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Lovers and Dreamers 3-in-1 (Dream Trilogy Series) by Nora Roberts
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(Paperback - Reprint)
- Pub. Date: January 2005
- 752pp
- Sales Rank: 16,744
Reader Rating: (12 ratings)
Detailed Rating: "Writing Style" See All
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Product Details
- Pub. Date: January 2005
- Publisher: Penguin Group (USA)
- Format: Paperback, 752pp
- Sales Rank: 16,744
- Series: Dream Trilogy Series
- ISBN-13: 9780425201756
- ISBN: 0425201759
- Edition Description: Reprint
Synopsis
The author who "weaves a story like no one else" (Rocky Mountain News) presents her dazzling trilogy of three women who shared a home and a c childhood-but grew to fulfill their own unique destinies.
Includes the complete trilogy:
Daring to Dream
Amidst the grandeur of Templeton House, Margo, Kate, and Laura were brought up like sisters. But it is Margo, the housekeeper's daughter, whose dreams first take her far away on a magnificent journey full of risk and reward.
Holding the Dream
Kate knew she had something her friends Margo and Laura could never have--a shrewd head for business. But now, faced with professional impropriety, Kate is forced to look deep within herself.
Finding the Dream
Laura seemed to have it all. Beautiful and intelligent, there was nothing that could keep her from her dreams. Until fate took away the man she thought she loved.
Biography
One of the most prolific and popular writers in the world, Nora Roberts (who also writes as her edgier alter-ego J. D. Robb) publishes multiple books a year. Not that it’s enough for her fans, who tear through her unconventional romances. With her trademark mix of fantasy, mystery, and romance, Roberts has created her own genre -- and romance fans are grateful for it!
More About the AuthorCustomer Reviews
- Reader Rating:
- Ratings: 12Reviews: 8
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One of my favorite Nora Roberts Series...couldn't stop reading!by Anonymous
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October 18, 2009: This trilogy made up of 3 dream series books is very thick, but it is so good that I got through it in no time! I did not want to be done even though I lost alot of sleep staying up reading to see what happened next! This is one series that I'd actually like to read again. All three center around 3 young women who are not related but who grew up together in one home and are very close friends. The first book revolves around Margo and her life and relationships, the second around Kate and the third around Sarah. These books are an excellent examples of why I love to read Nora Roberts books - you feel like you really know the characters, there is a strong sense of family closeness and true friendship. I would definitely recommend this series to anyone that likes romance stories with some interesting twists!"
The third book is worth the whole trilogy.by LisaRap
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June 11, 2009: I was bored with the first two books of the trilogy but you have to read them to get enough background information. The third book was about the character Laura and it was so wonderful. It was heartbreaking and sweet.
Fact File
Name:
Nora Roberts
Also Known As:
J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
Current Home:
Keedysville, Maryland
Date of Birth:
1950
Place of Birth:
Silver Spring, Maryland
Awards:
Romance Writers of America Hall of Fame, 1986; Romantic Times Career Achievement Award, 1991; Romance Writers of America Centennial Award, 1997; Romance Writers of America Golden Medallion Award (seven times); Quill Award for Blue Smoke, 2006
Biography
Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.
As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.
For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."
Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.
Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."
Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."
Good to Know
Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.
Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.
Feature Interview
Excerpted from the March/April 2002 issue of Book magazine.One afternoon when Nora Roberts was four, her two oldest brothers broke into a violent argument while they were baby-sitting her. "I peeked out of the bedroom, and they're beating the hell out of each other," Roberts says. Then her mother walked in, with a grocery bag in each hand. "One bag goes here, one bag goes there, she steps right in the middle of these two six-foot guys and she goes, boom, bam. Two backhands. And both of them go, 'Maaaaaawwwmm.' I thought right then, There's the power. She's the power."
