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A seductive new novel of treasure, temptation-and tantalizing pleasures.
In a fortress on the cliffs of Dover, former lovers meet again-in a storm of dangerous secrets, buried gold and long-deniedpassion....
Totally enchanting. (Philadelphia Inquirer)
A fascinating, glittering, and sometimes dangerous world. (Mary Jo Putney)
A breathtaking and powerful love story. (Romantic Times - Top Pick)
Another triumph. (Affaire de Coeur)
Con Somerford, now the earl of Wyvern, and smuggler Susan Kerslake knew each other for only for two brief romantic weeks as teenagers 11 years ago. But when they meet again at gunpoint on a windswept Devon cliff, they are disconcerted to realize that the attraction is still there if only they can get past the old hurts and the new complications that hang between them. A pair of complex protagonists, a grim, faux-medieval castle filled with appallingly lewd artwork and "entertainments," courtesy of the earlier insane Dragons of Wyvern, and a wonderful cast of secondary characters many of whom have appeared in Beverley's earlier works combine in what begins as an apparently simple reunion story but becomes more intriguing and darkly complex as the layers of the plot are cleverly peeled away. The author's classic mix of simmering sexual tension and satisfying sensuality will please her fans, old and new. Beverley is a popular, best-selling author (Devilish) and a member of the Romance Writers of America (RWA) Hall of Fame; she lives in British Columbia. Copyright 2001 Cahners Business Information.
More Reviews and RecommendationsOne of the premiere writers of historical romances, Jo Beverley is the recipient of numerous awards including several RITAs from The Romance Writers of America and awards from Romantic Times, including two Career Achievement awards. She is a member of the RWA Honor Roll, and the RWA Hall of Fame.
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May 21, 2001: Jo Beverly has crafted a terriffffficccc story. Con and Susan are wonderful together. This is the first book of Jo Beverlys I have read, it will not be the last.
Reader Rating:
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May 07, 2001:
In 1816, along the coast in the southern part of England, Con Somerford and Susan Kerslake come face to face again after youthful betrayal tore them apart. Eleven years ago, at the tender age of fifteen, they shared a magical time together which ended abruptly when, after Susan seduced Con, she callously rejected him when she found out that he was not heir to the Earldom of Wyvern.
Ironically, Con is now the new Earl, and Susan is the housekeeper, a position which she has retained in order to recover some gold due her family from the late Earl. Susan's brother, David, and their father before him, are the infamous Captain Drake, leader of the local smuggler operation. Susan believes that the gold belongs to her because the late Earl received a portion of the smuggling profits in exchange for protecting the smuggling operation. Not only did he fail to protect the smuggling business, he aided in the capture and transportation of the previous Captain Drake.
Despite Susan's prior ill-treatment of Con, he finds himself still drawn to her and wonders if she still harbors a desire to become the Countess of Wyvern. Susan, likewise, is attracted to Con, though he is no longer the boy she spent hours with in youthful exploration. He is now a hardened man, embittered by war and her previous rejection.
Susan and Con gradually develop a friendship of sorts and are able to come to terms with the disatrous events of eleven years ago. Con wishes to marry Susan but feels that he cannot because he has recently expressed his interest in another lady , and honor would not let him disappoint.
Though Susan is devestated, she joins Con and several of his friends in a search for a document which would prove that her mother was married to the late Earl. When found, this marriage certificate would ensure that David take his place as the rightful Earl, though the previous Captain Drake is in all likelihood his real father. Fortunately Con's secretary, Race, had decided to delay mailing the letter that would have tied Con to Lady Anne, and Susan and Con are able to marry and move to his estate in Sussex while David may continue with the smuggling while enjoying the protection his title of Earl of Wyvern offers.
Jo Beverley has definitely done it again. This is a wonderful read, rich with emotion between hero and heroine. She makes it clear that Susan betrayal of Con, her youthful lover, is so devestating simply because she is the one he has loved all these years. And Susan,likewise, was never able to get over him even though she tried with two other men.
