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When the heroine gets in the way of someone trying to kill the hero, he must make her a vampire to save her life. Then he must teach her to love the night...and him!
A prequel of sorts to Sands's paranormal comedy, Single White Vampire, this lightweight romantic romp shoots for the easy laugh and often misses. The allure of vampires lies in their strength and seeming invulnerability, but Etienne Argeneau, this book's bloodsucking hero, is curiously incompetent when it comes to dispatching a crazed mortal named Pudge who's intent on lopping his head off. Twice, Pudge manages to injure Etienne to the point where he ends up in the morgue under coroner Rachel Garrett's care. But when Rachel gets in the way of attempt number three, Etienne rescues her in the only way he knows how-by turning her into a vampire. The story moves from mildly amusing to ridiculous when Rachel, in denial, insists that she's merely having a "wet dream" involving a sexy man who thinks he's a vampire. There's little tension between Etienne and Rachel, sexual or otherwise. Instead, Sands stretches the plot with conflicts stemming from minor misunderstandings. Her attempts at hip dialogue also fall flat (at one point, a 200-year-old vampire compliments Rachel by saying, "You're a happening chick, dudette!"). Those who enjoyed Sands's previous paranormal comedy of errors may eke a little enjoyment from these pages, but this isn't something vampire fans will want to sink their teeth into. (Jan.) Copyright 2003 Reed Business Information.
More Reviews and RecommendationsBorn in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
Reader Rating:
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October 22, 2009: These books are easy to read. You just want to keep reading more. The author keeps you laughing but also makes the story romantic and erotic at the same time.
Reader Rating:
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October 20, 2009: I didn't realize this was a series but i do now. This was a quick read and very light not to much going on but the writing style and characters left me not wanting to put the book down! This book made me laugh...hard. it comes highly recommended
Name:
Lynsay Sands
Current Home:
London, Ontario
Place of Birth:
Leamington, Ontario
Born in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
1.) I started The Deed (my first romantic comedy and the first book to be published) a year after my mother's death. I was very close to my mother and the year following her death was about the most miserable time imaginable. But then I decided I was tired of being down and unhappy, and looked around for something to lift my spirits and make me laugh. When I couldn't find anything, I decided to sit down and write my own. It worked! Emmalene and Amaury's antics in The The Deed had me chuckling as I wrote.
2.) I met my husband in New York in July 2003. I was there because of the RWA conference and he was there on vacation. The first day there we kept running into each other and chatting in front of the hotel, and then he asked to join our group (it was very brave of him. He was the lone male amongst six or seven women, lol). He's a Brit and I'm Canadian and the first two months of our relationship were conducted by phone as well as over the internet. Our first date was a week in New York in September, followed by three weeks in England. He then came to Canada in both November and December, the first time to propose and the second time for Christmas with my family and then to take me back to England with him for New Years. I lived in Northern England for two years. We married in New York and now live in Canada.
3.) I was writing about my husband before I met him. Single White Vampire came out in September 2003 and I took a copy with me to England when I went for the three weeks. I walked into my now-hubby's house to find at least six months worth of mail unopened and stacked up on a shelf inside the front door. When I stopped dead, eyes going wide with shock and asked "My God. That's mail. You don't open your mail?" He looked embarrassed and muttered some explanation about bills automatically being paid by the bank so no need to open those and everything else was unsolicited and he couldn't be bothered. When I burst out laughing, he started to frown and said "What?" My response was to dig out the copy of Single White Vampire and hand it over with the suggestion he read it. The mail thing wasn't the only similarity he had to Lucern Argeneau. There are many more and when he sat down to read the book, he kept stopping and turning a rather startled and even suspicious gaze my way and muttering that this sounded familiar" or that did. I had to point out that it really was coincidence, that I had written that story at least nine months before meeting him. LOL.
What are your ten favorite books, and what makes them special to you?
This is a hard question for me. I am horrible at recalling names and titles. Aside from that, when it comes to books I'm kind of like a cheap tart dropped amongst a boat load of sailors. I love them all. While I keep every book I read, I've never read a book more than once, there's always another one to read. However, regarding favorites...
