DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.

Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
(Mass Market Paperback)
| More Formats | |
|---|---|
| Available in eBook | $7.99 |
| Audio - Unabridged, 8 cassettes, 10 hrs. | $28.45 |
| Other Format | $69.99 |
| Compact Disc - Unabridged, 9 CDs, 10 hours | $35.10 |
| MP3 on CD - Unabridged | $23.70 |
Nora Roberts presents the second novel in a dramatic trilogy of three men who return home to honor their father's last wish. Of the three brothers, it was Ethan who shared his father's passion for the Maryland shore. And now with his father gone, Ethan is determined to make the family boatbuilding business a success. But amidst his achievements lie the most important challenges of his life.
Roberts continues to celebrate the healing power of love and family in the second volume of her Quinn trilogy (one for each of the strapping young Quinn lads). The three brothers, abused boys who were adopted by Ray and Stella Quinn, have moved into the family's comfortable home on the eastern shore of Maryland to protect their newest brother, 12-year-old Seth, who was taken in by their father before his death in an automobile accident. Ethan's brothers -- Cam the roguish racer and Phillip the debonair executive -- have been around the world, while Ethan has stayed home working as a waterman in the Chesapeake. He is patient and kind, and has had his eyes on Grace Monroe, the Quinn housekeeper, since high school. With some help from Anna, Cam's new wife (see Sea Swept), Grace finally seduces Ethan, who has always been afraid that his rough passion would hurt his lover. It's up to the other Quinns to see that Ethan and Grace get together and to provide the laughter, love and understanding (not to mention the cooked crab, fried chicken and pasta salad) that will sustain all of them.
Roberts stops just short of cloying to create a heating pad of good feeling with lots of her signature clean-yet-dirty sex.
More Reviews and RecommendationsOne of the most prolific and popular writers in the world, Nora Roberts (who also writes as her edgier alter-ego J. D. Robb) publishes multiple books a year. Not that it’s enough for her fans, who tear through her unconventional romances. With her trademark mix of fantasy, mystery, and romance, Roberts has created her own genre -- and romance fans are grateful for it!
More About the AuthorReader Rating:
See Detailed Ratings
November 13, 2009: I read this (along wtih the rest of the series) a few years ago and I have to say, nothing has quite caught my attention like the Quinn's story. I read the majority of it at work and spent 2/3 of my day reading...when I should have been working. I can't believe I'd forgotten how great Nora Robert is as a storyteller. I'm going back through my collection and re-reading all of the books I own...which happen to be about 40. Happy reading! :)
I Also Recommend: Time and Again, The MacKade Brothers.
Reader Rating:
See Detailed Ratings
February 09, 2009:
I first came into this series because of its premise - the shore. I was going through a real water kick. I sprinted through the first book, sad by the lack of Ethan. He was, by far, my favourite brother . . . my dream guy, if you will. And then, to my excitement, I read the overview for Rising Tides, and realized THIS ONE is Ethan's.
Well, I didn't sprint through this one. I enjoyed every sentence concerning Ethan. It was a strange fictional love, I tell you. If ou are looking for a good natured Nora Roberts book, this is it. You don't really need to read the first or the rest to fully enjoy it.
Name:
Nora Roberts
Also Known As:
J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
Current Home:
Keedysville, Maryland
Date of Birth:
1950
Place of Birth:
Silver Spring, Maryland
Awards:
Romance Writers of America Hall of Fame, 1986; Romantic Times Career Achievement Award, 1991; Romance Writers of America Centennial Award, 1997; Romance Writers of America Golden Medallion Award (seven times); Quill Award for Blue Smoke, 2006
Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.
As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.
For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."
Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.
Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."
Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."
Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.
Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.
One afternoon when Nora Roberts was four, her two oldest brothers broke into a violent argument while they were baby-sitting her. "I peeked out of the bedroom, and they're beating the hell out of each other," Roberts says. Then her mother walked in, with a grocery bag in each hand. "One bag goes here, one bag goes there, she steps right in the middle of these two six-foot guys and she goes, boom, bam. Two backhands. And both of them go, 'Maaaaaawwwmm.' I thought right then, There's the power. She's the power."
Elly, as her family still calls her, the youngest of five and the only girl, was a quick study. "She bossed her brothers around," says her mother, Eleanor; today, "her brothers have got her on a throne." Roberts reigns over more than her family, which now includes her husband and two sons. Since her writing debut in 1981, she has helped lead American romance away from its clichés of simpering heroines and heroic rapists toward more complex characters and contemporary, multifaceted plots. Of course, sex -- passionate, tender, delayed, avoided, forced, in castles, in fields, in treetops -- continues to be a central hook. And often, the prose remains purple; Roberts herself has a propensity for phrases like "she rocked them both toward madness." But the genre with which her name is synonymous is one -- the only one -- that always puts women at the center of the universe.
