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(Hardcover)
At thirty-four, Internet entrepreneur Ryan Perry seemed to have the world in his pocket until the first troubling symptoms appeared out of nowhere. Within days, he's diagnosed with incurable cardiomyopathy and finds himself on the waiting list for a heart transplant; it's his only hope, and it's dwindling fast. Ryan is about to lose it all...his health, his girlfriend Samantha, and his life.
One year later, Ryan has never felt better. Business is good and he hopes to renew his relationship with Samantha. Then the unmarked gifts begin to appear a box of Valentine candy hearts, a heart pendant. Most disturbing of all, a graphic heart surgery video and the chilling message: Your heart belongs to me.
In a heartbeat, the medical miracle that gave Ryan a second chance at life is about to become a curse worse than death. For Ryan is being stalked by a mysterious woman who feels entitled to everything he has. She's the spitting image of the twenty-six-year-old donor of the heart beating steadily in Ryan's own chest.
And she's come to take it back.
See the videos in our exclusive Ask Dean Koontz video blog.
After the sophistication and ingenuity of such recent Hitchcockian thrillers as The Husband and The Good Guy, bestseller Koontz stumbles inA this pallid effort. Ryan Kelly, a 34-year-oldA Internet entrepreneur, has it all, including an attractive journalist girlfriend he wants to marry, Samantha Reach, and a house in a gated community in Newport Coast, Calif. Harsh reality intrudes when he learns he has a serious heart defect and must get a transplant. Fortunately, a compatible donor turns up in time, but then someone launches a reign of psychological terror that leaves Ryan suspicious of Samantha and his longtime servants. The ultimate plot payoff is unworthy of this gifted author, as are patches of ponderous prose ("With the moon still tethered to the eastern horizon but straining higher, with the giant pepper tree occluding most of the eternally receding stars, the time to talk of death had come"). Koontz fans can only hope for a return to form next time. (Nov. 25)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. More Reviews and RecommendationsAmazingly prolific and relentlessly suspenseful, Dean Koontz can be counted on for chilling, sometimes gory stories that occasionally overlap genres. His novels can jump from straightforward crime to sci-fi to horror, but the one thing he's consistent about is delivering nail-biting yarns that have kept fans reading for more than three decades.
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November 29, 2008: Dean Koontz is an excellent author who has covered a variety of topics and characters. This would not make my top 5 favorite of his books as his use of literary terms, from a major character as an author, takes away from the plot of the story. Ryan Perry is a rich and brilliant thirty four year old who made a fortune in technology who faces a midlife crisis as well as a medical crisis when diagnosed with incurable cardiomyopathy. Perry's responses are credible. Some of the descriptions and poetic references seem quite overdone and work against Koontz's normal writing style.
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November 25, 2008: Thirty-four year old Internet billionaire Ryan Perry gets a life saving heart transplant, only to become the target of creepy psychological threats from a woman resembling the heart donor, who has a terrifying message for him: "Your heart belongs to me." Fearing for his life and his livelihood, Ryan's natural reaction to this strange, scary situation is to discount any supernatural explanation, which leads him to mistrust those closest to him, including his girlfriend and his employees. Koontz's strength has long been his knack for putting regular people into dangerous, unexpected situations (often with paranormal overtones) and having them struggle to understand and overcome their plight. In my opinion he succeeds again with Ryan Perry in "Your Heart Belongs To Me," a suspenseful page turner with a likable protagonist and a relentless villain. Also recommended: "A STRANGER LIES THERE" - this website's Editorial Review said this mystery "is an appealing blend of SoCal noir and psychological suspense à la Dean Koontz. Two thumbs way up."
I Also Recommend: A Stranger Lies There, Against Medical Advice.