For me the first book that stands out in my mind isn't one but many. The Nancy Drew series. I adored those books when young and am pretty sure I read every one. I don't think they have a single author but various. Either way, I couldn't tell you names of authors or even book titles, just that I loved the books and that if I couldn't grow up to be Nancy Drew and have the adventure and mystery in life that she had, then growing up to write such things is a lovely alternative.
Another early influence was Julie Garwood's early works. I'm afraid when I was young I was completely turned off historical romance by some pretty horrid bodice rippers owned by my grandmother on my father's side. Stories from the day when the "hero" could be completely horrid to the female; abuse her verbally, treat her cruelly and even rape her and yet the heroine "loved him" and understood he was just "wounded" and that - with the love of a good woman - he could be tamed, changed, healed. Ugh! Bleck! Yuck! I mean geeeeeeez, how could any woman fall in love with a man who starts out by being beastly? Puhleeeeze!! So, I was totally anti-romance, and then, while I was in University, my sister brought me a Julie Garwood book. I'm afraid I can't remember which one, but she brought it around and said I should read it. I wasn't interested. She pestered me to read it. I just kept shaking my head with disgust and muttering "Historical romance! No thanks!" She assured me it wasn't "like that" and begged me to read it. Nope, not me. This went on for months. I forget now how she actually convinced me to read it. It might have been sheer determination and that I read it just to get her off my back. Certainly, I read it expecting to toss it aside after a chapter or so and inform her - with some vindication - that historicals were utter. . . ummm . . . garbage. Instead, I had to admit it was good, and fun, and the hero was actually worthy of the title. It was the first time I saw historicals as something that could be fun and entertaining.
If I'm going to list favorites, I also have to mention anything by Dean Koontz. I've been reading him FOREVER. Okay, that makes us both sound ancient, but you know what I mean. Dean Koontz just somehow manages to grab you with the first paragraph and hold onto you until the end. And while he's listed as a horror writer, really his books usually have everything in them; suspense, adventure, action, romance and even mystery. I've never read a Dean Koontz I haven't liked.
And then, of course, there's J. K. Rowling. Few people have managed to avoid getting drawn into her Harry and Hogwarts world, and I'm afraid I was in the first wave of converts. How could you help but love a story that was like a fairy tale. There's poor Harry a male Cinderella being treated so shabbily and forced to live under the stairs until along comes Hagrid to inform him he's special. He's taken away to an amazing world, an incredible and fascinating alternate reality where he's famous and where he finds a family of his own as well as people who care about him. It's classic!
The most recent favorite I've found is Deborah MacGillvray. I read her first book Restless Knight before it was published and gave a quote for the cover. I don't often experience envy of other author's skills, but will admit that I did while reading Restless Knight. This author is very, very talented. I am not big on books that spend thirty or forty pages describing a room or scene. They bore me. I've always felt self-conscious about admitting that because someone once said that it was a sign of the MTV age and immaturity and a short attention span. Basically, they made me feel a complete idiot with "immature and unrefined" tastes for not enjoying a three page description of a leaf on the ground. Well, my answer to that will now be that it's a shame to waste so much space on such descriptions when a really gifted writer can give you enough description with just a few deft words that you can feel the warmth of a fire on your cheek and hear the crackle and hiss of it as it burns. Ms MacGillvray can do that. That first book was exceptional and I have since purchased her second historical as well as her two contemps that have followed . . . now I just have to find the time to read them. That's something I'm looking forward to. If they're half as good as her first book, I know I'll enjoy them.
I guess I'd best stop there. Each favorite author or series I've mentioned has anywhere from 4 to 60 books so I've definitely done the ten.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like all types of music; pop, rock, classic rock, classical. Sometimes I'll restrict myself to classical music while writing historicals, but otherwise anything goes and the music I listen to depends on my mood.
If you had a book club, what would it be reading -- and why?
Harry Potter and the Deathly Hallows. Because its one book I could be relatively certain everyone would enjoy.
What are your favorite kinds of books to give -- and get -- as gifts?
I never buy books as gifts. Book choices are very personal and I'd be afraid to get them the wrong book. Besides, hanging out at the bookstore and picking the book is half the fun in my opinion. So, instead I give them gift cards so that they can make the selection themselves.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I clean my desk and office before I start a new story. I think it's a mental "clearing of the path" for me. I also have a lucky troll that sits on my desk. He's been there from the start.
What are you working on now?
