Warriors: Portraits from the Battlefield by Max Hastings

From the Publisher

What it means to be a warrior has become a pertinent issue of our time. What makes some men and women perform extraordinary deeds on the battlefield? What makes them risk their lives in the pursuit of victory? And do their successes or failures in combat bring them happiness, melancholy, or fulfillment?
Max Hastings's "authority [and] humanity" in depicting "the realities of combat" (Alistair Horne, The Wall Street Journal) has been greatly praised on the release of his previous book, Armageddon, which documented the last eight months in the European theater of World War II. In Warriors, Hastings takes up the experience of fourteen soldiers and airmen, together with one remarkable sailor, who fought in the wars of the nineteenth and twentieth centuries, portraying their triumphs, follies, and, sometimes, tragedies. We meet Baron Marbot, an exuberant cavalry officer who joined Napoleon's army at the age of seventeen and fought through Waterloo in a happy and shameless pursuit of glory; paratrooper "Slim Jim" Gavin, an orphan who enlisted in World War II to escape his miserable boyhood and went on to become America's youngest general since Custer; Nancy Wake, a dashing Australian who fought for the resistance in Nazi-occupied France; Avigdor Kahalani, an Israeli officer hideously burned in the Six-Day War, who, six years later, was one of the tank commanders who saved his country during the defense of the Golan Heights in the Yom Kippur War. Each of Hastings's pen portraits depicts a unique and remarkable human story.
A tribute to the valor of these fighters and a searching study of combat in modern history, Warriors enhances ourunderstanding of the hearts and minds of the people who serve in war. It is also an appealing book for the reader who is drawn to tales of heroism, human drama, and some of the most exotic characters of modern times.

The Washington Post - Max Boot

As these examples suggest, Hastings does not turn his heroes into plaster saints. He depicts them as flawed human beings who often drank too much, philandered too wantonly and schemed too crassly for promotion. Whether there is a larger truth here about soldiers and soldiering remains for others to determine. Hastings, for his part, has succeeded in his ambition of crafting a first-rate piece of entertainment.

Publishers Weekly

When Hastings (Armageddon) writes of one Royal Army officer, "If he was not born fearless, he made himself so," he might easily be speaking about any of the 15 soldiers whose exploits he culls from the major battles of the last two centuries. Although the veteran British newspaperman shows some favoritism toward his countrymen, his combat pantheon is international in scope, including American war heroes Eddie Rickenbacker and Audie Murphy as well as Israeli Avigdor Kahalani, a tank commander during the Yom Kippur War. Hastings's attitude toward his subjects is respectful, but, especially as he draws closer to the present day, not worshipful. He writes with a keen sense of the limitations in wartime glory, often remarking upon the disappointments these men-and one woman-faced in peacetime, when their talents were no longer valued. (Nor does he have much love for modern technocrats in the Rumsfeld mode.) His sentences are impeccably polished, occasionally revealing a dry wit. "It was a measure of the limitations of nineteenth-century weapons," he observes when recounting the exploits of a soldier in Napoleon's army, "that any man could so often be injured by them, yet survive to fight again." Photos and maps. (Jan. 9) Copyright 2005 Reed Business Information.

Library Journal

Hastings's last book, Armageddon: The Battle for Germany, 1944-1945, was well received by critics and the public alike. If his latest work seems to lack the academic weight of his previous venture, at least the two share a common theme-the courage of soldiers facing the carnage of war. Moving chronologically through battles of the 19th and 20th centuries, Hastings here dedicates a chapter each to an individual who demonstrated extraordinary heroism. The book is strongest when spotlighting an individual who has faded somewhat into the historical background, e.g., British Gen. Harry Smith or Israeli Lt. Col. Avigdor Kahalani. Conversely, chapters devoted to more famous "warriors" who have been the focus of other works seem oddly brief and sketchy, e.g., the coverage of Gen. James Gavin. Because it is purposefully lighter than Armageddon and based almost entirely on published sources, this book does not offer serious military historians much new information. Undoubtedly, though, many aspiring armchair generals will find this work inspiration for more in-depth study. Recommended for public libraries with active military history collections.-Brian K. DeLuca, Dover P.L., DE Copyright 2005 Reed Business Information.

Kirkus Reviews

An old-fashioned book about battles past, before the technocrats came along to ruin the notion of courage under fire. Indeed, writes British military journalist and historian Hastings, "this study will be of no interest to such modern warlords as U.S. Defense Secretary Donald Rumsfeld, because it addresses aspects of conflict they do not comprehend, creatures of flesh and blood rather than systems of steel and electronics." What characterizes the flesh-and-blood creatures whom Hastings studies is a particular kind of gumption in the face of mortal danger. To some, such as the impossibly accomplished Napoleonic soldier Jean-Baptiste-Antoine-Marcellin de Marbot, courage seems second nature; he was apt to jump into freezing lakes to rescue wounded enemies, incur multiple wounds and save his beloved emperor, all in a day's work. To others, initiative under fire was as much an intellectual, learned process as a reflexive, physical one; Hastings offers an affecting portrait of Joshua Chamberlain, the Maine rhetorician who became one of the Union's most outstanding officers during the Civil War. To still others, courage was a nearly unwilling and certainly unexpected response; none of his fellow officers could have guessed that John Chard, the hero of Rorke's Drift, would have organized so brilliant and successful a defense. And to still others, bravery in grave danger seems almost a path to escape from an unhappy life under ordinary circumstances; its revisionism will perhaps displease diehard fans, but Hastings's portrait of the woeful Audie Murphy, "widely perceived as a soldier fighting a war of his own," is sensitive and revealing, and it explains much about the ways in which heroes allowlogic and instinct to be overridden by something much more elemental-and dangerous. Warriors are like the rest of us, Hastings observes-which makes the accomplishments of the great ones all the more unusual. Of interest to students of tactics and military history-and perhaps of psychology as well. First printing of 60,000

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Product Details

• ISBN: 030727568X
  
• ISBN-13: 9780307275684
• Format: Paperback, 400pp
• Publisher: Random House Inc
• Pub. Date: March 2007
• Edition Description: Reprint
• Sales Rank: 133,952
• Series: Vintage Series

• Read an Excerpt

Read an Excerpt

Warriors

Random House

Chapter One

BONAPARTE'S BLESSED FOOL

THE WARS OF NAPOLEON produced a flowering of memoirs, both English and French, of extraordinary quality. Each writer's work reflects in full measure his national characteristics. None but a Frenchman, surely, could have written the following lines about his experience of conflict: "I may, I think, say without boasting that nature has allotted to me a fair share of courage; I will add that there was a time when I enjoyed being in danger, as my thirteen wounds and some distinguished services prove, I think, sufficiently." Baron Marcellin de Marbot was the model for Sir Arthur Conan Doyle's fictional Brigadier Gerard: brave, swashbuckling, incapable of introspection, glorying without inhibition in the experience of campaigning from Portugal to Russia in the service of his emperor. Marbot was the most eager of warriors, who shared with many of his French contemporaries a belief that there could be no higher calling than to follow Bonaparte to glory. Few modern readers could fail to respect the courage of a soldier who so often faced the fire of the enemy, through an active service career spanning more than forty years. And no Anglo-Saxon could withhold laughter at the peacock vanity and chauvinism of the hussar's account of the experience, rich in anecdotage and comedy, the latter often unintended.

Jean-Baptiste-Antoine-Marcellin de Marbot was born in 1782 at Beaulieu in the Correze, son of a country gentleman of liberal inclinations who became a general in France's revolutionary army. With his round face and snub nose, the child Marcellin was known to his family as "the kitten," and for some years during the nation's revolutionary disorders attended a local girls' school. He was originally destined for a naval career, but a friend urged his father that life aboard a warship mouldering in some seaport under British blockade was no prospect for an ambitious youth. Instead, in 1799 a vacancy was procured for him in the hussars. The seventeen-year-old boy was delighted, and from the outset gloried in his new uniform. His father, however, was uneasy about his shyness, and for some time was prone to refer to his son in company as "Mademoiselle Marcellin"--rich pickings there for a modern psychologist. In those days when every hussar was expected to display a moustache as part of his service dress, the beardless teenager at first painted whiskers on his face.

Marbot met Bonaparte for the first time when accompanying his father to take up a posting with the army in Italy. They were amazed to encounter the hero of the Pyramids at Lyons, on his way back to Paris from Egypt, having abandoned his army to seek a throne, a quest to which General Marbot, a committed republican, declined to give his assistance. In Italy, young Marcellin won his spurs. Despatched with a patrol to seize Austrian prisoners, the sergeant in command professed sudden illness. The boy seized the opportunity and assumed leadership of the troop: "When . . . I took command of the fifty men who had come under my orders in such unusual circumstances, a mere trooper as I was and seventeen years old, I resolved to show my comrades that if I had not yet much experience or military talent, I at least possessed pluck. So I resolutely put myself at their head and marched on in what we knew was the direction of the enemy."

