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Inner Harbor is the crowning achievement in the story of the lives of the brothers Quinn. While the previous two books dealt primarily with Cam and Ethan, Inner Harbor focuses its attention on Phillip, the most unattached of the three after having given up his sexy job in Baltimore to be part of a boat-building enterprise in the small town of St. Christopher's, on Maryland's eastern shore. Phillip may be the hunkiest of the brothers, and when a mysterious writer named Sybill crosses his path, his world begins to rock.
Cam was the speed-chasing playboy and Ethan the taciturn waterman. But former street hustler Philip Quinn was the stylish city dweller who took one look at Dr. Sybill Griffin and fell hard. Sybill made her mark in observational psychology, always ten paces back from the action. This time Philip wont let her avoid the fray. He finds Sybill attractive in ways he refuses to admit. When her relationship to his brother Seth is uncovered, Philip must reconcile his needs and hers with those of Seth. This final novel in the Quinn Brothers trilogy is equally as strong as the prior two (e.g., Rising Tides, Audio Reviews, LJ 11/1/98). Guy Lemonier is terrific at vocalizing Philip and particularly Sybill, whose cold, unemotional facade gives frosty new meaning. Roberts is at her best here, from the multifaceted characterizations to the carefully crafted plot twists. This, and the other titles in the series, are excellent additions to fiction collections.Jodi L. Israel, Jamaica Plain, MA
More Reviews and RecommendationsOne of the most prolific and popular writers in the world, Nora Roberts (who also writes as her edgier alter-ego J. D. Robb) publishes multiple books a year. Not that it’s enough for her fans, who tear through her unconventional romances. With her trademark mix of fantasy, mystery, and romance, Roberts has created her own genre -- and romance fans are grateful for it!
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February 25, 2006: A great end to the trilogy! I liked it because it didn't have magic and fantasy like other Nora Robert's books. This trilogy had a real life situations and for that, I really could get into it. Be sure to read 'Chesapeake Blue' which is Seth's story.
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August 19, 2005: This was the perfect ending to an already amazing trilogy. Nora Roberts is a mastermind when it comes to wtiting books. She always knows all the twists and turns to make a perfect book. I love this book.
Name:
Nora Roberts
Also Known As:
J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
Current Home:
Keedysville, Maryland
Date of Birth:
1950
Place of Birth:
Silver Spring, Maryland
Awards:
Romance Writers of America Hall of Fame, 1986; Romantic Times Career Achievement Award, 1991; Romance Writers of America Centennial Award, 1997; Romance Writers of America Golden Medallion Award (seven times); Quill Award for Blue Smoke, 2006
Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.
As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.
For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."
Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.
Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."
Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."
Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.
Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.
One afternoon when Nora Roberts was four, her two oldest brothers broke into a violent argument while they were baby-sitting her. "I peeked out of the bedroom, and they're beating the hell out of each other," Roberts says. Then her mother walked in, with a grocery bag in each hand. "One bag goes here, one bag goes there, she steps right in the middle of these two six-foot guys and she goes, boom, bam. Two backhands. And both of them go, 'Maaaaaawwwmm.' I thought right then, There's the power. She's the power."
Elly, as her family still calls her, the youngest of five and the only girl, was a quick study. "She bossed her brothers around," says her mother, Eleanor; today, "her brothers have got her on a throne." Roberts reigns over more than her family, which now includes her husband and two sons. Since her writing debut in 1981, she has helped lead American romance away from its clichés of simpering heroines and heroic rapists toward more complex characters and contemporary, multifaceted plots. Of course, sex -- passionate, tender, delayed, avoided, forced, in castles, in fields, in treetops -- continues to be a central hook. And often, the prose remains purple; Roberts herself has a propensity for phrases like "she rocked them both toward madness." But the genre with which her name is synonymous is one -- the only one -- that always puts women at the center of the universe.
***
Two Mercedes -- a Kompressor convertible and an M-Class SUV -- and a Chrysler PT Cruiser are parked outside the rural Keedysville, Maryland, home Roberts shares with her husband. Inside, several gauzy photographs of nude models hang above the bed in the ground-floor master bedroom, and a rendition of the Casablanca movie poster -- with the couple painted in as Ilsa and Rick -- is prominent above the fireplace. Three ebullient dogs and one gnarled old mutt track in dirt and litter the house with deer bones that they've found outside.
Since moving here twenty-nine years ago, Roberts has divorced her first husband, raised their two sons (Dan, now twenty-nine, lives with his wife down the lane; Jason, twenty-six, is just over an hour away) and remarried. She has also added on a few rooms and an indoor pool; a few years ago, she bought twenty adjoining acres so she could continue to shoo deer out of the garden in her underwear without worrying about neighbors. She and her husband own a tiny bookshop in nearby Boonsboro, but Roberts spends most of her time in an upstairs office where she types, smokes and drinks diet colas eight hours a day, five days a week. It's a routine that's produced an average of seven books a year since 1981, many of them bestsellers.
Roberts knows that her work is commercial fiction and doesn't lose any sleep waiting for National Book Award nominations. The high-art literary tradition isn't what's gotten her to where she is; what has is her "real talent for storytelling," as author Jennifer Crusie (Fast Women; Welcome to Temptation) says, and a commensurate skill with plot and pacing. Readers are pulled into her story lines (which often bounce from one continent to the next) and her well-drawn characters. Fans especially admire Roberts' tough, independent heroines. "When they fit with your own circumstances," says Elizabeth Mayfield, a database administrator from Norwalk, Connecticut, "you think, Gee, there's hope for me." Roberts, however, contends that she's not writing to provide role models for anyone. "I'm gonna tell a good, entertaining story," she says. "I'm not looking to change the world."
Roberts was born Eleanor Marie Robertson, and she grew up in Silver Spring, Maryland, about an hour from where she lives now. Her father worked as a projectionist at the local movie theater and as a stagehand until 1964, when he started a lighting company -- which is where most of the Robertson family still works. Her mother ran the family. "Mom was a very strict disciplinarian," says Roberts' brother Buzz, who is now the president of his dad's company, "but as long as you followed the rules and were polite, you didn't have a problem." He says Nora had it a little easier than her brothers. "Us boys, we knew we were low men on the totem pole. Mom was tickled pink when she had Nora."
"Her daddy worked two jobs all his life, and during the Depression, I took in roomers," says Eleanor Robertson, who at eighty-five still lives in Silver Spring and is now secretary-treasurer of the company her husband started (Bernie Robertson died in 2000). "She knows how hard we worked to give them an education and a nice home." Roberts went to Catholic schools as a child and credits much of her success to the nuns who taught her -- the discipline and guilt in her formative years did her a lot of good.
In her sophomore year of high school, Roberts transferred to public school, where she met Ronald Aufdem-Brinke; she married him at seventeen, in 1968, right after graduation. The young couple moved to Keedysville and had a small house built in the woods. While Aufdem-Brinke worked at his father's sheet-metal business and later the Robertson lighting company, Roberts took care of their two children and the house. "Oh God, I had craft addictions," Roberts says, taking a drag on a cigarette. (She runs through a pack of Winstons at a pace that doesn't quite catch up to chain-smoking but runs several steps beyond casual.) "You name it, I made it. I macraméd two hammocks once. I did ceramics, I sewed the kids' clothes. I even put flies into overalls -- that is sick. I was a sick woman. I baked bread once a week. I canned jellies and made my own spaghetti sauce using my own tomatoes."
Sometime during the next decade (she calls the period her "Earth Mother" years), Roberts started to read Harlequin novels -- the short books were easy for her to finish while the kids were napping. During a blizzard in 1979, trapped inside with little more than her three- and six-year-old sons and a game of Candy Land, Roberts sat down with a pencil and wrote a manuscript of her own, a romance that she's since described as "very bad." In the next year and a half, while her kids were napping or at T-ball practice, she wrote at least six manuscripts in longhand. She submitted some of them to Harlequin, which at the time was using mainly British writers. Roberts didn't hear back, but her enthusiasm wasn't subdued. "I became a writing junkie," she says. Although she was rejected several times, she continued to write -- but started filing her manuscripts in a back drawer rather than submitting them.
Roberts then heard that a new romance publisher, Silhouette, was looking specifically for American writers, so she sent in her work. In 1980 she got a call from Nancy Jackson, a Silhouette editor, saying she had plucked one of Roberts' manuscripts -- Irish Thoroughbred, a slender love story about an Irish stable hand and her boss -- out of the slush pile. Jackson told Roberts she wanted to publish it. Eleanor Aufdem-Brinke changed her name to Nora Roberts because she says she assumed all romance authors used a nom de plume. The book "didn't make waves when it first came out," says Isabel Swift, her current editor, but it sold well in reprint. Roberts was hooked on the process, though, and published five more books the following year, eight the following and ten the year after that.
Roberts hit it big in 1985 when she wrote the first of her MacGregor family series, Playing the Odds. The book, which focuses on a matchmaking Scottish patriarch and his brood, became an immediate bestseller. Romance readers began associating the name Nora Roberts with multigenerational sagas: In addition to the MacGregors, she has written about the Donovans, a modern family of Irish magicians; the Calhouns, a family of pigheaded sisters in Maine; and the Stanislaskis, tempestuous Ukrainian immigrants.
***
From the beginning, Roberts' heroines were not content to wear aprons or take dictation. In Irish Thoroughbred, though Roberts' heroine was young (early twenties) and virginal (well, she was a virgin), she was a horse groomer with an independent streak. Roberts wasn't alone in giving her female characters more authority in the workforce; other American romance authors -- like Jayne Ann Krentz, Sandra Brown and Elizabeth Lowell -- were doing the same. "I think one of the great things the American writer has brought to the romance novel," Krentz says, "is a modern interpretation of women's roles and women's values." Author Janet Evanovich adds, "The genre reflects the increased power and opportunity afforded today's women. We see more variety in the genre in terms of heroine age and occupation. And today's heroine is stronger, more self-reliant. Of course, Nora was always ahead of the pack. Her heroines were always strong."