The imagery of the dragon and his bride as represented by the statue is skillfully woven into the relationship of the protaganists as Con discovers that he is not really the dragon he has tatooed on himself, but St. George, the slayer of dragons, who he wanted to be so long ago. The main characters have come full circle, having learned so much about themselves in the eleven years that they spent apart, that they now know that they were truly meant for one another. We will eagerly await THE DEVIL'S HEIRESS, the next installment in this series.
Name:
Jo Beverley
Date of Birth:
September 22, 1947
Place of Birth:
Morecambe, Lancashire, UK
Education:
Degrees in English and American Studies, Keele University, Staffs, 1970
Awards:
Romantic Times Career Achievement Award, Regency Romance; Romantic Times Career Achievement Award, Historical Romance; Five RITA Awards; RWA Hall of Fame for Regency Romance; RWA Honor Roll of Bestselling Authors
Jo Beverley is one the few authors writing English-set historical romance who is English. She was born and raised in England, and has a degree in English history from Keele University in Staffordshire. She and her husband emigrated to Canada in 1975 where they raised their two children. In 2009, the couple returned to England.
Though Jo started to write as a young child, it was only in the '80s that she began to think that it was something ordinary people could do, and after a talk at a local library, she settled to seriously writing her first historical romance.
Now, she is the author of over thirty romance novels and many novellas, which have garnered several RITAs from the Romance Writers of America, as well as several awards from Romantic Times, including two Career Achievement awards. She is a member of the RWA Honor Roll, and the RWA Hall of Fame.
Some fascinating outtakes from our interview with Jo Beverley:
"I'm English, born, raised, and educated, which has to contribute to the way I write my books."
"My profession -- once upon a time in another world -- was careers guidance, which involved visiting many different workplaces and learning about the jobs done there. This is a great education in the variety and complexity of life."
"I taught women-centered childbirth classes for 5 years, and that comes out in any childbirth scenes in my books.
"I'm a craft-dabbler, and I've tried most of them, including Tenerife lace, tatting, leatherwork, and stained glass, but I've never stuck with any. However, I once was a very good painter and I've recently decluttered all my craft materials to concentrate on drawing and painting as my artistic therapy for a demented author."
"I grew up in Morecambe, Lancashire, which is a 19th-century seaside town, but that's very close to Heysham, an ancient coastal village. They say the pre-Conquest church there is the oldest one in England still in use and there are stone-age tombs as well. We used to play on an Anglo-Saxon hogs-back stone near the church. I'm sure this easy contact with such ancient things tuned my mind to the past. I set my second book, The Stanforth Secrets, in Heysham, and it will be reissued in 2010." "My indulgences are really good cheese, bread, wine, coffee, and dark, dark chocolate (90% Lindt."
What was the book that most influenced your life or your career as a writer -- and why?
I was strongly influenced by Georgette Heyer, who was my favorite author from my teens onward, and also by Baroness Orczy's Scarlet Pimpernel books, but I think the most powerful influence on me as a writer came from Dorothy Dunnett's Lymond books. There are six of these, and a romantic thread winds through them, culminating in the last book, Checkmate. So if I have to pick one book it would be Checkmate, but I don't think a reader would get the full effect of it without having read the other five books.
Dunnett's writing is dramatic, even epic, and rich with detail, both descriptive and historical. I don't think I can come close to matching her in this, but I hope my admiration and frequent re-reading had some effect. In this series, she created a strongly charismatic hero moving center stage through crucial events of 16th-century history. I admire the dynamic power of the character, and also how he is drawn throughout the series mainly through the observations of others, for we are all shaped by those around us.
Above all, however, I was struck by her courageous willingness to put her characters, especially Lymond, in truly challenging situations and not give them a last minute escape. When reading the books for the first time I would often be muttering, "Oh no, she can't...." But she did. Then, when Lymond has had to make the terrible choice, Dunnett makes him accept the consequences an more. Again, I don't have her gritty willingness to be cruel to my characters, but when I'm tempted to provide a soft landing, I remember Dunnett and try to have my characters face hard choices, and above all accept their responsibility for all their actions and live with the consequences, intended or not, with as much grace as possible.
What are your ten favorite books, and what makes them special to you?