Elly, as her family still calls her, the youngest of five and the only girl, was a quick study. "She bossed her brothers around," says her mother, Eleanor; today, "her brothers have got her on a throne." Roberts reigns over more than her family, which now includes her husband and two sons. Since her writing debut in 1981, she has helped lead American romance away from its clichés of simpering heroines and heroic rapists toward more complex characters and contemporary, multifaceted plots. Of course, sex -- passionate, tender, delayed, avoided, forced, in castles, in fields, in treetops -- continues to be a central hook. And often, the prose remains purple; Roberts herself has a propensity for phrases like "she rocked them both toward madness." But the genre with which her name is synonymous is one -- the only one -- that always puts women at the center of the universe.
***
Two Mercedes -- a Kompressor convertible and an M-Class SUV -- and a Chrysler PT Cruiser are parked outside the rural Keedysville, Maryland, home Roberts shares with her husband. Inside, several gauzy photographs of nude models hang above the bed in the ground-floor master bedroom, and a rendition of the Casablanca movie poster -- with the couple painted in as Ilsa and Rick -- is prominent above the fireplace. Three ebullient dogs and one gnarled old mutt track in dirt and litter the house with deer bones that they've found outside.
Since moving here twenty-nine years ago, Roberts has divorced her first husband, raised their two sons (Dan, now twenty-nine, lives with his wife down the lane; Jason, twenty-six, is just over an hour away) and remarried. She has also added on a few rooms and an indoor pool; a few years ago, she bought twenty adjoining acres so she could continue to shoo deer out of the garden in her underwear without worrying about neighbors. She and her husband own a tiny bookshop in nearby Boonsboro, but Roberts spends most of her time in an upstairs office where she types, smokes and drinks diet colas eight hours a day, five days a week. It's a routine that's produced an average of seven books a year since 1981, many of them bestsellers.
Roberts knows that her work is commercial fiction and doesn't lose any sleep waiting for National Book Award nominations. The high-art literary tradition isn't what's gotten her to where she is; what has is her "real talent for storytelling," as author Jennifer Crusie (Fast Women; Welcome to Temptation) says, and a commensurate skill with plot and pacing. Readers are pulled into her story lines (which often bounce from one continent to the next) and her well-drawn characters. Fans especially admire Roberts' tough, independent heroines. "When they fit with your own circumstances," says Elizabeth Mayfield, a database administrator from Norwalk, Connecticut, "you think, Gee, there's hope for me." Roberts, however, contends that she's not writing to provide role models for anyone. "I'm gonna tell a good, entertaining story," she says. "I'm not looking to change the world."
Roberts was born Eleanor Marie Robertson, and she grew up in Silver Spring, Maryland, about an hour from where she lives now. Her father worked as a projectionist at the local movie theater and as a stagehand until 1964, when he started a lighting company -- which is where most of the Robertson family still works. Her mother ran the family. "Mom was a very strict disciplinarian," says Roberts' brother Buzz, who is now the president of his dad's company, "but as long as you followed the rules and were polite, you didn't have a problem." He says Nora had it a little easier than her brothers. "Us boys, we knew we were low men on the totem pole. Mom was tickled pink when she had Nora."
"Her daddy worked two jobs all his life, and during the Depression, I took in roomers," says Eleanor Robertson, who at eighty-five still lives in Silver Spring and is now secretary-treasurer of the company her husband started (Bernie Robertson died in 2000). "She knows how hard we worked to give them an education and a nice home." Roberts went to Catholic schools as a child and credits much of her success to the nuns who taught her -- the discipline and guilt in her formative years did her a lot of good.
In her sophomore year of high school, Roberts transferred to public school, where she met Ronald Aufdem-Brinke; she married him at seventeen, in 1968, right after graduation. The young couple moved to Keedysville and had a small house built in the woods. While Aufdem-Brinke worked at his father's sheet-metal business and later the Robertson lighting company, Roberts took care of their two children and the house. "Oh God, I had craft addictions," Roberts says, taking a drag on a cigarette. (She runs through a pack of Winstons at a pace that doesn't quite catch up to chain-smoking but runs several steps beyond casual.) "You name it, I made it. I macraméd two hammocks once. I did ceramics, I sewed the kids' clothes. I even put flies into overalls -- that is sick. I was a sick woman. I baked bread once a week. I canned jellies and made my own spaghetti sauce using my own tomatoes."
