What They Don't Teach You at Film School: 161 Strategies to Making Your Own Movie No Matter What by Camille Landau, Tiare White, Tiare White

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(Paperback - 1 ED)

  • Pub. Date: August 2000
  • 256pp
  • Sales Rank: 151,452
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    Product Details

    • Pub. Date: August 2000
    • Publisher: Hyperion
    • Format: Paperback, 256pp
    • Sales Rank: 151,452

    Synopsis

    You don't have to go to film school to make movies, and What They Don't Teach You at Film School offers you 161 practical strategies to make your movies no matter what. A lot cheaper than a year's tuition, this book has solutions for surviving both the large and small crises of filmmaking. From how to finish (or get started on...) your script, through dealing with jealous actors, abandoned lovers, mutinous crews, angry landlords, and even angrier investors, to what to do when you're finally done, this is an invaluable guide.

    Film-school veterans Camille Landau and Tiare White draw from their experiences and those of other filmmakers to show you how to make a film on your terms, no matter who or what is standing in your way.

    Publishers Weekly

    Filmmakers Landau and White believe that "if you want to make films, make films." Since only four students in each class of 45 at the country's top film schools get chosen to direct an advanced narrative film, the authors urge hopefuls to honor the trial-and-error, Blair Witch-approved method: "if you want to be a filmmaker," they advise, "put down this book and pick up a camera." Though some of their imparted wisdom reads like an After School Special dialogue, the authors do project a healthy dose of industry know-how that could prove useful to those who have never entered the cutting rooms and bursar's offices of NYU, USC, UCLA or other prestigious establishments. The book offers concrete, creative suggestions for initiating a writing schedule, pooling financial resources (or choosing the right low-APR credit card) and feigning confidence in the face of blind fear. Among their best advice is this insight: "Your short film is only as good as your feature script" because "all that work and money [spent on the short film] add up, at best, to the invitation to submit a script to someone's office." The authors' enthusiasm for their subject is matched only by their delightful irreverence toward the industry itself, crediting doughnuts, duct tape and Red Vines as the stuff that reel dreams are made of. (Aug.) FYI: Landau and White are in preproduction for Three Loves, their first feature film. Copyright 2000 Cahners Business Information.|

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    What They Don't Teach You at Film School: 161 Strategies to Making Your Own Movie No Matter Whatby Anonymous

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    January 10, 2006: The first thing it urges you to do is just do what you can right where you are - with a video camera, a cheap film camera, and only yourself if you can get no other writers/actors at the moment. With that kind of self-accepting, sensible start, the rest is sure to be good.