From the Publisher

An epic Chinese tale in the vein of The Last Emperor, Wolf Totem depicts the dying culture of the Mongols-the ancestors of the Mongol hordes who at one time terrorized the world-and the parallel extinction of the animal they believe to be sacred: the fierce and otherworldly Mongolian wolf

Published under a pen name, Wolf Totem was a phenomenon in China, breaking all sales records there and earning the distinction of being the second most read book after Mao's little red book. There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution.

Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf.

The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence.

After many years, the peaceis shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon.

Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

The New York Times - Pankaj Mishra

…captures a widespread Chinese anxiety about their country's growing physical and moral squalor as millions abandon the countryside in search of a middle-class lifestyle that cannot be environmentally sustained. The novel's literary claims are shaky; and Jiang Rong's apparent wish to transform China's national character through a benign conservationism is compromised by his boy-scoutish arguments for toughness. Yet few books about today's China can match Wolf Totem as a guide to the troubled self-images of so many of its people as they stumble, grappling with some inconvenient truths of their own, into modernity.

Publishers Weekly

A publishing sensation in China, this novel wraps an ecological warning and political indictment around the story of Chen Zhen, a Beijing student sent during the 1960s Cultural Revolution to live as a shepherd among the herdsmen of the Olonbulang, a grassland on the Inner Mongolia steppes. Chen Zhen is fascinated by the herdsmen, descendants of Genghis Khan, and by the grassland's wolves, with whom the herdsmen live in uneasy harmony. When Mao's government orders the mass execution of the wolves to make way for farming collectives run by Chen Zhen's own people, the Han Chinese, he makes for a somewhat passive hero. Except for Bilgee, the wise old herdsman, and Director Bao, the face of the Communist government in the Olonbulang, the novel's secondary characters make little impression. The wolf packs, however, are vividly and beautifully described. As Chen Zhen helplessly witnesses the consequences of the order, he risks the enmity of both the herdsmen and the state officials by capturing a wolf cub and lovingly raising it as his own wolf totem. Jiang Rong writes reverently about life on the steppes in a manner that recalls Farley Mowat's Never Cry Wolf. (Mar.)

Barbara Hoffert - Library Journal

Deep in Inner Mongolia, at the time of the Great Leap Forward, Han Chinese scholar Chen waits for hours with his mentor, Old Man Bilgee, watching wolves as they prepare an attack. He's already learned how closely the wolves and the nomads are linked-Tennger, god of the grasslands, has seen to it, and even Genghis Khan borrowed the wolves' tricks. Suddenly, the wolves drive an enormous herd of gazelle into deep snow, where many of them literally drown. The wolves leave the carcasses preserved in the drifts, to be eaten later when food is scarce. Bilgee allows that they can take a few, but others, less attuned to the ways of the grasslands, take more. And so the wolves go hungry and manage a gruesome revenge. Thus commences a struggle that symbolizes not only the subjugation of nature by humans but the subjugation of Mongolia by China. The author, who writes under a pseudonym, volunteered along the border of Inner and Outer Mongolia in the 1960s and writes with piercing perception about native and wolf ways. The result is a naturalistic, gripping, and deeply affecting novel reminding us how badly we humans have managed our world. Highly recommended. [See Prepub Alert, LJ11/15/07.]

Kirkus Reviews

The Call of the Wild meets Dersu Uzala in the wilds of Inner Mongolia in this sweeping debut novel by retired Chinese academician Jiang. In China, it has emerged as a zeitgeist novel, outselling any other in Chinese history short of Mao's little red book. The Mongolian herders of the dry borderlands fear wolves, and rightly, for the fierce and intelligent animals like nothing better than snacking on their herds. Chen Zhen, a Beijing intellectual who, in a back-to-the-land moment, has come to live among the herders, has plenty of opportunities to study lupine behavior as wolves tear into the sheep pens night after night. Like his adopted compatriots, though, he soon comes to learn that the wolves have a place in the world. "Oh, I hunt them," an old man tells him. "But not often. If we killed them off, the grassland would perish, and then how would we survive? This is something you Chinese cannot understand." Chen does come to understand, taught by an orphaned wolf cub he raises, if with some difficulty: As he realizes, "a rat knows how to dig a hole because it has observed adult rats at work," while he's not quite clear on what he can teach his young charge. That arrangement, life-transforming though it is, cannot but yield tragedy, and it stands as a metaphor for a larger tragedy in the geopolitical food chain: the virtual conquest of the grasslands by ethnic Chinese immigrants who think nothing of killing anything that looks like a dog and who transform the grasslands into desert. Jiang's story is a careful, quiet one of cultures in collision, capably brought into unadorned English by translator Goldblatt. Any admirer of Jack London-or of Dersu, or Farley Mowat, or other chronicles andchroniclers of wolf-human interaction-will find this a treasure. Agent: An Boshun/Changjiang Literary Art Press

Product Details

• ISBN: 1594201560
  
• ISBN-13: 9781594201561
• Format: Hardcover, 544pp
• Publisher: Penguin Group (USA)
• Pub. Date: March 2008
• Sales Rank: 10,912