Sometime during the next decade (she calls the period her "Earth Mother" years), Roberts started to read Harlequin novels -- the short books were easy for her to finish while the kids were napping. During a blizzard in 1979, trapped inside with little more than her three- and six-year-old sons and a game of Candy Land, Roberts sat down with a pencil and wrote a manuscript of her own, a romance that she's since described as "very bad." In the next year and a half, while her kids were napping or at T-ball practice, she wrote at least six manuscripts in longhand. She submitted some of them to Harlequin, which at the time was using mainly British writers. Roberts didn't hear back, but her enthusiasm wasn't subdued. "I became a writing junkie," she says. Although she was rejected several times, she continued to write -- but started filing her manuscripts in a back drawer rather than submitting them.
Roberts then heard that a new romance publisher, Silhouette, was looking specifically for American writers, so she sent in her work. In 1980 she got a call from Nancy Jackson, a Silhouette editor, saying she had plucked one of Roberts' manuscripts -- Irish Thoroughbred, a slender love story about an Irish stable hand and her boss -- out of the slush pile. Jackson told Roberts she wanted to publish it. Eleanor Aufdem-Brinke changed her name to Nora Roberts because she says she assumed all romance authors used a nom de plume. The book "didn't make waves when it first came out," says Isabel Swift, her current editor, but it sold well in reprint. Roberts was hooked on the process, though, and published five more books the following year, eight the following and ten the year after that.
Roberts hit it big in 1985 when she wrote the first of her MacGregor family series, Playing the Odds. The book, which focuses on a matchmaking Scottish patriarch and his brood, became an immediate bestseller. Romance readers began associating the name Nora Roberts with multigenerational sagas: In addition to the MacGregors, she has written about the Donovans, a modern family of Irish magicians; the Calhouns, a family of pigheaded sisters in Maine; and the Stanislaskis, tempestuous Ukrainian immigrants.
***
From the beginning, Roberts' heroines were not content to wear aprons or take dictation. In Irish Thoroughbred, though Roberts' heroine was young (early twenties) and virginal (well, she was a virgin), she was a horse groomer with an independent streak. Roberts wasn't alone in giving her female characters more authority in the workforce; other American romance authors -- like Jayne Ann Krentz, Sandra Brown and Elizabeth Lowell -- were doing the same. "I think one of the great things the American writer has brought to the romance novel," Krentz says, "is a modern interpretation of women's roles and women's values." Author Janet Evanovich adds, "The genre reflects the increased power and opportunity afforded today's women. We see more variety in the genre in terms of heroine age and occupation. And today's heroine is stronger, more self-reliant. Of course, Nora was always ahead of the pack. Her heroines were always strong."
Rebecca Sullivan, a heroine in Roberts' latest romantic suspense, Three Fates, is a quintessential Nora Roberts lead: She runs the family business (giving boat tours off the western coast of Ireland) and engineers the search for the family's lost treasure. Rebecca's a smart, capable lady with a sense of humor. In the course of the story, she falls in love with a computer expert who eventually marries her -- the book ends in Ireland with the assumption that the husband will help her with the business. "I'm not interested in telling stories about weak women," Roberts says. "Or if they're weak, I want to show how they grow and how they become strong. I'm not writing about Cinderella sitting waiting for her prince to come and take her away. She'll get out of it herself. The prince is a bonus, a completion, another element -- but it's not the answer to all of her problems."
