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With Trans-Sister Radio, Chris Bohjalian, author of the bestseller Midwives, again confronts his very human characters with issues larger than themselves, here tackling the explosive issue of gender.
Trans-Sister Radio is a controversial, highly original novel about a lot more than gender issues and sexual orientation. It is about the precarious dance on the checkerboard of sex. It is about life choices, lifestyle, tolerance and intolerance, and, above all, a commitment to love. Some might consider the resolution an equivocation, but this book is impossible to put down.
More Reviews and RecommendationsPerhaps the San Francisco Chronicle said it best: "Bohjalian's hallmark: ordinary people in heartbreaking circumstances behaving with grace and dignity." Since the selection of his dark novel Midwives for Oprah's Book Club back in 1998, Bohjalian has enjoyed mainstream success as one of today's most poignant novelists.
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June 29, 2009: I borrowed this book from a friend and she didn't really say anything about it.. it was little challenging for my age group, but very interesting and amazing! I definetly learned a lot from this book! I think that now I have a little more sympathy towards trans-sexuals. It was a great book that hit a different group of people that many other people don't appreciate as much.
I Also Recommend: Twilight, The Lovely Bones, Falling into the World, Angels of Morgan Hill, Numbering All the Bones.
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February 28, 2009: I read this book for my local book group. The story is told from the perspective of four individuals; Dana, Allison, Carly, and Will. Interspersed throughout the story are transcripts from a radio talk show interview between Carly and other characters within the book.
The book begins with Carly explaining the impact of her parent's (Allison and Will) divorce. Will remarried but was often accused of holding a torch for Allison. Allison was a grade school teacher and was taking courses at the local college; Dana was her professor. Dana, an attractive yet effeminate man, quickly caught Allison's attention and they quickly entered into a relationship. A few months into their relationship, Dana reveals to Allison that he was born into the wrong body and is contemplating gender reassignment surgery. Though overwhelmed by this shocking news, Allison's love for Dana has grown beyond her rational control and she vows to remain by his side throughout his journey to become who he truly wants to be. The rest of the book centers around the perceptions of others and the struggles and complications the couple must face due to societal beliefs and prejudices. This book was well-written, as is the power of this author to transform mere words into a work of art. However, the ending and "revelations" were predictable, which was highly disappointing to me knowing the abilities of the authors writing style. This book explores an extremely controversial topic in a manner that instills a sense of compassion in the reader for the characters within the book. This story also instigated much conversation between me and my friends. I could not stop thinking about these people and their story. This work of fiction reads as a memoir and poses certain important yet debatable questions. The biggest question of all throughout this account is: can love transcend gender? Before you form your final opinion and answer to this question.read this book. Make sure you have all sides of any story before settling on a position. Enjoy.this is a book that will make you think and question all your previously held beliefs and ideals.Name:
Chris Bohjalian
Current Home:
Lincoln, Vermont
Place of Birth:
White Plains, New York
Education:
Amherst College
Awards:
Anahid Literary Award, 2000; New England Book Award, 2002
It was March 1986 when Chris Bohjalian made a decision that would have an incalculable impact on his writing. He and his wife had just hailed a taxi home to Brooklyn after a party in Manhattan's East Village when they suddenly found themselves on a wild and terrifying 45-minute ride. The crazed cabbie, speeding through red lights and ignoring stop signs, ultimately dropped the shaken couple off... in front of a crack house being stormed by the police. It was then that Bohjalian and his wife decided that the time had come to flee the city for pastoral Vermont. This incident and the couple's subsequent move to New England not only inspired a series of columns titled "Idyll Banter" (later compiled into a book of the same name), but a string of books that would cause Bohjalian to be hailed as one of the most humane, original, and beloved writers of his time.
While Bohjalian's Manhattan murder mystery A Killing in the Real World was a somewhat quiet debut, follow-up novels (many of which are set in his adopted state) have established him as a writer to watch. A stickler for research, he fills his plotlines with rich, historically accurate details. But he never loses sight of what really draws readers into a story: multi-dimensional characters they can relate to.
The selection of his 1997 novel Midwives for Oprah's Book Club established Bohjalian as a force to be reckoned with, igniting a string of critically acclaimed crowd pleasers. His literary thriller The Double Bind was a Barnes & Noble Recommends pick in 2007.
Bohjalian's fascination with the works of F. Scott Fitzgerald extends beyond the author's prominent influence on The Double Bind. In an interview with Loaded Shelf.com, Bohjalian estimated that he owns "at least 42 different editions of books by or about F. Scott Fitzgerald."