***
Two Mercedes -- a Kompressor convertible and an M-Class SUV -- and a Chrysler PT Cruiser are parked outside the rural Keedysville, Maryland, home Roberts shares with her husband. Inside, several gauzy photographs of nude models hang above the bed in the ground-floor master bedroom, and a rendition of the Casablanca movie poster -- with the couple painted in as Ilsa and Rick -- is prominent above the fireplace. Three ebullient dogs and one gnarled old mutt track in dirt and litter the house with deer bones that they've found outside.
Since moving here twenty-nine years ago, Roberts has divorced her first husband, raised their two sons (Dan, now twenty-nine, lives with his wife down the lane; Jason, twenty-six, is just over an hour away) and remarried. She has also added on a few rooms and an indoor pool; a few years ago, she bought twenty adjoining acres so she could continue to shoo deer out of the garden in her underwear without worrying about neighbors. She and her husband own a tiny bookshop in nearby Boonsboro, but Roberts spends most of her time in an upstairs office where she types, smokes and drinks diet colas eight hours a day, five days a week. It's a routine that's produced an average of seven books a year since 1981, many of them bestsellers.
Roberts knows that her work is commercial fiction and doesn't lose any sleep waiting for National Book Award nominations. The high-art literary tradition isn't what's gotten her to where she is; what has is her "real talent for storytelling," as author Jennifer Crusie (Fast Women; Welcome to Temptation) says, and a commensurate skill with plot and pacing. Readers are pulled into her story lines (which often bounce from one continent to the next) and her well-drawn characters. Fans especially admire Roberts' tough, independent heroines. "When they fit with your own circumstances," says Elizabeth Mayfield, a database administrator from Norwalk, Connecticut, "you think, Gee, there's hope for me." Roberts, however, contends that she's not writing to provide role models for anyone. "I'm gonna tell a good, entertaining story," she says. "I'm not looking to change the world."
Roberts was born Eleanor Marie Robertson, and she grew up in Silver Spring, Maryland, about an hour from where she lives now. Her father worked as a projectionist at the local movie theater and as a stagehand until 1964, when he started a lighting company -- which is where most of the Robertson family still works. Her mother ran the family. "Mom was a very strict disciplinarian," says Roberts' brother Buzz, who is now the president of his dad's company, "but as long as you followed the rules and were polite, you didn't have a problem." He says Nora had it a little easier than her brothers. "Us boys, we knew we were low men on the totem pole. Mom was tickled pink when she had Nora."
"Her daddy worked two jobs all his life, and during the Depression, I took in roomers," says Eleanor Robertson, who at eighty-five still lives in Silver Spring and is now secretary-treasurer of the company her husband started (Bernie Robertson died in 2000). "She knows how hard we worked to give them an education and a nice home." Roberts went to Catholic schools as a child and credits much of her success to the nuns who taught her -- the discipline and guilt in her formative years did her a lot of good.
In her sophomore year of high school, Roberts transferred to public school, where she met Ronald Aufdem-Brinke; she married him at seventeen, in 1968, right after graduation. The young couple moved to Keedysville and had a small house built in the woods. While Aufdem-Brinke worked at his father's sheet-metal business and later the Robertson lighting company, Roberts took care of their two children and the house. "Oh God, I had craft addictions," Roberts says, taking a drag on a cigarette. (She runs through a pack of Winstons at a pace that doesn't quite catch up to chain-smoking but runs several steps beyond casual.) "You name it, I made it. I macraméd two hammocks once. I did ceramics, I sewed the kids' clothes. I even put flies into overalls -- that is sick. I was a sick woman. I baked bread once a week. I canned jellies and made my own spaghetti sauce using my own tomatoes."
Sometime during the next decade (she calls the period her "Earth Mother" years), Roberts started to read Harlequin novels -- the short books were easy for her to finish while the kids were napping. During a blizzard in 1979, trapped inside with little more than her three- and six-year-old sons and a game of Candy Land, Roberts sat down with a pencil and wrote a manuscript of her own, a romance that she's since described as "very bad." In the next year and a half, while her kids were napping or at T-ball practice, she wrote at least six manuscripts in longhand. She submitted some of them to Harlequin, which at the time was using mainly British writers. Roberts didn't hear back, but her enthusiasm wasn't subdued. "I became a writing junkie," she says. Although she was rejected several times, she continued to write -- but started filing her manuscripts in a back drawer rather than submitting them.
Roberts then heard that a new romance publisher, Silhouette, was looking specifically for American writers, so she sent in her work. In 1980 she got a call from Nancy Jackson, a Silhouette editor, saying she had plucked one of Roberts' manuscripts -- Irish Thoroughbred, a slender love story about an Irish stable hand and her boss -- out of the slush pile. Jackson told Roberts she wanted to publish it. Eleanor Aufdem-Brinke changed her name to Nora Roberts because she says she assumed all romance authors used a nom de plume. The book "didn't make waves when it first came out," says Isabel Swift, her current editor, but it sold well in reprint. Roberts was hooked on the process, though, and published five more books the following year, eight the following and ten the year after that.