Rebecca Sullivan, a heroine in Roberts' latest romantic suspense, Three Fates, is a quintessential Nora Roberts lead: She runs the family business (giving boat tours off the western coast of Ireland) and engineers the search for the family's lost treasure. Rebecca's a smart, capable lady with a sense of humor. In the course of the story, she falls in love with a computer expert who eventually marries her -- the book ends in Ireland with the assumption that the husband will help her with the business. "I'm not interested in telling stories about weak women," Roberts says. "Or if they're weak, I want to show how they grow and how they become strong. I'm not writing about Cinderella sitting waiting for her prince to come and take her away. She'll get out of it herself. The prince is a bonus, a completion, another element -- but it's not the answer to all of her problems."
***
Perched on a stool next to her kitchen counter, Roberts doesn't look like a purveyor of dreams. She could be any of a million women, taking a break from a million jobs, looking toward the end of a million days. Right now, her husband is outside, working in the yard before heading to town. Later on, he'll pick up groceries, and Nora will cook dinner; favorites are pasta with red sauce or Cajun chicken. Around 7:30, the two will retire for the evening, probably settling down for a while in front of the television -- it's Thursday, so they'll probably tune in for some of Friends or ER. And that's a typical end to a typical day for the world's most popular romance author. "I always wonder if they asked Agatha Christie if she was homicidal," Roberts says with a laugh. "I don't have a romantic lifestyle."
Still, she says, it's romance books she turns to when she wants to escape reality, so maybe the queen of the realm is, finally, one of its true citizens as well. Roberts, after all, spends her days holed up in her office, writing, researching and investigating the backgrounds for her books. She loves it, she says, but it's work. And when she's done, she's done. "When I read for pleasure," she says, "give me a story."
If today's romance is escapism, millions of its readers would argue that it is also girl-power between pastel covers: adventures that belong to characters who are at their strongest -- and sexiest -- because they are women. So Roberts essentially shrugs off the contempt reserved for romance novels as sexist and ignorant. Still, she recognizes that the genre carries a lot of baggage -- even she finds herself sneaking reads when she's out in public. A lot of the embarrassment, she says, has to do with the way the books look. "It's mostly hard for me when she's falling out of her dress, and he has his mouth on her tit," Roberts says, describing what she calls "nursing mother" covers. She taps her lighter against the counter and rolls her eyes. "To sit on an airplane and read that?"
#1 New York Times bestselling author Nora Roberts presents the final novel in the captivating trilogy of three brothers who have come together in a time of need. They honored their father's wish to raise young Seth as their own. And with all of the brothers home again, the Quinn family has never been so strong. But in the months to come, their strength is tested -- once again...
Phillip Quinn had done everything to make his life seem perfect. With his career on the fast track and a condo overlooking the Inner Harbor, his life on the street was firmly in the past. But one look at Seth and he's reminded of the boy he once was...Phillip has intended to fulfill his father's dying request and considered Seth to be a duty. He never expected he would grow to love Seth, and soon his promise to his father became more than just obligation.
Seth's future as a Quinn seems assured -- until a stranger arrives in town. She claims to be researching St. Christopher's for her new book, but the true objects of study are the Quinns. Her cool reserve intrigues Phillip. He is determined to uncover her motives, but she is holding a secret that has the power to threaten the life the brothers have made for Seth. A secret that could tear the family apart... forever...
Cam was the speed-chasing playboy and Ethan the taciturn waterman. But former street hustler Philip Quinn was the stylish city dweller who took one look at Dr. Sybill Griffin and fell hard. Sybill made her mark in observational psychology, always ten paces back from the action. This time Philip wont let her avoid the fray. He finds Sybill attractive in ways he refuses to admit. When her relationship to his brother Seth is uncovered, Philip must reconcile his needs and hers with those of Seth. This final novel in the Quinn Brothers trilogy is equally as strong as the prior two (e.g., Rising Tides, Audio Reviews, LJ 11/1/98). Guy Lemonier is terrific at vocalizing Philip and particularly Sybill, whose cold, unemotional facade gives frosty new meaning. Roberts is at her best here, from the multifaceted characterizations to the carefully crafted plot twists. This, and the other titles in the series, are excellent additions to fiction collections.Jodi L. Israel, Jamaica Plain, MA
Here's yet another volume on the Amistad affair (see Cable, above). Owens's 1953 title is the one upon which the current film supposedly is based. Take your pick.
Nora Roberts
From a barnesandnoble.com e-nnouncement
Nora Roberts is a staple on the New York Times bestseller list, and having written more than 100 novels, she proves that romance is far from dead. In Roberts’s latest novel, INNER HARBOR, she concludes the captivating trilogy that started with SEA SWEPT and RISING TIDES. Once again the Quinn brothers are back in the final installment of the trilogy. Read Nora’s insightful message before beginning this enchanting conclusion.