. Two of Chris Bojalian's novels have been adapted into critically acclaimed TV movies. An adaptation of Past the Bleachers with Richard Dean Anderson was made in 1995, and a version of Midwives starring Sissy Spacek and Peter Coyote debuted in 2001.
In our interview with Bohjalian, he shared some fascinating and fun facts about himself:
"I was the heaviest child, by far, in my second-grade class. My mother had to buy my pants for me at a store called the "Husky Boys Shop," and still she had to hem the cuffs up around my knees. I hope this experience, traumatizing as it was, made me at least marginally more sensitive to people around me."
"I have a friend with Down syndrome, a teenage boy who is capable of remembering the librettos from entire musicals the first or second time he hears them. The two of us belt them out together whenever we're driving anywhere in a car.
"I am a pretty avid bicyclist. The other day I was biking alone on a thin path in the woods near Franconia Notch, New Hampshire, and suddenly before me I saw three bears. At first I saw only two, and initially I thought they were cats. Then I thought they were dogs. Finally, just as I was approaching them and they started to scurry off the path and into the thick brush, I understood they were bears. Bear cubs, to be precise. Which is exactly when their mother, no more than five or six feet to my left, reared up on her hind legs, her very furry paws and very sharp claws raised above her head in a gesture that an optimist might consider a wave and guy on a bike might consider something a tad more threatening. Because she was standing on a slight incline, I was eye level with her stomach -- an eventual destination that seemed frighteningly plausible. I have never biked so fast in my life in the woods. I may never have biked so fast in my life on a paved road."
"I do have hobbies -- I garden and bike, for example -- but there's nothing in the world that gives me even a fraction of the pleasure that I derive from hanging around with my wife and daughter."
What was the book that most influenced your life or your career as a writer?
I'm actually going to pick a single period in my life, rather than a single book, because I believe it's the most honest way to answer this question in my case.
When I was 13, my family moved from a suburb of New York City to Miami, Florida, and we moved there the Friday before Labor Day weekend. I started school the following Tuesday, and then, that afternoon, went to see my new orthodontist -- a sadist, it would turn out, if ever there was one.
He gave me some orthodontic headgear that looked like the business end of a backhoe, and I had to wear said device for four hours a day when I was awake.
Since I couldn't (well, wouldn't) wear it during school, I had to wear it after school. It was inevitable, but I couldn't speak when I was wearing it.
And so I couldn't meet any kids in my neighborhood, and make new friends. What did I do that first autumn and winter -- winter, such as it is, in South Florida?
I went to the Hialeah Miami Lake Public Library. And I read.
I read the sorts of things any adolescent boy was likely to read in the mid-1970s. I read William Peter Blatty's The Exorcist, Thomas Tryon's Harvest Home, and Peter Benchley's deceptively fine novel Jaws.
Also, in all fairness, I read a somewhat higher caliber of literature as well -- Harper Lee's To Kill a Mockingbird and Joyce Carol Oates's Expensive People.
I read those books in the library as well as in the den in our new home, and from them I learned a very great deal that would help me profoundly as an adult writer. I learned the importance of linear momentum in plot from Blatty and Benchley and Tryon; I learned about the importance of voice -- and the role of person in fiction -- from Lee and Oates.
I learned on a level that may not have been fully concrete yet -- but that did indeed adhere -- that the narrator in a first-person novel is a character, too, and every bit as made-up as the fictional constructs around him or her.
What are your ten favorite books, and what makes them special to you?
I feel guilty limiting the list to a mere ten, given how many books that are indeed special to me. I have, however, always enjoyed that game in which you have to pick a few books or movies to have with you on a desert island, and so here's a group that I've read multiple times -- the ultimate compliment, I believe, one can bestow upon a book.
Incidentally, the list has 11 titles. I couldn't possible delete any one of them. Mea culpa.
What are some of your favorite films, and what makes them unforgettable to you?
Three of my favorite films are actually adapted from three of my favorite novels: Sophie's Choice, The English Patient, and To Kill a Mockingbird. Each is not merely faithful to the integrity of the novelist's vision, it broadens the story in wondrous and unexpected ways. Sometimes this is the result of the actor -- think of Meryl Streep in Sophie's Choice -- and sometimes it's due to a brilliant bit of cinematography: Recall that moment in The English Patient when Hana is viewing the frescoes inside the chapel by candlelight, suspended high in the air on the ropes Kip has rigged for her.
I also, in truth, like a lot of the very same movies my nine-year-old daughter likes, (again, in many cases, movies that happen to have been adapted from novels). I thought Freaky Friday was a howl this past summer, and the two of us have probably watched About a Boy together a half dozen times.
