy black-and-white images from the classic noir films. Life starts to imitate art, and double-dealing seems to be the name of the game. For these business adversaries turned reluctant partners, keeping an eye on each other - and the lid on their sizzling attraction - seems the only insurance against further treachery. But with millions at stake, trust can turn to betrayal in the blink of an eye.
Using film noir and film festivals as its backdrop gives Soft Focus a uniquely intriguing and refreshing edge. Love, treachery, loyalty and death all unfold with immensely entertaining results.
Six months after a disastrous one-night stand, Jack Fairfax and Elizabeth Cabot are dismayed to realize that they'll need to work together to recover a stolen crystal vital to the success of a business in which both have invested. This uneasy couple is soon off to a film noir festival in pursuit of a thief obsessed with noir, and they discover that life sometimes imitates art (or at least B movies). Threats, stalkers, double crossers, and an unknown femme fatale are the least of the problems Jack and Elizabeth face in this entertaining tale of romantic suspense. Readers may not find as much humor in this book as they are accustomed to in Krentz's (Grand Passion) work, but the author's trademark wit is still present, and her many fans will certainly not be disappointed. A well-written, enjoyable novel with something a little extra for fans of film noir (who are sure to note the Veronica Lake lookalike gracing the cover). Another winner from a favorite author; for public libraries. [Previewed in Prepub Alert, LJ 9/1/99.]--Elizabeth Mary Mellett, Brookline P.L., MA Copyright 1999 Cahners Business Information.
January 2000
Future Fortunes and a Femme Fatale
Jayne Ann Krentz has authored more than a score of New York Times bestsellers, including her futuristic and historical romances written under the pseudonyms Jayne Castle and Amanda Quick. Her newest contemporary romance, Soft Focus, has an almost historic feel, with its glimpse of the film noir world and a character who is a classic femme fatale. Yet it's a very modern-day story of high-tech suspense and sizzling passion rendered with Krentz's hallmark style, wit, and intrigue.
Elizabeth Cabot and Jack Fairfax become involved in a steamy affair while working together on a project. Elizabeth, as an administrator of philanthropic funds, knows a good investment when she sees one. And Excalibur, the small, family-run R&D company that Jack has been hired to rescue from near financial ruin, looks highly promising because of its star attraction: a newly developed crystal with the potential for revolutionizing the computer industry. After working closely with Jack, Elizabeth thinks he might be a good investment as well, an investment for her heart. But Elizabeth discovers that Jack is hiding a devastating secret, one that brings their affair to a screeching halt.
Despite her total withdrawal from Jack on a personal level, Elizabeth is far too smart to pull the funding for Excalibur, for she knows that once the crystal hits the market, it will not only provide a return on her investment but add millions in profit as well. But before that can happen, the laboratory at Excalibur is sabotaged, one of the employees is found murdered, and the crystal is stolen. Forced to work together in hopes of recovering the crystal so they can achieve their respective goals, Elizabeth and Jack follow a trail to an exclusive, glitzy resort in Colorado where a neo-noir film festival being held.
Amid a panoply of black-and-white movie screenings, staged murders for a spur-of-the-moment contest, and a spate of weird phone calls and other happenings, Elizabeth and Jack try to track down the crystal. Things aren't made any easier by the arrival of several business adversaries who hope to get their own hands on the crystal -- one with a highly personal reason for wanting to see Jack fail. As Elizabeth and Jack slowly close in on the crystal, a killer, a traitor, and a talented scam artist, they also close in on each other. For despite their differences, their passion for each other cannot be denied.
Soft Focus is a showcase blend of Krentz at her best: sparkling style, a keen sense of place, edge-of-your-seat suspense, and a collection of winsome and wily characters. The gritty glamour of the film noir set provides the perfect backdrop for suspense while also making for an eclectic and intriguing cast of supporting characters.
--Beth Amos
Beth Amos is the author of several mainstream suspense thrillers, including Second Sight, Eyes of Night, and Cold White Fury.
Loading...The movers and shakers of Seattle's business community sensed disaster, or, at the very least, excellent gossip, in the making. A hush fell across the club's formal dining room.
Seated in the leather-cushioned booth, Jack watched her approach.
"Oh, shit." He spoke very, very softly. It was obviously too late to pray.
One look at the fury that etched Elizabeth Cabot's intelligent face told him that he had lost his gamble. She knew everything this morning. What had happened between them last night clearly made no difference to her now.
A heavy cloud of stoicism settled on him. He waited for her with the patience of a man who knows he is facing an inescapable fate.
She was almost upon him now, and he knew that he was doomed. It was not his whole life that flashed before his eyes in those final moments, however. It was the memory of last night. He recalled the sweet, hot anticipation and the hungry rush of desire that had flashed between them. Unfortunately, that was all they had shared. The concentrated excitement had taken him by surprise, probably because he had worked so hard to contain it for the past month. In the end it had swept away his self-control and the lessons of experience that any man his age was expected to know. He was well aware of his mistakes. Elizabeth did not believe in faking her orgasms.