Dear Reader,Home means different things to different people. Making a home can be both a challenge and a joy. Those of us who are lucky have fond memories of the place where we grew up, of the traditions there. INNER HARBOR deals with finding that home, making it, preserving it. Ray and Stella Quinn had given Phillip a second chance at life. He’d never forgotten what they’d done for him. With his brothers, Cameron, Ethan, and now Seth, Phillip worked to maintain their home and keep a promise to a man he loved. Maybe he preferred his life in Annapolis, the museums, the restaurants, the crowds, but he’d keep his promise even if it meant splitting his time on the Shore, laboring over hulls and homework. Home was what Ray wanted for his sons, all of his sons. To keep his promise, and his home, Phillip must accept the boy Ray brought into their lives, and deal with a beautiful woman who has secrets that will affect all of them -- a woman who needs both his trust and his heart. To clear their father’s name and keep a sacred vow, the Quinns will band together. A family formed by fate and the generous hearts of a special couple. --Nora Roberts
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Chapter One
Phillip loosened the windsor knot in his Fendi tie. It was a long commute from Baltimore to Maryland's Eastern Shore, and he'd programmed his CD player with that in mind. He started out mellow with a little Tom Petty and the Heartbreakers.
Thursday-evening traffic was as bad as predicted, made worse by the sluggish rain and the rubberneckers who couldn't resist a long, fascinated goggle at the three-car accident on the Baltimore Beltway.
By the time he was heading south on Route 50, even the hot licks of vintage Stones couldn't completely lift his mood.
He'd brought work with him and somehow had to eke out time for the Myerstone Tire account over the weekend. They wanted a whole new look for this advertising campaign. Happy tires make happy drivers, Phillip thought, drumming his fingers on the wheel to the rhythm of Keith Richards's outlaw guitar.
Which was a crock, he decided. Nobody was happy driving in rainy rush-hour traffic, no matter what rubber covered their wheels.
But he'd come up with something that would make the consumers think that riding on Myerstones would make them happy, safe, and sexy. It was his job, and he was good at it.
Good enough to juggle four major accounts, supervise the status of six lesser ones, and never appear to break a sweat within the slick corridors of Innovations, the well-heeled advertising firm where heworked. The firm that demanded style, exuberance, and creativity from its executives.
They didn't pay to see him sweat.
Alone, however, was a different matter.
He knew he'd been burning not a candle but a torch at both ends for months. With one hard slap of fate he'd gone from living for Phillip Quinn to wondering what had happened to his cheerfully upwardly mobile urban lifestyle.
His father's death six months before had turned his life upside down. The life that Ray and Stella Quinn had righted seventeen years ago. They'd walked into that dreary hospital room and offered him a chance and a choice. He'd taken the chance because he'd been smart enough to understand that he had no choice.
Going back on the streets wasn't as appealing as it had been before his chest had been ripped open by bullets. Living with his mother was no longer an option, not even if she changed her mind and let him buy his way back into the cramped apartment on Baltimore's Block. Social Services was taking a hard look at the situation, and he knew he'd be dumped into the system the minute he was back on his feet.
He had no intention of going back into the system, or back with his mother, or back to the gutter, for that matter. He'd already decided that. He felt that all he needed was a little time to work out a plan.
At the moment that time was buffered by some very fine drugs that he hadn't had to buy or steal. But he didn't figure that little benefit was going to last forever.
With the Demerol sliding through his system, he gave the Quinns a canny once-over and dismissed them as a couple of weirdo do-gooders. That was fine with him. They wanted to be Samaritans, give him a place to hang out until he was back to a hundred percent, good for them. Good for him.
They told him they had a house on the Eastern Shore, which for an inner-city kid was the other end of the world. But he figured a change of scene couldn't hurt. They had two sons about his age. Phillip decided he wouldn't have to worry about a couple of wimps that the do-gooders had raised.
They told him they had rules, and education was a priority. School didn't bother him any. He breezed his way through when he decided to go.
No drugs. Stella said that in a cool voice that made Phillip reevaluate her as he put on his most angelic expression and said a polite No, ma'am. He had no doubt that when he wanted a hit, he'd be able to find a source, even in some bumfuck town on the Bay.
Then Stella leaned over the bed, her eyes shrewd, her mouth smiling thinly.
You have a face that belongs on a Renaissance painting. But that doesn't make you less of a thief, a hoodlum, and a liar. We'll help you if you want to be helped. But don't treat us like imbeciles.
And Ray laughed his big, booming laugh. He squeezed Stella's shoulder and Phillip's at the same time. It would be, Phillip remembered he'd said, a rare treat to watch the two of them butt heads for the next little while.
They came back several times over the next two weeks. Phillip talked with them and with the social worker, who'd been much easier to con than the Quinns.
