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On the one-year anniversary of her husband's death, Annie Hunter finds a ragged-looking boy asleep on her porch. Against her better judgment, she finds herself drawn into the boy's search for his birth parents-and finds the one man who can heal her wounded heart.
Stock characters and a dated premise make this contemporary romance between a prim and prickly "uptown" girl and a jaded, Harley-hugging bad boy feel like a poorly scripted '50s flick. When interior decorator Annie Hunter finds 13-year-old orphan Cullen Gallagher asleep on her porch swing, she does what any self-concerned resident of upscale Bedford, R.I., would do-she calls the police. The police haul the scruffy-looking kid off of her property but not before Cullen voices his belief that Annie's late husband was his father. Intrigued and more than a little incensed, Annie, who was unable to have children, follows Cullen to the station and meets Linc McCoy, the director of Cullen's group home. Linc has a chip on his shoulder and a general dislike for well-off women, but he's still attracted to Annie and willing to help her get to the bottom of Cullen's paternity. Holmes's trite prose ("Her heart was pounding as she cast a look back up the staircase. A man secreted away in her bedroom. It was so deliciously crazy, she almost giggled.") adds little color to this bland tale, and her characters' speech patterns are eerily similar. Though some readers may find joy in seeing Annie get a second chance at love, others will be disappointed by the book's recycled story line and one-dimensional characters. (Jan. 7)
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January 02, 2003: A year after her husband, Richard, died, Annie Hunter finds a surprise on her doorstep, a teen aged boy claiming he is Richard's illegitimate son, Cullen Gallagher. He also thinks Annie is is mother, but that is impossible. Investigating his story brings Annie into contact with enigmatic Linc McCoy, the man who runs a center for troubled boys, Cullen's former home. Despite mistrust on both sides, Annie and Linc find themselves drawn together on a more personal level as they work together to find Cullen's birth parents. Annie also finds herself drawn to the boy who so rudely barged into her life, and is willing to fight to keep him, and may have to. ***** With tenderness and love, Ms. Holmes paints a picture of how with effort, love can heal broken hearts and fill the holes left by betrayal. As this unusual family knits together, readers cheer the growth of imperfect people as they go beyond duty to fulfill the obligations of love. *****
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November 09, 2002: In Bedford, Rhode Island, one year ago today, Annie Hunter?s beloved husband Richard suddenly dies of a massive heart attack at forty-two years old. Though still grieving, Annie?s interior decorator business remains a success though her personal life is a zilch. Annie comes home from work only to see a young adolescent sleeping on her porch with her dog resting next to him. She calls the police who take Cullen Gallagher down to station, but not before he claims Annie is his mother and Richard his father. At the police station, Annie learns that Cullen lives at Noah House for Troubled Boys, managed by Linc McCoy. As Annie and Linc overcome their initial distrust of one another they work together to learn the truth behind Cullen?s continual claim that Richard is his father. They fall in love with one another, but both believe that the other is wrong for them even if they work so well together. Dee Holmes furbishes her fans with an exciting contemporary romance that will grab the heartstrings of the audience because of Cullen?s need to belong to a family. Linc and Annie are a fine couple, but the tension between them changes rather quickly from suspicion of motive to that of love. Readers will receive plenty of pleasure from BOY ON THE PORCH, a wonderful character study that supports a tough love approach to the problems of youth. Harriet Klausner
On the one-year anniversary of her husband's death, Annie Hunter finds a ragged-looking boy asleep on her porch. Against her better judgment, she finds herself drawn into the boy's search for his birth parents-and finds the one man who can heal her wounded heart.
Stock characters and a dated premise make this contemporary romance between a prim and prickly "uptown" girl and a jaded, Harley-hugging bad boy feel like a poorly scripted '50s flick. When interior decorator Annie Hunter finds 13-year-old orphan Cullen Gallagher asleep on her porch swing, she does what any self-concerned resident of upscale Bedford, R.I., would do-she calls the police. The police haul the scruffy-looking kid off of her property but not before Cullen voices his belief that Annie's late husband was his father. Intrigued and more than a little incensed, Annie, who was unable to have children, follows Cullen to the station and meets Linc McCoy, the director of Cullen's group home. Linc has a chip on his shoulder and a general dislike for well-off women, but he's still attracted to Annie and willing to help her get to the bottom of Cullen's paternity. Holmes's trite prose ("Her heart was pounding as she cast a look back up the staircase. A man secreted away in her bedroom. It was so deliciously crazy, she almost giggled.") adds little color to this bland tale, and her characters' speech patterns are eerily similar. Though some readers may find joy in seeing Annie get a second chance at love, others will be disappointed by the book's recycled story line and one-dimensional characters. (Jan. 7)
Loading...One
The house was bigger than he'd expected, and for a few seconds he stood on the sidewalk just staring. The last place he'd lived had been low and square and brown with prickly bushes that always scratched his arms when he was told to cut them.
