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(Mass Market Paperback - Reissue)
"In combination with her meticulous research, Ms. Perry's infallible feeling for the historical moment yields animated political debate over the colonization of Africa, glittering views of Victorian society at play and tantalizing glimpses of a confident, assertive creature known as the 'new woman.'"
--The New York Times Book Review
Someone in the Colonial Office is passing secrets to Germany about England's African strategy. While Police Superintendent Thomas Pitt investigates this matter of treason, he is quietly looking into the tragic "accidental" death of his childhood mentor, Sir Arthur Desmond. Pitt believes he was murdered, and that the crime is connected with the treachery in the government. He is making little progress, until a second murder reverberates through London.
In the small hours of a May morning, a Thames waterman finds the strangled body of an aristocratic society beauty floating near lonely Traitors Gate. Only then do hard-pressed Pitt and his clever wife, Charlotte, begin to untangle the threads of passion and intrigue, to see clearly the pattern of tragedy and frightening evil that Pitt must deal with, at the risk of his career--and his life.
"In the tradition of Margaret Millar and Ruth Rendell, Perry saves her largest, tastiest revelation for the very last paragraphs."
--Los Angeles Times
"First rate. . . The saga of Charlotte and Thomas is always a delight."
--Mostly Murder
Hewing to her own high standards in this, the 15th Thomas Pitt tale, Perry again re-creates the sights, smells and dissonant clamor of late Victorian London while capturing the spirit of the era's rigid, yet shifting, social structure. Newly promoted Superintendent Thomas Pitt receives his childhood friend Matthew Desmond, who brings news of the death, by an overdose of laudanum, of his father, Sir Arthur. Pitt, raised on the Desmond estate where his own father had been gamekeeper, agrees that the death seems suspicious. Desmond, an official in the Foreign Office, is certain that members of a mysterious group, the Inner Circle, are responsible for his father's death and asks Thomas, who has tangled with the group before, to investigate. At the same time, Desmond authorizes Pitt to find the leak at the Colonial Office through which information relating to African treaty negotiations has found its way to the German embassy. While sorting out these mysteries, Pitt is faced with a third: the murder of the wife of the Secretary of State for Colonial Affairs, who was caught in political conflict surrounding the colonization of Africa. Aided by his wife, Charlotte, and her indomitable Aunt Vespasia, Pitt follows inquiries that twist and turn like the mews and alleyways of London to a resolution in which justice is well-served. BOMC selection; author tour.
More Reviews and RecommendationsAnne Perry is the bestselling author of two acclaimed mystery series set in Victorian England, as well holiday novels and historical fiction set during World War I.
More About the AuthorReader Rating:
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March 16, 2009: I enjoyed every minute
Reader Rating:
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February 17, 2009: Having been in London for at least eight pleasure trips, having seen the sights and the love of all things British, Anne Perry is right on que with her knowledge and realism of that great city. How the author combines history that is still standing with each unique case is astounding. I can't wait to go back again for another pleasure trip and search these sights as Anne wove the fabric of mystery with Thomas and Charlotte Pitt revolving around Traitor's Gate. A true must read!!
I Also Recommend: Buckingham Palace Gardens (Thomas and Charlotte Pitt Series #25).
Name:
Anne Perry
Current Home:
Portmahomack, Ross-shire, U.K
Date of Birth:
October 28, 1958
Place of Birth:
London, U.K
Awards:
Edgar for short story ‘Heroes’ 2000
Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.
Although Perry held down many jobs – working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter -- the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born ... along with a successful writing career.
In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.
Some fun and fascinating outtakes from our interview with Anne Perry:
The first time I made any money telling a story I was four and a half years old -- golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were -- no food at home, not even enough money for shoes! He gave me his half crown – five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story -- let your imagination go wild, pile on the emotions -- believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!
I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid -- just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!
On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?
Here are some things I like – and one thing I don't:
What was the book that most influenced your life or your career as a writer – and why?
The Collected poems of G. K. Chesterton -- because it would be the book I would take with me if I could have only one! His passion for life, his optimism, love for and belief in mankind gives me heart, courage, and hope. If I am happy, it makes me even happier; if I am down, it gives me steel to fight and a faith to win. His art with words, the music he creates is superb. I could run with examples and end up reciting the whole book, but "The Ballad of the White Horse" -- all 100 pages of it -- will have to do for a start.