In the end they took him home from the hospital, to the pretty white house by the water. He met their sons, assessed the situation. When he learned that the other boys, Cameron and Ethan, had been taken in much as he had been, he was certain they were all lunatics.
He figured on biding his time. For a doctor and a college professor they hadn't collected an abundance of easily stolen or fenced, valuables. But he scoped out what there was.
Instead of stealing from them, he fell in love with them. He took their name and spent the next ten years in the house by the water.
Then Stella had died, and part of his world dropped away. She had become the mother he'd never believed existed. Steady, strong, loving, and shrewd. He grieved for her, that first true loss of his life. He buried part of that grief in work, pushing his way through college, toward a goal of success and a sheen of sophisticationand an entry-level position at Innovations.
He didn't intend to remain on the bottom rung for long.
Taking the position at Innovations in Baltimore was a small personal triumph. He was going back to the city of his misery, but he was going back as a man of taste. No one seeing the man in the tailored suit would suspect that he'd once been a petty thief, a sometime drug dealer, and an occasional prostitute.
Everything he'd gained over the last seventeen years could be traced back to that moment when Ray and Stella Quinn had walked into his hospital room.
Then Ray had died suddenly, leaving shadows that had yet to be washed with the light. The man Phillip had loved as completely as a son could love a father had lost his life on a quiet stretch of road in the middle of the day when his car had met a telephone pole at high speed.
There was another hospital room. This time it was the Mighty Quinn lying broken in the bed with machines gasping. Phillip, along with his brothers, had made a promise to watch out for and to keep the last of Ray Quinn's strays, another lost boy.
But this boy had secrets, and he looked at you, with Ray's eyes.
The talk around the waterfront and the neighborhoods of the little town of St. Christopher's on Maryland's Eastern Shore hinted of adultery, of suicide, of scandal. In the six months since the whispers had started, Phillip felt that he and his brothers had gotten no closer to finding the truth. Who was Seth DeLauter and what had he been to Raymond Quinn?
Another stray? Another half-grown boy drowning in a vicious sea of neglect and violence who so desperately needed a lifeline? Or was he more? A Quinn by blood as well as by circumstance?
All Phillip could be sure of was that ten-year-old Seth was his brother as much as Cam and Ethan were his brothers. Each of them had been snatched out of a nightmare and given a chance to change their lives.
With Seth, Ray and Stella weren't there to keep that choice open.
There was a part of Phillip, a part that had lived inside a young, careless thief, that resented even the possibility that Seth could be Ray's son by blood, a son conceived in adultery and abandoned in shame. It would be a betrayal of everything the Quinns had taught him, everything they had shown him by living their lives as they had.
He detested himself for considering it, for knowing that now and then he studied Seth with cool, appraising eyes and wondered if the boy's existence was the reason Ray Quinn was dead.
Whenever that nasty thought crept into his mind, Phillip shifted his concentration to Gloria DeLauter. Seth's mother was the woman who had accused Professor Raymond Quinn of sexual harassment. She claimed it had happened years before, while she was a student at the university. But there was no record of her ever attending classes there.
The same woman had sold her ten-year-old son to Ray as if he'd been a package of meat. The same woman, Phillip was certain, that Ray had been to Baltimore to see before he had driven homeand driven himself to his death.
She'd taken off. Women like Gloria were skilled in skipping out of harm's way. Weeks ago, she'd sent the Quinns a not-so-subtle blackmail letter: If you want to keep the kid, I need more. Phillip's jaw clenched when he remembered the naked fear on Seth's face when he'd learned of it.
She wasn't going to get her hands on the boy, he told himself. She was going to discover that the Quinn brothers were a tougher mark than one softhearted old man.
Not just the Quinn brothers now, either, he thought as he turned off onto the rural county road that would lead him home. He thought of family as he drove fast down a road flanked by fields of soybeans, of peas, of corn grown taller than a man. Now that Cam and Ethan were married, Seth had two determined women to stand with him as well.
Married. Phillip shook his head in amused wonder. Who would have thought it? Cam had hitched himself to the sexy social worker, and Ethan was married to sweet-eyed Grace. And had become an instant father, Phillip mused, to angel-faced Aubrey.
Well, good for them. In fact, he had to admit that Anna Spinelli and Grace Monroe were tailor-made for his brothers. It would only add to their strength as a family when it came time for the hearing on permanent guardianship of Seth. And marriage certainly appeared to suit them. Even if the word itself gave him the willies.
For himself, Phillip much preferred the single life and all its benefits. Not that he'd had much time to avail himself of all those benefits in the past few months. Weekends in St. Chris, supervising homework assignments, pounding a hull together for the fledgling Boats by Quinn, dealing with the books for the new business, hauling groceriesall of which had somehow become his domaincramped a man's style.