He ventured a few steps closer, his eyes wide, trying to take it all in. Lots of windows, and big enough to walk through if they'd been doors. They didn't just lay on the house like they were pasted there, they seemed to push the house back in some places and pull it forward in others. It must be like a maze inside with all those curves and angles.
He walked carefully up the walk that was made with crooked flat stones that fit together like a puzzle. He'd never seen a stone puzzle. On either side, a lawn swept toward the house, sprouting flowers at the edges and some even in the middle. And trees. Not scrawny, limp, naked sticks stuck in wire jails, but tall and fat and kingly, dressed with leaves so thick and heavy they made noise even in the slight summer breeze.
The front steps seemed to pour down to his feet from a porch with cushioned furniture, shiny tables, and baskets of flowers. It looked like an outdoor living room.
All of this to thirteen-year-old Cullen Gallagher was a mind blower. He'd thought nothing would ever scare him after that night in the last foster home, but this place did.
Not scary in a bad way; this was a good scare. A heart-pounding, can't-wait scare, a Christmas morning scare when, to his surprise, there really had been presents with his name on them.
He stood up a little straighter, walked up the steps, grinning like Linc told him. "You're happy about this, so start with asmile. Don't cringe like some trespasser." He was happy; he was psyched.
Cullen rang the doorbell and wished he'd done a better job scrubbing his hands. Women get pissed about dirty hands. Linc had told him that, too.
He rang the bell again and waited. Guess they didn't have a maid or an official door-opener like he'd seen in movies about rich people. He liked that. He wanted them all to himself.
Finally, when there was still no answer, he walked around the yard to the back. More flowers and a garage for two cars and another porch.
And a dog.
Uh oh.
Cullen skidded to a halt as the large black, brown, and white animal came forward, then suddenly stopped. He didn't look fierce as much as he looked curious. Cullen pushed his hand into his pocket and came up with a dog biscuit. His mom had always carried cookies when she walked in case she encountered a dog. Weird how he'd thought of that when he'd been getting ready to go a few hours before. But like other things his mom had said, he remembered them when he needed to.
Linc had laughed, but not in a funny way; he told him if some industrial-strength dog came at him, he'd be the one getting eaten and no biscuit would save him. To Cullen's relief, this one didn't growl or bark or charge him, he just looked.
Cullen extended his hand, palm up, like his mother had told him. "Hey, boy, you the guard around here? Sure is a nice place. You like cookies?" At this, the ears came up and the animal sat, tilting his head slightly. Cullen tossed a biscuit toward the dog, who managed to snag it before it hit the ground.
"Nice catch." The dog munched it down in two bites. Cullen threw another one and again the dog caught it, chewing and looking for more.
Cullen eased his way toward the back porch, tossing biscuits like a trail of crumbs. "Hope they didn't get you to scare away robbers, boy. If they did, they got suckered." But he couldn't wait to tell Linc that the biscuit trick worked.
On the porch, he knocked on the door and peeked in a side window to the kitchen. Jeez, he could throw a football in there and hardly ever hit a wall. The room had two sinks, pots hanging from the ceiling, and he could see a leather couch at the far end. No answer to his knock.
Then, just because he wanted to, he searched around for a door key, but found none. And then he knew why none was needed. The door wasn't locked.
No one home and the house unlocked? Were they nuts? Or maybe they depended on that fake guard dog. Too bad he hadn't planned to be a house tosser when he grew up--this place would be a great beginning.
But he didn't go inside. Linc would fry his ass if he found out.
Then his attention was caught by a porch glider. Like a wooden couch, it was big enough for three, had a yellow-and-white-striped mattress and pillows with flowers. And it moved back and forth when he pushed it. He looked at the seat of his jeans to make sure they weren't dirty, then eased himself down like he was about to bust eggs, then carefully pushed off like he used to do on that old tree swing at home. It slid back and forth, back and forth, back and forth...
Nearby was a small refrigerator. Not a cooler, but a real refrigerator. Inside was a full unopened milk bottle, a carton of orange juice, cream, and a box of butter. He wondered why they were there instead of inside. There were a couple of cans of Pepsi and a bottle of beer.
A whole bottle of cold beer. His throat worked thirstily. He hadn't had any since...but as he reached for it, the memory roared back.