What are your ten favorite books, and what makes them special to you?
My ten favorite books is much harder. It varies from year to year.
What are some of your favourite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like listening to when you're writing?
Classical, especially Beethoven, Liszt, Brahms. And Italian opera of the romantic period (not the earlier baroque) -- Puccini, Verdi, Boito, Bellini, etc. I am very particular about artists where opera is concerned and will buy several renditions to get the one I like best. Yes, I do sometimes play it when I m writing; then there are times I am so absorbed I hear nothing -- see nothing, etc.
What are your favorite kinds of books to give – and get – as gifts?
My favorite books to give or receive are those which make me think. Laughter is good, beauty is good, but a new idea is priceless.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Writing rituals? Only one: Get on with it! Start writing something; if it's rubbish, you can always go back and rewrite it. I don't use a desk. I sit in an armchair with my feet up and write with a pen on a pad of paper. A good pen helps a lot -- preferably a box of them.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I think I may have taken longer than many people to get to the point I'm at now. It took me nearly two decades to write a book that was accepted and published. It was my first mystery. I had enough rejection slips for non-mystery historical stories to paper the walls!
What tips or advice do you have for writers still looking to be discovered?
I would say keep working and accept the necessary re-writing, but above all – get a good agent, then listen to what they say – but don't abandon your own beliefs. A dishonest ‘voice' will not be heard for long.
Someone in the Colonial Office is passing information to Germany about England's African strategy. Police superintendent Thomas Pitt is charged with investigating this treason, but his mind is on the sudden, tragic death of his childhood mentor, Sir Arthur Desmond.
"In combination with her meticulous research, Ms. Perry's infallible feeling for the historical moment yields animated political debate over the colonization of Africa, glittering views of Victorian society at play and tantalizing glimpses of a confident, assertive creature known as the 'new woman.'"
--The New York Times Book Review
Someone in the Colonial Office is passing secrets to Germany about England's African strategy. While Police Superintendent Thomas Pitt investigates this matter of treason, he is quietly looking into the tragic "accidental" death of his childhood mentor, Sir Arthur Desmond. Pitt believes he was murdered, and that the crime is connected with the treachery in the government. He is making little progress, until a second murder reverberates through London.
In the small hours of a May morning, a Thames waterman finds the strangled body of an aristocratic society beauty floating near lonely Traitors Gate. Only then do hard-pressed Pitt and his clever wife, Charlotte, begin to untangle the threads of passion and intrigue, to see clearly the pattern of tragedy and frightening evil that Pitt must deal with, at the risk of his career--and his life.
"In the tradition of Margaret Millar and Ruth Rendell, Perry saves her largest, tastiest revelation for the very last paragraphs."
--Los Angeles Times
"First rate. . . The saga of Charlotte and Thomas is always a delight."
--Mostly Murder
Hewing to her own high standards in this, the 15th Thomas Pitt tale, Perry again re-creates the sights, smells and dissonant clamor of late Victorian London while capturing the spirit of the era's rigid, yet shifting, social structure. Newly promoted Superintendent Thomas Pitt receives his childhood friend Matthew Desmond, who brings news of the death, by an overdose of laudanum, of his father, Sir Arthur. Pitt, raised on the Desmond estate where his own father had been gamekeeper, agrees that the death seems suspicious. Desmond, an official in the Foreign Office, is certain that members of a mysterious group, the Inner Circle, are responsible for his father's death and asks Thomas, who has tangled with the group before, to investigate. At the same time, Desmond authorizes Pitt to find the leak at the Colonial Office through which information relating to African treaty negotiations has found its way to the German embassy. While sorting out these mysteries, Pitt is faced with a third: the murder of the wife of the Secretary of State for Colonial Affairs, who was caught in political conflict surrounding the colonization of Africa. Aided by his wife, Charlotte, and her indomitable Aunt Vespasia, Pitt follows inquiries that twist and turn like the mews and alleyways of London to a resolution in which justice is well-served. BOMC selection; author tour.