Roberts hit it big in 1985 when she wrote the first of her MacGregor family series, Playing the Odds. The book, which focuses on a matchmaking Scottish patriarch and his brood, became an immediate bestseller. Romance readers began associating the name Nora Roberts with multigenerational sagas: In addition to the MacGregors, she has written about the Donovans, a modern family of Irish magicians; the Calhouns, a family of pigheaded sisters in Maine; and the Stanislaskis, tempestuous Ukrainian immigrants.
***
From the beginning, Roberts' heroines were not content to wear aprons or take dictation. In Irish Thoroughbred, though Roberts' heroine was young (early twenties) and virginal (well, she was a virgin), she was a horse groomer with an independent streak. Roberts wasn't alone in giving her female characters more authority in the workforce; other American romance authors -- like Jayne Ann Krentz, Sandra Brown and Elizabeth Lowell -- were doing the same. "I think one of the great things the American writer has brought to the romance novel," Krentz says, "is a modern interpretation of women's roles and women's values." Author Janet Evanovich adds, "The genre reflects the increased power and opportunity afforded today's women. We see more variety in the genre in terms of heroine age and occupation. And today's heroine is stronger, more self-reliant. Of course, Nora was always ahead of the pack. Her heroines were always strong."
Rebecca Sullivan, a heroine in Roberts' latest romantic suspense, Three Fates, is a quintessential Nora Roberts lead: She runs the family business (giving boat tours off the western coast of Ireland) and engineers the search for the family's lost treasure. Rebecca's a smart, capable lady with a sense of humor. In the course of the story, she falls in love with a computer expert who eventually marries her -- the book ends in Ireland with the assumption that the husband will help her with the business. "I'm not interested in telling stories about weak women," Roberts says. "Or if they're weak, I want to show how they grow and how they become strong. I'm not writing about Cinderella sitting waiting for her prince to come and take her away. She'll get out of it herself. The prince is a bonus, a completion, another element -- but it's not the answer to all of her problems."
***
Perched on a stool next to her kitchen counter, Roberts doesn't look like a purveyor of dreams. She could be any of a million women, taking a break from a million jobs, looking toward the end of a million days. Right now, her husband is outside, working in the yard before heading to town. Later on, he'll pick up groceries, and Nora will cook dinner; favorites are pasta with red sauce or Cajun chicken. Around 7:30, the two will retire for the evening, probably settling down for a while in front of the television -- it's Thursday, so they'll probably tune in for some of Friends or ER. And that's a typical end to a typical day for the world's most popular romance author. "I always wonder if they asked Agatha Christie if she was homicidal," Roberts says with a laugh. "I don't have a romantic lifestyle."
Still, she says, it's romance books she turns to when she wants to escape reality, so maybe the queen of the realm is, finally, one of its true citizens as well. Roberts, after all, spends her days holed up in her office, writing, researching and investigating the backgrounds for her books. She loves it, she says, but it's work. And when she's done, she's done. "When I read for pleasure," she says, "give me a story."
If today's romance is escapism, millions of its readers would argue that it is also girl-power between pastel covers: adventures that belong to characters who are at their strongest -- and sexiest -- because they are women. So Roberts essentially shrugs off the contempt reserved for romance novels as sexist and ignorant. Still, she recognizes that the genre carries a lot of baggage -- even she finds herself sneaking reads when she's out in public. A lot of the embarrassment, she says, has to do with the way the books look. "It's mostly hard for me when she's falling out of her dress, and he has his mouth on her tit," Roberts says, describing what she calls "nursing mother" covers. She taps her lighter against the counter and rolls her eyes. "To sit on an airplane and read that?"
Of three brothers, it was Ethan who shared his father's passion for the Maryland shore. And now with his father gone, Ethan is determined to make the family boatbuilding business a success. But amidst his achievements lie the most important challenges of his life.
There is young Seth, who needs him more than ever. And a woman he has always loved but never believed he could have. But beneath Ethan's seemingly still waters is a dark and painful past. He must learn to see around the shadows to accept who he is. Because through Ethan's past lies the future - and his one chance at happiness.
Roberts continues to celebrate the healing power of love and family in the second volume of her Quinn trilogy (one for each of the strapping young Quinn lads). The three brothers, abused boys who were adopted by Ray and Stella Quinn, have moved into the family's comfortable home on the eastern shore of Maryland to protect their newest brother, 12-year-old Seth, who was taken in by their father before his death in an automobile accident. Ethan's brothers -- Cam the roguish racer and Phillip the debonair executive -- have been around the world, while Ethan has stayed home working as a waterman in the Chesapeake. He is patient and kind, and has had his eyes on Grace Monroe, the Quinn housekeeper, since high school. With some help from Anna, Cam's new wife (see Sea Swept), Grace finally seduces Ethan, who has always been afraid that his rough passion would hurt his lover. It's up to the other Quinns to see that Ethan and Grace get together and to provide the laughter, love and understanding (not to mention the cooked crab, fried chicken and pasta salad) that will sustain all of them.