Hey, Cullen, don't be a baby.
I'm not a baby!
So have some beer.
I don't want any.
Chicken...'fraid his old man will throw him out. Cluck cluck, chicken Cullen...
I'm not.
Yeah, well prove it.
Then, later...
You've been drinking, young man.
No...no...
Don't lie to me. No son of mine would drink and lie.
You're not my father. I hate you.
Get out. Get out of my sight.
Then his eyes had gone dark and he'd moved closer, smelling like old books and stuffy attics. Cullen had turned and run, his eyes bleary from tears. Why had his mother died? Why hadn't it been his old man?
Cullen squeezed his eyes closed, grabbed the Pepsi, and slammed the door on the refrigerator as if he could lock away the chain of rejection and pain. He sat again in the glider, pushing back and forth while he swigged down the soda and pretended this was his house and his glider and he couldn't wait to tell Linc everything. He closed his eyes, sinking back into the pillows, thinking he'd never felt anything so soft. Maybe this time it will work. Maybe finally someone will want to know him.
And just as he drifted off, he thought he saw the dog on the porch laying down at the edge of the steps. He wants me to stay, Cullen thought. He wants me to stay.
Annie Hunter put the top down on her BMW when she came out of the office. She was at the peak of her career as an interior decorator, and while she relished the challenge plus the enjoyment of working with a family wanting to redecorate their home, or even just a room, today had not been pleasant. Fabrics delayed, furniture back-ordered, and the cream-colored hot tub had turned out to be round when it was supposed to be angled. And then to top off the day, she had to meet her mother.
It was July and no sane person with a convertible would have the top down on such a sweltering day. Sunburn, windburn, and road grit. Enclosed in an AC climate was smarter. But it was Friday and she didn't have to worry about being poised and perfect and professional until Monday.
She glanced at her wristwatch, knowing she was going to hear it because she was late, but it couldn't be helped. Then again, her mother would have something to say even if she arrived early. Annie wouldn't call it a love-hate relationship, more of one where her mother insisted on either treating her as a child or chastising her for any behavior her mother assumed needed pointing out. Annie simply ignored most of it, but she wearied of the constant criticism, the inevitable attempt to let Annie know her disapproval.
She took off her jacket, and opened the top buttons of her blouse. In the car, she backed out of her parking space and headed in the direction of the cemetery.
Today was the first anniversary of the death of her husband, Richard. His parents were in Italy, but Annie's mother had called her before she'd left for work that morning asking what she planned to do.
"Do?"
"Like as in flowers for the headstone? Surely you didn't forget."
"I didn't forget," she muttered. Annie sighed, irritation bubbling, but what would be the point? Forget? Not a chance. In fact, she'd awakened that morning immediately recalling that terrible phone call of a year before.
"Roses, then," her mother continued. "He loved roses. And oh how his rose bushes thrived when he was taking care of them. The last time I was at your house, Annie Jean, they looked sad and scraggly."
Annie gritted her teeth. "I'll buy some roses."
"Why yes, that would be lovely. A dozen or two, don't you think? Red ones. He did love red roses."
Actually, he didn't. But Annie wasn't in the mood to argue. And so she'd called May over at Silvia's Greenhouse and ordered the roses. She picked them up on the way, arriving at the cemetery and parking behind her mother's Honda. Richard had bought it for her two years before, when her Tercel had given out.
Marge Dawson had always adored Richard, and when at forty-two he'd died of a massive heart attack while working on a restoration project in Connecticut, Annie's mother had appointed herself as the queen mourner. Annie, who'd loved her husband beyond her ability to express, had been devastated by his sudden passing, but she neither put her sadness on public display nor did she expect others to continue to offer condolences long beyond a time when it became maudlin rather than empathetic.
Her mother's overdone wretchedness, Annie guessed, was due more to her own limited social life than to true grief. She had only a few friends, none of them male, and she suffered mightily the absence of Richard to flatter her and coddle her and spoil her. He did so with abundant charm and never with impatience because, well, because he was a kind and generous man.
Annie wasn't inclined to be so solicitous of her mother; she'd always believed Richard had tried to make up for her own failings in the devoted-daughter role. Issues with her mother that mostly surrounded the disappearance of Annie's father years before were made more frustrating by her mother's refusal to talk about it, ever. That stubborn silence, when Annie desperately wanted information, had left a gulf between the two women that Annie was in no hurry to bridge.