Name:
Dean Koontz
Also Known As:
David Axton, Brian Coffey, K.R. Dwyer, Deanna Dwyer, John Hill, Leigh Nichols, Anthony North, Richard Paige, Owen West, Aaron Wolfe
Current Home:
Newport Beach, California
Date of Birth:
July 09, 1945
Place of Birth:
Everett, Pennsylvania
Education:
B.S. (major in English), Shippensburg University, 1966
He is one of the most recognized, read, and loved suspense writers of the 20th century. His imagination is a veritable factory of nightmares, conjuring twisted tales of psychological complexity. He even has a fan in Stephen King. For decades, Dean Koontz's name has been synonymous with terror, and his novels never fail to quicken the pulse and set hearts pounding.
Koontz has a lifelong love of writing that led him to spend much of his free time as an adult furiously cultivating his style and voice. However, it was only after his wife Gerda made him an offer he couldn't refuse while he was teaching English at a high school outside of Harrisburg, Pennsylvania, that he had a real opportunity to make a living with his avocation. Gerda agreed to support Dean for five years, during which time he could try to get his writing career off the ground. Little did she know that by the end of that five years she would be leaving her own job to handle the financial end of her husband's massively successful writing career.
Koontz first burst into the literary world with 1970's Beastchild, a science fiction novel that appealed to genre fans with its descriptions of aliens and otherworldly wars but also mined deeper themes of friendship and the breakdown of communication. Although it is not usually ranked among his classics, Beastchild provided the first inkling of Koontz's talent for populating even the most fantastical tale with fully human characters. Even at his goriest or most terrifying, he always allows room for redemption.
This complexity is what makes Koontz's work so popular with readers. He has a true gift for tempering horror with humanity, grotesqueries with lyricism. He also has a knack for genre-hopping, inventing Hitchcockian romantic mysteries, crime dramas, supernatural thrillers, science fiction, and psychological suspense with equal deftness and imagination. Perhaps The Times (London) puts it best: "Dean Koontz is not just a master of our darkest dreams, but also a literary juggler."
Shortly after graduating from college, Koontz took a job with the Appalachian Poverty Program where he would tutor and counsel underprivileged kids. However, after finding out that the last person who held his job had been beaten up and hospitalized by some of these kids, Koontz was more motivated than ever to get his writing career going.
When Koontz was a senior in college, he won the Atlantic Monthly fiction competition.
Koontz and Kevin Anderson's novel Frankenstein: The Prodigal Son was slotted to become a television series produced by Martin Scorsese. However, when the pilot failed to sell, the USA Network aired it as a TV movie in 2004. By that time Koontz had removed his name from the project.
Some fun and fascinating outtakes from our interview with Koontz:
"My wife, Gerda, and I took seven years of private ballroom dancing lessons, twice a week, ninety minutes each time. After we had gotten good at everything from swing to the foxtrot, we not only stopped taking lessons, but also stopped going dancing. Learning had been great fun; but for both of us, going out for an evening of dancing proved far less exhilarating than the learning. We both have a low boredom threshold. Now we dance at a wedding or other celebration perhaps once a year, and we're creaky."
"On my desk is a photograph given to me by my mother after Gerda and I were engaged to be married. It shows 23 children at a birthday party. It is neither my party nor Gerda's. I am three years old, going on four. Gerda is three. In that crowd of kids, we are sitting directly across a table from each other. I'm grinning, as if I already know she's my destiny, and Gerda has a serious expression, as if she's worried that I might be her destiny. We never met again until I was a senior in high school and she was a junior. We've been trying to make up for that lost time ever since.
"Gerda and I worked so much for the first two decades of our marriage that we never took a real vacation until our twentieth wedding anniversary. Then we went on a cruise, booking a first-class suite, sparing no expense. For more than half the cruise, the ship was caught in a hurricane. The open decks were closed because waves would have washed passengers overboard. About 90% of the passengers spent day after day in their cabins, projectile vomiting. We discovered that neither of us gets seasick. We had the showrooms, the casino, and the buffets virtually to ourselves. Because the crew had no one to serve, our service was exemplary. The ship dared not try to put into the scheduled ports; it was safer on the open sea. The big windows of the main bar presented a spectacular view of massive waves and lightning strikes that stabbed the sea by the score. Very romantic. We had a grand time.