Roberts stops just short of cloying to create a heating pad of good feeling with lots of her signature clean-yet-dirty sex.
When the unexpected death of their adopted father and the need to care for a ten-year-old boy, Seth, bring the Quinn brothers together once again, it is Ethan, with his love for the water, who takes on the challenge of making their small boat-building business a success and ends up helping Seth as well. A troubled hero who must come to terms with his past, a stubborn, single-mother heroine determined to make it on her own, and a cast of compelling characters combine in typical Roberts fashion to create a warm, satisfying romance with a dash of mystery that will keep readers engrossed. Second in the Quinn Brothers trilogy, this book will be eagerly awaited by Roberts's many fans. (Look for the final volume, Inner Harbor, in December.) Roberts (Sea Swept, Jove, 1998) is a major romance writer and lives in Keedysville, MD.
Loading...
"GOT US SOME NICE peelers here, cap'n." Jim Bodine culled crabs from the pot, tossing the marketable catch in the tank. He didn't mind the snapping claws--and had the scars on his thick hands to prove it. He wore the traditional gloves of his profession, but as any waterman could tell you, they wore out quick. And if there was a hole in them, by God, a crab would find it.
He worked steadily, his legs braced wide for balance on the rocking boat, his dark eyes squinting in a face weathered with age and sun and living. He might have been taken for fifty or eighty, and Jim didn't much care which end you stuck him in.
He always called Ethan 'Cap'n', and rarely said more than one declarative sentence at a time.
Ethan altered course toward the next pot, his right hand nudging the steering stick that most waterman used rather than a wheel. At the same time, he operated the throttle and gear levels with his left. There were constant small adjustments to be made with every foot of progress up the line of traps.
The Chesapeake Bay could be generous when she chose, but she liked to be tricky and make you work for her bounty.
Ethan knew the Bay as well as he knew himself. Often he thought he knew it better--the fickle moods and movements of the continent's largest estuary. For two hundred miles it flowed from north to south, yet it measured only four miles across where it brushed by Annapolis and thirty at the mouth of the Potomac River. St. Christopher's sat snug on Maryland's southern Eastern Shore, depending on its generosity, cursing it for its caprices.
Ethan's waters, his home waters, were edged with marshland, strung with flatland rivers with sharp shoulders that shimmered through thickets of gum and oak.
It was a world of tidal creeks and sudden shallows, where wild celery and widgeongrass rooted.
It had become his world, with its changing seasons, sudden storms, and always, always, the sounds and scents of the water.
Timing it, he grabbed his gaffing pole and in a practiced motion as smooth as a dance hooked the pot line and drew it into the pot puller.
In seconds, the pot rose out of the water, streaming with weed and pieces of old bait and crowded with crabs.
He saw the bright-red pincers of the full-grown females, or sooks, and the scowling eyes of the jimmies.
"Right smart of crabs," was all Jim had to say as he went to work, heaving the pot aboard as if it weighed ounces rather than pounds.
The water was rough today, and Ethan could smell a storm coming in. He worked the controls with his knees when he needed his hands for other tasks. And eyed the clouds beginning to boil together in the far western sky.
Time enough, he judged, to move down the line of traps in the gut of the bay and see how many more crabs had crawled into the pots. He knew Jim was hurting some for cash--and he needed all he could come by himself to keep afloat the fledgling boat building business he and his brothers had started.
Time enough, he thought again, as Jim rebaited a pot with thawing fish parts and tossed it overboard. In leapfrog fashion, Ethan gaffed the next buoy.
Ethan's sleek Chesapeake Bay retriever, Simon, stood, front paws on the gunwale, tongue lolling. Like his master, he was rarely happier than when out on the water.
They worked in tandem, and in near silence, communicating with grunts, shrugs, and the occasional oath. The work was a comfort, since the crabs were plentiful. There were years when they weren't, years when it seemed the winter had killed them off or the waters would never warm up enough to tempt them to swim.
In those years, the watermen suffered. Unless they had another source of income. Ethan intended to have one, building boats.
The first boat by Quinn was nearly finished. And a little beauty it was, Ethan thought. Cameron had a second client on the line--some rich guy from Cam's racing days--so they would start another before long. Ethan never doubted that his brother would reel the money in.
They'd do it, he told himself, however doubtful and full of complaints Phillip was.
He glanced up at the sun, gauged the time--and the clouds sailing slowly, steadily eastward.
"We'll take them in, Jim."
They'd been eight hours on the water, a short day. But Jim didn't complain. He knew it wasn't so much the oncoming storm that had Ethan piloting the boat back up the gut. "Boy's home from school by now," he said.
"Yeah." And though Seth was self-sufficient enough to stay home alone for a time in the afternoon, Ethan didn't like to tempt fate. A boy of ten, and with Seth's temperament, was a magnet for trouble.
When Cam returned from Europe in a couple of weeks, they would juggle Seth, between them. But for now the boy was Ethan's responsibility.