Now, as she approached the granite headstone, her mother was busy deadheading a rose bush that Annie had planted beside the plot, the previous fall. She dropped the discarded flowers into a basket she'd brought with her. "I was wondering if you were coming, Annie Jean. And look at your hair. My goodness, I had no idea it was that windy." Then she scowled. "I thought we'd decided on red roses."
Annie put on her best face. "Richard preferred yellow. I brought red ones for you to take home. You know he always gave you red roses on your birthday."
Her mother seemed jolted by the gesture, and Annie thought for just a moment that she really should try harder to get things settled between them.
"Why yes, he did. But it's not my birthday."
"I know, but I think Richard would want you to have them."
Her eyes welled up. "Oh, Annie Jean, he was such a wonderful man. If only he hadn't died so young. If only you'd had children..."
"Mom, don't...please."
"Annie Jean, you should have started much sooner."
"Yes," she said softly. "We should have, although I doubt it would have made a difference."
Annie turned away. No children was one regret she couldn't dismiss. She and Richard had figured it all out as if it were the master plan for the perfect life. Get their careers established, then Annie would ease into working from home so that when the babies started coming, it would all run smoothly. They planned on a nanny for those first months, but Annie intended to take care of her children. The nanny would just be there to help in a pinch. They could afford it, and Richard wanted only the best for his wife and family.
Except no babies came. Her periods came late a few times, and her joy soared, only to be sunk when her cycle resumed. Each barren month had been more wrenching for Annie than the one before. What was wrong with her? Why could her friends produce babies as if they were mother bunnies, and she couldn't get pregnant with one? Richard suggested adoption, and after that last failed year of doctor visits, infertility failures, and frustration, she'd agreed, but only if it was an infant.
They'd just begun meetings with a private adoption attorney when all the plans and hopes came to an end with Richard's sudden death.
Months later Annie thought about trying to adopt on her own, but the attorney didn't give her much encouragement, since she wanted an infant. Most birth mothers involved in private adoptions wanted two-parent families, and frankly she couldn't blame them. A child needed a mother and a father. The attorney suggested that if she would reconsider an older child...
But she wouldn't. And yes, that made her feel selfish, but realistically she thought it more selfish to take a child because of guilt than because of love and a real desire.
Now she placed the fanned bouquet of yellow roses in front of the headstone, her mother fiddled with it to get it just right, and they bowed their heads for a few moments of silence. Annie made sure the flowers had plenty of water before mother and daughter returned to their respective cars.
She retrieved the long white box of red roses from the back seat. She'd parked in the shade to keep the sun at bay.
Her mother cradled the box in a way she would never have held an arranged vase. "You remembered that I like to fix them myself."
"Yes."
"I'm sure they are lovely, but never as beautiful as the ones Richard grew."
Annie sighed. Why did she put herself through these never-able-to-please moments? She turned away and climbed into her car.
"You really should put the top up, Annie Jean. Now I know why you looked so mussed up."
Actually, I just climbed out of bed with a sexy stranger who made me come three times in ten minutes.
But even given the irritation she felt toward her mother, she couldn't be that flip. Although God knew she wanted to be. She started the car, but she didn't put the top up.
"Goody-bye, mother."
"Yes, yes, good-bye, dear." But her mother had already forgotten the chide; her attention was on peeking inside the box at the roses. "Now, I could put these in the living room on that pie-crust table. Right near that picture of Richard."
Annie drove away, as her mother's mutterings trailed off behind her. She drove home with the wind making an even more tangled mess of her hair. As she turned into the drive, she anticipated a quiet Friday afternoon and evening. She wanted a cool shower, an icy glass of Chardonnay, and no phone calls.
She started toward the back porch, coming to a stop when she saw Rocky sprawled across the top step. Just beyond the husky, she saw someone...a teenage boy, a very ragged-looking teenage boy, asleep...asleep? A ragged teenager asleep on her glider?
She drew closer, setting her briefcase on a wrought-iron garden bench. She shoved her hair back, tucking it behind her ears. Rocky, from the porch, simply looked up at her.
"You're supposed to scare them away, not invite them in for a nap. And what have I told you about strange biscuits?" Rocky seemed to grin, and Annie reached into her bag for her cell, took a few steps away, and called the police.
"It's a young boy, poorly dressed, obviously exhausted since he appears to be sound asleep. No, I have no idea. I've never seen him before. Maybe he's a runaway, or he's lost. It's forty-five Morning Glory Drive. Yes, I'll be waiting. Hurry."
And within a few minutes, as promised, a patrol car followed by another pulled into her drive.
"He's still asleep," she whispered, as if she might wake him.