***
Perched on a stool next to her kitchen counter, Roberts doesn't look like a purveyor of dreams. She could be any of a million women, taking a break from a million jobs, looking toward the end of a million days. Right now, her husband is outside, working in the yard before heading to town. Later on, he'll pick up groceries, and Nora will cook dinner; favorites are pasta with red sauce or Cajun chicken. Around 7:30, the two will retire for the evening, probably settling down for a while in front of the television -- it's Thursday, so they'll probably tune in for some of Friends or ER. And that's a typical end to a typical day for the world's most popular romance author. "I always wonder if they asked Agatha Christie if she was homicidal," Roberts says with a laugh. "I don't have a romantic lifestyle."
Still, she says, it's romance books she turns to when she wants to escape reality, so maybe the queen of the realm is, finally, one of its true citizens as well. Roberts, after all, spends her days holed up in her office, writing, researching and investigating the backgrounds for her books. She loves it, she says, but it's work. And when she's done, she's done. "When I read for pleasure," she says, "give me a story."
If today's romance is escapism, millions of its readers would argue that it is also girl-power between pastel covers: adventures that belong to characters who are at their strongest -- and sexiest -- because they are women. So Roberts essentially shrugs off the contempt reserved for romance novels as sexist and ignorant. Still, she recognizes that the genre carries a lot of baggage -- even she finds herself sneaking reads when she's out in public. A lot of the embarrassment, she says, has to do with the way the books look. "It's mostly hard for me when she's falling out of her dress, and he has his mouth on her tit," Roberts says, describing what she calls "nursing mother" covers. She taps her lighter against the counter and rolls her eyes. "To sit on an airplane and read that?"
From the Publisher
The author who "weaves a story like no one else" (Rocky Mountain News) presents her dazzling trilogy of three women who shared a home and a c childhood-but grew to fulfill their own unique destinies.
Includes the complete trilogy:
Daring to Dream
Amidst the grandeur of Templeton House, Margo, Kate, and Laura were brought up like sisters. But it is Margo, the housekeeper's daughter, whose dreams first take her far away on a magnificent journey full of risk and reward.
Holding the Dream
Kate knew she had something her friends Margo and Laura could never have--a shrewd head for business. But now, faced with professional impropriety, Kate is forced to look deep within herself.
Finding the Dream
Laura seemed to have it all. Beautiful and intelligent, there was nothing that could keep her from her dreams. Until fate took away the man she thought she loved.
Loading...Product Details
- Pub. Date: January 2005
- Publisher: Penguin Group (USA)
- Format: Paperback, 752pp
- Sales Rank: 16,744
- Series: Dream Trilogy Series
- ISBN-13: 9780425201756
- ISBN: 0425201759
- Edition Description: Reprint
Read a Sample Chapter
LOVERS & DREAMERS
By NORA ROBERTS
BERKLEY BOOKS
Copyright © 2005 Nora RobertsAll right reserved.
ISBN: 0-425-20175-9
Chapter One
When she was eighteen, Margo knew exactly what she wanted. She had wanted the same at twelve. Everything. But now she had made up her mind how to go about attaining it. She was going to trade on her looks, her best and perhaps only talent as far as she was concerned. She thought she could act, or at least learn how. It had to be easier than algebra, or English lit, or any of those other stuffy classes in school. But one way or another, she was going to be a star. And she was going to make it on her own.She'd made the decision the night before. The night before Laura's wedding. Was it selfish of her to be so miserable that Laura was about to be married?
She'd been nearly this miserable when Mr. and Mrs. T. had taken Laura and Josh and Kate to Europe the summer before for an entire month. And she had stayed home because her mother had refused the Templetons' offer to take her along. She'd been desperate to go, she remembered, but none of her pleas, nor any of Laura's and Kate's, had budged Ann Sullivan an inch.
"Not your place to traipse off to Europe and stay in fancy hotels," Mum had said. "The Templetons have been generous enough with you without you expecting more."