The water in the Bay kicked, turning gunmetal gray now to mirror the sky, but neither men nor dog worried about the rocky ride as the boat crept up the steep fronts of the waves, then slid back down into the troughs. Simon stood at the bow now, head lifted, his ears blowing back in the wind, grinning his doggie grin. Ethan had built the workboat himself, and he knew she would do. As confident as the dog, Jim moved to the protection of the awning and, cupping his hands, lit a cigarette.
The waterfront of St. Chris was alive with tourists. The early days of June lured them out of the city, tempted them to drive from the suburbs of D.C. and Baltimore. He imagined they thought of the little town of St. Christopher's as quaint, with its narrow streets and clapboard houses and tiny shops. They liked to watch the crab pickers' fingers fly, and eat the flaky crab cakes or tell their friends they'd had a bowl of she-crab soup. They stayed in the bed-and-breakfasts--St. Chris was the proud home of no less than four--and they spent their money in the restaurants and gift shops.
Ethan didn't mind them. During the times when the Bay was stingy, tourism kept the town alive. And he thought there would come a time when some of those same tourists might decide that having a hand-built wooden sailboat was their heart's desire.
The wind picked up as Ethan moored at the dock. Jim jumped nimbly out to secure lines, his short legs and squat body giving him the look of a leaping frog wearing white rubber boots and a grease-smeared gimme cap.
At Ethan's careless hand signal, Simon plopped his butt down and stayed in the boat while the men worked to unload the day's catch and the wind made the boat's sun-faded green awning dance. Ethan watched Pete Monroe walk toward them, his iron-gray hair crushed under a battered billed hat, his stocky body outfitted in baggy khakis and a red checked shirt.
"Good catch today, Ethan."
Ethan smiled. He liked Mr. Monroe well enough, though the man had a bone-deep stingy streak. He ran Monroe's Crab House with a tightly closed fist. But, as far as Ethan could tell, every man's son who ran a picking plant complained about profits.
Ethan pushed his own cap back, scratched the nape of his neck where sweat and damp hair tickled. "Good enough."
"You're in early today."
"Storm's coming."
Monroe nodded. Already his crab pickers who had been working under the shade of striped awnings were preparing to move inside. Rain would drive the tourists inside as well, he knew, to drink coffee or eat ice cream sundaes. Since he was half owner of the 'Bayside Eats', he didn't mind.
"Looks like you got about seventy bushels there."
Ethan let his smile widen. Some might have said there was a hint of the pirate in the look. Ethan wouldn't have been insulted, but he'd have been surprised. "Closer to ninety, I'd say." He knew the market price, to the penny, but understood they would, as always, negotiate. He took out his negotiating cigar, lit it, and got to work.
The first fat drops of rain began to fall as he motored toward home. He figured he'd gotten a fair price for his crabs--his eighty-seven bushels of crabs. If the rest of the summer was as good, he was going to consider dropping another hundred pots next year, maybe hiring on a part-time crew.
Oystering on the Bay wasn't what it had been, not since parasites had killed off so many. That made the winters hard. A few good crabbing seasons were what he needed to dump the lion's share of the profits into the new business--and to help pay the lawyer's fee. His mouth tightened at that thought as he rode out the swells toward home.
They shouldn't need a damn lawyer. They shouldn't have to pay some slick-suited talker to clear their father's good name. It wouldn't stop the whispers around town anyway. Those would only stop when people found something juicier to chew on than Ray Quinn's life and death.
And the boy, Ethan mused, staring out over the water that trembled under the steady pelting of rain. There were some who liked to whisper about the boy who looked back at them with Ray Quinn's dark-blue eyes.
He didn't mind for himself. As far as Ethan was concerned people could wag their tongues about him until they fell out of their flapping mouths. But he minded, deeply, that anyone would speak a dark word about the man he'd loved with every beat of his heart.
So he would work his fingers numb to pay the lawyer. And he would do whatever it took to guard the child.
Thunder shook the sky, booming off the water like cannon fire. The light went dim as dusk, and those dark clouds burst wide to pour out solid sheets of rain. Still he didn't hurry as he docked at his home pier. A little more wet, to his mind, wouldn't kill him.
As if in agreement with the sentiment, Simon leaped out to swim to shore while Ethan secured the lines. He gathered up his lunch pail, and with his waterman's boots thwacking wetly against the dock, headed for home.
He removed the boots on the back porch. His mother had scalded his skin often enough in his youth about tracking mud for the habit to stick to the man. Still, he didn't think anything of letting the wet dog nose in the door ahead of him.
Until he saw the gleaming floor and counters.
Shit, was all he could think as he studied the pawprints and heard Simon's happy bark of greeting. There was a squeal, more barking, then laughter.
"You're soaking wet!" The female voice was low and smooth and amused. It was also very firm and made Ethan wince with guilt. "Out, Simon! Out you go. You just dry off on the front porch."