Frederica is a more gentle book, more typical of classic regency style, with a sensible heroine who thinks she's too old for marriage and a solid, responsible hero who's a brilliant catch, but above all it's full of wonderful characters and laugh-aloud humor, and I love humorous books.
What are some of your favorite films, and what makes them unforgettable to you?
I particularly remember two which were based on real stories. Reach for the Sky is the story of Douglas Bader, an air force pilot who lost both legs in a plane accident and then struggled back into active service during the Battle of Britain, during which the RAF held back and eventually repelled the German attempt to bomb Britain into submission.
The other is The Dam Busters, a more scientific story about the development of a bouncing bomb capable of crippling the hydroelectric dams on the Ruhr River.
Though I've never taken to another reality show, I never miss The Amazing Race because the situations they put people in are so interesting. I think the key for me is that most of the challenges can be done by anyone, but they require the contestants to adapt to their foreign location and work together.
I'm catching up with Battlestar Gallactica on DVD. Great epic drama. I have watched Babylon V more than once. That was arguably the best SF drama ever made for TV.
My other favorites are British programs. Foyle's War, is about police work on the south coast of England during WW II. Yes, there is a pattern in what I like, isn't there? The wonderful Michael Kitchen plays Foyle with emotion that is the more powerful because of its restraint. He never raises his voice, and shows his feelings by the most subtle facial movements. The time and place create plenty of emotions as the conflicting pressures of law, justice, morality, and national security wind through the whole, entangling everyone.
I've been watching Doctor Who since I was a teenager and I'm thoroughly enjoying the new incarnation. I also enjoy the spin off, Torchwood, though the last series has left me a bit adrift.
I've been watching two '60s-set programs called Heartbeat and The Royal, because they're set around Whitby, where we're going to be living. I also like all those old '60s songs they use as background music.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I have varied tastes, but not a lot of modern pop. I still like some '60s artists such as the Beatles, Moody Blues, Beach Boys, and Mamas and the Papas, perhaps largely for nostalgia.
I love the music of Stan Rogers, a Canadian singer who sadly died too young. I suppose his songs could be called folk. I also love Leonard Cohen's work, and also Gregorian chant -- which I actually sang back at that convent boarding school.
For instrumental, my preference is for strings -- guitar, lute and cello. I do like symphonies, but don't often listen to them at home. Perhaps I find them too big for small spaces?
When I'm in the mood, I enjoy Bollywood music. It makes me want to move and dance.
For writing, I have a number of soundtracks I play when I'm writing. Some are period ones, such as medieval and Georgian. For Georgian, I really like the music of Marin Marais, who was a court musician in France during the 18th century. There's something both elegant and disturbing about his music, which to me captures the feel of the times.
I also have some tracks for romantic, passionate and dramatic moods.
What are your favorite kinds of books to give -- and get -- as gifts?
I try to give books I think the recipient will like, but my own taste often creeps in. I will give copies of my favorites, of course, to people I think will enjoy them.
I love getting books with period pictures because I'm a very visual writer. I also have family and friends on the alert for older books related to my settings, especially any written at the time. Primary sources are always best.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I don't think I have rituals, but I like to get to work right after breakfast and in my familiar place. I'm not the sort of writer to take a laptop to a café. I use a very old but still excellent word processing program called XY Write, which I haven't had to update for about 15 years. I use an old 486 computer and DOS, and the screen presents light grey text on a black background, with no page layout. I type in the words and they don't do anything except be there. I like it that way. I have a desk custom made to be lower than normal for a more comfortable angle, and a Herman Miller Aeron chair. That is THE greatest office chair, and incidentally the one that House has on the TV program.
Just to add to the peculiarities, I use the Dvorak keyboard layout instead of qwerty, because it's easier on the hands. That certainly makes it a challenge if I'm required somewhere to use a qwerty one. Hunt-and-peck am I!
Oh, and I have speakers to play that music talked about above.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I was first published in 1988, so just over 20 years, but I'd say my career started to take off after about 5 years. I've been interested in writing, especially writing historical romance, since my teens, and I still have a medieval romance I wrote in a school exercise book then, passing it around my friends at boarding school. I didn't think writing novels was something real people did, however, so it took me until my thirties to try. Then it took about four years to get published.
