DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.
(Mass Market Paperback)
| More Formats | |
|---|---|
| Available in eBook | $5.99 |
| Compact Disc - Abridged, 5 CDs, 6 hours | $14.99 |
| MP3 on CD - Unabridged | $23.70 |
Returning to her Wyoming ranch at the Civil War's end, Elyssa Sutton finds it picked bare by scavengers and coveted by determined men. Yet the proud young woman vows never again to abandon her Ruby Mountain home, though it means enlisting the aid of a dark and dangerous stranger who lives for revenge alone.
Hunter Maxwell has suffered from the savagery of outlaws and the faithlessness of a woman. And he will trust no female - nor will he rest until the raiders who destroyed his family pay for their crimes.
A woman in, need, a man in pain, in fury and fire they must now stand as one to fight for something cherished, something lost ... and for a passion neither dreamed could live.
In the brisk chill of Autumn, ravaged hearts will be reborn.
Elizabeth Lowell is incompable.
More Reviews and RecommendationsElizabeth Lowell has written a variety of genres under a variety of names, some with her husband Evan Maxwell and some on her own. But it is her romance novels -- starring the romantic, swashbuckling Donovan family -- that have been her biggest solo success.
More About the AuthorName:
Elizabeth Lowell
Also Known As:
Ann Maxwell; A .E. Maxwell; Annalise Sun; Lowell Charters
Date of Birth:
April 05, 1944
Place of Birth:
Milwaukee, Wisconsin
Education:
B. A., University of California, 1966
Awards:
Career Achievement Award, Romantic Times, 1994, 1999; Best Historical Romance, Romance Writers of America, 1994; Lifetime Achievement Award, 1994
Extensive and versatile, Elizabeth Lowell's résumé of titles (in almost every genre) is as long as the list of her various pen names. She's written science fiction, mystery and romance. She's also penned historical fiction and collaborated on a movie novelization. So prolific is Lowell that she and her husband, Evan Maxwell, have had to create a whole raft of pseudonyms for her books.
Her earliest work, from the 1970s, is science fiction and is written under her actual name, Ann Maxwell. The romances she and her husband began writing together in the early '90s are under the same name, because their publisher wanted a female author’s name on the cover. Their Southern California mystery series featuring the divorced lovers Fiddler and Fiora are written under A. E. Maxwell (Ann and Evan), while their joint novelization of the 1992 Val Kilmer movie Thunderheart is under the name Lowell Charters (his middle name and her maiden name.)
Her biggest solo success, the romance novels that have taken her repeatedly to The New York Times bestseller list, are credited to Elizabeth Lowell -- a combination of the couple’s middle names.
Lowell’s romances are noted for their sass and, of course, their sex. But her characterizations, particularly, draw high marks. "Elizabeth Lowell's talent is enormous," wrote The Romance Reader in its review of 1984's Forget Me Not. "She has made a well-deserved name for herself by crafting likable, plucky heroines and enigmatic but intelligent heroes." And, in 1996 the Chicago Tribune wrote, "The protagonist she has chosen for her hardcover debut, Winter Fire could give a Navy SEAL lessons in survival."
Lowell embarked on a popular series in 1997 with the publication of Amber Beach, which introduced readers to the Donovan family, titans in the menacing world of precious gemstones who must dodge murderers, thieves, and power-hungry governments to protect their business. Of the first in the series, Kirkus Reviews wrote, "A romance that offers all the sexual tension, adventure and squishy clichés that fans of the genre could possibly want."
When Lowell was getting started as sci-fi writer Ann Maxwell, she was writing on legal pads while caring for her two young children. Evan was a reporter for the Los Angeles Times, covering international crime. In the early 1980s, after he had already collaborated on three mystery novels with Lowell, Maxwell decided to quit daily journalism and write fiction full-time.
The couple has since become a cottage industry of genre fiction operating out of their Seattle-area home. They collaborate on some projects, go solo on others. Lowell has described a seven-day-a week work packed with deadlines, an organized effort that starts out with book outlines that typically take about a month to draft as well as character sketches. Then the writing begins.
"My fiction deals with problems of strength rather than problems of weakness," she told Contemporary Authors. There is no appeal or purpose for me in reading -- or writing -- fiction that portrays incessant, excruciating, and pointless pain in the lives of characters."
Readers are surprised to find out that the books Lowell writes with her husband are true collaborations. "In fact, a lot of people, once they know, say, 'Oh, I know who did this in the book, and I know who did this,' and they're almost invariably wrong," she told the Los Angeles Times.
Two of the most intriguing time periods for Lowell are medieval England and the post-Civil War period in the American West. "In both cases it was a time of expanded possibilities for individuals, regardless of birth or heritage, to create a better life and, ultimately, a better world, from chaos," she told Contemporary Authors.