Victorian socialites Thomas and Charlotte Pitt investigate the murders of two London aristocrats in this 15th installment in Perry's popular historical mystery series.
ecent revelations about Perry's past--as a young girl in Australia, she was convicted of killing her best friend's mother--will generate additional hype for her newest book, another entry in her popular Thomas and Charlotte Pitt mystery series. The book hit stores early--no doubt to capitalize on the "convicted murderess" brouhaha--and has been chosen as a Book-of-the-Month Club main selection. But Perry is not just some flash-in-the-pan writer whose publicists decided to take advantage of a media scoop. To fans of the historical mystery, she's one of the masters of the genre. Her latest story, set as usual in turn-of-the-century London, has Inspector Thomas Pitt and his wife, Charlotte, investigating the mysterious death of Thomas' mentor, Sir Arthur Desmond. The death has been ruled a suicide, but Sir Arthur's son is convinced his father was murdered for attempting to expose treason in the Colonial Office. Thomas and Charlotte begin to suspect that the nefarious Inner Circle, a group of highly influential but dangerously corrupt men, may be responsible for the killing. Perry's fascinating details of Victorian social customs, dress, language, politics, and behavior plus her usual engrossing plot virtually guarantee the success of another fine entry in an outstanding series.
Loading...Pitt sat back on the wooden seat and watched with profound pleasure as the sun faded on the old apple tree in the center of the lawn and for a few moments gilded the rough bark. They had only been in the new house a matter of weeks, but already it had a familiarity about it as if he were returning rather than moving in for the first time. It was many small things: the light on the patch of stone wall at the end of the garden, thte bark of the trees, the smell of grass deep in the shade under the branches.
It was early evening and there were moths fluttering and drifting in the early May air, which was already cooler as twilight approached. Charlotte was inside somewhere, probably upstairs seeing the children to bed. He hoped she had also thought of supper. He was surprisingly hungry, considering he had done little all day but enjoy the rare full Saturday at home. That was one of the benefits of having been promoted to Superintendent when Micah Drummond had retired: he had more time. The disadvantages were that he carried far more responsibility and found himself, rather too often for his wishes, behind a desk in Bow Street instead of out investigating.
He settled a little lower in the seat and crossed his legs, smiling without being aware of it. He was dressed in old clothes, suitable for the gardening he had done through the day very casually, now and then.
There was a click as the French doors opened and closed behind him.
“Please, sir . . .”
It was Gracie, the little waif of a maid they had brought with them, and who was now filled with importance and satisfaction because she had a woman in five days a week to do the heavy scrubbingand the laundry, and a gardener’s boy three days. This fell under the heading of a considerable staff. Pitt’s promotion had been hers as well, and she was immensely proud of it.
“Yes, Gracie,” he said without getting up.
“There’s a gentleman to see you, sir, a Mr. Matthew Desmond . . . .”
“Matthew Desmond?” he repeated incredulously.
“Yes sir.” She looked startled. “Shouldn’t I ’ave let ’im in”
“Yes! Yes, certainly you should. Where is he?”
“In the parlor, sir. I offered ’im a cup o’ tea but ’e wouldn’t ’ave it. ’E looks awful upset, sir.”
“Right,” he said absently, brushing past her and striding to the doors. He pulled them open and went into the sitting room. It was now filled with the last sunlight and looking oddly golden, in spire of its green and white furnishings. “Thank you,” he added over his shoulder to Gracie. He went into the hall, his heart beating faster and his mouth suddenly dry with anticipation and something not unlike guilt.
He hesitated for a moment, a confusion of memories teeming through his mind and stretching as far back as consciousness would take him. He had grown up in the country, on the Desmond estate, where his father had been gamekeeper. He was an only child, as was Sir Arthur’s son, a year younger than Pitt. And when Matthew Desmond had longed for someone to play with in the huge and beautiful grounds, Sir Arthur had found it natural enough to choose the gamekeeper’s son. It had been an easy friendship from the beginning, and in time extended to the schoolroom as well. Sir Arthur had been pleased enough to include a second child and watch his own son’s application improve, with someone to share his lessons and to compete against him.
Even with Pitt’s fathers disgrace when he was unjustly accused of poaching (not on Sir Arthur’s lands, but those of his nearest neighbor), the family were permitted to remain on the estate, with rooms in the servants’ quarters, and Pitt himself had not been denied his continued education while his mother worked in the kitchens.