I certainly got rejections! We all do. Some were doubtless deserved -- why do we writers always think our first efforts are brilliant? -- but some were odd. One contemporary romance was rejected by one publisher because the hero was too weak, and by another because he was too strong. Then there was the rejection of a historical that went on to be an award winning success where the editor said that not only wasn't it a Regency romance it wasn't a romance at all. That became An Arranged Marriage, which does break a lot of rules, but I think that was a bit blinkered.
What tips or advice do you have for writers still looking to be discovered?
Try to find favor with the gods of luck? Someone said that if we think of publishing as being a casino it begins to make sense. There is certainly a lot of irrationality and apparent unfairness which can eat us up if we allow it. Also, I think it's important to hold onto the joy of writing, because that's the real reward, and in any case, if we have strong positive energy when we write, it will be on the page and be more likely to create excitement in editors and readers.
Other than that, I'd say write regularly and finish books. Yes it might seem like a waste of time, but it's not. We don't really learn unless we complete books and then polish them to the highest standard we can. The bonus is that when a writer finally sells, the publisher wants more books, soon, and there they are. They will probably need more rewriting and polishing, but it's better than starting from nothing.
The way I look at it, a rejection doesn't mean we've wasted time. It means we've built our inventory.
Long popular in England because of the great Dragonslayer, the name George, by the 19th century, was also considered patriotic the name of kings and princes. So it's not surprising that three Georges (called Hawk, Van and Con to avoid confusion) grew up as neighbors and joined the army together to fight Napoleon. The Dragon's Bride is Con's story. The new Earl of Wyvern, Con is still haunted by Waterloo, where a friend he'd sworn to protect lost his life. Susan Kerslake, housekeeper at the earl's fortress, is more than a servant. She's a smuggler, seeking hidden gold and she and Con once shared an enchanted summer, before innocence met arrogance and shattered both their hearts. Reunited, they have an unexpected chance to heal old wounds and perhaps to reclaim lost love. Look for the other two Georges in “The Demon's Mistress,” part of the anthology In Praise of Younger Men, and in The Devil's Heiress.
A seductive new novel of treasure, temptation-and tantalizing pleasures.
In a fortress on the cliffs of Dover, former lovers meet again-in a storm of dangerous secrets, buried gold and long-deniedpassion....
Totally enchanting. (Philadelphia Inquirer)
A fascinating, glittering, and sometimes dangerous world. (Mary Jo Putney)
A breathtaking and powerful love story. (Romantic Times - Top Pick)
Another triumph. (Affaire de Coeur)
Con Somerford, now the earl of Wyvern, and smuggler Susan Kerslake knew each other for only for two brief romantic weeks as teenagers 11 years ago. But when they meet again at gunpoint on a windswept Devon cliff, they are disconcerted to realize that the attraction is still there if only they can get past the old hurts and the new complications that hang between them. A pair of complex protagonists, a grim, faux-medieval castle filled with appallingly lewd artwork and "entertainments," courtesy of the earlier insane Dragons of Wyvern, and a wonderful cast of secondary characters many of whom have appeared in Beverley's earlier works combine in what begins as an apparently simple reunion story but becomes more intriguing and darkly complex as the layers of the plot are cleverly peeled away. The author's classic mix of simmering sexual tension and satisfying sensuality will please her fans, old and new. Beverley is a popular, best-selling author (Devilish) and a member of the Romance Writers of America (RWA) Hall of Fame; she lives in British Columbia. Copyright 2001 Cahners Business Information.
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Chapter One
May 1816
The south coast of England
The moon flickered briefly between windblown clouds, but such a thread-fine moon did no harm. It barely lit the men creeping down the steep headland toward the beach, or the smuggling master controlling everything from above.
It lightened not at all the looming house that ruled the cliffs of this part of DevonCrag Wyvern, the fortresslike seat of the blessedly absent Earl of Wyvern.