The next Argeneau story.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sent my first book in to Harlequin between high school and university and received -- not a rejection, but a letter basically saying to make some changes and send it back in, as well as to send in anything else I'd written. Unfortunately, I didn't realize how wonderful a letter that was at the time or that it meant I'd caught this editor's attention or even what that meant. All I really registered was that the story wasn't good enough and was being rejected. In truth, I don't think I was ready to enter the publishing world (grin). So, I got a full time job and went to University full time and so on. It was ten years before I wrote The Deed, sent it in and sold it.
If you could choose one new writer to be "discovered," who would it be -- and why?
Deborah MacGillvray - The woman can write. Everything of hers I've read so far is great, but her historicals are especially powerful. Her plots are solid, characters are loveable and she has a way with description that draws you in and puts you right there with the characters amongst the heather and mist.
What tips or advice do you have for writers still looking to be discovered?
Write what you love to read. If you're loving it, others are more likely to love it too.
Start with a bang!! Editors are busy people, you want to grab their attention right away, not be tossed aside after they've skimmed a couple of pages. So, grab their attention with your opening and then don't let it go.
Try to avoid the slush pile, query rather than just send the manuscript in cold. Go get a copy of The Writer's Market for this year (they put one out every year) This book will help with the query and help you figure out which publishers print your sort of story, which of them accept unagented, unsolicited manuscripts, and just basically who to query.
Good luck!!
What else would you like your readers to know? Consider here your likes and dislikes, your interests and hobbies, your favorite ways to unwind -- whatever comes to mind.
I'm a very shy person. Really, it's true. No one believes me but it is true.
When the heroine gets in the way of someone trying to kill the hero, he must make her a vampire to save her life. Then he must teach her to love the night...and him!
A prequel of sorts to Sands's paranormal comedy, Single White Vampire, this lightweight romantic romp shoots for the easy laugh and often misses. The allure of vampires lies in their strength and seeming invulnerability, but Etienne Argeneau, this book's bloodsucking hero, is curiously incompetent when it comes to dispatching a crazed mortal named Pudge who's intent on lopping his head off. Twice, Pudge manages to injure Etienne to the point where he ends up in the morgue under coroner Rachel Garrett's care. But when Rachel gets in the way of attempt number three, Etienne rescues her in the only way he knows how-by turning her into a vampire. The story moves from mildly amusing to ridiculous when Rachel, in denial, insists that she's merely having a "wet dream" involving a sexy man who thinks he's a vampire. There's little tension between Etienne and Rachel, sexual or otherwise. Instead, Sands stretches the plot with conflicts stemming from minor misunderstandings. Her attempts at hip dialogue also fall flat (at one point, a 200-year-old vampire compliments Rachel by saying, "You're a happening chick, dudette!"). Those who enjoyed Sands's previous paranormal comedy of errors may eke a little enjoyment from these pages, but this isn't something vampire fans will want to sink their teeth into. (Jan.) Copyright 2003 Reed Business Information.
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ISBN: 0-505-52553-4
Rachel Garrett straightened at Tony's question and wiped the
back of her gloved hand across her forehead. She had been
bouncing between the chills and fever since arriving at work
two hours ago. At the moment, she was in a hot phase. Sweat
was gathering across her back and along her scalp as if she'd
been running a marathon. She was obviously coming down with
something nasty.
Her gaze slid to the clock on the wall. It was almost one. Two
hours down, six to go. Rachel almost groaned. Six more hours.
The way this flu bug was coming on, it was doubtful she'd last
half of that.
"Hey! You feeling all right, Rach? You look like hell."
Rachel grimaced at her assistant's choice of words as he moved
to her side and felt her forehead. Men could be so tactful.
"Cold. Clammy." He frowned and asked, "Fever and chills?"
"I'm fine." Rachel pushed his hand away with embarrassed
irritation, then reached into her pocket for some change as
she answered his first question, "Maybe you could get me some
juice or something, please."
"Oh, yeah. You're fine."
Rachel stilled at his dry words, suddenly realizing that she
had pushed her smock aside and shoved her hand into her pants
pocket. She'd done so without removing her bloody rubber glove
first. Great.
"Maybe you should-"
"I'm fine," she interrupted his concerned words. "I'll be
fine. Just go on."
Tony hesitated, then shrugged. "Okay. But you might want to
maybe sit down or something till I get back."