She had been very nice about it last night. Polite as hell. As if her failure to climax was her fault and hers alone. Actually, she had seemed quite unsurprised, as far as he could tell. It was as if she had not expected anything more from the encounter and had, therefore, not been disappointed. He had apologized and vowed to make amends just as soon as physically possible. But she had explained that she had to go home. Something about an early-morning meeting for which she had to prepare.
Reluctantly, he had driven her back to the gothic monstrosity she called home on Queen Anne Hill. When he had kissed her goodnight at the door of the mansion he had assured himself that he would get a second chance. Next time he would get it right.
But now he knew there wasn't going to be a next time.
Elizabeth arrived at the booth, vibrating with a degree of passion that had been noticeably missing in the final scenes last night.
"You conniving, two-faced, egg-sucking son of a bitch," she said between her teeth. "What made you think you'd get away with it, Jack Fairfax?"
"Don't be shy, Elizabeth. Tell me what you really think
of me."
"Did you actually believe that I wouldn't find out who you are? Did you think that you could treat me like a mushroom? Keep me in the dark and feed me manure?"
There was no hope of defending himself. He could see that. But he had to try. "I never lied to you."
"The hell you didn't. You never told me the truth. Not once during the past month did you give me any hint that you were the bastard who engineered the Galloway takeover."
"That was a two-year-old business deal. It had nothing to do with us."
"It had In spite of the hopelessness of the situation, or perhaps because of it, he started to get mad. "It's not my fault the Galloway deal never came up between us. You never asked me about it."
"Why would I do that?" Her voice rose. "How was I supposed to guess that you were involved in it?"
"You didn't work at Galloway. How was I supposed to guess that you had a connection to the company?" he countered.
"It doesn't matter. Don't you understand? That takeover was as ruthless, as cold-blooded, as anything I've ever seen in business. The fact that you were the hired gun who tore that company apart tells me exactly what kind of scum you really are."
"Elizabeth..."
"People got hurt in that takeover." Her hand clenched very tightly around the strap of her elegant shoulder bag. "Badly hurt. I don't do business with men like you."
Jack saw Hugo, the maitre d', hovering uneasily at a nearby table, obviously at a loss to decide how to quell the escalating scene. The waiter who had been on the way to the booth with ice water and bread halted, unmoving, a short distance away. Everyone in the dining room was listening now, but Elizabeth was oblivious to her audience.
Jack was morbidly fascinated himself, even though he was at ground zero. He would never have guessed that Elizabeth was capable of such drama. For the past month she had seemed so calm, so composed, so controlled.
"I think you'd better cool down," he said quietly.
"Give me one good reason."
"I'll give you two. Number one, we've got an audience. Number two, when you finally do cool off you are going to regret this scene a lot more than I will."
She smiled at him with such freezing disdain that he was amazed there were no icicles in her hair. She waved one hand in a wide arc that encompassed the entire dining room. He took that as a very bad sign.
"I don't give a damn about our audience," she said in ringing accents that no doubt carried all the way into the kitchen. "The way I look at it, I'm doing everyone here a public service by telling them that you are a lying SOB. I won't regret a single thing about this scene."
"You will when you finally remember that we've got a signed, sealed contract for the Excalibur deal. Like it or not, we're stuck with each other."
She blinked once. He saw the jolt of shock in her eyes. In the heat of her outrage, she had apparently forgotten the contract they had both signed yesterday morning.
She rallied swiftly. "I'll call the Fund's lawyers as soon as I get back to the office. Consider our contract null and void as of today."
"Don't bother trying to bluff. You can't get out of our deal just because you've decided I'm an SOB. You signed that damned contract, and I'm going to hold you to it."
"We'll see about that."
He shrugged. "If you want to tie both of us up in court for the next ten or twelve months, be my guest. But I'll fight you all the way, and I'll win in the end. We both know it."
She was trapped, and he was pretty sure that she was too smart not to recognize that simple fact.
There was a tense moment while he watched her come to terms with the realization that he had won.
Frustrated rage flared once more in her face.
"You will pay for this, Jack Fairfax." She reached out
and swept the pitcher of ice water off the tray held by the motionless waiter. "Sooner or later, I swear you will pay for what
you did."
She dashed the contents of the water pitcher straight at him. He did not even try to duck. The only escape route was under the table, and somehow that option seemed more ignominious than staying in his seat.
The icy water splashing in his face ignited the temper that he had been struggling to control. He looked at Elizabeth. She was staring at him, the first signs of shock and horror lighting her eyes. He knew that it was just beginning to dawn on her that she had made an almighty fool of herself.
