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Terry Pratchett's profoundly irreverent novels, consistent number one bestsellers in England, have garnered him a revered position in the halls of parody along with Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.
In Equal Rites, a dying wizard tries to pass on his powers to an eighth son of an eighth son, who is just at that moment being born. The fact that the son is actually a daughter is discovered just a little too late...
More Reviews and RecommendationsA beloved British author who genre-jumps from humorous fantasy to science fiction to young adult books, Terry Pratchett is perhaps best known for his series of novels set in the fantastical setting of Discworld.
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July 05, 2009: It's a good read just by itself, nice and clean storyline, not too cluttered with extra characters and tangents. I love the thinly veiled commentary on traditional gender roles! Pratchett writes such realistic female characters, I have met a few Granny Weatherwaxes in my time.
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December 29, 2005: a fun read with grat characters
Name:
Terry Pratchett
Also Known As:
Terence David John Pratchett
Current Home:
Salisbury, Wiltshire, England
Date of Birth:
April 28, 1948
Place of Birth:
Beaconsfield, Bucks, England
Education:
Four honorary degrees in literature from the universities of Portsmouth, Bristol, Bath and Warwick
Welcome to a magical world populated by the usual fantasy fare: elves and ogres, wizards and witches, dwarves and trolls. But wait -- is that witch wielding a frying pan rather than a broomstick? Has that wizard just clumsily tumbled off the edge of the world? And what is with the dwarf they call Carrot, who just so happens to stand six-foot six-inches tall? Why, this is not the usual fantasy fare at all -- this is Terry Pratchett's delightfully twisted Discworld!
Beloved British writer Pratchett first jump-started his career while working as a journalist for Bucks Free Press during the '60s. As luck would have it, one of his assignments was an interview with Peter Bander van Duren, a representative of a small press called Colin Smythe Limited. Pratchett took advantage of his meeting with Bander van Duren to pitch a weird story about a battle set in the pile of a frayed carpet. Bander van Duren bit, and in 1971 Pratchett's very first novel, The Carpet People, was published, setting the tone for a career characterized by wacky flights of fancy and sly humor.
Pratchett's take on fantasy fiction is quite unlike that of anyone else working in the genre. The kinds of sword-and-dragon tales popularized by fellow Brits like J.R.R. Tolkein and C. S. Lewis have traditionally been characterized by their extreme self-seriousness. However, Pratchett has retooled Middle Earth and Narnia with gleeful goofiness, using his Discworld as a means to poke fun at fantasy. As Pratchett explained to Locus Magazine, "Discworld started as an antidote to bad fantasy, because there was a big explosion of fantasy in the late '70s, an awful lot of it was highly derivative, and people weren't bringing new things to it."
In 1983, Pratchett unveiled Discworld with The Color of Magic. Since then, he has added installments to the absurdly hilarious saga at the average rate of one book per year. Influenced by moderately current affairs, he has often used the series to subtly satirize aspects of the real world; the results have inspired critics to rapturous praise. ("The most breathtaking display of comic invention since PG Wodehouse," raved The Times of London.) He occasionally ventures outside the series with standalone novels like the Johnny Maxwell Trlogy, a sci fi adventure sequence for young readers, or Good Omens, his bestselling collaboration with graphic novelist Neil Gaiman.
Sadly, in 2008 fans received the devastating news that Pratchett had been diagnosed with early onset Alzheimer's. He has described his own reaction as "fairly philosophical" and says he plans to continue writing so long as he is able.
Pratchett's bestselling young adult novel Only You Can Save Mankind was adapted for the British stage as a critically acclaimed musical in 2004.
Discworld is not just the subject of a bestselling series of novels. It has also inspired a series of computer games in which players play the role of the hapless wizard Rincewind.
A few fun outtakes from our interview with Pratchett:
"I became a journalist at 17. A few hours later I saw my first dead body, which was somewhat... colourful. That's when I learned you can go on throwing up after you run out of things to throw up."
"The only superstition I have is that I must start a new book on the same day that I finish the last one, even if it's just a few notes in a file. I dread not having work in progress.
"I grow as many of our vegetables as I can, because my granddad was a professional gardener and it's in the blood. Grew really good chilies this year.
"I'm not really good at fun-to-know, human interest stuff. We're not ‘celebrities', whose life itself is a performance. Good or bad or ugly, we are our words. They're what people meet.
What was the book that most influenced your life or your career as a writer?
There are so many. Doesn't everyone say that? But The Wind In the Willows by Kenneth Grahame was surely the biggest influence, because it was the first book I read for pleasure rather than as a school chore. It got me reading -- within a week, I was haunting the local library.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
Alien 2 because it was so tightly crafted, Time Bandits simply because it was so funny, and, Bubba Ho-tep, a gem made on a budget that'd probably make one second of The Matrix. You've got to love a movie where an elderly Elvis Presley (he didn't die) and John F. Kennedy (well, that's what he says) join together to save their old folks' rest home from a soul-sucking Egyptian mummy who wears a Stetson.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
For first drafts, Jim Steinman. For careful editing, something a capella. I've got wide tastes, but I don't like jazz.
What are your favorite kinds of books to give -- and get -- as gifts?
Usually, they're history books. Long after my schooldays, I found I was really interested in it; school never told me it was interesting.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
A cup of tea, maybe? I was a journalist, and learned to write anywhere.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Sorry, I sold my first story and my first novel. But I had to wait about 20 years to become an overnight success.
What tips or advice do you have for writers still looking to be discovered?
Don't talk about it, just write. And read widely, and think about what you read. And let grammar, spelling and punctuation enter your life.
Terry Pratchett's profoundly irreverent novels, consistent number one bestsellers in England, have garnered him a revered position in the halls of parody along with Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.
In Equal Rites, a dying wizard tries to pass on his powers to an eighth son of an eighth son, who is just at that moment being born. The fact that the son is actually a daughter is discovered just a little too late...
Loading...This is a story about magic and where it goes and perhaps more importantly where it comes from and why, although it doesh't pretend to answer all or any of these questions.
It may, however, help to explain why Gandalf never got married and why Merlin was a man. Because this is also a story about sex, although probably not in the athletic, tumbling, count-the-legs-and-divide-by-two sense unless the characters get totally beyond the author's control. They might.
However, it is primarily a story about a world. Here it comes now. Watch closely, the special effects are quite expensive.
A bass note sounds. It is a deep, vibrating chord that hints that the brass section may break in at any moment with a fanfare for the cosmos, because the scene is the blackness of deep space with a few stars glittering like the dandruff on the shoulders of God.
Then it comes into view overhead, bigger than the biggest, most unpleasantly armed starcruiser in the imagination of a three-ring filmmaker: a turtle, ten thousand miles long. It is Great A'Tuin, one of the rare astrochelonians from a universe where things are less as they are and more like people imagine them to be, and it carries on its meteorpocked shell four giant elephants who bear on their enormous shoulders the great round wheel of the Discworld.
As the viewpoint swings around, the whole of the world can be seen by the light of its tiny orbiting sun. There are continents, archipelagos, seas, deserts, mountain ranges and even a tiny central ice cap. The inhabitants of this place, it is obvious, won't have any truck with global theories. Their world, bounded by anencircling ocean that falls forever into space in one long waterfall, is as round and flat as a geological pizza, although without the anchovies.
A world like that, which exists only because the gods enjoy a joke, must be a place where magic can survive. And sex too, of course.
He came walking through the thunderstorm and you could tell he was a wizard, partly because of the long cloak and carven staff but mainly because the raindrops were stopping several feet from his head, and steaming.
It was good thunderstorm country, up here in the Ramtop Mountains, a country of jagged peaks, dense forests and little river valleys so deep the daylight had no sooner reached the bottom than it was time to leave again. Ragged wisps of cloud clung to the lesser peaks below the mountain trail along which the wizard slithered and slid. A few slot-eyed goats watched him with mild interest. It doesn't take a lot to Interest goats.
Sometimes he would stop and throw his heavy staff into the air. It always came down pointing the same way and the wizard would sigh, pick it up, and continue his squelchy progress.
The storm walked around the hills on legs of lightning, shouting and grumbling.
The wizard disappeared around the bend in the track and the goats went back to their damp grazing.
Until something else caused them to look up. They stiffened, their eyes widening, their nostrils flaring.
This was strange, because there was nothing on the path. But the goats still watched it pass by until it was out of sight.
There was a village tucked in a narrow valley between steep woods. It wasn't a large village, and wouldn't have shown up on a map of the mountains. It barely showed up on a map of the village.
It was, in fact, one of those places that exist merely so that people can have come from them. The universe is littered with them: hidden villages, windswept little towns under wide sides, isolated cabins on chilly mountains, whose only mark on history is to be the incredibly ordinary place where something extraordinary started to happen. Often there is no more than a little plaque to reveal that, against all gynecological probability someone very famous was born halfway up a wall.
Mist curled between the houses as the wizard crossed a narrow bridge over the swollen stream and made his way to the village smithy, although the two facts had nothing to do with one another. The mist would have curled anyway: it was experienced mist and had got curling down to a fine art.
The smithy was fairly crowded, of course. A smithy is one place where you can depend on finding a good fire and someone to talk to. Several villagers were lounging in the warm shadows but, as the wizard approached, they sat up expectantly and tried to look intelligent, generally with indifferent success.
The smith didn't feel the need to be quite so subservient.
He nodded at the wizard, but it was a greeting between equals, or at least between equals as far as the smith was concerned. After all, any halfway competent blacksmith has more than a nodding acquaintance with magic, or at least likes to think he has.
The wizard bowed. A white cat that had been sleeping by the furnace woke up and watched him carefully.
"What is the name of this place, sir?" said the wizard.
The blacksmith shrugged.
"Bad Ass," he said.
"Bad ?"
"Ass," repeated the blacksmith, his tone defying anyone to make something of it.
The wizard considered this.
"A name with a story behind it," he said at last, "which were circumstances otherwise I would be pleased to hear. But I would like to speak to you, smith, about your son."
"Which one?" said the smith, and the hangers-on sniggered. The wizard smiled.
"You have seven sons, do you not? And you yourself were an eighth son?"
The smith's face stiffened. He turned to the other villagers.
"All right, the rain's stopping," he said. "Piss off, the lot of you. Me and " he looked at the wizard with raised eyebrows.
"Drum Billet," said the wizard.
"Me and Mr. Billet have things to talk about." He waved his hammer vaguely and, one after another, craning over their shoulders in case the wizard did anything interesting, the audience departed.
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