Rachel ignored the suggestion and turned back to her cadaver
as he left the room. Tony was a nice guy. A little weird
maybe. For instance, he insisted on talking like a Goodfellow
from the Bronx when he had been born, raised, and never left
Toronto. He also wasn't Italian. Tony wasn't even really his
name. The name he'd been given at birth was Teodozjusz
Schweinberger. Rachel had complete sympathy with the name
change to Tony, but didn't understand how the bad Italian
Bronx accent came with it.
"Incoming!"
Straightening again, Rachel glanced toward the open door to
the main room of the morgue, then set down her scalpel and
stripped the rubber glove from her right hand as she walked
out to meet the men propelling a gurney into the main room.
Dale and Fred. Nice guys. A couple of EMTs whom she rarely
saw. They generally delivered their clientele to the hospital
alive. Of course some died after arriving, but it was usually
after these two had already been and gone, which left the
chore of bringing down the patient to someone else. This one
must have died in transit for them to be delivering him.
"Hey, Rachel! You're looking ... good."
She crossed the room to join them, politely ignoring Dale's
hesitation before the word good. Tony had made it more than
plain that she was starting to look as unwell as she felt.
"What have we here?"
Dale handed her a clipboard with various sheets of paper on
it. "Gunshot wound. Thought we got a beat before transporting
from the scene, but might have been wrong. For the record, he
died in transit. Doc Westin pronounced him when we got here
and asked us to bring him down. They'll want an autopsy,
bullet retrieval, and so on."
"Hmm." Rachel let the pages fall back into place, then moved
to the end of the room to grab one of the special stainless
steel gurneys they used for autopsies. She rolled it back to
rest next to the EMTs padded gurney. "Can you switch him over
onto this while I sign for him?"
"Sure."
"Thanks." Leaving them to it, she moved to the desk in the
corner of the examining room in search of a pen. Rachel signed
the necessary papers, then walked back as the men finished
shifting the body to the table. The sheet that had covered him
for his trip through the hospital was now missing. She paused
and stared at the latest addition to the morgue.
He was a handsome man, no more than thirty, with dirty blond
hair. She stared at his pale chiselled features, wishing she'd
seen him while alive and knew what he looked like with his
eyes open. Rachel rarely thought of her clients as having at
one time been living, breathing beings. It would make her job
impossible to do if she considered that the bodies she worked
with were mothers, brothers, sisters, grandfathers, etc. But
this one she couldn't seem not to see as a person. She could
imagine him smiling and laughing and in her mind he had silver
eyes the likes of which she'd never seen.
"Rachel?"
She blinked in confusion and stared up at Dale. The fact that
she was now sitting was a bit startling and made her glance
around. The men had obviously rolled the wheeled desk chair
over and urged her into it. Both EMTs were now hovering over
her, worry on their faces.
"You nearly fainted, I think," Dale told her. "You were
swaying and all white-faced. How are you feeling?"
"Oh." She gave an embarrassed laugh and a wave of her hand.
"I'm fine. Really. I think I'm coming down with something
though. Chills, then fever." She shrugged.
Dale placed the back of a hand to her forehead and frowned.
"You're burning up. Maybe you should go home."
Rachel felt her face and was alarmed to note that she was
indeed burning up. It crossed her mind to hope that the speed
and strength with which this bug had hit her wasn't an omen of
how bad it was going to be. And if it was bad, she hoped that
it would burn out as quickly as it had hit. Rachel hated being
sick.
"Rachel?"
"Huh?" She glanced at the concerned faces of the EMTs and
forced herself to sit up. "Oh, yeah. Sorry. Yes, I might go
home early when Tony gets back. In the meantime, I signed for
the body and everything." Rachel retrieved the paperwork that
would stay with her and handed back the clipboard with the
rest of the paperwork. Dale accepted the clipboard, then
exchanged an uncertain glance with Fred. Both of them appeared
reluctant to leave her alone.
"I'm fine, really," she assured them. "And Tony just went out
to grab us some drinks. He'll be back shortly. You two go on."
"Okay." Dale still sounded reluctant. "Just do us a favor and
keep your butt in that chair till Tony gets back, huh? If you
faint and hit your head ..."
Rachel nodded. "Sure. You two go on. I'll just rest till Tony
gets back."