The officer wasn't as gracious. He glanced at his partner and the two officers following behind. Annie hadn't intended for this to look like police overkill, but a poorly dressed teenager in this neighborhood did tend to make the police take notice. It struck her as a bit elitist, but she also knew that her neighbors had become rabid about teenage troublemakers ever since a spate of robberies had taken place the spring before.
"Kid out from booze? Drugs?" one officer asked another.
"Or both."
Annie hadn't thought of either. She just thought he was asleep.
"Sure don't look like he belongs around here."
The first officer started toward the porch, and Rocky rose. Annie hurried forward, soothing the dog, who looked none too happy about his biscuit source being disturbed.
"This dog must be his," the officer said warily.
"No, he's mine."
"Got a leash?"
"Well, yes, but he won't--"
"Sorry, ma'am. The animal needs to be restrained. He appears to want to guard the kid."
"Don't be ridiculous. He doesn't even know who the boy is."
Rocky growled at that point, and Annie, wondering what kind of biscuits had made the usually placid Rocky suddenly aggressive, said, "I'll get the leash."
But even with the leash Rocky wouldn't budge. The eighty-pound husky resisted as if he'd been glued to the step. Annie pleaded and coaxed, and chided the dog about keeping the police at bay when he should have kept the kid at bay.
Finally, she distracted the dog enough so that the first officer was able to get onto the porch. The boy had awakened with all the commotion and sat there blinking as if he hadn't a clue where he was or what was going on.
"What's your name?"
"Jeez, what's goin' on? I didn't do nothin'." Even from where Annie stood, she could see his eyes dart fearfully from one uniformed figure to the next.
"What's your name, kid?"
"Cullen. Cullen Gallagher."
"Where do you live?"
"Uh, right now?"
The cop scowled. "No, tomorrow. Don't be a wiseass. Yes, right now."
"Seventeen thirty-two Central Street. Look, I didn't come here to toss the place."
"Central is miles from here. What are you doing in this neighborhood?"
"I have some business here."
Annie almost smiled. It wasn't cockiness, but a sureness of tone that had her thinking that whatever the business was, he was very serious about it.
"You don't say," one of the men mocked. "And what might that be?"
He peered around the two officers, looked at Annie and then pointed.
"I think she's my mother."
--from The Boy On the Porch by Dee Holmes, Copyright © January 2003, The Berkley Publishing Group, a member of Penguin Putnam, Inc., used by permission.
One
The house was bigger than he'd expected, and for a few seconds he stood on the sidewalk just staring. The last place he'd lived had been low and square and brown with prickly bushes that always scratched his arms when he was told to cut them.
He ventured a few steps closer, his eyes wide, trying to take it all in. Lots of windows, and big enough to walk through if they'd been doors. They didn't just lay on the house like they were pasted there, they seemed to push the house back in some places and pull it forward in others. It must be like a maze inside with all those curves and angles.
He walked carefully up the walk that was made with crooked flat stones that fit together like a puzzle. He'd never seen a stone puzzle. On either side, a lawn swept toward the house, sprouting flowers at the edges and some even in the middle. And trees. Not scrawny, limp, naked sticks stuck in wire jails, but tall and fat and kingly, dressed with leaves so thick and heavy they made noise even in the slight summer breeze.
The front steps seemed to pour down to his feet from a porch with cushioned furniture, shiny tables, and baskets of flowers. It looked like an outdoor living room.
All of this to thirteen-year-old Cullen Gallagher was a mind blower. He'd thought nothing would ever scare him after that night in the last foster home, but this place did.
Not scary in a bad way; this was a good scare. A heart-pounding, can't-wait scare, a Christmas morning scare when, to his surprise, there really had been presents with his name on them.
He stood up a little straighter, walked up the steps, grinning like Linc told him. "You're happy about this, so start with a smile. Don'tcringe like some trespasser." He was happy; he was psyched.
Cullen rang the doorbell and wished he'd done a better job scrubbing his hands. Women get pissed about dirty hands. Linc had told him that, too.
He rang the bell again and waited. Guess they didn't have a maid or an official door-opener like he'd seen in movies about rich people. He liked that. He wanted them all to himself.
Finally, when there was still no answer, he walked around the yard to the back. More flowers and a garage for two cars and another porch.
And a dog.
Uh oh.
Cullen skidded to a halt as the large black, brown, and white animal came forward, then suddenly stopped. He didn't look fierce as much as he looked curious. Cullen pushed his hand into his pocket and came up with a dog biscuit. His mom had always carried cookies when she walked in case she encountered a dog. Weird how he'd thought of that when he'd been getting ready to go a few hours before. But like other things his mom had said, he remembered them when he needed to.