Absent like the riding officer charged with preventing smuggling in this area. Animal soundsan owl, a gull, a barking foxcarried across the scrubby landscape, constantly reporting that all was clear.
At sea, a brief flash of light announced the arrival of the smuggling ship. On the rocky headland, the smuggling masterCaptain Drake, as he was calledunshielded a lantern in a flashing pattern that meant "all clear."
All clear to land brandy, gin, tea, and lace. Delicacies for Englishmen who didn't care to pay extortionate taxes. Profit for smugglers, with tea sixpence a pound abroad and selling for twenty times that in England if all the taxes were paid.
In the nearby fishing village of Dragon's Cove, men pushed boats into the waves and began the urgent race to unload the vessel.
"Captain Drake" pulled out a spyglass to scan the English Channel for other lights, other vessels. Now that the war against Napoleon was over, navy ships were patrolling the coast, better equipped and manned than the customs boatshad ever been. A navy cutter had intercepted the last major run, seizing the whole cargo and twenty local men, including the previous Captain Drake.
A figure slipped to sit close to him, one dressed as he was all in dark colors, a hood covering both hair and the upper face, soot muting the pallor of the rest.
Captain Drake glanced to the side. "What are you doing here?"
"You're shorthanded." The reply was as sotto voce as the question.
"We've enough. Get back up to Crag Wyvern and see to the cellars."
"No."
"Susan"
"No, David. Maisie can handle matters from inside the house, and Diddy has the watch. I need to be out here."
Susan Kerslake meant it. This run had to succeed or heaven knew what would become of them all, so she needed to be out here with her younger brother, even if there was nothing much she could do.
For generations this area had flourished, with smuggling the main enterprise under a series of strong, capable Captain Drakes, all from the Clyst family. With Mel Clyst captured, tried, and transported to Botany Bay, however, chaos threatened. Other, rougher gangs were trying to move in.
The only person in a position to be the unquestioned new Captain Drake was her brother. Though he and she went by their mother's name of Kerslake, they were Mel Clyst's children and everyone knew it. It was for David to seize control of the Dragon's Horde gang and make a profit, or this area would become a battleground.
He'd had to take on the role, and Susan had urged him to it, but she shivered with fear for him. He was her younger brother, after all, and even though he was a man of twenty-four, she couldn't help trying to protect him.
The black-sailed ship on the black ocean was barely visible, but a light flashed again, brief as a falling star, to say that the anchor had dropped. No sign of other ships out there, but the dark that protected the Freetraders could protect a navy ship as well.
She knew Captain de Root of the Anna Kasterlee was an experienced smuggler. He'd worked with the Horde for over a decade and had never made a slip yet. But smuggling was a chancy business. Mel Clyst's capture had shown that, so she kept every sense alert.
At last her straining eyes glimpsed the boats surging out to be loaded with packages and half-ankers of spirits. She could just detect movement on the sloping headland, which rolled like the waves of the sea as local men flowed down to the beach to unload those small boats.
They'd haul the goods up the cliff to hiding places and packhorses. Men would carry the goods inland on their backs to secure places and to the middlemen who'd send the cargo on to Bath, London, and other cities. A week's wages for a night's work and a bit of 'baccy and tea to take home. Many would have scraped together a coin or two to invest in the profits.
To invest in Captain Drake.
Some of the goods, as always, would be hidden in the cellars of Crag Wyvern. No Preventive officer would try to search the home of the Earl of Wyvern, even if the mad earl was dead and his successor had not yet arrived to take charge.
His successor.
Susan was temporary housekeeper up at Crag Wyvern, but as soon as the new earl sent word of his arrival she'd be out of there. Away from here entirely. She had no intention of meeting Con Somerford again.
The sweetest man she'd ever known, the truest friend.
The person she'd hurt most cruelly.
Eleven years ago.
She'd only been fifteen, but it was no excuse. He'd only been fifteen, too, and without defenses. He'd been in the army for ten of the eleven years since, however, so she supposed he'd have defenses now.
And attacks.
She shivered in the cool night air and mined her anxieties on the scene before her. If this run was successful, she could leave.