He'd promised his father on his deathbed that he would take care of Seth. With his brothers he'd made a pact to move back to the Shore, to share the guardianship and the responsibilities. For Phillip that pact meant splitting his time between Baltimore and St. Chris, and his energies between maintaining his careerand his incomeand tending to a new and often problematic brother and a new business.
It was all a risk. Raising a ten-year-old wasn't without headaches and fumbling mistakes under the best of circumstances, he imagined. Seth DeLauter, raised by a part-time hooker, full-time junkie, and amateur extortionist, had hardly come through the best of circumstances.
Getting a boatbuilding enterprise off the ground was a series of irksome details and backbreaking labor. Yet somehow it was working, and if he discounted the ridiculous demands on his time and energy, it was working fairly well.
Not so long ago his weekends had been spent in the company of any number of attractive, interesting women, having dinner at some new hot spot, an evening at the theater or a concert, and if the chemistry was right, a quiet Sunday brunch in bed.
He'd get back to that, Phillip promised himself. Once all the details were in place, he would have his life back again. But, as his father would have said, for the next little while ...
He turned into the drive. The rain had stopped, leaving a light sheen of wet on the leaves and grass. Twilight was creeping in. He could see the light in the living room window glowing in a soft and steady welcome. Some of the summer flowers that Anna had babied along were hanging on, and early fall blooms shimmered in the shadows. He could hear the puppy barking, though at nine months Foolish had grown too big and sleek to be considered a puppy anymore.
It was Anna's night to cook, he remembered. Thank God. It meant a real meal would be served at the Quinns'. He rolled his shoulders, thought about pouring himself a glass of wine, then watched Foolish dash around the side of the house in pursuit of a mangy yellow tennis ball.
The sight of Phillip getting out of his car obviously distracted the dog from the game. He skidded to a halt and set up a din of wild, terrified barking.
"Idiot." But he grinned as he pulled his briefcase out of the Jeep.
At the familiar voice, the barking turned into mad joy. Foolish bounded up with a delighted look in his eyes and wet, muddy paws. "No jumping!" Phillip yelled, using his briefcase like a shield. "I mean it. Sit!"
Foolish quivered, but dropped his rump on the ground and lifted a paw. His tongue lolled, his eyes gleamed. "That's a good dog." Gingerly Phillip shook the filthy paw and scratched the dog's silky ears.
"Hey." Seth wandered into the front yard. His jeans were grubby from wrestling with the dog, his baseball cap was askew so that straw-straight blond hair spiked out of it. The smile, Phillip noted, came much more quickly and easily than it had a few months before. But there was a gap in it.
"Hey." Phillip butted a finger on the bill of the cap. "Lose something?"
"Huh?"
Phillip tapped a finger against his own straight, white teeth.
"Oh, yeah." With a typical Quinn shrug, Seth grinned, pushing his tongue into the gap. His face was fuller than it had been six months before, and his eyes less wary. "It was loose. Had to give it a yank a couple of days ago. Bled like a son of a bitch."
Phillip didn't bother to sigh over Seth's language. Some things, he determined, weren't going to be his problem. "So, did the Tooth Fairy bring you anything?"
"Get real."
"Hey, if you didn't squeeze a buck out of Cam, you're no brother of mine."
"I got two bucks out of it. One from Cam and one from Ethan."
Laughing, Phillip swung an arm over Seth's shoulders and headed toward the house. "Well, you're not getting one out of me, pal. I'm on to you. How was the first full week of school?"
"Boring." Though it hadn't been, Seth admitted silently. It had been exciting. All the new junk Anna had taken him shopping for. Sharp pencils, blank notebooks, pens full of ink. He'd refused the X-Files lunch box she'd wanted to get him. Only a dork carried a lunch box in middle school. But it had been really cool and tough to sneer at.
He had cool clothes and bitching sneakers. And best of all, for the first time in his life, he was in the same place, the same school, with the same people he'd left behind in June.
"Homework?" Phillip asked, raising his eyebrows as he opened the front door.
Seth rolled his eyes. "Man, don't you ever think about anything else?"
"Kid, I live for homework. Especially when it's yours." Foolish burst through the door ahead of Phillip, nearly knocking him down with enthusiasm. "You've still got some work to do on that dog." But the mild annoyance faded instantly. He could smell Anna's red sauce simmering, like ambrosia on the air. "God bless us, every one," he murmured.
"Manicotti," Seth informed him.
"Yeah? I've got a Chianti I've been saving just for this moment." He tossed his briefcase aside. "We'll hit the books after dinner."
He found his sister-in-law in the kitchen, filling pasta tubes with cheese. The sleeves of the crisp white shirt she'd worn to the office were rolled up, and a white butcher's apron covered her navy skirt. She'd taken off her heels and tapped a bare foot to the beat of the aria she was humming. Carmen, Phillip recognized. Her wonderful mass of curling black hair was still pinned up.
With a wink at Seth, Phillip came up behind her, caught her around the waist, and pressed a noisy kiss onto the top of her head. "Run away with me. We'll change our names. You can be Sophia and I'll be Carlo. Let me take you to paradise where you can cook for me and me alone. None of these peasants appreciate you like I do."