But it had been fifteen years now since Pitt had been back, and at least ten since he had had any contact with Sir Arthur or Matthew. As he stood in the hallway with his hand on the doorknob, it was not only guilt that stirred in his mind but a sense of foreboding.
He opened the door and went in.
Matthew turned from the mantelshelf, which he had been standing near. He had changed little: he was still tall, lean, almost narrow, with a long, erratic, humorous face, although all the laughter was bleached out of him now and he looked haggard and intensely serious.
“Hello, Thomas,” he said quietly, coming forward and offering his hand.
Pitt took it and held it firmly, searching Matthew’s face. The signs of grief were so obvious it would have been offensive and ridiculous to pretend he had not seen them.
“What is it?” he asked, sickeningly sure he already knew.
“Father,” Matthew said simply. “He died yesterday.”
Pitt was completely unprepared for the sense of loss which swept over him. He had not seen Arthur Desmond since before he had married and had children. He had only written letters to mark these events. Now he felt a loneliness, almost as if his roots had been torn away. A past he had taken for granted was suddenly no longer there. He had kept meaning to return. At first it had been a matter of pride which had kept him away. He would go back when he could show them all that the gamekeeper’s son had achieved success, honor. Of course it had taken far longer than in his innocence he had supposed. As the years passed it had become harder, the distance too difficult to bridge. Now, without warning, it had become impossible.
“I . . . I’m sorry,” he said to Matthew.
Matthew tried to smile, at least in acknowledgment, but it was a poor effort. His face still looked haunted.
“Thank you for coming to tell me,” Pitt went on. “That was . . . very good of you.” It was also far more than he deserved, and he knew it in a flush of shame.
Matthew dismissed it almost impatiently with a wave of his hand.
“He . . .” He swallowed and took a deep breath, his eyes on Pitt’s face. “He died at his club, here in London.”
Pitt was going to say he was sorry again, but it was pointless, and he ended by saying nothing.
“Of an overdose of laudanum,” Matthew went on. His eyes searched Pitt’s face, seeking understanding, assurance of some answer to pain.
“Laudanum?” Pitt repeated it to ascertain he had heard correctly. “Was . . . was he ill? Suffering from–”
“No!” Matthew cut him off. “No, he was not ill. He was seventy, but he was in good health and good spirits. There was nothing wrong with him at all.” He looked angry as he said it and there was a fierce defensiveness in his voice.
“Then why was he taking laudanum?” Pitt’s policeman’s mind pursued the details and the logic of it in spite of his emotions, or Matthew’s.
“He wasn’t,” Matthew said desperately. “That’s the point!” They are saying he was old and losing his wits, and that he took an overdoes because he no longer knew what he was doing.” His eyes were blazing and he was poised ready to fly at Pitt if he even suspected him of agreeing.
Pitt remembered Arthur Desmond as he had known him: tall, ineffably elegant in the casual way of those who have both confidence and a natural grace, and yet at the same time almost always untidy. His clothes did not match each other. Even with a valet’s best attention, he managed to select something other than whatever was put out for him. Yet such was his innate dignity, and the humor in his long, clever face, that no one even noticed, much less thought to criticize. He had been highly individual, at times eccentric, but always with such a basic sanity, and tolerance of human frailty, that he should have been the last man on earth to resort to laudanum at all. But if he had, then he was quite capable of absentmindedly dosing himself twice.
Except that surely once would have sent him to sleep anyway?
Pitt had vague memories of Sir Arthur’s having long wakeful spells even thirty years ago, when Pitt had stayed overnight in the hall as a child. Then Sir Arthur had simply got up and wandered around the library until he found a book he fancied, and sat in one of the old leather chairs and gone to sleep with it open in his lap.
Matthew was waiting, staring at Pitt with mounting anger.
“Who is saying this?” Pitt asked.
Matthew was taken aback. It was not the question he was expecting.
“Uh–the doctor, the men at the club . . .”
“What club?”
“Oh–I am not being very clear, am I? He died at the Morton Club, in the late afternoon.”
“In the afternoon? Not at night at all?” Pitt was genuinely surprised; he did not have to affect it.
“No! That’s the point, Thomas,” Matthew said impatiently. “They are saying he was demented, suffering from a sort of senile decay. It’s not true, not even remotely! Father was one of the sanest men alive. And he didn’t drink brandy either! At least, hardly ever.”
“What has brandy to do with it?”
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