"Come on, come on," she muttered under her breath, straining to see the first goods land on the beach. She could imagine the powerful thrust of the oarsmen, racing to bring the contraband in, could almost hear the muttering excitement of the waiting men, though it was probably just the wind and sea.
She and David had watched runs before. From a height like this everything seemed so slow. She wanted to leap up and help, as if the run were a huge cart that she could push to make it go fasten Instead she stayed still and silent beside her brother, like him watchful for any sign of problems.
Being in command was a lonely business.
How was she going to be able to leave David to his lonely task? He didn't need herit was disconcerting how quickly he'd taken to smuggling and leadershipbut could she bear to go away, to not be here beside him on a dark night, to not know immediately if anything went wrong?
And yet, once Con sent word he was coming, she must.
Despite treasured summer days eleven years ago, and sweet pleasures. And wicked ones...
She realized she was sliding again under the seductive pull of might-have-beens, and fought clear to focus on the business of the moment.
At last the first of the cargo was landing, the first goods were being carried up the rough slope. It was going well. David had done it.
With a blown-out breath, she relaxed on the rocky ground, arms around her knees, permitting herself to enjoy the rough music of waves on shingle, and the other rough music of hundreds of busy men. She breathed in the wind, fresh off the English Channel, and the tense activity all around.
Heady stuff, the Freetrade, but perilous.
"Do you know where the Preventive officer is?" she asked in a quiet voice that wouldn't carry.
"Gifford?" David sent one of the nearby men off with a quiet command, and she saw some trouble on the cliff. A man fallen, probably. "There's a dummy ship offshore five miles west, and with luck he and the boatmen are watching it, ready to fish up the goods it drops into the water."
Luck. She hated to depend on luck.
"Poor man," she said.
David turned his head toward her. "He'll get to confiscate a small cargo like Perch did under Mel. It'll look good to his superiors, and he'll get his cut of the value."
Lieutenant Perch had been riding officer here for years, with an agreeable working relationship with the Dragon's Horde gang. He'd recently died from falling down a cliffor being pushedand now they had young, keen Lieutenant Gifford to deal with.
"Let's hope that satisfies him," Susan said.
He gave a kind of grunt. "If Gifford were a more flexible man we could come to a permanent arrangement."
"He's honest."
"Damn nuisance. Can't you use your wiles on him? I think he's sweet on you."
"I don't have any wiles. I'm a starchy housekeeper."
"You'd have wiles in sackcloth." He reached out and took her hand, his so solid and warm in the chilly night. "Isn't it time you stopped working there, love? There'll be money aplenty after this, and we can find someone else who's friendly to the trade to be housekeeper."
She knew it bothered him for her to be a domestic servant. "Probably. But I want to find that gold."
"It'd be nice, but after this, we don't need it."
So careless, so confident. She wished she had David's comfort with whatever happened. She wished she weren't the sort to be always looking ahead, planning, worrying, trying to force fate....
Oh yes, she desperately wished that.
She was as she was, however, and David didn't seem to accept that she had a strange unladylike need for employment. For independence.
And there was the gold. The Horde under Mel Clyst had paid the late Earl of Wyvern for protection. Since he hadn't provided it, they wanted their money back. She wanted that money back, but mainly to keep David safe. It would pay off the debts caused by the failed run and provide a buffer so he wouldn't have to take so many risks.
She frowned down at the dark sea. Things wouldn't have been so difficult if her mother hadn't set off to follow Mel to Australia, taking all the Horde's available money with her. Isabelle Kerslake. Lady Belle, as she liked to be known. A smuggler's mistress, without a scrap of shame as far as anyone could tell, and without a scrap of feeling for her two children.
Susan shook off that pointless pain and thought about the gold. She glanced behind at the solid mass of Crag Wyvern as if that would spark a new idea about where the mad earl had hidden his loot. The trouble with madmen, however, was that their doings made no sense.
Automatically she scanned the upper slit windows for lights. Crag Wyvern served as a useful messaging post visible for miles, and as a viewing post where miles of coast could be scanned for other warning lights. Apart from that, however, it had no redeeming features.
The house was only two hundred years old, but had been built to look like a medieval fortress with only arrow-slit windows on the outside. Thank heavens there was an inner courtyard garden, and the rooms had proper windows that looked into that, but from the outside the place was grim.
As she turned back to the sea, the thin moon floated out from behind clouds again, silvering the boats on the water, lifting and bobbing with the waves. Then the clouds swept across the moon like a curtain, and a wash of light drizzle blew by on the wind. She hunched, grimacing, but the rain was a blessing because it obscured the view even more. The sea and shore below her could have been deserted.
If Gifford had spotted the dummy run for what it was, and was seeking the real one, he'd need the devil's own luck to find them tonight. Let it stay that way. He was a pleasant enough young man, and she didn't want to see him smashed at the bottom of a cliff.
Lord, but she wished she had no part of this.
Smuggling was in her blood, and she was used to loving these smooth runs that flowed with hot excitement through the darkest nights. But it wasn't a distant adventure anymore.
It was need now, and danger to the person she loved most in the world
Was that a noise behind her?
She and David swiveled together to look back toward Crag Wyvern. She knew he too held his breath, the better to hear a warning sound.
Nothing.
She began to relax, but then, in one high, narrow window, a candle flared into light.
"Trouble," he murmured.
She put a hand on his suddenly tense arm. "Only a stranger, that candle says. Not Gifford or the military. I'll deal with it. One squeal for danger. Two if it's clear."
That was the smuggler's callthe squeal of an animal caught in the fox's jaws or the owl's talonsand if the cry was cut off quickly, it still signaled danger.
With a squeeze to his arm for reassurance, she slid to the side, carefully, slowly, so that when she straightened she wouldn't be close to Captain Drake. Then she began to climb the rough slope, soft boots gripping the treacherous ground, heart thumping, but not in a bad way..
Perhaps she was more like her brother than she cared to admit. She enjoyed being skilled and strong. She enjoyed adventure. She liked having a pistol in her belt and knowing how to use it.
As well that she had no dreams of becoming a fine lady.
Or not anymore, at least.
Once, she'd been caught up in a mad, destructive desire to marry the future Earl of Wyvern---Con Somerford, she'd thoughtand ended up naked with him on a beach....
She physically shook the memory away. It was too painful to think about, especially now, when she needed a clear mind.
Heart beating faster and blood sizzling through her veins, she went up the tricky hill in a crouch, fingers to the ground to stay low. She stretched hearing and sight in search of the stranger.
Whoever the stranger was, she'd expect him to have entered the house. Maisie might have signaled for that too. But Susan had heard something up here on the headland, and so had David.
She slowed to give her senses greater chance to find the intruder, and then she saw him. Her straining eyes saw a cloaked figure a little darker than the dark night sky. He stood still as a statue. She could almost imagine someone had put a statue there, on the headland between the house and the cliff.
A statue with a distinct military air. Was it Lieutenant Gifford after all?
She shivered, suddenly feeling the cold, damp wind against her neck. Gifford would have soldiers with him, already spreading out along the headland. The men bringing in the cargo would be met with a round of fire, but the smugglers had their armed men too. It would turn into a bloody battle, and if David survived, the military would be down on the area like a plague looking for someone to hang for it.
Looking for Captain Drake.
Her heart was racing with panic and she stayed there, breathing as slowly as she could, forcing herself back to control. Panic served no one.
If Gifford was here with troops, wouldn't he have acted by now? She stretched every quivering sense to detect soldiers concealed in the gorse, muskets trained toward the beach.
After long moments she found nothing.
Soldiers weren't that good at staying quiet in the night.
So who was it, and what was he planning to do?
Heartbeat still fast, but not with panic now, she eased forward, trying not to present a silhouette against the sea and sky behind her. The land flattened as she reached the top, however, making it hard to crouch, making her clumsy, so some earth skittered away from beneath her feet.
She sensed rather than saw the man turn toward her.
Time to show herself and pray.
She pulled off her hood and used it to wipe the soot around so it would appear to be general grubbiness. She tucked the cloth into a pocket, then stood. Eccentric to be wandering about at night in men's clothing, but a woman could be eccentric if she wanted to, especially a twenty-six-year-old spinster of shady antecedents.
