What If?: Writing Exercises for Fiction Writers by Anne Bernays, Pamela Painter, Pamela Painter

From the Publisher

This how-to-write fiction book is comprised primarily of exercises introduced by brief but informative essays on the aspects of fiction. Long on specifics and short on theoretical information so often found in books about the art of writing, this text provides a practical, hands-on approach to writing fiction. Organized by the elements of fiction and concluded by an anthology of contemporary fiction, this book helps all fiction writers hone and improve their craft. The elements of fiction—character, point of view, dialogue, plot, style and revision. For those interested in improving fiction-writing skills.

Product Details

• ISBN: 0321107179
  
• ISBN-13: 9780321107176
• Format: Textbook Paperback, 528pp
• Publisher: Longman
• Pub. Date: December 2003
• Edition Description: REV
• Edition Number: 2

• Table of Contents
• Read an Excerpt

Table of Contents

Read an Excerpt

Chapter One

First sentences are doors to worlds. -Ursula K. Le Guin

New writers oftne find beginnings difficult—whether they're starting a story or a novel—because they take the word "beginning" too literally. They cast around for the "beginning" of a story—forgetting that beginnings rarely have the necessary ingredients for trouble, for conflict, or for complication. Your story can begin with dialogue, narrative summary, description, whatever, but it must begin in medias res, in the middle of things. You must resist the temptation to give the reader too lengthy an explanation as to how things got to this point. Remember, you are trying to hook the reader's attention, to pull the reader into your story so that he won't wonder, What's on television tonight?

Another stumbling block to beginning a story is that new writers think they have to know where their story is going and how it will end—before they begin. Not true. Flannery O'Connor says, "If you start with a real personality, a real character, then something is bound to happen; and you don't have to know what before you begin. In fact, it may be better if you don't know what before you begin. You ought to be able to discover something from your stories. If you don't, probably nobody else will."

The following exercises are designed to encourage you to think about real characters who are involved in situations that are already under way—situations that are starting to unravel because of, or in spite of, the desires and actions of their beleaguered characters. Don't worry about middles or endings yet. Just give yourself over to settingstories in motion—you will soon know which stories capture your imagination and seem unstoppable, which stories demand to be finished. Till that time, begin and begin and begin.