Linc had laughed, but not in a funny way; he told him if some industrial-strength dog came at him, he'd be the one getting eaten and no biscuit would save him. To Cullen's relief, this one didn't growl or bark or charge him, he just looked.
Cullen extended his hand, palm up, like his mother had told him. "Hey, boy, you the guard around here? Sure is a nice place. You like cookies?" At this, the ears came up and the animal sat, tilting his head slightly. Cullen tossed a biscuit toward the dog, who managed to snag it before it hit the ground.
"Nice catch." The dog munched it down in two bites. Cullen threw another one and again the dog caught it, chewing and looking for more.
Cullen eased his way toward the back porch, tossing biscuits like a trail of crumbs. "Hope they didn't get you to scare away robbers, boy. If they did, they got suckered." But he couldn't wait to tell Linc that the biscuit trick worked.
On the porch, he knocked on the door and peeked in a side window to the kitchen. Jeez, he could throw a football in there and hardly ever hit a wall. The room had two sinks, pots hanging from the ceiling, and he could see a leather couch at the far end. No answer to his knock.
Then, just because he wanted to, he searched around for a door key, but found none. And then he knew why none was needed. The door wasn't locked.
No one home and the house unlocked? Were they nuts? Or maybe they depended on that fake guard dog. Too bad he hadn't planned to be a house tosser when he grew upthis place would be a great beginning.
But he didn't go inside. Linc would fry his ass if he found out.
Then his attention was caught by a porch glider. Like a wooden couch, it was big enough for three, had a yellow-and-white-striped mattress and pillows with flowers. And it moved back and forth when he pushed it. He looked at the seat of his jeans to make sure they weren't dirty, then eased himself down like he was about to bust eggs, then carefully pushed off like he used to do on that old tree swing at home. It slid back and forth, back and forth, back and forth...
Nearby was a small refrigerator. Not a cooler, but a real refrigerator. Inside was a full unopened milk bottle, a carton of orange juice, cream, and a box of butter. He wondered why they were there instead of inside. There were a couple of cans of Pepsi and a bottle of beer.
A whole bottle of cold beer. His throat worked thirstily. He hadn't had any since...but as he reached for it, the memory roared back.
Hey, Cullen, don't be a baby.
I'm not a baby!
So have some beer.
I don't want any.
Chicken...'fraid his old man will throw him out. Cluck cluck, chicken Cullen...
I'm not.
Yeah, well prove it.
Then, later...
You've been drinking, young man.
No...no...
Don't lie to me. No son of mine would drink and lie.
You're not my father. I hate you.
Get out. Get out of my sight.
Then his eyes had gone dark and he'd moved closer, smelling like old books and stuffy attics. Cullen had turned and run, his eyes bleary from tears. Why had his mother died? Why hadn't it been his old man?
Cullen squeezed his eyes closed, grabbed the Pepsi, and slammed the door on the refrigerator as if he could lock away the chain of rejection and pain. He sat again in the glider, pushing back and forth while he swigged down the soda and pretended this was his house and his glider and he couldn't wait to tell Linc everything. He closed his eyes, sinking back into the pillows, thinking he'd never felt anything so soft. Maybe this time it will work. Maybe finally someone will want to know him.
And just as he drifted off, he thought he saw the dog on the porch laying down at the edge of the steps. He wants me to stay, Cullen thought. He wants me to stay.
Annie Hunter put the top down on her BMW when she came out of the office. She was at the peak of her career as an interior decorator, and while she relished the challenge plus the enjoyment of working with a family wanting to redecorate their home, or even just a room, today had not been pleasant. Fabrics delayed, furniture back-ordered, and the cream-colored hot tub had turned out to be round when it was supposed to be angled. And then to top off the day, she had to meet her mother.
It was July and no sane person with a convertible would have the top down on such a sweltering day. Sunburn, windburn, and road grit. Enclosed in an AC climate was smarter. But it was Friday and she didn't have to worry about being poised and perfect and professional until Monday.
She glanced at her wristwatch, knowing she was going to hear it because she was late, but it couldn't be helped. Then again, her mother would have something to say even if she arrived early. Annie wouldn't call it a love-hate relationship, more of one where her mother insisted on either treating her as a child or chastising her for any behavior her mother assumed needed pointing out. Annie simply ignored most of it, but she wearied of the constant criticism, the inevitable attempt to let Annie know her disapproval.
She took off her jacket, and opened the top buttons of her blouse. In the car, she backed out of her parking space and headed in the direction of the cemetery.
Today was the first anniversary of the death of her husband, Richard. His parents were in Italy, but Annie's mother had called her before she'd left for work that morning asking what she planned to do.
"Do?"
"Like as in flowers for the headstone? Surely you didn't forget."
"I didn't forget," she muttered. Annie sighed, irritation bubbling, but what would be the point? Forget? Not a chance. In fact, she'd awakened that morning immediately recalling that terrible phone call of a year before.
"Roses, then," her mother continued. "He loved roses. And oh how his rose bushes thrived when he was taking care of them. The last time I was at your house, Annie Jean, they looked sad and scraggly."
Annie gritted her teeth. "I'll buy some roses."
"Why yes, that would be lovely. A dozen or two, don't you think? Red ones. He did love red roses."
Actually, he didn't. But Annie wasn't in the mood to argue. And so she'd called May over at Silvia's Greenhouse and ordered the roses. She picked them up on the way, arriving at the cemetery and parking behind her mother's Honda. Richard had bought it for her two years before, when her Tercel had given out.
Marge Dawson had always adored Richard, and when at forty-two he'd died of a massive heart attack while working on a restoration project in Connecticut, Annie's mother had appointed herself as the queen mourner. Annie, who'd loved her husband beyond her ability to express, had been devastated by his sudden passing, but she neither put her sadness on public display nor did she expect others to continue to offer condolences long beyond a time when it became maudlin rather than empathetic.
Her mother's overdone wretchedness, Annie guessed, was due more to her own limited social life than to true grief. She had only a few friends, none of them male, and she suffered mightily the absence of Richard to flatter her and coddle her and spoil her. He did so with abundant charm and never with impatience because, well, because he was a kind and generous man.
Annie wasn't inclined to be so solicitous of her mother; she'd always believed Richard had tried to make up for her own failings in the devoted-daughter role. Issues with her mother that mostly surrounded the disappearance of Annie's father years before were made more frustrating by her mother's refusal to talk about it, ever. That stubborn silence, when Annie desperately wanted information, had left a gulf between the two women that Annie was in no hurry to bridge.
Now, as she approached the granite headstone, her mother was busy deadheading a rose bush that Annie had planted beside the plot, the previous fall. She dropped the discarded flowers into a basket she'd brought with her. "I was wondering if you were coming, Annie Jean. And look at your hair. My goodness, I had no idea it was that windy." Then she scowled. "I thought we'd decided on red roses."
Annie put on her best face. "Richard preferred yellow. I brought red ones for you to take home. You know he always gave you red roses on your birthday."
Her mother seemed jolted by the gesture, and Annie thought for just a moment that she really should try harder to get things settled between them.
"Why yes, he did. But it's not my birthday."
"I know, but I think Richard would want you to have them."
Her eyes welled up. "Oh, Annie Jean, he was such a wonderful man. If only he hadn't died so young. If only you'd had children..."
"Mom, don't...please."
"Annie Jean, you should have started much sooner."
"Yes," she said softly. "We should have, although I doubt it would have made a difference."
Annie turned away. No children was one regret she couldn't dismiss. She and Richard had figured it all out as if it were the master plan for the perfect life. Get their careers established, then Annie would ease into working from home so that when the babies started coming, it would all run smoothly. They planned on a nanny for those first months, but Annie intended to take care of her children. The nanny would just be there to help in a pinch. They could afford it, and Richard wanted only the best for his wife and family.
Except no babies came. Her periods came late a few times, and her joy soared, only to be sunk when her cycle resumed. Each barren month had been more wrenching for Annie than the one before. What was wrong with her? Why could her friends produce babies as if they were mother bunnies, and she couldn't get pregnant with one? Richard suggested adoption, and after that last failed year of doctor visits, infertility failures, and frustration, she'd agreed, but only if it was an infant.
They'd just begun meetings with a private adoption attorney when all the plans and hopes came to an end with Richard's sudden death.
Months later Annie thought about trying to adopt on her own, but the attorney didn't give her much encouragement, since she wanted an infant. Most birth mothers involved in private adoptions wanted two-parent families, and frankly she couldn't blame them. A child needed a mother and a father. The attorney suggested that if she would reconsider an older child...
But she wouldn't. And yes, that made her feel selfish, but realistically she thought it more selfish to take a child because of guilt than because of love and a real desire.
Now she placed the fanned bouquet of yellow roses in front of the headstone, her mother fiddled with it to get it just right, and they bowed their heads for a few moments of silence. Annie made sure the flowers had plenty of water before mother and daughter returned to their respective cars.