What was the book that most influenced your career as a writer?
The high-school grammar textbook with which my teacher, Winona Garbrick, repeatedly rapped my head.
Otherwise, hundreds of books have had an effect on me. Perhaps the book with the most impact on my career, after the aforementioned textbook, was A Tale of Two Cities by Charles Dickens, which I did not read until I was in my thirties. The final scene reduced me to tears. More important, I began to think about how modern publishing had compartmentalized fiction into so many narrow genres. A Tale of Two Cities, as a new piece of fiction, would be hard to place on a contemporary publisher's list. It's too much of an adventure story and too much of a love story to win the favor of most editors of "literary" fiction. It is a serious novel of politics and revolution but is also darkly comic in places. Dickens does not shrink from the depiction of evil, and some scenes are horrific, but he also tells a story of redemption and self-sacrifice and hope that some (never me!) would consider almost sentimental.
The more I thought about A Tale of Two Cities, the more determined I became to write novels that bridged genres. This began to bear fruit with Strangers, and to a much greater degree with Watchers. My publisher at the time resisted both the variety I was delivering, book to book, but also the mix of genres within each book. Pressure was exerted to stay within the limits of one label. We had some wonderful rows! In time, readers responded with enthusiasm to my attempts to tell stories with the flavors and the techniques of multiple genres. I doubt I would have had a career half as successful if I had followed another path.
What are your favorite books, and what makes them special to you?
For three decades, I read no fewer than 200 books a year, and I still read a book a week. Out of that volume, choosing eight or ten as my favorites is no easy task, and a final list inevitably has an arbitrary quality dependent on my mood at the moment. In no meaningful order:
The four books I named are radically different from one another, yet you hear the wonderfully assured and ironic Goldman voice unmistakably on the first page of each. The Color of Light is one of the most dead-on portraits of a writer's struggle ever written, hugely entertaining; but if you learn nothing from it other than the mortal danger of taking the write-what-you-know dictum too seriously, it's worth a hundred times its price.
I could go on for pages. So many writers have made my life so much richer than it otherwise would have been.
What are some of your favorite films, and what makes them unforgettable to you?
Films do not move me in the same way that novels do because they lack the ability to explore the interior of a character in any depth. Consequently, I tend to find films of high intellectual intent to be empty shells, and the films that burn themselves into my memory are those that deliver sparkling wit or genuine emotion, or logically crafted suspense. I can watch The Philadelphia Story, Bringing Up Baby, and other screwball comedies every three or four years, and they are fresh to me because the writing crackles. Contemporary comedies seem incapable of the spot-on hilarious dialogue of so many films in the 1930s and '40s.
Two of the most involving and logically tight suspense films I've ever seen are James Cameron's The Terminator and Aliens. And I'm a Hitchcock fan because of the way so many of his movies blended suspense, humor, and love stories. For their ability to convey intense emotion (and a wide variety of emotions) in the service of important themes, I like Schindler's List, A Simple Plan, and The Heart is a Lonely Hunter.
What types of music do you like? Is there any particular kind you listen to when you're writing?
I listen to everything from classical to pop, but I particularly favor Big Band, Texas swing, and Zydeco. I've written hundreds of thousands of words listening to Chris Isaac, Paul Simon, and especially Israel Kamakawiwo'ole; Iz, the dynamite Hawaiian singer who died several years ago, had a beautiful voice and the ability to convey longing, joy, and other emotions with an effortlessness that enraptured the listener.
What are your favorite kinds of books to give -- and get -- as gifts?
I give books based on the interests and tastes of the recipients, so I give all kinds of things. What I most like to receive are illustrated books on any period of art or any kind of decorative objects -- by which I mean everything from a book on an artist like Childe Hassam to a full-color book on Art Deco radios or on beautiful engraved rifles.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have to wear a five-point hat with five small bells, each of a different metal from the others, and leather gloves with knuckle spikes. Nothing unique about that. All writers have the five-point hat and the spiked gloves. I like the lighting low, music low, stacks of research surrounding me for easy reference, a bottle of flavored water -- usually cherry -- close at hand, which I'll drink either cold or at room temperature. For at least part of the day, though she might be bored, I like the company of my dog; she is a furry muse.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sold the first short story I ever wrote. Then I collected 75 rejections before I sold anything else. I was a part-time writer for two years and a full-time writer for eleven years before I had a paperback bestseller. I wrote for another five years before one of my books appeared on the hardcover bestseller lists. By the time I'd had two hardcover bestsellers, a major national magazine made a snarky remark to the effect that I was an overnight success who had "jumped on the bloody bandwagon of the vampire-novel craze." Because more than 18 years of work seems to stretch the definition of "overnight" a tad too far, and because I'd never written a vampire novel, I figured everything else that I was reading in the magazine must be equally empty of fact, and I canceled my subscription.
What tips or advice do you have for writers still looking to be discovered?
Most of the criticism you receive will be directed at your unique style. You will be pressured to modify your voice, to adopt the attitudes and prejudices of one herd or another. Thriller writers, science fiction writers, mystery writers, writers in every genre are expected to write like the successful models who have gone before them, with just enough exotic spice to intrigue without seeming dauntingly original. Even if you write experimental literary fiction, you will find that people who write and review experimental literary fiction have dogma that they want to enforce, and even out there on the imagined cutting edge, you will be shown the line that you must walk to be considered a serious writer.
Resist. If you conform, you might be granted admittance to the club, you might be "discovered" and acclaimed, but you will not then be the writer you could have been. If you repress your true voice -- and therefore your passion -- long enough, you will burn out. Walker Percy gave the best advice about writing advice that I know: "The best thing to do with advice, even good advice, is to listen as hard as you can, take it to heart, then forget it."
The news that he had incurable cardiomyopathy struck Ryan Perry as hard as any heart attack. The 34-year-old Internet tycoon felt that his days were numbered; but thanks to a transplant, he was able not only to survive but to move forward, enjoying every day with the gratitude of a true survivor. Then one day a gift arrives; a heart pendant accompanied by a Valentine's Day box of candy hearts. With it comes a chilling message ("Your heart belongs to me") and an even more frightening video. Suddenly, Ryan's healthy, throbbing heart has become the target of a madwoman. A thriller ripped from the pages of our nightmares.
At thirty-four, Internet entrepreneur Ryan Perry seemed to have the world in his pocket until the first troubling symptoms appeared out of nowhere. Within days, he's diagnosed with incurable cardiomyopathy and finds himself on the waiting list for a heart transplant; it's his only hope, and it's dwindling fast. Ryan is about to lose it all...his health, his girlfriend Samantha, and his life.
One year later, Ryan has never felt better. Business is good and he hopes to renew his relationship with Samantha. Then the unmarked gifts begin to appear a box of Valentine candy hearts, a heart pendant. Most disturbing of all, a graphic heart surgery video and the chilling message: Your heart belongs to me.
In a heartbeat, the medical miracle that gave Ryan a second chance at life is about to become a curse worse than death. For Ryan is being stalked by a mysterious woman who feels entitled to everything he has. She's the spitting image of the twenty-six-year-old donor of the heart beating steadily in Ryan's own chest.
And she's come to take it back.
After the sophistication and ingenuity of such recent Hitchcockian thrillers as The Husband and The Good Guy, bestseller Koontz stumbles inA this pallid effort. Ryan Kelly, a 34-year-oldA Internet entrepreneur, has it all, including an attractive journalist girlfriend he wants to marry, Samantha Reach, and a house in a gated community in Newport Coast, Calif. Harsh reality intrudes when he learns he has a serious heart defect and must get a transplant. Fortunately, a compatible donor turns up in time, but then someone launches a reign of psychological terror that leaves Ryan suspicious of Samantha and his longtime servants. The ultimate plot payoff is unworthy of this gifted author, as are patches of ponderous prose ("With the moon still tethered to the eastern horizon but straining higher, with the giant pepper tree occluding most of the eternally receding stars, the time to talk of death had come"). Koontz fans can only hope for a return to form next time. (Nov. 25)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Loading...Q: YOUR HEART BELONGS TO ME is very suspenseful but at the same time an affecting love story. How difficult was this to pull off?
