| Part 1 | Falling in Love with Love: Understanding the Magic of Romances | 1 |
| 1 | The Power of Love | 3 |
| Love Is in the Air | 4 |
| Love Sells | 4 |
| Look Who's Reading! | 6 |
| Scoping Out the Competition | 6 |
| First Things First: What Is a Romance Novel? | 8 |
| You Gotta Love It (to Write It) | 10 |
| For Love or Money | 11 |
| Signs of Success | 13 |
| Aspiring Romance Writer's Checklist | 13 |
| 2 | Love Is Here to Stay | 15 |
| Rules to Write By | 16 |
| Empowering Message | 17 |
| New Spin on Classic Characters | 18 |
| Enduring Romance Fantasies | 19 |
| You've Come a Long Way, Baby | 23 |
| The New Millennium | 24 |
| 3 | Love Is a Many Splendored Thing | 27 |
| Periscope Down: Plumbing the Depths of Subgenres | 28 |
| Historical Romances | 28 |
| Contemporary Romances | 34 |
| Women's Fiction ... Bigger and Better Than Ever | 36 |
| Characters of Color | 37 |
| Beyond Reality (and Other Nifty New Trends) | 38 |
| Phew!!!! | 39 |
| 4 | Match Made in Heaven | 41 |
| Read, Read, Read! | 42 |
| Appearing in a Bookstore Near You | 43 |
| Narrowing the Choices | 45 |
| Making a Decision | 45 |
| Have Some Spine! | 46 |
| Ten Signs of a Great Romance | 46 |
| Creating a World of Your Own | 47 |
| Picture This | 49 |
| Putting It All Together | 49 |
| Testing the Creative Waters | 49 |
| If the Shoe Doesn't Fit | 50 |
| Oops! There Goes Another Trend | 52 |
| Hardcover, Here I Come! | 53 |
| Cinderella ... and the Rest of Us | 54 |
| 5 | Lover's Leap | 57 |
| Got Ideas? | 58 |
| The First Date (with Your Computer) | 62 |
| Romancing Your Calendar | 65 |
| Can the Critic | 67 |
| Make a Commitment--I Dare You! | 69 |
| Part 2 | Seven Aspects of Highly Affecting Romances | 71 |
| 6 | Plotting: Fresh Take on an Age-Old Story | 73 |
| Boy Meets Girl | 74 |
| The Plot Thickens | 74 |
| Between the First Kiss and "I Do!" | 75 |
| Analyzing Your Favorite Plots | 77 |
| A Plotting Lesson from Jane Austen | 78 |
| A Romance's Greatest Challenge | 79 |
| Flimsy as a Negligee | 80 |
| No Can Do | 81 |
| Classic Romance Plotlines | 82 |
| Writer's Road Map Versus Spontaneous Construction | 84 |
| 7 | Characterization: Heroes to Die for and Heroines to Cry For | 87 |
| The Heart of a Romance | 87 |
| Tea and Sympathy | 88 |
| Just Like You and Me | 88 |
| Respect Your Characters | 89 |
| Heroes We Love | 89 |
| Heroines We Relate To | 91 |
| A Case Study: Scarlett O'Hara Versus Melanie Wilkes | 91 |
| Nobody's Perfect (at Least They Shouldn't Be!) | 92 |
| Every Story Needs a Hero | 92 |
| Motivation: The Saving Grace | 94 |
| Consistently Consistent | 95 |
| Ready, Set, Goal! | 96 |
| Interview with a Character | 97 |
| Second Fiddles | 97 |
| Type Out Stereotypes | 98 |
| Character Checklist | 98 |
| 8 | Pacing: Timing Is Everything | 101 |
| Pacing at the Speed of Light | 101 |
| The Big-Bang Theory | 102 |
| Back Story on the Back Burner | 104 |
| The Time Bomb | 105 |
| Warning! Warning! | 106 |
| The Mary Higgins Clark Chapter | 107 |
| Scenes Within a Chapter | 107 |
| The Long and Short of Sentences | 108 |
| Tightening Your Prose | 110 |
| Be Your Own Guinea Pig | 110 |
| Pacing Checklist | 111 |
| 9 | Voice: Yours and Your Characters' | 113 |
| The Alchemy of "Voice" | 114 |
| Writing on the Wall | 116 |
| Distinctive Dialogue | 117 |
| The Narrator's Voice | 119 |
| Voice Checklist | 122 |
| 10 | Conflict: The Magic Ingredient | 125 |
| "I Couldn't Put It Down" | 125 |
| Creating Suspense | 126 |
| Pothole on the Yellow Brick Road | 126 |
| Turn Up the Heat | 126 |
| The Shortest Story Ever Told | 127 |
| It Takes Two Conflicts to Tango | 129 |
| The Crossroad Collision | 131 |
| The Black Moment | 132 |
| Move Over, Freud | 133 |
| Don't Leave 'Em Hanging | 134 |
| Beginners Beware! | 135 |
| Conflict Checklist | 136 |
| 11 | Emotion: Tugging at the Heartstrings | 139 |
| Finally! Men Who Talk About Their Feelings | 139 |
| Heroines Just Like You | 140 |
| Action and Reaction: Putting Feelings Before Plot | 141 |
| Show, Don't Tell | 142 |
| Reading Between the Lines | 143 |
| High Drama | 146 |
| Powerful Prose | 147 |
| Empathetic Environment | 149 |
| Good Diversions | 149 |
| Emotion Checklist | 150 |
| 12 | Under the Covers: Sex and the Single (or Married) Romance Writer | 151 |
| Love Means Never Having to Say You're Sorry for a Sex Scene | 151 |
| The Curse of the Bodice Ripper | 152 |
| Was It Good for You? | 153 |
| The Writer's Comfort Zone | 154 |
| Is There Such a Thing as Too Much Sex? | 156 |
| Sensuality Versus Sexuality | 158 |
| Do Your Homework! | 160 |
| Sensuality Checklist | 160 |
| Part 3 | After the Romance: Bringing Up Baby | 161 |
| 13 | Research Recap | 163 |
| Understanding Your Subject | 163 |
| The Three Faces of Historicals | 165 |
| How Much Research Should You Do? | 166 |
| The Path of Least Resistance | 166 |
| Delving Beneath the Surface | 167 |
| The Research Pyramid | 171 |
| The Intentional Researcher | 172 |
| Research Checklist | 175 |
| 14 Polish | Until It Shines | 177 |
| It Ain't over 'Til It's Over | 177 |
| The Three "Rs" | 180 |
| Something's Wrong, but I Don't Know What | 182 |
| Resetting Your Setting | 183 |
| Cut! | 184 |
| How Do You Spell "Duh"? | 184 |
| Tips from a Top-Notch Talent | 185 |
| Revision Checklist | 186 |
| 15 | Feedback: It Hurts So Good | 189 |
| Oh, That's What You Meant to Say! | 190 |
| Mother Doesn't Know Best | 191 |
| Good Sources of Feedback | 191 |
| The Good, the Bad, and the Ugly | 194 |
| Give as Good as You Get | 196 |
| Editorial Feedback | 198 |
| Review This! | 198 |
| The Ultimate Feedback | 200 |
| Feedback Checklist | 200 |
| 16 | Hiring an Agent | 203 |
| Do I Need an Agent? | 204 |
| Four Reasons to Hire an Agent | 205 |
| One Reason Not to Hire an Agent | 206 |
| I'd Rather Do It Myself! | 208 |
| Great Expectations | 208 |
| The Perils of Pauline's Bad Agent | 210 |
| You're the Boss | 211 |
| The Vision Thing | 211 |
| Where Do You Find One? | 212 |
| Hot-Shot Agents | 214 |
| Which Comes First: Agent or Editor? | 214 |
| The Last Word on Agents | 215 |
| Agent Checklist | 216 |
| 17 | Finding an Editor | 217 |
| A Powerful Mentor | 218 |
| Do Your Homework! | 219 |
| Eenie, Meenie, Minie Editor | 219 |
| She Wants You! | 222 |
| What an Editor Is Really Looking For | 222 |
| How Do Editors Edit? | 224 |
| Power Shift | 225 |
| Editor Checklist | 226 |
| 18 | Submissions: Laying Your Heart on the Line | 227 |
| Hear Ye! Hear Ye! | 228 |
| How to Avoid the Trash Heap | 228 |
| "How-To" Know-How | 228 |
| The Importance of Being Queried | 232 |
| To Multiple Submit or Not to Multiple Submit--That Is the Question | 236 |
| Follow Up? Who? Me? | 238 |
| When All Is Said and Done | 239 |
| Submissions Checklist | 239 |
| Part 4 | The Writing Biz | 241 |
| 19 | You're Published, Now What? | 243 |
| Hurry Up and Wait | 244 |
| Gentlemen, Start Your Next Book | 245 |
| Second-Book Syndrome | 245 |
| The Honeymoon Period | 246 |
| An Exclusive Club | 246 |
| The Price of Success | 247 |
| The Hazing | 247 |
| You're in the Army Now | 248 |
| The Pleasures and Pitfalls of Multi-Book Contracts | 249 |
| New York Times, Here I Come! | 250 |
| What It Means to Be a Professional | 253 |
| I Wanna Hold Your Hand | 254 |
| Editorial Support | 255 |
| 20 | Advances and Royalties | 257 |
| The Cold Hard Realities of Cold Hard Cash | 258 |
| Money Matters | 260 |
| Taxation Terror | 263 |
| Is the *%!#! Check in the Mail Yet!? | 264 |
| Reasons to Keep Your Day Job | 265 |
| When Do I Get a Raise? | 265 |
| Making the Most | 266 |
| 21 | Acting Like a Professional | 269 |
| On Becoming a Pro | 270 |
| Signs of a Professional Writer | 270 |
| What Makes a Pro a Pro? | 270 |
| Write Like a Pro | 271 |
| Professional Affiliations | 272 |
| Code of Conduct | 273 |
| Open for Business | 278 |
| The Big Picture | 279 |
| You Can Get There from Here | 281 |
| Understand Your Strengths | 281 |
| 22 | Promotion Tips | 283 |
| Books, Books, Everywhere | 284 |
| Reasons Readers Buy | 284 |
| The Promotion Pyramid | 284 |
| What Works? What Doesn't? | 286 |
| May I Have Your Autograph? | 289 |
| The Publisher's Role | 292 |
| 23 | Nuts and Bolts of the Biz | 297 |
| Advantages of the A-Team | 298 |
| Mid-List Blues | 299 |
| The Harlequin Machine | 300 |
| Sell-Throughs | 300 |
| Gotcha Covered | 302 |
| What's in a Title? | 303 |
| Love's Raging Titles | 304 |
| Changing Marketplace | 304 |
| Alternative Markets | 305 |
| 24 | Romancing the Industry | 311 |
| The Good News | 311 |
| Because Writers Are Weird | 313 |
| Brave New World | 314 |
| The Conference Connection | 316 |
| It's Not What You Know | 321 |
| Can I Quote You on That? | 321 |
| Networking Checklist | 321 |
| 25 | The Last Word (Or Why You Really Can Do This) | 323 |
| How Bad Do You Want This? | 324 |
| Meant for Bigger Things | 325 |
| Take Risks | 325 |
| Bouncing Back | 326 |
| Pacing Yourself | 326 |
| Long-Range Goals | 327 |
| Dare to Dream | 328 |
| Writers Are Made, Not Born | 328 |
| Happy Ending, Happy Writing! | 330 |
| Appendixes | |
| A | Glossary | 333 |
| B | Romance Publishers | 339 |
| Electronic Publishers | 343 |
| C | Writing Resource Books | 345 |
| D | Romance Reviewers and Publications | 349 |
| E | Writing- and Publishing-Related Organizations | 353 |
| F | Press Releases | 355 |
| Index | 359 |