There was another squeal, baby giggles, and the accompanying laughter of a young boy. The gang's all here, Ethan thought, rubbing rain from his hair. The minute he heard footsteps heading in his direction, he made a beeline for the broom closet and a mop.
He didn't often move fast, but he could when he had to.
"Oh, Ethan." Grace Monroe stood with her hands on her narrow hips, looking from him to the pawprints on her just-waxed floor.
"I'll get it. Sorry." He could see that the mop was still damp and decided it was best not to look at her directly. "Wasn't thinking," he muttered, filling a bucket at the sink. "Didn't know you were coming by today."
"Oh, so you let wet dogs run through the house and dirty up the floors when I'm not coming by?"
He jerked a shoulder. "Floor was dirty when I left this morning, didn't figure a little wet would hurt it any." Then he relaxed a little. It always seemed to take him a few minutes to relax around Grace these days. "But if I'd known you were here to skin me over it, I'd have left him on the porch."
He was grinning when he turned, and she let out a sigh.
"Oh, give me the mop. I'll do it."
"Nope. My dog, my mess. I heard Aubrey."
Absently Grace leaned on the doorjamb. She was tired, but that wasn't unusual. She had put in eight hours that day, too. And she would put in another four at Shiney's Pub that night serving drinks.
Some nights when she crawled into bed she would have sworn she heard her feet crying.
"Seth's minding her for me. I had to switch my days. Mrs. Lynley called this morning and asked if I'd shift doing her house till tomorrow because her mother-in-law called her from D.C. and invited herself down to dinner. Mrs. Lynley claims her mother-in-law is a woman who looks at a speck of dust like it's a sin against God and man. I didn't think you'd mind if I did y'all today instead of tomorrow."
"You fit us in whenever you can manage it, Grace, and we're grateful."
He was watching her from under his lashes as he mopped. He'd always thought she was a pretty thing. Like a palomino--all gold and long-legged. She chopped her hair off short as a boy's, but he liked the way it sat on her head, like a shiny cap with fringes.
She was as thin as one of those million-dollar models, but he knew Grace's long, lean form wasn't for fashion. She'd been a gangling, skinny kid, as he recalled. She'd have been about seven or eight when he'd first come to St. Chris and the Quinns. He supposed she was twenty-couple now--and "skinny" wasn't exactly the word for her anymore.
She was like a willow slip, he thought, very nearly flushing.
She smiled at him, and her mermaid-green eyes warmed, faint dimples flirting in her cheeks. For reasons she couldn't name, she found it entertaining to see such a healthy male specimen wielding a mop.
"Did you have a good day, Ethan?"
"Good enough." He did a thorough job with the floor. He was a thorough man. Then he went to the sink again to rinse bucket and mop. "Sold a mess of crabs to your daddy."
At the mention of her father, Grace's smile dimmed a little. There was distance between them, had been since she'd become pregnant with Aubrey and had married Jack Casey, the man her father had called "that no-account grease monkey from upstate."
Her father had turned out to be right about Jack. The man had left her high and dry a month before Aubrey was born. And he'd taken her savings, her car, and most of her self-respect with him.
But she'd gotten through it, Grace reminded herself. And she was doing just fine. She would keep right on doing fine, on her own, without a single penny from her family--if she had to work herself to death to do it.
She heard Aubrey laugh again, a long, rolling gut laugh, and her resentment vanished. She had everything that mattered. It was all tied up in a bright-eyed, curly-headed little angel just in the next room.
"I'll make you up some dinner before I go."
Ethan turned back, took another look at her. She was getting some sun, and it looked good on her. Warmed her skin. She had a long face that went with the long body--though the chin tended to be stubborn. A man could take a glance and he would see a long, cool blonde--a pretty body, a face that made you want to look just a little longer.
And if you did, you'd see shadows under the big green eyes and weariness around the soft mouth.
"You don't have to do that, Grace. You ought to go on home and relax a while. You're on at Shiney's tonight, aren't you?"
"I've got time--and I promised Seth sloppy joes. It won't take me long." She shifted as Ethan continued to stare at her. She'd long ago accepted that those long, thoughtful looks from him would stir her blood. Just another of life's little problems, she supposed. "What?" she demanded, and rubbed a hand over her cheek as if expecting to find a smudge.
"Nothing. Well, if you're going to cook, you ought to hang around and help us eat it."
"I'd like that." She relaxed again and moved forward to take the bucket and mop from him and put them away herself. "Aubrey loves being here with you and Seth. Why don't you go on in with them? I've got some laundry to finish up, then I'll start dinner."
"I'll give you a hand."
"No, you won't." It was another point of pride for her. They paid her, she did the work. All the work. "Go on in the front room--and be sure to ask Seth about the math test he got back today."
"How'd he do?"
"Another A." She winked and shooed Ethan away. Seth had such a sharp brain, she thought as she headed into the laundry room, off the kitchen. If she'd had a better head for figures, for practical matters when she'd been younger, she wouldn't have dreamed her way through school.
She'd have learned a skill, a real one, not just serving drinks and tending house or picking crabs. She'd have had a career to fall back on when she found herself alone and pregnant, with all her hopes of running off to New York to be a dancer dashed like glass on brick.
It had been a silly dream anyway, she told herself, unloading the dryer and shifting the wet clothes from the washer into it. Pie in the sky, her mama would say. But the fact was, growing up, there had only been two things she'd wanted. The dance, and Ethan Quinn.
She'd never gotten either.
She sighed a little, holding the warm, smooth sheet she took from the basket to her cheek. Ethan's sheet--she'd taken it off his bed that day. She'd been able to smell him on it then, and maybe, for just a minute or two, she'd let herself dream a little of what it might have been like if he'd wanted her, if she had slept with him on those sheets, in his house.
But dreaming didn't get the work done, or pay the rent, or buy the things her little girl needed.
Briskly she began to fold the sheets, laying them neatly on the rumbling dryer. There was no shame in earning her keep by cleaning houses or serving drinks. She was good at both, in any case. She was useful, and she was needed. That was good enough.
She certainly hadn't been useful or needed by the man she was married to so briefly. If they'd loved each other, really loved each other, it would have been different. For her it had been a desperate need to belong to someone, to be wanted and desired as a woman. For Jack ... Grace shook her head. She honestly didn't know what she had been for Jack.
An attraction, she supposed, that had resulted in conception. She knew he believed he'd done the honorable thing by taking her to the courthouse and standing with her in front of the justice of the peace on that chilly fall day and exchanging vows.
He had never mistreated her. He had never gotten mean drunk and knocked her around the way she knew some men did wives they didn't want. He didn't go sniffing after other women--at least not that she knew about. But she'd seen, as Aubrey grew inside her and her belly rounded, she'd seen the look of panic come into his eyes.
Then one day he was simply gone without a word.
The worst of it was, Grace thought now, she'd been relieved.
If Jack had done anything for her, it was to force her to grow up, to take charge. And what he'd given her was worth more than the stars.
She put the folded laundry in a basket, hitched the basket on her hip, and walked into the front room.
There was her treasure, her curly blond hair bouncing, her pretty, rosy-cheeked face alight with joy as she sat on Ethan's lap and babbled at him.
At two, Aubrey Monroe resembled a Botticelli angel, all rose and gilt, with bright-green eyes and dimples denting her cheeks. Little kitten teeth and long-fingered hands. Though he could decipher only half her chatter, Ethan nodded soberly.
"And what did Foolish do then?" he asked as he figured out she was telling him some story about Seth's puppy.
"Licked my face." Her eyes laughing, she took both hands and ran them up over her cheeks. "All over." Grinning, she cupped her hands on Ethan's face and fell into a game she liked to play with him. "Ouch!" She giggled, rubbed his face again. "Beard."
Obliging, he skimmed his knuckles over her smooth cheek, then jerked his hand back. "Ouch. You've got one, too."
"No! You."
"No." He pulled her close and planted noisy kisses on her cheeks while she wriggled in delight. "You."
Screaming with laughter now, she wiggled away and dived for the boy sprawled on the floor. "Seth beard." She covered his cheek with sloppy kisses. Manhood demanded that he wince.
"Jeez, Aub, give me a break." To distract her, he picked up one of her toy cars and ran it lightly down her arm. "You're a racetrack."
Her eyes beamed with the thrill of a new game. Snatching the car, she ran it, not quite so gently, over any part of Seth she could reach.
Ethan only grinned. "You started it, pal," he told Seth when Aubrey walked over Seth's thigh to reach his other shoulder.
"It's better than getting slobbered on," Seth claimed, but his arm came up to keep Aubrey from tumbling to the floor.
For a few moments, Grace simply stood and watched. The man, relaxed in the big wing chair and grinning down at the children. The children themselves, their heads close--one delicate and covered with gold curls, the other with a shaggy mop shades and shades deeper.
The little lost boy, she thought, and her heart went out to him as it had from the first day she'd seen him. He'd found his way home.
Her precious girl. When Aubrey had been only a fluttering in her womb, Grace had promised to cherish, to protect, and to enjoy her. She would always have a home.
And the man who had once been a lost boy, who had slipped into her girlish dreams years before and had never really slipped out again. He had made a home.
The rain drummed on the roof, the television was a low, unimportant murmur. Dogs slept on the front porch, and the moist wind blew through the screen door.
And she yearned where she knew she had no business yearning--to set down the basket of laundry, to go over and climb into Ethan's lap. To be welcomed there, even expected there. To close her eyes, for just a little while, and be part of it all.
Instead she retreated, finding herself unable to step into that quiet, lazy ease. She went back to the kitchen, where the overhead lights were bright and just a little hard. There, she set the basket on the table and began to gather what she needed to make dinner.
When Ethan came in a few moments later to hunt up a beer, she had meat browning, potatoes frying in peanut oil, and a salad under way.