She retrieved the long white box of red roses from the back seat. She'd parked in the shade to keep the sun at bay.
Her mother cradled the box in a way she would never have held an arranged vase. "You remembered that I like to fix them myself."
"Yes."
"I'm sure they are lovely, but never as beautiful as the ones Richard grew."
Annie sighed. Why did she put herself through these never-able-to-please moments? She turned away and climbed into her car.
"You really should put the top up, Annie Jean. Now I know why you looked so mussed up."
Actually, I just climbed out of bed with a sexy stranger who made me come three times in ten minutes.
But even given the irritation she felt toward her mother, she couldn't be that flip. Although God knew she wanted to be. She started the car, but she didn't put the top up.
"Goody-bye, mother."
"Yes, yes, good-bye, dear." But her mother had already forgotten the chide; her attention was on peeking inside the box at the roses. "Now, I could put these in the living room on that pie-crust table. Right near that picture of Richard."
Annie drove away, as her mother's mutterings trailed off behind her. She drove home with the wind making an even more tangled mess of her hair. As she turned into the drive, she anticipated a quiet Friday afternoon and evening. She wanted a cool shower, an icy glass of Chardonnay, and no phone calls.
She started toward the back porch, coming to a stop when she saw Rocky sprawled across the top step. Just beyond the husky, she saw someone...a teenage boy, a very ragged-looking teenage boy, asleep...asleep? A ragged teenager asleep on her glider?
She drew closer, setting her briefcase on a wrought-iron garden bench. She shoved her hair back, tucking it behind her ears. Rocky, from the porch, simply looked up at her.
"You're supposed to scare them away, not invite them in for a nap. And what have I told you about strange biscuits?" Rocky seemed to grin, and Annie reached into her bag for her cell, took a few steps away, and called the police.
"It's a young boy, poorly dressed, obviously exhausted since he appears to be sound asleep. No, I have no idea. I've never seen him before. Maybe he's a runaway, or he's lost. It's forty-five Morning Glory Drive. Yes, I'll be waiting. Hurry."
And within a few minutes, as promised, a patrol car followed by another pulled into her drive.
"He's still asleep," she whispered, as if she might wake him.
The officer wasn't as gracious. He glanced at his partner and the two officers following behind. Annie hadn't intended for this to look like police overkill, but a poorly dressed teenager in this neighborhood did tend to make the police take notice. It struck her as a bit elitist, but she also knew that her neighbors had become rabid about teenage troublemakers ever since a spate of robberies had taken place the spring before.
"Kid out from booze? Drugs?" one officer asked another.
"Or both."
Annie hadn't thought of either. She just thought he was asleep.
"Sure don't look like he belongs around here."
The first officer started toward the porch, and Rocky rose. Annie hurried forward, soothing the dog, who looked none too happy about his biscuit source being disturbed.
"This dog must be his," the officer said warily.
"No, he's mine."
"Got a leash?"
"Well, yes, but he won't"
"Sorry, ma'am. The animal needs to be restrained. He appears to want to guard the kid."
"Don't be ridiculous. He doesn't even know who the boy is."
Rocky growled at that point, and Annie, wondering what kind of biscuits had made the usually placid Rocky suddenly aggressive, said, "I'll get the leash."
But even with the leash Rocky wouldn't budge. The eighty-pound husky resisted as if he'd been glued to the step. Annie pleaded and coaxed, and chided the dog about keeping the police at bay when he should have kept the kid at bay.
Finally, she distracted the dog enough so that the first officer was able to get onto the porch. The boy had awakened with all the commotion and sat there blinking as if he hadn't a clue where he was or what was going on.
"What's your name?"
"Jeez, what's goin' on? I didn't do nothin'." Even from where Annie stood, she could see his eyes dart fearfully from one uniformed figure to the next.
"What's your name, kid?"
"Cullen. Cullen Gallagher."
"Where do you live?"
"Uh, right now?"
The cop scowled. "No, tomorrow. Don't be a wiseass. Yes, right now."
"Seventeen thirty-two Central Street. Look, I didn't come here to toss the place."
"Central is miles from here. What are you doing in this neighborhood?"
"I have some business here."
Annie almost smiled. It wasn't cockiness, but a sureness of tone that had her thinking that whatever the business was, he was very serious about it.
"You don't say," one of the men mocked. "And what might that be?"
He peered around the two officers, looked at Annie and then pointed.
"I think she's my mother."
from The Boy On the Porch by Dee Holmes, Copyright © January 2003, The Berkley Publishing Group, a member of Penguin Putnam, Inc., used by permission.
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