She drew her pistol out of her belt and put it into the big pocket of her old-fashioned frock coat. She kept her hand on it as she walked up to the still and silent figure, and it was pointed forward, ready to fire.
She'd never shot anyone, but she hoped she could if it was necessary to save David.
"Who are you?" she said at normal volume. "What is your business here?"
She was within three feet of him, and in the deep dark she could not make out any detail except that he was a couple of inches taller than she was, which made him about six feet. He was hatless and his hair must be very short, since the brisk wind created no visible movement around his head.
She had to capture a strand of her own hair with her free hand to stop it blowing into her eyes.
She stared at him, wondering why he wasn't answering, wondering what to do next. But then he said, "I am the Earl of Wyvern, so everything here is my business." In the subsequent silence, he added, "Hello, Susan."
Her heart stopped, then raced so impossibly fast that stars danced around her vision.
Oh, Lord. Con. Here. Now.
In the middle of a run!
He'd thought smuggling exciting eleven years ago, but people changed. He'd spent most of those years as a soldier, part of the mighty fist of the king's law.
Dazed shock spiraled down to something numb, and then she could breathe again. "How did you know it was me?"
"What other lady would be walking the clifftop at the time of a smugglers' run?"
She thought of denying it, but saw no point. "What are you going to do?"
She made herself draw the pistol, though she didn't cock it. Heaven knew she wouldn't be able to fire it. Not at Con. "It would be awkward to have to shoot you," she said as firmly as she could.
Without warning, he threw himself at her. She landed hard, winded by the fall and his weight, pistol gone, his hand covering her mouth. "No squealing."
He remembered. Did he remember everything? Did he remember lying on top of her like this in pleasure? Was his body remembering ...?
He'd been so charming, so easygoing, so dear, but now he was dark and dangerous, showing not a shred of concern for the lady he was squashing into hard, unforgiving earth.
"Answer me," he said.
She nodded, and he eased his hand away, but stayed over her, pressing her down.
"There's a stone digging into my back."
For a moment he didn't respond, but then he moved back and off her, grasping her wrist and pulling her to her feet before she had time to object. His hand was harder than she remembered, his strength greater. How could she remember so much from a summer fortnight eleven years ago?
How could she not? He'd been her first lover, and she his, and she'd denied every scrap of feeling when she'd sent him away.
Life was full of ironies. She'd rejected Con Somerford because he hadn't been the man she'd thought he wasthe heir to the earldom. And here he was, earl, a dark nemesis probably ready to destroy everything because of what she'd done eleven years ago.
What could she do to stop him?
She remembered David's comment about feminine wiles and had to fight down wild laughter. That was one weapon that would never work on the new Earl of Wyvern.
"I heard Captain Drake was caught and transported," he said, as if nothing of importance lay between them. "Who's master smuggler now?"
"Captain Drake."
"Mel Clyst escaped?"
"The smuggling master here is always called Captain Drake."
"Ah, I didn't know that."
"How could you?" she pointed out with deliberate harshness, in direct reaction to a weakness that threatened to crumple her down onto the dark earth. "You were here for only two weeks." As coldly as possible, she added, "As an outsider."
"I got inside you, Susan."
The deliberate crudeness stole her breath.
"Where are the Preventives?" he asked
She swallowed and managed an answer. "Decoyed up the coast a bit."
He turned to look out at the water. The sickle moon shone clear for a moment, showing a clean, strong profile and, at sea, the armada of small boats heading out for another load.
"Looks like a smooth run, then, Come back to the house with me." He turned as if his word were law.
"I'd rather not." Overriding her weakness was fear, as sharp as winter ice. Irrational fear, she hoped, but frantic.
He looked back at her. "Come back to the house with me, Susan."
He made no threat. She had no idea what he might be threatening, but a breath escaped her that was close to a sigh, and she followed him across the scrubby heathland.
After eleven years, Con Somerford was back, lord and master of all that surrounded them
Copyright © 2001 Kurt R. A. Giambastiani. All rights reserved.
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