"Let me just finish this tube, Carlo, and I'll go pack." She turned her head, her dark Italian eyes laughing. "Dinner in thirty minutes."
"I'll open the wine."
"Don't we have anything to eat now?" Seth wanted to know.
"There's antipasto in the fridge," she told him. "Go ahead and get it out."
"It's just vegetables and junk," Seth complained when he pulled out the platter.
"Yep."
"Jeez."
"Wash the dog off your hands before you start on that."
"Dog spit's cleaner than people spit," Seth informed her. "I read how if you get bit by another guy it's worse than getting bit by a dog."
"I'm thrilled to have that fascinating tidbit of information. Wash the dog spit off your hands anyway."
"Man." Disgusted, Seth clomped out, with Foolish slinking after him.
Phillip chose the wine from the small supply he kept in the pantry. Fine wines were one of his passions, and his palate was extremely discriminating. His apartment in Baltimore boasted an extensive and carefully chosen selection, which he kept in a closet he'd remodeled specifically for that purpose.
At the Shore, his beloved bottles of Bordeaux and Burgundy kept company with Rice Krispies and boxes of Jell-O Instant Pudding.
He'd learned to live with it.
"So how was your week?" he asked Anna.
"Busy. Whoever said women can have everything should be shot, Handling a career and a family is grueling." Then she looked up with a brilliant smile. "I'm loving it."
"It shows." He drew the cork expertly, sniffed it and approved, then set the bottle on the counter to breathe. "Where's Cam?"
"Should be on his way home from the boatyard. He and Ethan wanted to put in an extra hour. The first Boat by Quinn is finished. The owner's coming in tomorrow. It's finished, Phillip." Her smile flashed, brilliant and glowing with pride. "At dock, seaworthy and just gorgeous."
He felt a little tug of disappointment that he hadn't been in on the last day. "We should be having champagne."
Anna lifted a brow as she studied the label on the wine. "A bottle of Folonari, Ruffino?"
He considered one of Anna's finest traits to be her appreciation for good wine. "Seventy-five," he said with a broad grin.
"You won't hear any complaints from me. Congratulations, Mr. Quinn, on your first boat."
"It's not my deal. I just handle the details and pass for slave labor."
"Of course it's your deal. Details are necessary, and neither Cam nor Ethan could handle them with the finesse you do."
"I think the word they use, is `nagging.'"
"They need to be nagged. You should be proud of what the three of you have accomplished in the last few months. Not just the new business, but the family. Each one of you has given up something that's important to you for Seth. And each one of you has gotten something important back."
"I never expected the kid to matter so much." While Anna smothered the filled tubes with sauce, Phillip opened a cupboard for wineglasses. "I still have moments when the whole thing pisses me off."
"That's only natural, Phillip."
"Doesn't make me feel any better about it." He shrugged his shoulders in dismissal, then poured two glasses. "But most of the time, I look at him and think he's a pretty good deal for a kid brother."
Anna grated cheese over the casserole. Out of the corner of her eye she watched Phillip lift his glass, appreciate the bouquet. He was beautiful to look at, she mused. Physically, he was as close to male perfection as she could imagine. Bronze hair, thick and full, eyes more gold than brown. His face was long, narrow, thoughtful. Both sensual and angelic. His tall, trim build seemed to have been fashioned for Italian suits. But since she'd seen him stripped to the waist in faded Levi's she knew there was nothing soft about him.
Sophisticated, tough, erudite, shrewd. An interesting man, she mused.
She slipped the casserole into the oven, then turned to pick up her wine. Smiling at him, she tapped her glass on his. "You're a pretty good deal too, Phillip, for a big brother."
She leaned in to kiss him lightly as Cam walked in.
"Get your mouth off my wife."
Phillip merely smiled and slid an arm around Anna's waist. "She put hers on me. She likes me."
"She likes me better." To prove it, Cam hooked a hand in the tie of Anna's apron, spun her around, and pulled her into his arms to kiss her brainless. He grinned, nipped her bottom lip and patted her butt companionably. "Don'cha, sugar?"
Her head was still spinning. "Probably." She blew out a breath. "All things considered." But she wiggled free. "You're filthy."
"Just came in to grab a beer to take into the shower." Long and lean, dark and dangerous, he prowled over to the fridge. "And kiss my wife," he added with a smug look at Phillip. "Go get your own woman."
"Who has time?" Phillip said mournfully.
* * *
After dinner, and an hour spent slaving over long division, battles of the Revolutionary War, and sixth-grade vocabulary, Phillip settled down in his room with his laptop and his files.
It was the same room he'd been given when Ray and Stella Quinn had brought him home. The walls had been a pale green then. Sometime during his sixteenth year he'd gotten a wild hair and painted them magenta. God knew why. He remembered that his motherfor Stella had become his mother by thenhad taken one look and warned him he'd have terminal indigestion.