A: Well, life is full of suspense and, if we're lucky, it's full of love as well. From minute to minute and day to day, we never know what will happen to us, good or bad, so suspense is the fundamental condition of existence. That doesn't change when we fall in love or when we love a child or a sibling or a great dog. In fact, the more we love, the more we have to lose, which puts a sharper edge on the suspense in life and in YOUR HEART BELONGS TO ME. Ryan Perry, the lead of the story, enjoys self-made wealth and good health and the love of a good woman--so when all that starts to slip away from him, it's actually easier for me to move readers to the edge of their seats and keep them there.
Q: Your books are full of details about how things work in the real world--like life in a monastery in BROTHER ODD, the management of a great Bel Air estate and the intricacies of police work in THE FACE. YOUR HEART BELONGS TO ME is rich with details about medical conditions and heart transplants. Since you don't specialize in one kind of novel, how do you learn about all these different things? Do you engage in a lot of Internet research?
A: I never go on-line. My writing schedule and other obligations keep me busy 18/7. The other six hours, I sleep. I know that I am a potentially obsessive personality and that it's easy to become obsessed with one aspect or another of the Internet, until hours a day are consumed by it. Therefore, I stay away. I do most of my research from books and publications, and by conducting interviews with specialists in whatever fields my story will touch upon. One of my assistants is on-line, and in a pinch, if I can't turn up a fact I need, she can get it for me. As a high-school and college student, I hated research and libraries. I always shamelessly made up the facts in reports that I wrote, and cited nonexistent books by nonexistent writers in my footnotes. And I always got away with it! But as a novelist, I've been surprised to find that I greatly enjoy doing research. I think the difference is--in school, they told me what I had to learn, and I bristled at authority; when I chose the subject, I proved to be an industrious autodidact.
Q: Your hero in YOUR HEART BELONGS TO ME, Ryan Perry, is different from your other heroes, like Odd Thomas and Mitchell Rafferty and Tim Carrier. What was it about the story you were telling in YOUR HEART that required this change?
A: Most of my heroes come from ordinary occupations--a fry cook, a baker, a mason, a gardener, a bartender--which makes them like many of my friends in real life. But Ryan Perry in YOUR HEART has made a couple hundred million from an Internet business. For this story, I needed a hero who, at the opening, has everything: he's wealthy, he has a beautiful girlfriend whom he loves and who loves him, he essentially leads a life of leisure at 34, he's vigorous and handsome and charming.... And then everything that really matters begins to slip away from him. He had to be at the top in order to be at risk of a long fall. As he begins to think that some people in his life are involved in a conspiracy to kill him, he needed to be a man of exceptional resources to pursue that investigation.
Q: Where did the idea for YOUR HEART BELONGS TO ME come from?
A: I was on the phone with a friend, talking about a smorgasbord of things, when the subject of heart transplants came up, and he told me something, an anecdote, that astonished me. Before I hung up, I had spun that small fact into a story that I couldn't wait to write. I've already made it clear to him that he gets no royalties! Story ideas have come to me from lines in songs, from a scrap of overheard conversation, from just about everywhere. And sometimes a story pops into my head, and I have no idea what the source of it was. Thank God this keeps happening; otherwise I might have to learn an honest trade like plumbing.
Q: What is next for you? Another Odd Thomas novel?
A: There will be three more Odd Thomas novels, but my book for spring 2009 is not one of them. It's titled THE OTHER SIDE OF THE WOODS and is in the vein of LIFE EXPECTANCY. I'm having great fun with it. Even when writing is hard, I always have fun with it. In fact, the harder it is, the more fun it is, because the challenge is what makes the work worthwhile.
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