And then there is the little boy in me that can savor any movie about the Mercury or Apollo space programs (The Right Stuff and Apollo 13) or any film that has John Belushi or Bill Murray in it. My wife and I have seen Groundhog Day together at least as often as my daughter and I have seen About a Boy.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Actually, I need complete silence when I write.
These days, because my young daughter is a young thespian, I listen to a lot of musicals. My favorites at the moment? The Secret Garden, West Side Story, and Once on This Island. And I will always have a soft spot in my heart for Ellen Green singing "Suddenly Seymour" from Little Shop of Horrors.
What are your favorite kinds of books to give -- and get -- as gifts?
Novels. They are my favorite to get and my favorite to give. People seem to read so much more nonfiction than fiction, and so it always gives me great pleasure to introduce a friend or family member to a novel I believe they'll cherish but might not otherwise have thought to pick up and read.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I am frighteningly compulsive when it comes to the library in my house in which I write. It is very clean. And orderly. The books are alphabetized; the pens are lined up in their cases. At night, I put a dust cover on my computer.
I actually have two desks. One holds the computer on which I write rough drafts. Along with the computer and printer, it has on it photographs of my wife and my daughter, and two small sting rays made of polished stone from Grand Cayman (an island I love because of the scuba diving and snorkeling) that my daughter gave me. The other desk is smaller, and on it I edit my rough drafts. It has a lamp built from an Art Deco planter of a black panther, and most of my favorite pens.
Both desks have glorious views of Mount Abraham, the third-highest mountain in Vermont, and I watch the sun rise over the mountain as I work.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
When I was a sophomore in college, the writer-in-residence was a novelist whose work I cherished. She was teaching a creative writing seminar in the spring semester, and I wanted very much to be among the anointed she was going to choose to be in it. That meant submitting a short story in December, which she would read over the holiday break.
In January, I was summoned to her office in the brick monolith that housed the school's English Department, and there I met her for the first time. She was seated behind a desk the size of a putting green.
When she saw me, she adjusted her shawl, fixed her eyeglasses, and said, "You're Chris. I'm not going to try to pronounce your last name."
I nodded, a little apprehensive now. Then she slid my short story across the expanse of desk as if it were a piece of profoundly disagreeable roadkill.
"Well, Chris I'm-Not-Going-to-Pronounce-Your-Last-Name," she continued, "I have three words for you."
This clearly wasn't going to be good, but I am nothing if not optimistic. And so I waited. Then it came: "Be a banker," she said. And we were through.
What tips or advice do you have for writers still looking to be discovered?
Read lots. Have a thick skin. And write often -- and write about things that interest you passionately. Writing teachers often encourage young writers to write about what they know -- or, conversely, to write about things that are foreign to them. I think neither should be a cardinal rule. Instead, you should write about things that interest you, regardless of whether you know anything about the topic when you start, or you're among the world's foremost experts. The key is to care so deeply about the subject – -- find it so extraordinary -- that you are willing to give up a year or two of your life to it. If you bring that level of enthusiasm to the story, it certainly increases the chances that you will create something of interest to strangers browsing in a library or bookstore.
One more thing: Have fun and avoid a mean spirit. I've never felt a writer needs to be tormented to succeed in this business.
With Trans-Sister Radio, Chris Bohjalian, author of the bestseller Midwives, again confronts his very human characters with issues larger than themselves, here tackling the explosive issue of gender.
When Allison Banks develops a crush on Dana Stevens, she knows that he will give her what she needs most: attention, gentleness, kindness, passion. Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.
Trans-Sister Radio is a controversial, highly original novel about a lot more than gender issues and sexual orientation. It is about the precarious dance on the checkerboard of sex. It is about life choices, lifestyle, tolerance and intolerance, and, above all, a commitment to love. Some might consider the resolution an equivocation, but this book is impossible to put down.
In the convolutions of human frailties and the confounding enigma of love, [Bohjalian's] tale brings to bear issues that transcend the bounds of gender: image, loneliness, yearning, and, most of all, the human capacity for change. . .It bears his hallmark: ordinary people in heartbreaking circumstances behaving with grace and dignity. He accomplishes this in plaintive prose that speaks directly to the heart.
Set your dial to Trans-Sister Radio for a thoughtful and provocative read, and when you want more after you finish, tune into Bohjalian's earlier books, which are as wel written.