"Smells great." He stood awkwardly for a minute. He wasn't used to having someone cook for him--not for years--and then not a woman. His father had been at home in the kitchen, but his mother ... They'd always joked that whenever she cooked, they needed all her medical skills to survive the meal.
"It'll be ready in half an hour or so. I hope you don't mind eating early. I've got to get Aubrey home and bathed and then change for work."
"I never mind eating, especially when I'm not doing the cooking. And the fact is, I want to get to the boatyard for a couple hours tonight."
"Oh." She looked back, blowing at her bangs. "You should have told me. I'd have hurried things up."
"This pace works for me." He took a pull from the bottle. "You want a drink or something?"
"No, I'm fine. I was going to use that salad dressing Phillip made up. It looks so much prettier than the store-bought."
The rain was letting up, petering out into slow, drizzling drops with watery sunlight struggling to break through. Grace glanced toward the window. She was always hoping to see a rainbow. "Anna's flowers are doing well," she commented. "The rain's good for them."
"Saves me from dragging out the hose. She'd have my head if they died on her while she's gone."
"Wouldn't blame her. She worked so hard getting them planted before the wedding." Grace worked quickly, competently as she spoke. Draining crisp potatoes, adding more to the sizzling oil. "It was such a beautiful wedding," she went on as she mixed sauce for the meat in a bowl.
"Came off all right. We got lucky with the weather."
"Oh, it couldn't have rained that day. It would have been a sin." She could see it all again, so clearly. The green of the grass in the backyard, the sparkling of water. The flowers Anna had planted glowing with color--and the ones she'd bought spilling out of pots and bowls alongside the white runner that the bride had walked down to meet her groom.
A white dress billowing, the thin veil only accentuating the dark, deliriously happy eyes. Chairs had been filled with friends and family. Anna's grandparents had both wept. And Cam--rough-and-tumble Cameron Quinn--had looked at his bride as if he'd just been given the keys to heaven.
A backyard wedding, Grace thought now. Sweet, simple, romantic. Perfect.
"She's the most beautiful woman I've ever seen." Grace said it with a sigh that was only lightly touched with envy. "So dark and exotic."
"She suits Cam."
"They looked like movie stars, all polished and glossy." She smiled to herself as she stirred spicy sauce into the meat. "When you and Phillip played that waltz for their first dance, it was the most romantic thing I've ever seen." She sighed again as she finished putting the salad together. "And now they're in Rome. I can hardly imagine it."
"They called yesterday morning to catch me before I left. They said they're having a good time."
She laughed at that, a rippling, smoky sound that seemed to cruise along his skin. "Honeymooning in Rome? It would be hard not to." She started to scoop out more potatoes and swore lightly as oil popped and splattered on the side of her hand. "Damn." Even as she was lifting the slight burn to her mouth to soothe it, Ethan leaped forward and grabbed her hand.
"Did it get you?" He saw the pinkening skin and pulled her to the sink. "Run some cold water on it."
"It's nothing. It's just a little burn. Happens all the time."
"It wouldn't if you were more careful." His brows were knitted, his hand gripping her fingers firmly to keep her hand under the stream of water. "Does it hurt?"
"No." She couldn't feel anything but his hand on her fingers and her own heart thundering in her chest. Knowing she'd make a fool of herself any moment, she tried to pull free. "It's nothing, Ethan. Don't fuss."
"You need some salve on it." He started to reach up into the cupboard to find some, and his head lifted. His eyes met hers. He stood there, the water running, both of their hands trapped under the chilly fall of it.
He tried never to stand quite so close to her, not so close that he could see those little gold dust flecks in her eyes. Because he would start to think about them, to wonder about them. Then he'd have to remind himself that this was Grace, the girl he'd watched grow up. The woman who was Aubrey's mother. A neighbor who considered him a trusted friend.
"You need to take better care of yourself." His voice was rough as the words worked their way through a throat that had gone dust-dry. She smelled of lemons.
"I'm fine." She was dying, somewhere between giddy pleasure and utter despair. He was holding her hand as if it were as fragile as spun glass. And he was frowning at her as if she were slightly less sensible than her two-year-old daughter, "The potatoes are going to burn, Ethan."
"Oh. Well." Mortified because he'd been thinking--just for a second--that her mouth might taste as soft as it looked, he jerked back, fumbling now for the tube of salve. His heart was jumping, and he hated the sensation. He preferred things calm and easy. "Put some of this on it anyway." He laid it on the counter and backed up. "I'll ... get the kids washed up for dinner."
He scooped up the laundry basket on his way and was gone.
With deliberate movements, Grace shut the water off, then turned and rescued her fries. Satisfied with the progress of the meal, she picked up the salve and smoothed a little on the reddened splotch on her hand before tidily replacing the tube in the cupboard.
Then she leaned on the sink, looked out the window.
But she couldn't find a rainbow in the sky.
loading...
loading...
loading...
Hear our exclusive audio interview with Nora Roberts (11:41).
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc