From the Publisher
The mesmerizing debut novel about driving trucks, loving music, and growing up. A truck driver’s daughter who grows up in the front seat of her father's truck, Jo shares her father’s love of country music, junk food, and the open highway. Jo’s life is a perfect slice of Americana, except that their “open road" is in England, and her father--the gentle, melancholy Bobby Pickering--is from Northern Ireland. The only truly American thing about Jo is her mother, whom she has never met.
Jo is twelve when she and Bobby pick up hitchhiker Cosima Stewart, an American country singer whose band is touring England. They become dedicated fans, and Cosima, touched by the unlikely duo, comes to regard Jo with an indulgent, even sisterly, eye.
But when Jo is sixteen, Bobby sinks into serious despair and Jo seeks refuge in Cosima and the band. When Bobby disappears, Jo’s adoration becomes obsessive as she follows her idol all to the way to California. Here, in the sweltering Mohave Desert and alone for the first time, Jo must face the painful truths of her own life, the mother she has never known, and the father she can’t force from her mind. With shades of Zadie Smith and Mark Haddon, Albyn Leah Hall’s powerful debut is a page-turning study of what frightens us about one another and ourselves; of how we run away and what we can’t, ultimately, escape from.
Publishers Weekly
Raised on the road, Josephine Pickering loves her truck-driving daddy, Bobby, even though his sometimes-dark moods make him go silent. The only parent she's ever known (her mother abandoned the family shortly after Jo's premature birth), he lives and breathes country music and takes her with him on his truck routes though the U.K. where he picks up pretty hitchhikers, like singer Cosima Stewart. Jo, now a teenager, is discovering her sexuality and her independence, which isn't the easiest thing to do without a mother. She nurtures an infatuation with Cosima and her band, gets Bobby to take her to their shows and glows under their kindly attentions. When Bobby bottoms out the day after Jo loses her virginity to Cosima's boyfriend, Jo falls apart: she follows Cosima to California and spirals dangerously out of control. Her crackup, though, has its bonuses. Despite her violent outbursts, Jo is never malicious, and her most shocking acts are, in the end, a cry for love and for help. With its echoes of memories, country music and the love between a father and a daughter, Hall's debut manages to be both poignant and unsettling. (Jan.) Copyright 2006 Reed Business Information.
VOYA
Jo was just days old when her mother, Rosalie, returned to America, leaving behind her baby and Bobby, her truck-driving husband of several months. Bobby and Jo spend the next twelve years traversing Great Britain, deeply enmeshed by proximity, love, and a shared passion for country music-especially that of Cosima, an American country singer touring England who occasionally crosses paths with the pair. An adolescent Jo struggles against the confines of family bonds, attempting to ingratiate herself into Cosima's group of band mates and fans. Bobby, struggling with depression, becomes more unreliable and despondent as Jo, his reason for keeping himself together, seems to be deserting him. An eighteenth birthday fueled by drugs, alcohol, and sex causes a final rift between father and daughter, and Bobby disappears-a suspected suicide. The grieving and desperate Jo stalks Cosima: sending gifts, breaking into her apartment, and even following the band to America in an effort to replace the family she has lost. Hall's writing is captivating and rhythmic-one can almost hear the hum of wheels on asphalt as the story speeds along. The emotions of the story ring true even as events spiral into the unbelievable. Jo's struggles are those that everyone faces: learn to be independent, learn that parents are imperfect people, figure out what family means. It is not a light read and Jo is often difficult to champion, but mature readers may take away powerful lessons on growing up.
Library Journal
Packed with road trips, truck drivers, country music, and junk food, Hall's second effort (after Deliria) has all the ingredients of a great American road novel-except it's set in the United Kingdom and Ireland. Sixteen-year-old Jo regularly accompanies Bobby, her Northern Irish father, on his long hauls. Together they travel along the A1 (not interstate 95), drive lorries (not trucks), and eat crisps (not potato chips). Jo's obsession with country singer Cosimo and her band begins not long after father and daughter give the rising star a lift. As the band's popularity develops, so does the young girl's fixation, disrupting the rhythm of her trips with Bobby and forcing his depression to deepen. His eventual disappearance compels Jo to take the road trip of her life: she follows the band on its first tour of the United States-home of Cosimo and Jo's birth mother, Rosalie. At this point, Hall begins skillfully pulling together all the details of her absorbing story. Though she effectively explores the theme of a lost or absent parent throughout, she doesn't pummel readers with it. Highly recommended.-Faye A. Chadwell, Univ. of Oregon Libs., Eugene Copyright 2006 Reed Business Information.
Catherine GilbrideCopyright 2006 Reed Business Information.
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School Library Journal
Adult/High School
Jo Pickering was abandoned by her mother at birth and raised by her father. Bobby, a truck driver, takes his daughter with him everywhere as he attends to his routes in England and Ireland. Once a guitar player, he has a habit of picking up hitchhiking musicians. When he picks up Cosima Stewart, a country-western singer from Texas, the impressionable 12-year-old becomes infatuated with her and her band. Jo convinces Bobby to attend one of the woman's performances and becomes starstruck when Cosima and another performer take her under their wing and teach her how to apply makeup and dress like they do. But Jo's attachment soon becomes a compulsion. She is desperate in her search for something that Cosima and even Bobby can't give her, and she spirals downward into increasingly destructive behavior. Events come to a head when Bobby mysteriously disappears and Jo must find ways to deal with her feelings of total abandonment. This is a compelling read about a strong girl determined to survive in a world that has not been kind to her. As Jo makes some serious mistakes in her search for love, she begins to see herself in a different light. This impressive first novel is strongly written—the characters' emotions feel genuine, the dialogue is believable, and readers will care about Jo.
Kirkus Reviews
From this American author and longtime London resident, a second novel (Deliria, 1994) about the crack-up of an Irish trucker and his daughter. Bobby Pickering, a Catholic from a Protestant town in Northern Ireland, started to "go dark," or experience depression, after his beloved mother died of cancer. He moved to London to play bass guitar with an easy-listening band. In 1985, he met Rosalie, an art student from California. Bobby was a sweet but utterly passive guy, whom Rosalie seduced and then, after becoming pregnant, insisted on marrying; yet she had no interest in her baby, Josephine, and returned stateside, leaving Bobby to raise her while driving his newly acquired truck. All this is flashback. The story opens in 1998, when Jo is 12; she has no friends and seldom attends school, accompanying Bobby on his long-distance rides. They stop for a hitchhiker, an up-and-coming American country singer/songwriter, Cosima Stewart (her lyrics punctuate the novel), and Jo becomes a groupie of Cosima and her band. A crisis occurs at the novel's midpoint, five years later. Jo, having wormed her way into the band's favor, has had drug-fueled sex with band member Rick, Cosima's boyfriend. Relishing her new status (ex-virgin!), she flirts with passengers on a ferry ride to Ireland and is horrible to Bobby, who feels rejected and jumps overboard. The story now speeds up (no more flashbacks) while becoming increasingly implausible. In denial about her father's suicide, Jo starts stalking Cosima, even following her to California. Hall is less interested in examining Jo's possibly shattered though seemingly robust psyche than in sketching a contemporary Wild West, letting the cliches about guns raindown. After a violent confrontation with Cosima, Jo is sent to a nuthouse before being sheltered by her mother Rosalie (now an upright observant Jew) and eventually returning to England. Damaged parent, damaged child, but Hall's writing is not urgent or focused enough to make us care about their fates.