(Mass Market Paperback)
The Private Eye
New York Times Bestselling Author
Jayne Ann Krentz
P.I. Josh January is no hero, but he'll fake it for Maggie Gladstone. His last case almost killed him, and she's offering a much-needed vacation in return for investigating strange goings-on at her inn. The job should be a cinch. Seducing Maggie a bonus. But when the accidents turn deadly serious, playing the hero could cost Josh a very high price . . .
Plus two tales of romantic suspense
Keegan's Bluff by Dani Sinclair
When Gillian's car broke down, she thought she was having a bad day. Then a half-naked man tackled her, and she knew she was having a bad day. Now there's a storm rolling in, hit men on her trail, and worst of all she may be falling in love . . .
Cop Next Door by Julie Miller
Loner Ethan Cross doesn't trust anyone it's all part of the job for an undercover cop. So is his suspicious mind just working overtime . . . or is his pretty new neighbor really hiding something?
More Reviews and RecommendationsA former librarian with a degree in history, Jayne Ann Krentz is a prolific, bestselling romance novelist and a passionate advocate of the genre.
More About the AuthorName:
Jayne Ann Krentz
Also Known As:
Amanda Quick, Jayne Castle
Current Home:
Seattle, WA
Place of Birth:
San Diego, CA
Education:
BA in History, University of California at Santa Cruz, MA in Librarianship from San Jose State University (California)
Awards:
Jane Austen Commemorative Medal from Romantic Times magazine for her work educating readers about Romance.
A successful corporate and academic librarian-turned-author, Jayne Ann Krentz wrote serial romances for several publishers (including industry powerhouse Harlequin) before breaking out in the '90s as a writer of romantic novels. To say that she has been successful is an understatement: A New York Times- bestselling author with more than 23 million copies of her books in print, she writes three sub-genres of romantic suspense under three different pen names: contemporary romances as Jayne Ann Krentz, historicals as Amanda Quick, and futuristic/paranormal romances as Jayne Castle. (In her early career, she employed at least three additional pseudonyms!) In 2006, the prolific Krentz launched The Arcane Society series -- crossover thrillers written under all three noms de plum that feature members of a secret organization devoted to the study of the paranormal.
It would be hard to find a more passionate advocate for romantic fiction than Krentz. In 1992, she edited and contributed to Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance, an award-winning nonfiction essay collection that serves an eloquent apologia for the genre. She has also received the Jane Austen Commemorative Medal from Romantic Times magazine for her work educating readers about Romance. "The Romance genre is the only genre where readers are guaranteed novels that place the heroine at the heart of the story," she says on her website. "These are books that celebrate women's heroic virtues and values: courage, honor, determination and a belief in the healing power of love." Clearly, her legions of loyal fans agree!
I have finally reached the point in my career where I have some say over cover art. Unfortunately, it turns out that I have absolutely no talent for cover art design. Thank heavens I'm with a publisher (Putnam/Berkley) that maintains a terrific art department.
I love green tea and red wine and was absolutely thrilled when it turned out that both are now considered health foods.
I love all animals except for squirrels which, I strongly suspect, are aliens from outer space who are here to take over the planet. You have been warned.
What are your ten favorite books, and what makes them special to you?
My list of favorite books changes constantly, depending on what I'm reading at the moment. Recently I've read and enjoyed the following:
1) Mistress of the Art of Death, by Ariana Franklin: Fabulous historical suspense featuring a most unusual heroine - a medieval coroner.
2) Innocent as Sin, by Elizabeth Lowell: Lowell's novels of romantic-suspense always give the reader a thoroughly researched glimpse beneath the surface at the dark side of some aspect of the modern world. In this case the subject is the international arms trade. In Arizona? Who knew?
3) Agnes and the Hitman, by Jennifer Crusie and Bob Mayer. Wildly funny and very, very clever romantic-suspense. Great title, too.
4) The Secret Servant, by Daniel Silva. I'm a huge fan of the series which features a secret agent named Gabriel Allon. I've learned more about the intricacies of the situation in the Middle East from these books than I ever will from the newspapers.
5) Now & Then, by Robert B. Parker. The latest in a long-running series that features a PI named Spenser. This is archetypal stuff. Love it.
6) Night Life, by Elizabeth Guest. There is a lot of vampire fiction out there right now but this one is unique. The mythology is based on ancient Egypt and Guest's take on the story is far more romantic than violent.
7) A Cold Day in Hell, by Stella Cameron. Chilling suspense, quirky characters, hot romance and a steamy, bayou setting. Oh, yeah, and there's this weird dog...
8) Scent of Darkness, by Christina Dodd. The latest in Dodd's Darkness Chosen series. Great paranormal romance and so wonderfully politically incorrect.
9) Big Girls Don't Cry, by Cathie Linz. Nobody does warm hearted romantic comedy like Linz. And I loved her plus-sized heroine!
10) Natural Born Charmer, by Susan Elizabeth Phillips. For my money Phillips has reinvented the modern women's fiction novel. 'Nuf said.
What are some of your favorite films, and what makes them unforgettable to you?
Sadly, I'm not really into films. They don't suck me into a story the way a good book does. And they almost never get the romantic angle right.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I love classic rock. But I never listen to music of any kind when I write. I find it distracting.
What are your favorite kinds of books to give -- and get -- as gifts?
I tend to give the kind of books that I love to read - suspense or romantic-suspense. I like to receive interesting non-fiction dealing with almost any late 19th century subject. I'm always looking for intriguing historical tidbits to slip into my Amanda Quick titles.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
The only writing ritual I maintain is a disciplined schedule. I'm at my desk by seven every morning and I stay there until I get something done. I've tried waiting around for inspiration to strike. Sadly, that approach doesn't work for me.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
It took me six long years to get published. I stopped counting rejection slips that first year. The lesson, I think, is that perseverance counts. Also, it takes time to teach yourself how to write genre fiction - and it is very much a self-taught craft.
What tips or advice do you have for writers still looking to be discovered?
If you're interested in writing genre fiction (romance, suspense, paranormal, mysteries, fantasy, etc.) attend the annual convention of Romance Writers of America. I don't care what genre you're working in, I guarantee you will learn more about the current market and the business of writing at an RWA convention than you will at any other conference.
The Private Eye
New York Times Bestselling Author
Jayne Ann Krentz
P.I. Josh January is no hero, but he'll fake it for Maggie Gladstone. His last case almost killed him, and she's offering a much-needed vacation in return for investigating strange goings-on at her inn. The job should be a cinch. Seducing Maggie a bonus. But when the accidents turn deadly serious, playing the hero could cost Josh a very high price . . .
Plus two tales of romantic suspense
Keegan's Bluff by Dani Sinclair
When Gillian's car broke down, she thought she was having a bad day. Then a half-naked man tackled her, and she knew she was having a bad day. Now there's a storm rolling in, hit men on her trail, and worst of all she may be falling in love . . .
Cop Next Door by Julie Miller
Loner Ethan Cross doesn't trust anyone it's all part of the job for an undercover cop. So is his suspicious mind just working overtime . . . or is his pretty new neighbor really hiding something?
One of these days, he'd finally learn that lesson once and for all, Josh reflected. He sat on the edge of the emergency-room examination table and scowled at the closed door. He was not in a good mood. He didn't like hospitals and he didn't like realizing he'd been unlucky enough or stupid enough or slow enough to end up in one tonight.
Could have been worse, he reminded himself. If Eddy Hodder's knife had struck a few inches lower, he would have been spending the night in the morgue.
Josh took a cautious breath and winced. The doctor had just told him his ribs were bruised, not broken, but it was hard to tell the difference. The big question now was whether or not the ankle was fractured or just badly sprained. The X rays would be back any minute.