A compelling and often disturbing novel, Trans-sister Radio challenges all of our assumptions about gender, relationships, and sexuality. A powerful secret literally transforms four lives: Allison Banks, a sixth grade teacher; Will, her ex-husband and president of a local Vermont Public Radio station; their teenage daughter Carly; and Dana Stevens, a college instructor who falls in love with Allison. The structure of the book is essential for understanding the (r)evolution of emotions that occur with the complex issues Bohjalian explores through private lives made very public. The four voices, performed by Kymberli Colbourne, alternate to reveal their own separate struggles and to create a metamorphosis that is central to the story. A demanding work that is often graphic, always gentle, and full of wisdom and surprising humor. Recommended for adult audiences. Joyce Kessel, Villa Maria Coll., Buffalo, NY Copyright 2001 Cahners Business Information.
Loading...I was eight when my parents separated, and nine when they actually divorced. That means that for a little more than a decade, I've watched my mom get ready for dates. Sometimes, until I started ninth grade, I'd even keep her company on Saturday afternoons, while she'd take these long, luxurious bubble baths. I'd put the lid down on the toilet and sit there, and we'd talk about school or boys or the guy she was dating.
I stopped joining her in the bathroom in ninth grade for a lot of reasons, but mostly because it had started to seem a little weird to me to be hanging out with her when I was fourteen and she was naked.
But she has always been pretty cool about bodies and sex, and for all I know, she wouldn't mind my joining her in the bathroom even now when I'm home from college. For better or worse--and usually for better--my mom has always been very comfortable with subjects that give most parents the shivers. A couple of days before my fifteenth birthday, she took me to the gynecologist to get me fitted for a diaphragm, and told me where in her bedroom she kept the spermicidally lubricated condoms. (Of course, I already knew: God, by then I even knew where she'd hidden a vibrator.)
I hadn't had sex yet, and my mom made it clear that she didn't want me to in the foreseeable future. But she had a pretty good memory of the hormonal chaos that hits a person in high school, and she wanted to do all that she could for my sake to ensure that she wouldn't become a grandmother any sooner than necessary.
When I think back on it, my parents' divorce was very civilized. At least it has always seemed that way to me, though it's clear there are things I don't know.
The way my mom tells it, I was in second or third grade when they realized they just didn't love each other anymore the way they had when they were first married. They'd worked together at the radio station then, and they'd shared everything. My mom insists they both came to the realization at about the same time that they should separate: My mom was thirty-two and my dad was thirty-three, and they figured they were still young enough to hook up with someone who, in the long years ahead, could keep their motors humming the way they were meant to.
Sometimes my dad hints that it wasn't quite so mutual. Most of the time he toes their party line, but every so often I'll get the impression that when he moved out, he was figuring they'd both change their minds and reconcile in a couple of weeks. I think he might have thought he was just being cool.
Once when he was visiting my mom, I overheard him telling her that he knew her heart had never been into the counseling they went through when I was eight.
Still, he was the one who got remarried.
Sometimes, when I was little, I'd help my mom pick out her jewelry or clothing for a date.
"Wear the pearls," I might suggest.
"It's a clambake," she'd remind me.
"Too formal?"
"And they might scare the oysters."
One time she especially indulged me. I was eleven years old and convinced there was no fashion statement more powerful than a kilt. And so she wore a red-and-green Christmas kilt to a backyard cookout, even though it was the middle of August and the air was just plain sticky. That night my baby-sitter spent most of the time standing in front of a fan, with her T-shirt rolled up like a halter.
If I were to count, I'd guess my mom probably had five serious boyfriends in the decade between my parents' divorce and the day she met Dana. Dana had been in pre-surgical therapy for two years by then and had probably endured close to fifty hours of electrolysis. He'd been on hormone therapy for a good four or five months.
Unlike a lot of pre-op M2Fs, he wasn't trying to pass as a woman yet, he hadn't begun his transition.
Of course, he didn't tell my mom any of this--not that he should have. When they met, he was simply the professor for a film course at the university that she was taking that summer as a lark, and she was one of his students.
What was he supposed to do, say to the class, "Hi, I'm Dana, and I've spent a good part of the last year with my upper lip deadened by Novacaine"?
Or, "Good evening, I'm your professor. I'm about to start developing breasts!"
Or, if he wanted, for some reason, to be completely candid, "You folks ever met a lesbian with a penis? Have now!"
He had no idea he was going to fall in love with my mom, even when they started to date, and she had no idea she was going to fall in love with him. It just happened.
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Hear our exclusive audio interview with Chris Bohjalian (12:04).
See our exclusive video interview with Chris Bohjalian (9:15).
From the Publisher: Hear author Chris Bohjalian talk about the inspiration for his novel The Double Bind (1:58).
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