Marbot's patrol surprised an Austrian unit, took the necessary prisoners, and returned in triumph to the French lines where their self-appointed commander was rewarded with promotion to sergeant, followed soon afterwards by a commission. He survived the terrible siege of Genoa, where his father died in his arms following a wound received on the battlefield. Soon afterwards the young man was posted to the 25th Chasseurs. In 1801 he was appointed an aide-de-camp to that hoary old hero Marshal Augereau, with whom he travelled for the first time to the Iberian Peninsula.

By 1805, already a veteran, Marbot was an eager young officer with Bonaparte's Grand Army, ready for a summer of campaigning against the Austrians and Russians. "I had three excellent horses," he enthused, adding bathetically, "and a servant of moderate quality." The duties of aides-de-camp were among the most perilous in any army of the time. It was their business to convey their masters' wishes and tidings not only across the battlefield, but from end to end of Europe, often in the teeth of the enemy. In the period that followed, writes Marbot, "constantly sent from north to south, and from south to north, wherever there was fighting going on, I did not pass one of these ten years without coming under fire, or without shedding my blood on the soil of some part of Europe." It is striking to notice that, until the twentieth century, every enthusiastic warrior regarded it as a mark of virility to have been wounded in action, if possible frequently. A soldier who avoided shedding his own blood, far from being congratulated on luck and skill, was more likely to be suspected of shyness.

Marbot began the 1805 campaigning season by carrying despatches from the emperor to Marshal Massena in Italy, through the Alpine passes. Then he took his place beside Augereau for what became the Austerlitz campaign. "Never had France possessed an army so well-trained," he exulted, "of such good material, so eager for fighting and fame . . . Bonaparte . . . accepted the war with joy, so certain was he of victory . . . He knew how the chivalrous spirit of Frenchmen has in all ages been influenced by the enthusiasm of military glory." Seldom has there been an era of warfare in which officers and soldiers alike strove so ardently for distinction. If there were young blades in Bonaparte's army who confined themselves to doing their duty, history knows nothing of them. In the world of France's marshals and their subordinates, there was a relentless contest for each to outdo the others in braving peril with insouciance. Its spirit was supremely captured by the tale of Ney, after the battle of Lutzen, encountering the emperor. "My dear cousin! But you are covered in blood!" exclaimed Bonaparte in alarm. "It isn't mine, Sire," responded the marshal complacently, "except where that damned bullet passed through my leg!"

Having survived the carnage at Austerlitz, Marbot found himself among a throng of French officers sitting their horses around Bonaparte on the day after the battle, gazing out on the broken ice of the Satschan Lake, strewn with debris and corpses. Amid it all, a hundred yards from the shore they beheld a Russian sergeant, shot through the thigh and clinging to an ice floe deeply stained with his blood. The wounded man, spying the glittering assembly, raised himself and cried out in Russian, "All men become brothers once battle is done." He begged his life from the emperor of the French. The entreaty was translated. Bonaparte, in a characteristic impulse of imperial condescension, told his entourage to do whatever was necessary to save the Russian. A handful of men plunged into the icy water, seized floating baulks of timber, and sought to paddle themselves out to the floe. Within seconds they became clumsy prisoners of their frozen clothing. They abandoned efforts to save the enemy soldier, and struggled ashore to save themselves.

Marbot, a spectator, declared that their error had been to brave the water fully clad. Bonaparte nodded assent. The would-be rescuers had shown more zeal than discretion, observed the emperor dryly. The hussar now felt obliged to put his own counsel into practice. Leaping from his horse, he tore off his clothes and sprang into the lake. He acknowledged the shock of the deadly cold, but "the emperor's presence encouraged me, and I struck out towards the Russian sergeant. At the same time my example, and probably the praise given me by the emperor, determined a lieutenant of artillery . . . to imitate me." As he struggled painfully amid the great daggers of ice, Marbot was dismayed to find his rival catching him up. Yet he was obliged to admit that alone, he could never have succeeded in his attempt. Together, and with immense labour, the two Frenchmen pushed the wounded Russian on his crumbling floe towards the shore, battering a path through the jumble of ice before them. At last they came close enough for onlookers to throw out lifelines. The two swimmers seized the ropes and passed them around the wounded man, enabling him to be dragged to safety. They themselves, at their last gasp, bleeding and torn, staggered ashore to receive their laurels. Bonaparte called his mameluke Roustan to bring them a glass of rum apiece. He gave gold to the wounded soldier, who proved to be Lithuanian. Once recovered, the man became a devoted follower of the emperor, a sergeant in his Polish lancers. Marbot's companion in mercy, the lieutenant of artillery, was so weakened by his experience that after months in hospital, Marbot recorded pityingly that he had to be invalided out of the service. The hussar, of course, was back on duty next day.

Marbot saw as much of Bonaparte as any man of his rank through the years that followed. In July 1806 he carried despatches to the French Embassy in Berlin, and returned to report to the emperor in Paris that he had seen Prussian officers defiantly sharpening sabres on the embassy steps. "The insolent braggarts shall soon learn that our weapons need no sharpening!" exclaimed Bonaparte. We may suspect that the emperor viewed Marbot just as his fictional self viewed Gerard in Conan Doyle's tales--a wonderfully loyal, courageous, unthinking instrument with less guile than a gundog. Marbot himself tells several stories of how he was duped by treacherous foreigners with no understanding of the nobility and dignity of war. Indeed, his contempt for the lack of chivalry displayed by Englishmen, Russians, Austrians and suchlike is matched only by his disdain for their military incompetence. On those freakish occasions when he is forced to acknowledge that lesser breeds prevailed on the battlefield, such misfortunes are invariably attributed either to the enemy's superior numbers or to the folly of some French subordinate commander. Bonaparte's soldiers, in Marbot's eyes, were paragons of courage and honour. We learn little from his narrative of the trail of devastation they wreaked across occupied Europe. To the gallant young officer, as to most of his comrades, Bonaparte was an idol, rather than the ruthless despot who brought misery to millions. Marcellin says nothing in his memoirs of his elder brother Antoine-Adolphe, also a soldier, who was arrested in 1802 for an alleged plot against the ruler of France in favour of a republic.

Marbot fretted about receiving less than his share of glory at Jena in October 1806, but a few months later, at the age of twenty-four, he gained his coveted captaincy. It was in this rank that he served at Eylau in February 1807. The battle prompted one of his most remarkable stories, which sounds more like an experience of Baron Munchausen than that of a French cavalry officer. Marbot was riding a mare named Lisette, whose naturally vicious temperament he had with difficulty suppressed. First his servant, then the captain himself, forced sizzling joints of hot mutton into the horse's mouth when she sought to attack them. Since these salutory experiences, Lisette had been a model mount. In the midst of the great engagement at Eylau, in which Augereau's corps suffered severely, Bonaparte sent word to the marshal that he should try to save the 14th Infantry, whose dwindling band of survivors held a hillock in the path of the Russian advance. Two aides spurred forth, to be swallowed up in the chaos and never seen again. Marbot stood next in line. "Seeing the son of his old friend, and I venture to say his favourite aide-de-camp, come up, the kind marshal's face changed, and his eyes filled with tears, for he could not hide from himself that he was sending me to almost certain death. But the emperor must be obeyed."

Marbot dashed away. Lisette, "lighter than a swallow and flying rather than running, devoured the intervening space, leaping the piles of dead men and horses, the ditches, the broken gun carriages, and the half-extinguished bivouac fires." Cossacks turned to pursue Marbot like beaters driving a hare, yet none could catch his racing steed. He reached the frail square formed by the survivors of the 14th, surrounded by dead Russian dragoons and their horses. Amid a hail of fire, the aide passed the order to withdraw. The commanding major shrugged that retreat was impossible. A fresh Russian column was even now a mere hundred paces away. "I see no means of saving the regiment," said the major. "Return to the emperor, bid him farewell from the 14th of the line, which has faithfully executed his orders, and bear to him the eagle which he gave us and which we can defend no longer."

Here, couched in language worthy of Macaulay, is the very stuff of the legend of Bonaparte's army, which Marbot did as much as any man to enshrine for posterity. A Russian cannonball tore through the aide's hat as he seized the regiment's eagle and strove to break off its staff, the more readily to bear it to safety. He was so badly concussed by the impact that blood poured from his nose and ears. As the enemy's infantry closed upon them, doomed soldiers cried out "Vive l'empereur!" Several Frenchmen set their backs against Lisette's flanks, crowding the mare so tightly than Marbot could not spur her away. A wounded French quartermaster-sergeant fell under her legs, and a Russian grenadier sought to bayonet the man where he lay. The attacker, drunk as Russians always were on battlefields depicted by Marbot, missed his aim. One thrust struck the cavalryman's arm, another pierced his mount's flank. Lisette's latent savagery reawakened, "she sprang at the Russian, and at one mouthful tore off his nose, lips, eyebrows and all the skin of his face, making of him a living death's head, dripping with blood." Then the mare surged out of the melee, kicking and biting as she went, seizing one Russian officer bodily and eviscerating him. She bolted at full gallop, not checking until she reached Eylau cemetery, where she collapsed from loss of blood.

Continues...

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