He thought it was sexy. For about three months. Then he'd. gone with a stark white for a while, accented with moody black-framed, black-and-white, photographs.
Always looking for ambience, Phillip thought now, amused at himself. He'd circled back to that soft green right before he moved to Baltimore.
They'd been right all along, he supposed. His parents had usually been right.
They'd given him this room, in this house, in this place. He hadn't made it easy for them. The first three months were a battle of wills. He smuggled in drugs, picked fights, stole liquor, and stumbled in drunk at dawn.
It was clear to him now that he'd been testing them, daring them to kick him out, Toss him back. Go ahead, he'd thought. You can't handle me.
But they did. They had not only handled him, they had made him.
I wonder, Phillip, his father had said, why you want to waste a good mind and a good body. Why you want to let the bastards win.
Phillip, who was suffering from the raw gut and bursting head of a drag and alcohol hangover, didn't give a good damn.
Ray took him out on the boat, telling him that a good sail would clear his head. Sick as a dog, Phillip leaned over the rail, throwing up the remnants of the poisons he'd pumped into his system the night before.
He'd just turned fourteen.
Ray anchored the boat in a narrow gut. He held Phillip's head, wiped his face, then offered him a cold can of ginger ale.
"Sit down."
He didn't so much sit as collapse. His hands shook, his stomach shuddered at the first sip from the can. Ray sat across from him, his big hands on his knees, his silvering hair flowing in the light breeze. And those eyes, those brilliant blue eyes, level and considering.
"You've had a couple of months now to get your bearings around here. Stella says you've come around physically. You're strong, and healthy enoughthough you aren't going to stay that way if you keep this up."
He pursed his lips, said nothing for a long moment. There was a heron in the tall grass, still as a painting. The air was bright and chill with late fall, the trees bare of leaves so that the hard blue sky spread overhead. Wind ruffled the grass and skimmed fingers over the water.
The man sat, apparently content with the silence and the scene. The boy slouched, pale of face and hard of eye.
"We can play this a lot of ways, Phil," Ray said at length. "We can be hard-asses. We can put you on a short leash, watch you every minute and bust your balls every time you screw up. Which is most of the time."
Considering, Ray picked up a fishing rod, absently baited it with a marshmallow. "Or we could all just say that this little experiment's a bust and you can go back into the system."
Phillip's stomach churned, making him swallow to hold down what he didn't quite recognize as fear. "I don't need you. I don't need anybody."
"Yeah, you do." Ray said it mildly as he dropped the line into the water. Ripples spread, endlessly. "You go back into the system, you'll stay there. Couple of years down the road, it won't be juvie anymore. You'll end up in a cell with the bad guys, the kind of guys who are going to take a real liking to that pretty face of yours. Some seven-foot con with hands like smoked hams is going to grab you in the showers one fine day and make you his bride."
Phillip yearned desperately for a cigarette. The image conjured by Ray's word made fresh sweat pop out on his forehead. "I can take care of myself."
"Son, they'll pass you around like canapés, and you know it. You talk a good game and you fight a good fight, but some things are inevitable. Up to this point your life has pretty much sucked. You're not responsible for that. But you are responsible for What happens from here on."
He fell into silence again, clamping the pole between his knees before reaching for a cold can of Pepsi. Taking his time, Ray popped the top, tipped the can back, and guzzled.
"Stella and I thought we saw something in you," he continued. "We still do," he added, looking at Phillip again. "But until you do, we're not going to get anywhere."
"What do you care?" Phillip tossed back miserably.
"Hard to say at the moment. Maybe you're not worth it. Maybe you'll just end up back on the streets hustling marks and turning tricks anyway."
For three months he'd had a decent bed, regular meals, and all the books he could readone of his secret lovesat his disposal. At the thought of losing it his throat filled again, but he only shrugged. "I'll get by."
"If all you want to do is get by, that's your choice. Here you can have a home, a family. You can have a life and make something out of it. Or you can go on the way you are."
Ray reached over to Phillip quickly, and the boy braced himself for the blow, clenched his fists to return it. But Ray only pulled Phillip's shirt up to expose the livid scars on his chest. "You can go back to that," he said quietly.
Phillip looked into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag.
Sick, tired, terrified, Phillip dropped his head into his hands. "What's the point?"
"You're the point, son." Ray ran his hand over Phillip's hair. "You're the point."
Things hadn't changed overnight, Phillip thought now. But they had begun to change. His parents had made him believe in himself, despite himself. It had become a point of pride for him to do well in school, to learn, to remake himself into Phillip Quinn.
He figured he'd done a good job of it. He'd coated that street kid with a sheen of class. He had a slick career, a well-appointed condo with a killer view of the Inner Harbor, and a wardrobe that suited both.
It seemed that he'd come full circle, spending his weekends back in this room with its green walls and sturdy furniture, with its windows that overlooked the trees and the marsh.
But this time, Seth was the point.
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