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Boss loves to dive historical ships, derelict spacecraft found adrift in the blackness between the stars. Sometimes she salvages for money, but mostly she's an active historian. She wants to know about the pastto experience it firsthand. Once she's dived the ship, she'll either leave it for others to find or file a claim so that she can bring tourists to dive it as well. It's a good life for a tough loner, with more interest in artifacts than people.
Then one day, Boss finds the claim of a lifetime: an enormous spacecraft, incredibly old, and apparently Earth-made. It's impossible for something so old, built in the days before Faster Than Light travel, to have journeyed this far from Earth. It shouldn't be here. It can't be here. And yet, it is. Boss's curiosity is up, and she's determined to investigate. She hires a group of divers to explore the wreck with her, the best team she can assemble. But some secrets are best kept hidden, and the past won't give up its treasures without exacting a price in blood.
Rusch (the Retrieval Artist series) delivers a page-turning space adventure while contemplating the ethics of scientists and governments working together on future tech. Boss is a middle-aged loner who searches ancient spacecraft for historical data. Driven by the memory of her mother being lured to a mysterious station called the Room of Souls, Boss believes humanity is haunted by old science, the kind that could kill us because we don't understand it. As Boss carefully builds a crew of spacers who are mostly loners with secrets, their notions about old and new tech, and about each other, must be re-evaluated as they first dive a 5,000-year-old ship for clues and then head for the Room. Rusch's spare prose sometimes flattens the characters, but admirably suits both the adventure and the deep moral questions she raises. (Nov.)
More Reviews and RecommendationsKristine Kathryn Rusch is an award-winning mystery, romance, science fiction, and fantasy writer. She has written many novels under various names, including Kristine Grayson for romance, and Kris Nelscott for mystery. Her novels have made the bestseller lists-even in London-and have been published in fourteen countries and thirteen different languages. Her awards range from the Ellery Queen Readers Choice Award to the John W. Campbell Award. She is the only person in the history of the science fiction field to have won a Hugo award for editing and a Hugo award for fiction. Her short work has been reprinted in sixteen Year's Best collections. She is the former editor of prestigious The Magazine of Fantasy and Science Fiction. Before that, she and Dean Wesley Smith, started and ran Pulphouse Publishing, a science fiction and mystery press in Eugene. She lives and works on the Oregon Coast.
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November 05, 2009: Boss prefers to work alone when diving into a wreck though she works salvage operations with others. She feels she is more ethical than most of her rivals in their search for historical vessels as she always helps those in dire need in outer space though she prefers not to. Some of her unsavory colleagues would wait for a trapped crew to die so they can salvage like scavengers.
For her current quest the recluse uses her single crew ship rather than her larger Nobody's Business vessel, but what awaits her is a shocker. Her computer claims the derelict is somewhat between 5,000 and 10,000 years old and from old earth; an impossible scenario as that time frame and locale did not have the technology for the faster than light speed to float this far. She searches for historical data as she is curious about this enigmatic anachronism, but fears what she will learn as the misunderstood ancient sciences might prove deadly. Bringing together a special crew of loner divers, Boss and company explore the vessel while she considers following her mom who left her to vanish inside the mysterious Room of Souls.DIVING INTO THE WRECK is an exhilarating fast-paced yet cerebral science fiction thriller. Filled with action and adventure but purposely with two dimensional characters including Boss who is a bit more philosophical. Kristine Kathryn Rusch uses outer space to have her audience consider ethics and morality re the scientific-government complex and how society looks back at ancient civilizations through a modern day lens while failing to provide a historiographic disclaimer about the background of the anthropologist or archeologist leading the glimpse through time.Harriet Klausner