So she'd stayed home, earning her keep, as her mother called it, by dusting and polishing and learning tokeep a proper house. And she'd been miserable. But that didn't make her selfish, she told herself. It hadn't been as if she hadn't wanted Kate and Laura to have a wonderful time. She'd just ached to be with them.
And it wasn't as if she didn't hope that Laura's marriage would be perfectly wonderful. She just couldn't stand to lose her. Did that make her selfish? She hoped it didn't, because it wasn't just for herself that she was unhappy. It was for Laura too. It was the thought of Laura's trying herself to a man and marriage before she had given herself a chance to live.
Oh, God, Margo wanted to live.
So her bags were already packed. Once Laura flew off on her honeymoon, Margo intended to be on her way to Hollywood.
She would miss Templeton House, and Mr. and Mrs. T., and, oh, she would miss Kate and Laura, even Josh. She would miss her mother, though she knew there would be ugliness between them before the door closed. There had already been so many arguments.
College was the bone of contention between them now. College and Margo's unbending refusal to continue her education. She knew she would die if she had to spend another four years with books and classrooms. And what did she need with college when she'd already decided how she wanted to live her life and make her fortune?
Her mother was too busy for arguments now. As housekeeper, Ann Sullivan had a wedding reception on her mind. The wedding would be held at church, then all the limousines would stream along Highway 1, like great, glinting white boats, and up the hill to Templeton House.
Already the house was perfect, but she imagined her mother was off somewhere battling with the florist over arrangements. It had to be beyond perfect for Laura's wedding. She knew how much her mother loved Laura, and she didn't resent it. But she did resent that her mother wanted her to be like Laura. And she never could. Didn't want to.
Laura was warm and sweet and perfect. Margo knew she was none of those things. Laura never argued with her mother the way Margo and Ann flew at each other like cats. But then, Laura's life was already so settled and smooth. She never had to worry about her place, or where she would go. She'd already seen Europe, hadn't she? She could live in Templeton House forever if she chose. If she wanted to work, the Templeton hotels were there for her-she could pick her spot.
Margo wasn't like Kate either, so studious and goal-oriented. She wasn't going to dash off to Harvard in a few weeks and work toward a degree so that she could keep books and read tax law. God, how tedious! But that was Kate, who'd rather read the Wall Street Journal than pore over the glamorous pictures in Vogue, who could discuss, happily, interest rates and capital gains with Mr. T. for hours.
No, she didn't want to be Kate or Laura, as much as she loved them. She wanted to be Margo Sullivan. And she intended to revel in being Margo Sullivan. One day she would have a house as fine as this, she told herself as she came slowly down the main stairs, trailing a hand along the glossy mahogany banister.
The stairs curved in a long, graceful sweep, and high above, like a sunburst, hung a sparkling Waterford chandelier. How many times had she seen it shoot glamorous light onto the glossy white and peacock blue marble tiles of the foyer, sparkle elegance onto the already elegant guests who came to the wonderful parties the Templetons were famous for?
The house always rang with laughter and music at Templeton parties, she remembered, whether guests were seated formally at the long, graceful table in the dining room under twin chandeliers or wandered freely through the rooms, chatting as they sipped champagne or cozied up on a love seat.
She would give wonderful parties one day, and she hoped she would be as warm and entertaining a hostess as Mrs. T. Did such things come through the blood, she wondered, or could they be learned? If they could be learned, then she would learn.
Her mother had taught her how to arrange flowers just so-the way those gleaming white roses in a tall crystal vase graced the Pembroke table in the foyer. See the way they reflect in the mirror, she thought. Tall and pure with their fanning greens.
Those were the touches that made home, she reminded herself. Flowers and pretty bowls, candlesticks and lovingly polished wood. The smells, the way the light slanted through the windows, the sounds of grand old clocks ticking. It was all that she would remember when she was far away. Not just the archways that allowed one room to flow into another, or the complex and beautiful patterns of mosaics around the tall, wide front door. She would remember the smell of the library after Mr. T. had lighted one of his cigars and the way the room echoed when he laughed.