Everything else had been patched up fairly easily. The raw scrape on his shoulder had been bandaged quite neatly and the gash on his forehead where Hodder's knife had caught him had been closed with sutures. Unfortunately the local anesthetic was already wearing off. He deserved everything he got, Josh told himself grimly. He was in the wrong business. Or maybe he'd just been in it too damn long.
He was about to continue with the self-recriminations when the door of the emergency room swungopen. A young man in a white coat sauntered in looking far more authoritative than any young man had a right to look. Josh wondered why doctors, cops and other such professionals were all starting to look so incredibly young to him. Maybe it was only private investigators like himself who aged rapidly.
"Good news, Mr. January. It's only a sprain. We'll tape it up for you and have you out of here in no time."
"Terrific." Josh eyed his swollen left ankle, feeling a sense of dark betrayal. Stupid foot. "How long?"
"How long for what?" The doctor opened a white drawer on the other side of the room.
"How long until I can walk on it?"
"Could be quite a while," the doctor said, sounding cheerful at the prospect. "You'll want to rest it for at least a week and it will probably bother you a bit from time to time, after that. We'll send you out of here on crutches."
"Crutches?" Josh swore with great depth of feeling.
The doctor turned around, holding an elastic bandage in his hand. His smile lit up the room. "Could have been worse. Heard you nearly got yourself killed when you went into that building after that Eddy Hodder character. The cops are in a room down the hall with him right now. If it's any consolation to you, Hodder's in worse shape than you are."
"Yeah, that really makes me feel a whole lot better," Josh growled.
"Thought it would. But you're going to be hurting for a while, yourself. No getting around it. I'll give you some pills for the pain when you leave. My advice is to take some time off from your job, Mr. January. You need a few weeks of R and R. That means rest and relaxation."
"I know what it means." Josh set his teeth as the doctor went to work on his ankle. "Take it easy, damn it. That hurts!"
"Sorry. Every jarring movement is going to annoy you for a while," the doctor announced happily.
Josh glowered at him. "You enjoy your work?"
"Love it."
Josh winced again as the doctor tugged on the elastic bandage. "It shows."
* * *
McCray was waiting for him out in the hall. Short, balding and comfortably rounded at the waistline, McCray was the closest thing to a friend Josh had. He was also Josh's partner in Business Intelligence and Security, Inc., one of the biggest private security agencies in the Pacific Northwest.
McCray shook his head ruefully as Josh swung forward on the crutches. "Well, well, well. Aren't you a sight. How do you feel?"
"Like hell."
"Yeah, that's kind of how you look, to tell you the truth. I've signed the paperwork for you and I've already talked to the cops. Gave them a full report. We're free to go."
Josh shifted his shoulders, trying to get more comfortable on the crutches. All he succeeded in doing was sending shock waves through his bruised body. "The girl okay?"
"The girl's fine. Mad as hell at you for ruining her life, she says, but fine. Her boyfriend, Hodder, was on parole when he pulled this kidnapping stunt. He's headed straight back to prison and will probably stay there awhile. The young lady's father, our client, is everlastingly grateful, of course."
"Send him his bill first thing in the morning. Might as well take advantage of the gratitude."
"My, you are feeling nasty tonight, aren't you?"
McCray pushed open the glass doors of the emergency room and Josh hobbled out into the cold Seattle night. "You know what, pal?"
"What?"
"You need some time off. Maybe a month or so."
"Now listen, McCray -"
McCray held up his palm. "I'm serious, January. You're burned-out, you're beat-up and you've got a real bad attitude. What you need is a month of easy living. You need someone to wait on you hand and foot. You need home-cooked meals, tea and scones in the afternoon, and a stress-free environment. In short, you need a complete change of scene."
"You got any special place in mind?" Josh asked, irritated.
"As a matter of fact, I do." McCray opened the passenger door of his faded blue Oldsmobile. "Get in. I've got a letter I want you to read."
"Who's it from? Ouch! Damn it to hell."
"Here, let me have those crutches. I'll put them in the back seat. The letter's on the dash."
Josh lowered himself gingerly onto the car seat, grimacing as he eased his left leg inside. He saw the envelope sitting directly in front of him on the dash. He picked it up and glanced at the letterhead. The bright lights outside the emergency room provided enough light to read the words "Peregrine Manor."
Josh opened the envelope. A colorful brochure depicting a fanciful Victorian mansion fell out, along with a neatly typed letter. A glance at the brochure showed that Peregrine Manor promised the ultimate in cozy luxury and gourmet dining on the spectacular Washington coast.
The letter promised a job.
"I think you should take the case," McCray told him as he got behind the wheel.
Josh scanned the contents of the letter. "This isn't a case. It's a joke. This Ms. Margaret Gladstone obviously has a vivid imagination."
"That's the whole point," McCray said patiently as he pulled out of the hospital parking lot. "A cushy setup. A piece of cake. A snap. You get all the perks of a fancy luxury inn for a month and in exchange all you have to do is a little sleuthing for the sweet little old lady who wrote that letter."
"Piece of cake, huh? What makes you think this Miss Gladstone is a sweet little old lady?"
"Who else would write a letter like that except some old-fashioned little spinster lady? What have you got to lose? You need to get away for a while, Josh. We both know it. You aren't going to be any good to us at BIS until you get out of this lousy mood you've been in for the past few months. Like I said, you're burned-out, pal. You've been in the business too long."
Continues...
Excerpted from The Private Eye by Jayne Ann Krentz Copyright © 2004 by Jayne Ann Krentz. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
One of these days, he'd finally learn that lesson once and for all, Josh reflected. He sat on the edge of the emergency-room examination table and scowled at the closed door. He was not in a good mood. He didn't like hospitals and he didn't like realizing he'd been unlucky enough or stupid enough or slow enough to end up in one tonight.
Could have been worse, he reminded himself. If Eddy Hodder's knife had struck a few inches lower, he would have been spending the night in the morgue.
Josh took a cautious breath and winced. The doctor had just told him his ribs were bruised, not broken, but it was hard to tell the difference. The big question now was whether or not the ankle was fractured or just badly sprained. The X rays would be back any minute.
Everything else had been patched up fairly easily. The raw scrape on his shoulder had been bandaged quite neatly and the gash on his forehead where Hodder's knife had caught him had been closed with sutures. Unfortunately the local anesthetic was already wearing off. He deserved everything he got, Josh told himself grimly. He was in the wrong business. Or maybe he'd just been in it too damn long.
He was about to continue with the self-recriminations when the door of the emergency room swung open. A young man in a white coat sauntered in looking far more authoritative than any young man had a right to look. Josh wondered why doctors, cops and other such professionals were all starting to look so incredibly young to him. Maybe it was only private investigators like himself who aged rapidly.
"Good news, Mr. January. It's only a sprain. We'll tape it up for you and have you out of here in no time."
"Terrific." Josh eyed his swollen left ankle, feeling a sense of dark betrayal. Stupid foot. "How long?"
"How long for what?" The doctor opened a white drawer on the other side of the room.
"How long until I can walk on it?"
"Could be quite a while," the doctor said, sounding cheerful at the prospect. "You'll want to rest it for at least a week and it will probably bother you a bit from time to time, after that. We'll send you out of here on crutches."
"Crutches?" Josh swore with great depth of feeling.
The doctor turned around, holding an elastic bandage in his hand. His smile lit up the room. "Could have been worse. Heard you nearly got yourself killed when you went into that building after that Eddy Hodder character. The cops are in a room down the hall with him right now. If it's any consolation to you, Hodder's in worse shape than you are."
"Yeah, that really makes me feel a whole lot better," Josh growled.
"Thought it would. But you're going to be hurting for a while, yourself. No getting around it. I'll give you some pills for the pain when you leave. My advice is to take some time off from your job, Mr. January. You need a few weeks of R and R. That means rest and relaxation."
"I know what it means." Josh set his teeth as the doctor went to work on his ankle. "Take it easy, damn it. That hurts!"
"Sorry. Every jarring movement is going to annoy you for a while," the doctor announced happily.
Josh glowered at him. "You enjoy your work?"
"Love it."
Josh winced again as the doctor tugged on the elastic bandage. "It shows."
* * *
McCray was waiting for him out in the hall. Short, balding and comfortably rounded at the waistline, McCray was the closest thing to a friend Josh had. He was also Josh's partner in Business Intelligence and Security, Inc., one of the biggest private security agencies in the Pacific Northwest.
McCray shook his head ruefully as Josh swung forward on the crutches. "Well, well, well. Aren't you a sight. How do you feel?"
"Like hell."
"Yeah, that's kind of how you look, to tell you the truth. I've signed the paperwork for you and I've already talked to the cops. Gave them a full report. We're free to go."
Josh shifted his shoulders, trying to get more comfortable on the crutches. All he succeeded in doing was sending shock waves through his bruised body. "The girl okay?"
"The girl's fine. Mad as hell at you for ruining her life, she says, but fine. Her boyfriend, Hodder, was on parole when he pulled this kidnapping stunt. He's headed straight back to prison and will probably stay there awhile. The young lady's father, our client, is everlastingly grateful, of course."
"Send him his bill first thing in the morning. Might as well take advantage of the gratitude."
"My, you are feeling nasty tonight, aren't you?"
McCray pushed open the glass doors of the emergency room and Josh hobbled out into the cold Seattle night. "You know what, pal?"
"What?"
"You need some time off. Maybe a month or so."
"Now listen, McCray -"
McCray held up his palm. "I'm serious, January. You're burned-out, you're beat-up and you've got a real bad attitude. What you need is a month of easy living. You need someone to wait on you hand and foot. You need home-cooked meals, tea and scones in the afternoon, and a stress-free environment. In short, you need a complete change of scene."
"You got any special place in mind?" Josh asked, irritated.
"As a matter of fact, I do." McCray opened the passenger door of his faded blue Oldsmobile. "Get in. I've got a letter I want you to read."
"Who's it from? Ouch! Damn it to hell."
"Here, let me have those crutches. I'll put them in the back seat. The letter's on the dash."
Josh lowered himself gingerly onto the car seat, grimacing as he eased his left leg inside. He saw the envelope sitting directly in front of him on the dash. He picked it up and glanced at the letterhead. The bright lights outside the emergency room provided enough light to read the words "Peregrine Manor."
Josh opened the envelope. A colorful brochure depicting a fanciful Victorian mansion fell out, along with a neatly typed letter. A glance at the brochure showed that Peregrine Manor promised the ultimate in cozy luxury and gourmet dining on the spectacular Washington coast.
The letter promised a job.
"I think you should take the case," McCray told him as he got behind the wheel.
Josh scanned the contents of the letter. "This isn't a case. It's a joke. This Ms. Margaret Gladstone obviously has a vivid imagination."
"That's the whole point," McCray said patiently as he pulled out of the hospital parking lot. "A cushy setup. A piece of cake. A snap. You get all the perks of a fancy luxury inn for a month and in exchange all you have to do is a little sleuthing for the sweet little old lady who wrote that letter."
"Piece of cake, huh? What makes you think this Miss Gladstone is a sweet little old lady?"
"Who else would write a letter like that except some old-fashioned little spinster lady? What have you got to lose? You need to get away for a while, Josh. We both know it. You aren't going to be any good to us at BIS until you get out of this lousy mood you've been in for the past few months. Like I said, you're burned-out, pal. You've been in the business too long."
(Continues...)
Excerpted from The Private Eye by Jayne Ann Krentz Copyright © 2004 by Harlequin Enterprises, Ltd.. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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