From Barnes & Noble

The Barnes & Noble Review
Whatever name she's writing under, mega-bestselling author Nora Roberts crafts top-notch stories with engaging characters and compelling plots. The latest volume in her near-future mystery series starring New York City homicide detective Eve Dallas is a perfect example of that: In Imitation in Death, summer has come to the city, but it's anything but a vacation for Eve as a serial killer with a flair for the dramatic begins a deadly game. The first victim is a prostitute, found slashed to death in an alley. What makes the case unusual is the message found beside the body -- a taunting note on expensive paper, addressed to Eve and signed with the name Jack. Initial clues point to a wannabe Jack the Ripper. But, as the body count rises, the elusive killer's M.O. shifts in baffling new directions, turning up the heat on the investigation. Eve is the first to realize that her quarry is not limiting himself to copying one classic criminal but is taking inspiration from a rogue's gallery of the most notorious villains in the history of homicide. The killer thinks Eve is the perfect audience for this lethal performance...and also a perfect victim. But Eve has a very different role in mind -- Nemesis -- and has put together just the supporting "cast" she needs to orchestrate a surprise ending for the killer. Sue Stone

From the Publisher

Summer is drawing to a violent close when a killer makes his debut with the mutilation of a prostitute. His calling card: a personal note to Lieutenant Eve Dallas.

Publishers Weekly

The latest entry in Robb's series of feisty futuristic mysteries (after Portrait in Death) delivers. This time, Lt. Eve Dallas shows up to investigate the grisly killing of a New York City prostitute only to find a note from the killer on the body. Signed "Jack," the note taunts Eve by name and affirms what she has already guessed-that the murder was specifically planned to imitate Jack the Ripper. Purchasers of the costly foreign stationery that the killer used-a crime writer, a top diplomat and a famous musician-become Eve's suspects. As she investigates them, a second killing occurs, this time in the manner of the Boston Strangler. Aided by her faithful second-in-command, Peabody (who's nervously awaiting her detective's exam), and supported by her handsome husband Roarke, Eve scours both the country and the past for clues. The solution to the puzzle is far less intriguing than the copycat-killer premise, and readers might wonder why detection in the year 2059 is so low-tech-where, for example, are DNA and forensic testing? As always, however, Robb's delightfully snappy dialogue, playful sexuality and whirlwind pacing will keep readers captivated. (Sept.) Copyright 2003 Reed Business Information.

Library Journal

Lt. Eve Dallas specializes in serial killers, and her newest case has her tracking a devotee of them. He imitates Jack the Ripper and slashes up a licensed companion, as prostitutes are known in the mid-21st century. Next he uses the techniques of the Boston Strangler to kill a grandmother. At each murder scene he leaves a note for Eve on expensive, unrecycled paper, illegal to own in the United States. Distractions and humor are provided by Officer Peabody, who is studying for the imminent detective examination and anxious about her evolving romance with McNab. Susan Ericksen has read several of Robb's (a.k.a. Nora Roberts) futuristic crime novels and is adept at portraying the colorful people who surround Eve. The uncertain, emotional Peabody is a fine foil for Eve's confident strength. Ericksen's pacing, pitch, and accents make each character come alive. Recommended for popular collections.-Juleigh Muirhead Clark, John D. Rockefeller Jr. Lib., Colonial Williamsburg Fdn., VA Copyright 2004 Reed Business Information.

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Table of Contents

Read a Sample Chapter

Imitation In Death

Berkley

Chapter One

There was always something worse, something meaner, or crazier, more vicious, more cruel.

As Lieutenant Eve Dallas stood over what had once been a woman, she wondered when she would see worse than this.

Two of the uniform cops on scene were still retching at the mouth of the alley. The sound of their sickness echoed back to her. She stood where she was, hands and boots already sealed, and waited for her own shuddering stomach to settle.

Had she seen this much blood before? It was hard to remember. It was best not to.

She crouched, opened her field kit, and took out her ID pad to run the victim's fingerprints. She couldn't avoid the blood, so she stopped thinking about it. Lifting the limp hand, she pressed the thumb to her pad.

"Victim is female, Caucasian. The body was discovered at approximately oh three-thirty by officers responding to anonymous nine-one-one, and is herewith identified through fingerprint check as Wooton, Jacie, age forty-one, licensed companion, residing 375 Doyers."

She took a shallow breath, then another. "Victim's throat has been cut. Spatter pattern indicates wound was inflicted while victim stood against the north-facing wall of the alley. Blood pattern and trail would indicate victimfell or was laid across alley floor by assailant or assailants who then ..."

Jesus. Oh Jesus.

"Who then mutilated the victim by removing the pelvic area. Both the throat and pelvic wounds indicate the use of a sharp implement and some precision."

Despite the heat her skin prickled, cold and clammy as she took out gauges, recorded data.

"I'm sorry." Peabody, her aide, spoke from behind her. Eve didn't have to look around to know Peabody's face would still be pale and glossy from shock and nausea. "I'm sorry, Lieutenant; I couldn't maintain." "Don't worry about it. You okay now?"

"I ... Yes, sir."

Eve nodded and continued to work. Stalwart, steady, and as dependable as the tide, Peabody had taken one look at what lay in the alley, turned sheet-white, and stumbled back toward the street at Eve's sharp order to puke elsewhere. "I've got an ID on her. Jacie Wooton, Doyers. An LC. Do a run for me."

"I've never seen anything like this. Just never seen ..."

"Get the data. Do it down there. You're in my light here."

She wasn't, Peabody knew. Her lieutenant was cutting her a break, and because her head wanted to spin again, she took it, moving toward the mouth of the alley.

She'd sweated through her uniform shirt, and her dark bowl of hair was damp at the temples under her cap. Her throat was raw, her voice weak, but she initiated the run. And watched Eve work.

Efficient, thorough, and some would say cold. But Peabody had seen the leap of shock and horror, and of pity on Eve's face before her own vision had blurred. Cold wasn't the word, but driven was.

She was pale now, Peabody noted, and it wasn't just the work lights that bleached the color from her narrow face. Her brown eyes were focused and flat, and unwavering as they examined the atrocity. Her hands were steady, and her boots smeared with blood.

There was a line of sweat down the middle of the back of her shirt, but she wouldn't stumble away. She would stay until it was done.

When Eve straightened, Peabody saw a tall, lean woman in stained boots, worn jeans, and a gorgeous linen jacket, a fine-boned face with a wide mouth, wide eyes of gilded brown, and a short and disordered cap of hair nearly the same color.

More: She saw a cop who never turned away from death.

"Dallas-"

"Peabody, I don't care if you puke as long as you don't contaminate the scene. Give me the data."

"Victim's lived in New York for twenty-two years. Previous residence on Central Park West. She's resided down here for eighteen months."

"That's quite a change of venue. What she get popped for?"

"Illegals. Three strikes. Lost her top-drawer license, did six months in, rehab, counseling, and was given a probationary street license about a year ago."

"She roll on her dealer?"

"No, sir."

"We'll see what the tox screen tells us once she's in the morgue, but I don't think Jack here is her dealer." Eve lifted the envelope that had been left-sealed to prevent bloodstains-on the body.

LIEUTENANT EVE DALLAS, NYPSD

Computer-generated, she guessed, in a fancy font on elegant cream-colored paper. Thick, weighty, and expensive. The sort of thing used for high-class invites. She should know, she mused, as her husband was big on sending and receiving high-class invites.

She took out the second evidence bag and read the note again.

Hello, Lieutenant Dallas:

Hot enough for ya? I know you've had a busy summer, and I've been admiring your work. I can think of no one on the police force of our fair city I'd rather have join me on what I hope will be a very intimate level. Here is a sample of my work. What do you think?

Looking forward to our continued association.

-Jack

"I'll tell you what I think, Jack. I think you're a very sick fuck. Tag and bag," she ordered with a last glance down the alley. "Homicide."

Wooton's apartment was on the fourth floor of one of the housing structures thrown up as a temporary shelter for refugees and victims of the Urban Wars. A number of them stood in the poorer sections of the city, and were always slated for replacement.

The city dickered back and forth between tossing out the low-rent LC's, chemi-heads, and dealers along with the working poor and mowing down the shaky structures or revitalizing.

While they dickered, the buildings decayed and nothing was done.

Eve expected nothing would be done until the dumps collapsed inward on their residents and the city fathers found themselves in the throes of a class-action suit.

But until that time, it was the sort of place you expected to find a down-on-her-luck whore. Her room was a hot little box with a stingy bump-out for a kitchen and a thin sliver for a bathroom. Her view was the wall of the identical building to the west.

Through the thin walls Eve could clearly hear the heroic snoring from the apartment next door.

Despite the circumstance, Jacie had kept her place clean, and had made some attempt at style. The furniture was cheap, but it was colorful. She hadn't been able to afford privacy screens, but there were frilly curtains at the windows. She'd left the bed pulled out of the convertible sofa, but it was made, and the sheets were good cotton. Possibly salvaged from better times, Eve thought.

She had a low-end desk 'link on a table, and a prefab dresser covered with the various tools of her trade: enhancements, scents, wigs, tawdry jewelry, temporary tattoos. The drawer and closet held work clothes primarily, but mixed in with the whore-wear were a couple of more conservative outfits Eve imagined she'd used for off-hours.

She found a supply of over-the-counter meds, including a half bottle of Sober-Up and a full, unopened bottle as backup. Which made sense with the two bottles of vodka and the bottle of home-brew in the kitchen.

She turned up no illegals, which caused her to assume Jacie had switched from chemicals to alcohol.

She opened the desk 'link and replayed the transmissions received and sent over the last three days. One to her counselor to request an upgrade in her license, one received and not answered or yet returned from the landlord regarding overdue rent, another made to an uptown body sculptor requesting rates.

No chats with pals, Eve mused.

She scrolled through, located the financials, and found Jacie's bookkeeping spare and efficient. Paid attention to her money, Eve mused, did the job, banked the pay, and pumped most of it back into the business. Expenses were high for wardrobe, body treatments, hair and face work.

Used to looking good, Eve decided. Wanted to keep looking good. Self-esteem wrapped around appearance, which was wrapped around sexual appeal, which was wrapped around selling yourself for enough money to maintain appearance.

A strange and sad cycle, in her opinion.

"She made a nice nest for herself in a very ugly tree," Eve commented. "I've got no transmissions or any correspondence from anyone named Jack, or any one guy in particular for that matter. No marriage or cohabitation on record?"

"No, sir."

"We'll talk to her counselor, see if there's anybody she was close to, or had been close to. But I don't think we'll find him there."

"Dallas, it seems to me, what he did to her ... it seems to me that it was personal."

"Does, doesn't it?" She turned around, looked at the room again. Neat, girlie, with a desperate attempt at style. "I think it was very personal, but not specific to the victim. He killed a woman, and a woman who made her living from selling her body. That's the personal part. You not only kill her, but you hack out the part of her that made that living. It's not hard to find a street LC in this area any time of the night. You just have to choose your time and place. A sample of his work," she murmured. "That's all she was."

She walked to the window and, narrowing her eyes, visualized the street, the alley, the building just out of view. "He might have known her, or have seen her. Just as possible it was chance. But he was ready if chance presented itself. He had the weapon, he had the note written and sealed, and something-a case, a bag, a satchel, something to carry fresh clothes, or to store whatever he was wearing. He'd have been covered with her blood.

"She goes in the alley with him," Eve continued. "It's hot, it's late, business can't be very good. But here's a job, maybe one last job before she heads home. She's experienced, been in the life for two decades, but she doesn't make him as trouble. Maybe she's been drinking, or maybe he looked okay. And there's the fact that she's not used to street work, wouldn't have the instincts for it."

Too accustomed to the high life, Eve thought, to the sexual kinks of the wealthy and discreet. Coming down to Chinatown must've been like landing on Venus for her.

"She's up against the wall." Eve could see it, see it perfectly. The dark, spiked hair shimmering with silver, the come-on-big-boy red of the halter. "And she's thinking she needs the fee to make the rent, or she hopes he hurries because her feet hurt-Jesus, they had to be killing her in those shoes. She's tired, but she'll take one more mark before she calls it a night.

"When he slashes her throat, she's surprised more than anything. It had to be quick and clean. One quick slice, left to right, straight across the jugular. Sprayed blood like a son of a bitch. Her body's dead before her brain computes it. But that's only the beginning for him."

She turned back, scanned the dresser. Cheap jewelry, expensive lip dye. Perfumes, designer knockoffs, to remind you that you'd been able to bathe in the real thing once, and damn well would again.

"He arranges her, lays her out, then cuts the woman out of her. Had to have a bag somewhere to put what he's taken from her. He cleans his hands."

She could see him, too, the shadow of him crouched in the filthy alley, hands slick with blood as he tidied up.

"I bet he cleaned his tools, too, but he certainly cleans his hands. Takes the note he's written, sets it neatly on her breasts. He had to change his shirt, or put a jacket on. Something, because of the blood. What then?"

Peabody blinked. "Ah, walks away, figuring job well done. He goes home."

"How?"

"Um, walks if he lives close enough." She took a breath, pushing herself out of the alley and into her lieutenant's mind. Into the killer's mind. "He's on top of the world, so he's not worried about being hassled by a mugger. If he doesn't live close by, he's probably got his own ride because, even changing, or covering up, there's too much blood on him, and there'd be a smell. It'd be a stupid risk to take a cab or the subway."

"Good. We'll check the cab companies for pickups around the crime scene during our time frame, but I don't think we'll find anything. Let's seal this place up, canvass the building."

Neighbors, as was expected from neighbors in such places, knew nothing, heard nothing, saw nothing. The landlord operated out of a storefront in Chinatown, between a market that was running a special on ducks' feet and an alternative medicine joint that promised health, well-being, and spiritual balance or your money back.

Eve recognized Piers Chan's type, the beefy arms in shirtsleeves, the pencil mustache over thin lips. The humble surroundings and diamond pinky ring.

He was mixed-race, with enough Asian to have him set up in the business bustle of Chinatown, though she imagined his last ancestor to see Peking might have been at his prime during the Boxer Rebellion.

Just as she imagined Chan kept his home and family in some upscale suburb in New Jersey while he played slumlord of the Lower East Side.

"Wooton, Wooton." While two silent clerks busied themselves in the back, Chan flipped through his tenant book. "Yes, she's got a deluxe single on Doyers."

"Deluxe?" Eve repeated. "And what makes it deluxe?"

"Got a kitchen area with built-in friggie and AutoChef. Comes with the package. She's behind. Rent was due a week ago. She got the standard reminder call a couple days ago. She'll get another today, then an automatic evict notice next week."

"That won't be necessary as she's changed her address to the city morgue. She was murdered early this morning."

"Murdered." His eyebrows lowered into an expression Eve interpreted as irritation rather than sympathy or shock. "Goddamn it. You seal the place?"

Eve cocked her head. "And you ask because?"

"Look, I own six buildings, got seventy-two units. You got that many tenants, some of them are going to croak one way or another. You get your unattended death, your suspicious death, your misadventure, and your self-termination." He ticked them off on his fat fingers. "And your homicide." For that he used his thumb. "Then you guys come along, seal the place up, notify next of kin. Before I can blink some uncle or other is clearing the place out before I can put in a claim and get my back rent."

He spread his hands now, and sent Eve an aggrieved look. "I'm just trying to make a living here."

"So was she, when somebody decided to carve her up."

He puffed out his cheeks. "Person's in that kind of work, they're going to take some lumps."

"You know, this outpouring of humanitarianism is choking me up, so let's stick to the point. Did you know Jacie Wooton?"

"I knew her application, her references, and her rent payment. Never set eyes on her myself. I don't have time to make friends with the tenants. I've got too many."

"Uh-huh.

Continues...

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