Dale didn't look like he believed she would do as she said,
but he had little choice but to follow Fred to the door.
"Okay. Well, we're out of here then."
"See you later," Fred added.
Rachel watched them leave, then sat still for a moment as she
had promised. It wasn't long before she became impatient with
just sitting there, though. She wasn't used to being inactive.
Her gaze slid to the body on the gurney. A shooting vic. Those
were rare enough. It meant there was a shooter out there
running around. It also meant that this man had become her
most important customer. The police would want the bullet for
forensics testing to help them track the gun, and hopefully,
the killer if they didn't already have him. If they did have
him, they'd want it to prove they had the right guy. Which
meant she wasn't going home after Tony came back. At least,
not until she had removed the bullet from this guy for
forensics. The actual autopsy wouldn't be done until morning,
but retrieving the bullet was her job. She was the head
coroner at night; it was her responsibility.
Straightening her shoulders, she stood and moved to the table
to peer down at her newest customer. "You picked a heck of a
night to get shot, my friend."
Rachel's gaze slid over his face. He really had been a looker.
It seemed a shame that he was dead. But then it always seemed
to be a shame when people died. Shrugging such thoughts aside,
Rachel grabbed the rolling tray of equipment she would need
and pushed it next to the steel table where her newest client
lay. She looked him over once more before setting to work. The
EMTs had ripped his shirt open, then laid it back across his
chest. He was still fully clothed and in a rather sharp-not to
mention expensive-designer suit.
"Nice duds. Obviously a man of taste and means," she
commented, admiring the cut of his clothes and the body
beneath it. "Unfortunately, the suit has to go."
Rachel picked up the shears from the equipment table and
quickly and efficiently cut away at the suit coat and shirt to
remove them. Once the fabric fell away, she paused to take in
what was revealed. Normally, Rachel would have simply moved on
to remove his pants and underwear if there were any, but the
fever was affecting her strength. Her arms felt all rubbery
and her fingers were limp and awkward. She decided a change in
routine wouldn't hurt at that point and would start recording
her findings of his upper body before she moved on to try to
remove the clothing from his lower body. With any luck, by
then Tony might be back to help.
Setting the shears aside, she reached up to swing both the
overhead light and the microphone directly over his chest,
then switched the microphone on.
"The subject is- Oh shoot!" Rachel flicked the microphone off
and quickly retrieved the paperwork Dale and Fred had left
behind. Her gaze scanned the information in search of a name.
A frown marred her face when she saw that there wasn't one. He
was a John Doe. Well dressed, but without identification. It
made her wonder if that had been the reason behind the
shooting. Perhaps he'd been shot and robbed of his wallet.
Her gaze flickered back to the man. It seemed a real shame to
kill a man for nothing more than a couple of bucks. It was a
crazy world. Rachel set the paperwork back and returned to
flick the microphone back on. "Doctor Garrett examining
shooting victim John Doe. John Doe is a Caucasian male,
approximately 6'4," she guessed, leaving actual measurements
for later. "He is a very healthy specimen."
She turned off the microphone again and took her time looking
him over. Very healthy was an understatement, Rachel decided
as she searched for identifying features. John Doe was built
like an athlete. He had a flat stomach, a wide chest, and
muscular arms to go with his handsome face. After checking him
out again, then a third time, she moved closer to examine him
more minutely. Rachel picked up one arm, then the other and
lifted them to examine the underside of each before stepping
back with a frown. There wasn't a single identifying mark. No
scars or birthmarks. There was nothing that could be
considered an identifying feature on the man. Other than the
gunshot wound over his heart, the man was completely flaw
free. Even his fingers were unmarred.
"Strange," Rachel muttered to herself. Usually there were at
least a couple of scars; an appendicitis scar, or small ones
on the hands from past wounds. Something. But this man was
completely flawless everywhere that she could see. Even his
hands and fingers were callous free. Idle rich? She wondered
and peered at his face again. Classically handsome. No tan
though. Jet setters usually had tans from the sunny spots they
had just flown back from. Or from the tanning salon.
Deciding she was wasting time on these suppositions, Rachel
gave her head a shake and turned the microphone back on.
"Subject has no identifying features or scars on the front
upper body except for the fresh gunshot wound. Death, on first
glance, appears to be due to exsanguation caused by gunshot
wound."
This time she left the microphone on as she reached for the
forceps she would need to remove the bullet. The recorder was
sound activated so would only record what she said anyway.
Later she would use the tape to write up her report, leaving
out any muttered comments it caught that were not pertinent to
the case.
Rachel measured and described the size of the gunshot wound,
as well as it's placement on the body, then set to work
cautiously easing the bullet forceps into the wound, moving
slowly and carefully to be sure she was following the path of
the bullet and not pushing through undamaged tissue. A moment
later she had reached and grasped the missile and was drawing
it carefully back out of his body.
She murmured a triumphant "Ah ha!" as she straightened with
the bullet caught in the spoon of the forceps. Rachel turned
toward the tray, then paused with irritation when she realized
there was no container for the bullet on her equipment tray.
Such things weren't normally needed and she hadn't thought to
grab one. Shootings weren't that common an occurrence in
Toronto, so bullet holders weren't standard fare on her work
tray. Muttering under her breath at her own lack of
forethought, Rachel moved away from the table to the row of
cupboards and drawers to search for one.
While looking, she pondered where Tony could have gone. His
five-minute trip in search of beverages was becoming a rather
lengthy absence. Rachel suspected it was a certain little
nurse who worked on the fifth floor that was holding him up.
Not that Rachel minded. If she did go home when he returned,
he would have no one to relieve him for the rest of the night,
so supposed it was good he was taking extra time now.
Finding what she'd been looking for, Rachel packaged the
bullet, then carried it to her desk to make out an identifying
tag. It wouldn't do for the bullet to get misplaced or to be
left lying around without a label. Of course, she couldn't
find the labels right away and wasted several minutes looking
for them. Then she messed up three of them before getting it
right. This was a good sign that she wasn't on the ball
tonight and that going home was a good idea. She was a
perfectionist and these little mistakes were frustrating, even
embarrassing, to her.
Exasperated with herself and her weakened state, Rachel
smoothed the label onto the container, then paused as she
caught movement out of the corner of her eye.
Turning the chair to fully face the room, she glanced around,
expecting Tony to have returned, but the room was empty. There
was just herself and her John Doe on the gurney. Deciding her
feverish mind was beginning to play tricks on her, Rachel
shook her head and stood. Alarm shot through her as she noted
that her legs were a touch shaky. Her fever was skyrocketing.
It was as if a furnace switch had been flicked on, taking her
from cold and clammy to burning up in a heart beat.
A rustle drew her attention back to the gurney. Was his right
hand where it had been the last time she'd looked? Rachel
could have sworn she'd laid his hand back palm down after
examining it for identifying scars, yet now it was palm up,
the fingers in a relaxed pose.
Her gaze traveled up his arm to his face and Rachel frowned at
his expression. The man had died with a blank expression on
his face, an almost stunned look, and that expression had
remained frozen in death. But now he had more of a pained
grimace on his face. Didn't he? Maybe she was imagining
things. She must be imagining things. The man was dead. He
hadn't moved his hand or changed his expression.
"You've been working the night shift too long," Rachel
muttered to herself and moved slowly back to the gurney to
glance over the body. The actual autopsy wouldn't take place
until the morning. Her job tonight was just to remove the
bullet to be sent to forensics, examine the body for
identifying features, be sure there were no other wounds, then
tag and refrigerate him. That meant she had to remove the rest
of his clothes to examine his lower front body, but she would
need help from Tony in turning the man to examine his back.
Rachel considered leaving his lower front until Tony returned
too, but then decided against it. The sooner she got out of
there and went home to bed to nurse her cold, the better. It
was smarter to get as much done as possible before her
assistant returned. That meant cutting away his pants. To that
end, Rachel was about to reach for the shears when she
realized that she hadn't checked his head for wounds.
It was doubtful that he'd been shot in the head. At least she
hadn't seen any evidence of it and was sure Fred and Dale
would have mentioned it had that been the case. And despite
their claims of thinking they had a heartbeat, then losing it,
the man would have died instantly when the bullet had hit his
heart. Still, he might have hit his head when he fell and
there might be a wound there or elsewhere that simply hadn't
bled.
(Continues...)
Excerpted from Love Bites
by Lynsay Sands
Copyright © 2004 by Lynsay Sands .
Excerpted by permission.
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