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Blending her own experiences with an intimate grasp of spirituality, Sue Monk Kidd relates the passionate and moving tale of her spiritual crisis, when life seemed to have lost meaning and her longing for a hasty escape from the pain yielded to a discipline of 'active waiting.'
More Reviews and RecommendationsAlready the author of two widely acclaimed nonfiction books, The Dance of the Dissident Daughter and When the Heart Waits, Sue Monk Kidd broke into blockbuster bestselling territory with her first novel, the book-club favorite The Secret Life of Bees.
More About the Author
Number of Reviews: 1
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Wow!
A reviewer, A reviewer, 01/03/2001
This is truly one of the most insightful books I have ever read. I highly recommend it. As a woman going through a mid-life crisis myself, I could relate to what the author was feeling. Her spiritual insights have helped me to accept this stage of my life as one of learning, growth and transformation rather than one of dread and fear. I highly recommend this book for anyone looking for spiritual guidance during a transitional period of life.
Also recommended: Women in Midlife Crisis by Sally and Jim Conway

Name:
Sue Monk Kidd
Current Home:
Charleston, South Carolina
Place of Birth:
Atlanta, Georgia
Education:
B.S., Texas Christian University, 1970
Awards:
Poets and Writers Award; Katherine Anne Porter Award
Sue Monk Kidd first made her mark on the literary circuit with a pair of highly acclaimed, well-loved memoirs detailing her personal spiritual development. However, it was a work of fiction, The Secret Life of Bees, that truly solidified her place among contemporary writers. Although Kidd is no longer writing memoirs, her fiction is still playing an important role in her on-going journey of spiritual self-discovery.
Despite the fact that Kidd's first published books were nonfiction works, her infatuation with writing grew out of old-fashioned, Southern-yarn spinning. As a little girl in the little town of Sylvester, Georgia, Kidd thrilled to listen to her father tell stories about "mules who went through cafeteria lines and a petulant boy named Chewing Gum Bum," as she says on her web site. Inspired by her dad's tall tales, Kidd began keeping a journal that chronicled her everyday experiences.
Such self-scrutiny surely gave her the tools she needed to pen such keenly insightful memoirs as When the Hearts Waits and The Dance of the Dissident Daughter, both tracking her development as both a Christian and a woman. "I think when you have an impulse to write memoir you are having an opportunity to create meaning of your life," she told Barnes & Noble.com, "to articulate your experience; to understand it in deeper ways... and after a while, it does free you from yourself, of having to write about yourself, which it eventually did for me."
Once Kidd had worked the need to write about herself out of her system, she decided to get back to the kind of storytelling that inspired her to become a writer in the first place. Her debut novel The Secret Life of Bees showed just how powerfully the gift of storytelling charges through Kidd's veins. The novel has sold more than 4.5 million copies, been published in over twenty languages, and spent over two years on The New York Times bestseller list.
Even as Kidd has shifted her focus from autobiography to fiction, she still uses her writing as a means of self-discovery. This is especially evident in her latest novel The Mermaid Chair, which tells the story of a woman named Jessie who lives a rather ordinary life with her husband Hugh until she meets a man about to take his final vows at a Benedictine monastery. Her budding infatuation with Brother Thomas leads Jessie to take stock of her life and resolve an increasingly intense personal tug-of-war between marital fidelity and desire.
Kidd feels that through telling Jessie's story, she is also continuing her own journey of self-discovery, which she began when writing her first books. "I think there is some part of that journey towards one's self that I did experience. I told that particular story in my book The Dance of the Dissident Daughter and it is the story of a woman's very-fierce longing for herself. The character in The Mermaid Chair Jessie has this need to come home to herself in a much deeper way," Kidd said, "to define herself, and I certainly know that longing."
Kidd lives beside a salt marsh near Charleston, South Carolina, with her husband, Sandy, a marriage and individual counselor in private practice, and a black lab named Lily.
Blending her own experiences with an intimate grasp of spirituality, Sue Monk Kidd relates the passionate and moving tale of her spiritual crisis, when life seemed to have lost meaning and her longing for a hasty escape from the pain yielded to a discipline of 'active waiting.'
Number of Reviews: 1
Average Rating:
![]()
Write a Review
Wow!
A reviewer, A reviewer, 01/03/2001
This is truly one of the most insightful books I have ever read. I highly recommend it. As a woman going through a mid-life crisis myself, I could relate to what the author was feeling. Her spiritual insights have helped me to accept this stage of my life as one of learning, growth and transformation rather than one of dread and fear. I highly recommend this book for anyone looking for spiritual guidance during a transitional period of life.