She'd remember the winter evenings when she and Laura and Kate would curl up on the rug in front of the parlor fire-the rich gleam of the lapis mantel, the feel of the heat on her cheeks, the way Kate would giggle over a game when she was winning.
She'd imagine the fragrances of Mrs. T.'s sitting room. Powders and perfumes and candlewax. And the way Mrs. T. smiled when Margo came in to talk with her. She could always talk to Mrs. T.
Her own room. How the Templetons had let her pick out the new wallpaper when she turned sixteen. And even her mother had smiled and approved of her choice of pale green background splashed with showy white lilies. The hours she'd spent in that room alone, or with Laura and Kate. Talking, talking, talking. Planning. Dreaming.
Am I doing the right thing? she wondered with a quick jolt of panic. How could she bear to leave everything, everyone she knew and loved?
"Posing again, duchess?" Josh stepped into the foyer. He wasn't dressed for the wedding yet, but wore chinos and a cotton shirt. At twenty-two he'd filled out nicely, and his years at Harvard sat comfortably on him.
Margo thought disgustedly that he would look elegant in cardboard. He was still the golden boy, though his face had lost its innocent boyishness. It was shrewd, with his father's gray eyes and his mother's lovely mouth. His hair had darkened to bronze, and a late growth spurt in his last year of high school had shot him to six two.
She wished he were ugly. She wished looks didn't matter. She wished he would look at her, just once, as if she wasn't simply a nuisance.
"I was thinking," she told him, but stayed where she was, on the stairs, with one hand resting casually on the banister. She knew she'd never looked better. Her bridesmaid's dress was the most glorious creation she'd ever owned. That was why she'd dressed early, to enjoy it as long as she possibly could.
Laura had chosen the summer blue to match Margo's eyes, and the silk was as fragile and fluid as water. The long sweep of it highlighted her frankly lush figure, and the long, sheer sleeves showcased her creamy ivory skin.
"Rushing things, aren't you?" He spoke quickly because whenever he looked at her the punch of lust was like a flaming fist in his gut. It had to be only lust because lust was easy. "The wedding's not for two hours."
"It'll take nearly that long to put Laura together. I left her with Mrs. T. I thought they ... well, they needed a minute or two alone."
"Crying again?"
"Mothers cry on their daughters' wedding day because they know what they're getting into."
He grinned and held out a hand. "You'd make an interesting bride, duchess."
She took his hand. Their fingers had twined hundreds of times over their years together. This was no different. "Is that a compliment?"
"An observation." He led her into the parlor, where silver candlesticks held slim white tapers and sumptuous arrangements of flowers were decked. Jasmine, roses, gardenias. All white on white and heady with scent in the room where sunlight streamed through high, arched windows.
There were silver-framed photos on the mantel. She was there, Margo thought, accepted as part of the family. On the piano sat the Waterford compote that she had recklessly spent her savings on for the Templetons' twenty-fifth anniversary.
She tried to take it in, every piece of it. The soft colors of the Aubusson carpet, the delicate carving on the legs of the Queen Anne chairs, the intricate marquetry on the music cabinet.
"It's so beautiful," she murmured.
"Hmm?" He was busy tearing the foil off a bottle of champagne he'd snatched from the kitchen.
"The house. It's so beautiful."
"Annie's outdone herself," he said, referring to Margo's mother. "Should be a hell of a wedding."
It was his tone that drew her gaze back to him. She knew him so well, every nuance of expression, every subtle tone of voice. "You don't like Peter."
Josh shrugged, uncorked the bottle with an expert press of thumb. "I'm not marrying Ridgeway, Laura is."
She grinned at him. "I can't stand him. Stuffy, superior snot."
He grinned back at her, at ease again. "We usually agree on people, if little else."
Because he hated it, she patted his cheek. "We'd probably agree on more if you didn't enjoy picking on me so much."