"This isn't about the Galloway deal, is it?" he said softly. "This is about last night."
Clutching her purse, she took a step back as if he had struck her. "Don't you dare bring up last night. This is not about last night, damn you."
"Sure it is." He swiped a chunk of ice off the shoulder of his jacket. "I take full responsibility, of course. It's the gentlemanly thing to do, isn't it?"
She sucked in her breath in a stunned gasp. "Don't try to reduce this to sex. What happened last night is the least important aspect of this entire affair. In fact, what happened last night was so unimportant and so unmemorable that it doesn't even register on the scale."
"On my own behalf," he said with grave politeness, "I would like to say that I didn't know going in that I was dealing with the original Ice Princess. You should have warned me that you've got a little problem in that department. Who knows? With some extra time and effort, I might have been able to thaw you out."
As soon as the words were uttered, he regretted them. But they hung there in the air above the table, frozen, glittering shards of ice. He knew they would never melt.
Elizabeth fell back another step. Her face was flushed. Her eyes narrowed. "You really are a bastard, aren't you?" Her voice was low and much too even now. "You don't care a damn about what happened in the aftermath of the Galloway deal, do you?"
He ran a hand through his hair to get rid of some of the cold water. "No, I don't. Business is business, as far as I'm concerned. I don't believe in getting emotionally involved."
"I understand," she said. "That's precisely how I feel about last night."
She turned on one needle-sharp heel and walked out of the restaurant without a backward glance.
Jack watched her leave. He did not take his eyes off her until she disappeared through the door.
The twinges of impending fate that he had experienced when she had entered the dining room grew stronger. He knew that she must be feeling them too.
They both knew the truth.
She could walk away from what had happened between them last night, but she could not walk away from the business contract they had signed. For better for worse, for richer for poorer, it bound them together more securely than any wedding license could have done.
CHAPTER ONE
SEATTLE
It was raining, a relentless mist that drove the predawn chill deeper into his bones. But he knew it wasn't just the night air that made him feel so cold. It was the fact that he hadn't kept his twice-daily date with Madam Lola this evening. He hadn't been able to afford her tonight, and now he was paying the price.
He'd first met Madam L. back in grad school. He had been a good student in those days. Everyone had said he had a bright future in chemical engineering. Probably would have held a few patents by now if he hadn't met Madam Lola. It was a woman, a student in one of his classes, who'd introduced him to Lola. She'd assured him that sex was great after just one dose. She'd been right. But Lola soon became more interesting than sex. More interesting than getting a Ph.D. in chemical engineering. More interesting than the successful future he'd once planned for himself.
Lola had taken over his life, and the lady was a harsh mistress. She demanded his obedient attendance twice a day. If he missed even one dose, he felt like that stuff on the parking lot pavement that he'd stepped in a few minutes ago. And he also felt cold. Very, very cold.
But He hoped he could last a while longer in his present job. He sort of liked it. Sometimes when he was working at Excalibur he pretended that he really had finished that doctorate; that he was a respected member of the research team like Dr. Page, maybe, not just a lowly lab tech. He felt bad about what he'd done tonight. But he hadn't had a choice. His salary at Excalibur was good, but it wasn't good enough to pay for the amount of time he had to spend with Lola these days. His other employer was very generous, though.
And He heard her footsteps first, high heels echoing lightly on the wet pavement. He straightened away from the damp bricks, anticipation driving out some of the chill. Not long now and he would have what he needed to warm him once more.
"Hello, Ryan."
"About time you got here," he muttered.
She walked toward him through the thick shadows. The hood of a long, black raincoat concealed her face. "Everything went well tonight, I assume?"
"No problem. Lab's a mess. It'll take 'em days to clean up."
"Excellent. It was probably unnecessary. Just a precaution in the unlikely event that Fairfax or Excalibur security calls in the police. It will send them off in the wrong direction."
"Companies never call in the cops on this kind of thing if they can help it. Bad public relations. Freaks out the investors and clients."
"Yes. And that is the one thing that Excalibur can't afford to do right now." She moved her hand, reaching into her purse. "Well, I think that takes care of everything. You've been a fine employee, Ryan. I shall be sorry to let you go."
"Huh?"
"I'm afraid I don't need you anymore. In fact, you've become a liability." She removed her hand from her purse. There was just enough light from the dying streetlamp to reveal the glint of dark metal.
A gun.
He struggled to come to grips with the reality of what was happening. But by the time he understood, it was too late. She was like one of those women in the old black-and-white films that Dr. Page loved, he thought. A femme fatale.
She pulled the trigger twice. The second shot was unnecessary, but she wanted to be quite certain. There was a line in the script that summed up her philosophy on details.
From Soft Focus by Jayne Anne Krentz. (c) December 27, 1999 , Jayne Anne Krentz used by permission.
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