Also recommended: Women in Midlife Crisis by Sally and Jim Conway
Midway this way of life we're bound upon,
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone....
It is so bitter it goes nigh to death. Dante Patience is everything.
Rainer Maria Rilke
Overhead a thickening of clouds wreathed everything in grayness. It was February, when the earth of South Carolina seems mired in the dregs of winter. I had been walking for miles; I don't know how many. I could feel neither my toes inside my shoes nor the wind on my face. I could feel nothing at all but an intense aching in my soul.
For some months I had been lost in a baffling crisis of spirit. Back in the autumn I had awakened to a growing darkness and cacophony, as if something in my depths were crying out. A whole chorus of voices. Orphaned voices. They seemed to speak for all the unlived parts of me, and-they came with a force and dazzle that I couldn't contain. They seemed to explode the boundaries of my existence. I know now that they were the clamor of a new self struggling to be born.
I was standing on the shifting ground of midlife, having come upon that time in life when one is summoned to an inner transformation, to a crossing over from one identity to another. When change-winds swirl through our lives, especially at midlife, they often call us to undertake a new passage of the spiritual journey that of confronting the lost and counterfeit places within us and releasing our deeper, innermost self our trueself. They call us to come home to ourselves, to become who we really are.
That winter of my discontent, I had no real idea of any of this. I was mystified by the inner upheaval I felt. This sort of thing couldn't be happening to me, I told myself. I had already been on an inner spiritual quest one that had begun eight years earlier with an experience of chest pains and stress. My journey had taught me a more contemplative way of being in the world and had given me the first real centeredness I'd known. Discovering myself loved by God and forging new dimensions of intimacy with God's presence had brought much healing to my fragmented life.
I should have remembered, though, that the life of the spirit is never static. We're born on one level, only to find some new struggle toward wholeness gestating within. That's the sacred intent of life, of God to move us continuously toward growth, toward recovering all that is lost and orphaned within us and restoring the divine image imprinted on our soul. And rarely do significant shifts come without a sense of our being lost in dark woods, or in what T. S. Eliot called the "vacant interstellar spaces."'
I kept walking through the fogged afternoon light as if the mere ritual of putting one foot in front of the other would lead me out of my pain. I buried my hands in the pockets of my coat and watched the wind blow a paper cup along the gutter. I was approaching the college campus. Was it possible that I had walked so far? The sun was beginning to fade now. I started to turn back but felt weighted inside, as if I couldn't move.
I dragged myself to a little bench wedged among the trees. Sitting there, I studied their bony arms and felt their emptiness, their desperate reach for sky and light. Tears rimmed my eyes and burned on my cheeks. It made no sense. I'd never really believed in midlife crises. They had seemed too trendy, another cliché-ridden piece of Americana. But here I was having one, and it was frighteningly real.
The familiar circles of my life left me with a suffocating feeling. My marriage suddenly seemed stale, unfulfilling; my religious structures, stifling. Things that used to matter no longer did; things that had never mattered were paramount. My life had curled up into the frightening mark of a question.
Each day I went about my responsibilities as always, writing through the morning and early afternoon, picking my children up from school, answering mail, shopping for groceries, cooking plowing through the never-ending list of duties. I've always been accomplished at being dutiful (even during a crisis). Outwardly I appeared just fine. Inside I was in turmoil.
My husband, Sandy, was as exasperated by my experience as he was bewildered. He wanted things to go back to the comfortable way they were before. He wanted me to "snap out of it." I did too, of course. I had ordered myself to do just that numerous times. But it was sort of like looking at an encroaching wave and telling it to recede. Demanding didn't make it happen.
I sighed, my mind wandering to the picture I'd sketched the night before. (I have a hobby of charcoal drawing, and lately I'd found solace in my sketch pad.) The previous evening I'd drawn a tent in the middle of some wind-howling woods. The stakes that secured the bottom of the tent were uprooted, and the flaps were flailing in the wind. As I put down my pencil, I said to myself, "That's my life." Indeed, it seemed as if the stakes that had secured my neat, safe existence stakes that I had spent most of my life carefully nailing down had been pulled up, and everything was tossing about. Underneath the sketch I wrote, "Midlife."
Now, as I thought of the drawing, I recognized what a tent dweller I had been. Maybe I was supposed to go wandering in a new part of my inner landscape. Maybe that's what midlife was about: pilgrimage.
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