"It's my job to pick on you." He snagged her wrist, annoying her. "You'd feel neglected if I didn't."
"You're even more revolting now that you've got a degree from Harvard." She picked up a glass. "At least pretend you're a gentleman. Pour me some." When he studied her, she rolled her eyes. "For Christ's sake, Josh, I'm eighteen. If Laura's old enough to get married to that jerk, I'm old enough to drink champagne."
"One," he said, the dutiful older brother. "I don't want you weaving down the aisle later." He noted with amused frustration that she looked as though she'd been born with a champagne flute in her hands. And men at her feet.
"I suppose we should drink to the bride and groom." She pursed her lips as she studied the bubbles rising so frothily in her glass. "But I'm afraid I'll choke, and I'd hate to waste this." She winced, lowered the glass. "That's so damn mean. I hate being mean, but I can't seem to help it."
"It's not mean, it's honest." He moved a shoulder. "We might as well be mean and honest together. To Laura, then. I hope to hell she knows what she's doing."
"She loves him." Margo sipped and decided that champagne would be her signature drink. "God knows why, or why she thinks she has to marry him just to sleep with him."
"Nice talk."
"Well, be realistic." She wandered to the garden door, sighed. "Sex is a stupid reason to get married. The fact is, I can't think of a single good one. Of course, Laura isn't marrying Peter just for sex." Impatient, she tapped her fingers against the glass, listened to the ring. "She's too romantic. He's older, more experienced, charming if you like that sort. And of course, he's in the business, so he can slip right into the Templeton empire and reign right here so she can stay at the house, or choose something close by. It's probably perfect for her."
"Don't start crying."
"I'm not, not really." But she was comforted by the hand he laid on her shoulder, and she leaned into him. "I'm just going to miss her so much."
"They'll be back in a month."
"I'm not going to be here." She hadn't meant to say it, not to him, and now she turned quickly. "Don't say anything to anyone. I need to tell everyone myself."
"Tell them what?" He didn't like the clutching feeling in his stomach. "Where the hell are you going?"
"To L.A. Tonight."
Just like her, he mused and shook his head. "What wild hair is this, Margo?"
"It's not a wild hair. I've thought about it a lot." She sipped again, wandered away from him. It was easier to be clear when she couldn't lean on him. "I have to start my life. I can't stay here forever."
"College -"
"That's not for me." Her eyes lit, the cold blue fire at the center of a flame. She was going to take something for herself. And if it was selfish, then by God, so be it. "That's what Mum wants, not what I want. And I can't keep living here, the housekeeper's daughter."
"Don't be ridiculous." He could brush that off like a stray mote of lint. "You're family."
She couldn't dispute that, and yet ... "I want to start my life," she said stubbornly. "You've started yours. You're going to law school, Kate's going off to Harvard a full year early, thanks to her busy little brain. Laura's getting married."
Now he had it, and sneered at her. "You're feeling sorry for yourself."
"Maybe I am. What's wrong with that?" She poured more champagne into her glass, defying him. "Why is it such a sin to feel a little self-pity when everyone you care about is doing something they want and you're not? Well, I'm going to do something I want."
"Go to L.A. and what?"
"I'm going to get a job." She sipped again, seeing it, seeing herself, perfectly. Centered in the light of excitement. "I'm going to model. My face is going to be on the cover of every important magazine there is."
She had the face for it, he thought. And the body. They were killers. Criminally stunning. "And that's an ambition?" he said, with a half laugh. "Having your picture taken?"
She lifted her chin and seared him with a look. "I'm going to be rich, and famous, and happy. And I'm going to make it on my own. Mommy and Daddy won't be paying for my life. I won't have a cozy trust fund to bounce on."
His eyes narrowed dangerously. "Don't get bitchy with me, Margo. You don't know what it is to work, to take responsibility, to follow through."
Continues...
Excerpted from LOVERS & DREAMERS by NORA ROBERTS Copyright © 2005 by Nora Roberts. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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