Returning to her Wyoming ranch at the Civil War's end, Elyssa Sutton finds it picked bare by scavengers and coveted by determined men. Yet the proud young woman vows never again to abandon her Ruby Mountain home, though it means enlisting the aid of a dark and dangerous stranger who lives for revenge alone.
Hunter Maxwell has suffered from the savagery of outlaws and the faithlessness of a woman. And he will trust no female - nor will he rest until the raiders who destroyed his family pay for their crimes.
A woman in, need, a man in pain, in fury and fire they must now stand as one to fight for something cherished, something lost ... and for a passion neither dreamed could live.
In the brisk chill of Autumn, ravaged hearts will be reborn.
Elizabeth Lowell is incompable.
Elizabeth Lowell is incompable.
The isolated setting (Nevada's Ruby Mountains) intensifies this love story about an embittered Civil War veteran and an outspoken heroine fighting to save her ranch from ruin. When Elyssa hires Hunter to protect the Ladder S from the Culpepper gang, their mutual attraction leads to arguments and near kisses that spice up a rather predictable story and hackneyed language ('all the seasons of love were theirs'). After they become lovers, Elyssa discovers that his appearance was not an accident-Hunter tracked down the Culpeppers to avenge the death of his wife and children. With his brother Case's help, Hunter is able to drive off the raiders, though Abner Culpepper escapes and Case pursues him into the next Lowell novel, to be published in the fall of 1996. Hunter and Elyssa's story draws to a satisfying finish that makes it a good bet for Lowell fans and western romance aficionados.
The isolated setting (Nevada's Ruby Mountains) intensifies this love story about an embittered Civil War veteran and an outspoken heroine fighting to save her ranch from ruin. When Elyssa hires Hunter to protect the Ladder S from the Culpepper gang, their mutual attraction leads to arguments and near kisses that spice up a rather predictable story and hackneyed language ("all the seasons of love were theirs"). After they become lovers, Elyssa discovers that his appearance was not an accident-Hunter tracked down the Culpeppers to avenge the death of his wife and children. With his brother Case's help, Hunter is able to drive off the raiders, though Abner Culpepper escapes and Case pursues him into the next Lowell novel, to be published in the fall of 1996. Hunter and Elyssa's story draws to a satisfying finish that makes it a good bet for Lowell fans and western romance aficionados. (Apr.)
In post-Civil War Wyoming, Elyssa Sutton will do anything to save her ranch, even hire Hunter Maxwell, who looks at Elyssa in her silks and sees his faithless, parasitic wife. But this job will give him the opportunity to seek revenge against the men who murdered his family. He desires Elyssa yet he doesn't see her as she really is, and that blindness burns them both. Laural Merlington does an outstanding job of managing the narrative's emotional roller coaster. Even though she can hold her own with a rifle, Elyssa still believes in happily-ever-afters, and her innocent confusion and temper are effectively conveyed. Hunter is a wounded hero whose bitter sarcasm cuts to the core. Unfortunately, Merlington can't soften his mean-spirited attitude. His behavior toward Elyssa borders on abusive, and while it may have been in character in the late 1860s for her to take that abuse, it induces the desire to break the CDs in half. The narration is excellent, but the story style is outdated. Not recommended. [The book was released as a mass market paperback in 1996.-Ed.]-Jodi L. Israel, MLS, Salt Lake City
Copyright 2006 Reed Business Information.Nevada
Autumn 1868
"I hear you need a ramrod who can handle a gun."
The voice out of the darkness startled Elyssa Sutton. She hoped her face didn't show the lightning stroke of fear that went through her.
The stranger had come out of nowhere, without warning, soundless as a shadow.
She looked toward the man who stood at the edge of the ranch house porch. He was a dark silhouette just beyond the golden lantern light pouring through the windows. Beneath the brim of his hat, his eyes were like clear black crystal, as emotionless as his expression.
A winter storm would look warm by comparison to this man's eyes, Elyssa thought uneasily, biting her lower lip.
On the heels of that thought came another.
Yet he's compelling, in a dangerous kind of way. Al most handsome.
Next to him other men would seem like boys.
Elyssa frowned. She had never particularly noticed men. They were simply wastrel sons of titled Britons, or sailors, or soldiers, or cowhands or wranglers or cooks.
Or raiders.
In the months since Elyssa had returned to America against her uncle's wishes, she had encountered more than a few renegade white men. The Ladder S was a remote ranch in the Ruby Mountains. It drew prospectors, Spanish treasure hunters, wagon trains of hopeful settlers on the way to Oregon-and the renegades who preyed on all of them.
The Culpeppers were the worst of a bad lot of raiders.
lf anyone can stand up to the Culpepper gang, this man might, Elyssa thought wryly. Question is, who gets rid of the ramrod after he gets rid of the Culpeppers?
"Miss Sutton?" the stranger asked, his voice deep.
When he spoke, he stepped into thelantern light, as though he sensed her unease at not being able to see him clearly.
"I'm thinking," she said.
Elyssa let the silence grow while she openly studied the stranger. She wondered if she dared accept the challenge he presented.
The thought made Elyssa's mouth go dry. She licked her lips and took a deep breath. Then she concentrated on the man who had appeared out of darkness, instead of wondering at her own reckless impulse to meet this man on his own dangerous ground.
A thick, straight, dark mane of hair came down to the stranger's collar. His face looked tanned, with vague squint lines around the eyes and a neat, dark mustache above a well-formed mouth.
His black pants and jacket were clean, tailor-made, and had seen hard use. It was the same for his pale gray shirt, which was clean and rather worn. The shirt fit well to the masculine wedge of wide shoulders and narrow waist. A faded black bandanna was tied loosely around his throat.
Behind the stranger a horse stamped and blew softly through its nostrils. Without looking away from Elyssa, the man reached back and stroked the animal's neck with long, soothing motions of his gloved hand.
His left hand. His right hand-which had no glove- stayed where it had been, near the six-gun he was wearing at his side. Like his clothes, the stranger's gun was both worn and clean.
And like the man himself, the weapon had an aura of harsh use about it.
Yet for all the stranger's hard eyes and dark presence, Elyssa noted that he handled his horse gently. She approved of that. Too many men in the West treated animals as though they felt no pain from spur or lash.
Like Mickey. If I didn't need every hand, I'd send that swaggering fool packing, even though Mac thought the world of him. But I do need every hand.
Now more than ever.
The stranger's horse shifted, bringing the saddle within reach of lantern light. There was a rifle in a scab bard, and what looked like a shotgun in another scabbard on the far side of the saddle.
There was no silver on the guns or saddle, no fancy trimmings, nothing that would catch and reflect sunlight, revealing the man's presence.
What looked like a Confederate officer's greatcoat was tied behind the saddle on top of a bedroll. Whatever rank the stranger might have held had been stripped away from the greatcoat as ruthlessly as the saddle had been purged of shiny decorations.
The horse itself was a big, rangy, powerful blood-bay stallion that would have cost three years' wages for the average cowhand.
But then, the stranger obviously was no average cowhand. He was waiting for her response with the indrawn stillness of a predator at a water hole.
Such stillness was unnerving, especially for someone whose spirit was as impulsive as Elyssa's.
"Do you have a name?" she asked abruptly.
"Hunter."
"Hunter," Elyssa repeated slowly, as though testing the sound on her tongue. ''Is that your name or your profession?"
"Does it matter?"
She closed her lips against the retort that was on the edge of her tongue. She had been told often enough that she was like her dead mother, impulsive and intelligent in equal and sometimes conflicting parts.
This man's deep stillness brought out in Elyssa a reckless desire to pry beneath his composed surface to the heat and seething life of him.
But life had taught Elyssa that recklessness could be very costly.
Warily Elyssa measured the cool reserve in Hunter's eyes. A deeply feminine part of her wondered where he had been and what had happened to take from his soul all but ice and distance . . . and an echo of pain that cut her like a razor.
Why should I care about this man's past? Elyssa asked herself fiercely. He evaded whichever Culpepper was on guard out in the pass, and that's more than Mac with all his hunting skills managed to do.
That's all I should care about. Hunter's skill.
Yet it wasn't all Elyssa was concerned about, and she was too intelligent not to know it. This man drew her as no other ever had.
Nervously she licked her lips and took another deep breath.
I should tell him to leave.
"Do you want the job?" Elyssa asked, before common sense could make her change her mind.
Black eyebrows rose in twin, oddly elegant arcs.
"That fast?" Hunter asked. "No questions about my qualifications? "
"You have the only qualifications that matter."
"Guns?'' Hunter asked sardonically.
"Brains," she retorted.
Hunter simply looked at her, waiting silently for a better explanation.
"I didn't hear shots,'' Elyssa said, ''so you got past whichever Culpepper was sitting at the opening to the valley or in the pass itself, all set to empty saddles.''
Hunter shrugged, neither confirming nor denying Elyssa's words.
"How did you sneak by the dogs?" she asked.
As she spoke, she looked around for the black-and white border collies that usually were the first warning of any strangers near the ranch house.
''I came in downwind of them," Hunter said.
''You were lucky.''
''Was I? The wind has been blowing down out of the canyon behind the house for days.''
Silently Elyssa conceded that Hunter was right. The autumn wind had been usually steady. For the past week it had flowed down the many canyons of the Ruby Mountains in a cool rush that smelled of pinon and rocky heights.
Then she realized that Hunter was watching her as closely as she was watching him.
"What makes you think I'm not a member of the Culpepper gang?'' he asked calmly.
"Too clean."
The corners of Hunter's eyes tilted slightly, heightening the faint lines.
Elyssa had a feeling that was as close as this man came to a smile, so she smiled in return.
Copyright ) 1996 by Two of a Kind, Inc. Autumn Lover. Copyright © by Elizabeth Lowell. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
loading...
loading...
loading...
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc