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(Paperback)
Reader Rating: (25 ratings)
Detailed Rating: "Originality" See All
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The novel is one of Woolf's most successful and accessible experiments in the stream-of-consciousness style. The three sections of the book take place between 1910 and 1920 and revolve around various members of the Ramsay family during visits to their summer residence on the Isle of Skye in Scotland. A central motif of the novel is the conflict between the feminine and masculine principles at work in the universe.
With her emotional, poetic frame of mind, Mrs. Ramsay represents the female principle, while Mr. Ramsay, a self-centered philosopher, expresses the male principle in his rational point of view. Both are flawed by their limited perspectives. A painter and friend of the family, Lily Briscoe, is Woolf's vision of the androgynous artist who personifies the ideal blending of male and female qualities. Her successful completion of a painting that she has been working on since the beginning of the novel is symbolic of this unification. -- Merriam Webster Encyclopedia of Literature
A landmark of modern fiction and Virginia Woolf's most popular novel, first published in 1927. To the Lighthouse explores the subjective reality of the everyday life of the Ramsay family of the British Hebrides islands. A 'feminine' book, filled with irony, sadness, and doubts about life.
Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.
More Reviews and RecommendationsThe early decades of the 20th century saw the rise of the “experimental” novel, and few writers had more success with their experiments than Virginia Woolf. Her innovative approach as a novelist, critic, and biographer made her an author who is even more widely read today than she was in her own time.
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June 26, 2009: I read about two books per month, usually choosing a variety of historical fiction and modern classics. I admit that I could not finish reading To the Lighthouse. Although pieces of the novel were very poetic, I found the style very frustrating to read. The narrative is mainly the mixed up thoughts of the characters and their thoughts jump wildly so that you don't know if the character is speaking aloud or not. There are pages of confusing thoughts involving a single few seconds of action. I would not recommend this book to the average modern reader.
I Also Recommend: All Creatures Great and Small, One Flew Over the Cuckoo's Nest, Kate Hannigan.
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January 24, 2009: I have to read this book for a Literature assignment, and it is one of the most confusing books I've ever read. I can't get through it. Woolf's sentences are extremely long, some expanding (literally) a page or so. I do not recommend this book unless you want a challenge.
Name:
Virginia Woolf
Also Known As:
Adeline Virginia Stephen Woolf (full name)
Date of Birth:
January 25, 1882
Place of Birth:
London
Date of Death
March 28, 1941
Place of Death
Sussex, England
Education:
Home schooling
Virginia Woolf is now recognized as a major twentieth-century author, a great novelist and essayist and a key figure in literary history as a feminist and a modernist. Born in 1882, she was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her stepsister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. Her father died in 1904 and two years later her favorite brother Thoby died suddenly of typhoid. With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917, which was to publish the work of T. S. Eliot, E. M. Forster and Katherine Mansfield as well as the earliest translations of Freud. Woolf lived an energetic life among friends and family, reviewing and writing, and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.
Her first novel, The Voyage Out, appeared in 1915, and she then worked through the transitional Night and Day (1919) to the highly experimental and impressionistic Jacob's Room (1922). From then on her fiction became a series of brilliant and extraordinarily varied experiments, each one searching for a fresh way of presenting the relationship between individual lives and the forces of society and history. She was particularly concerned with women's experience, not only in her novels but also in her essays and her two books of feminist polemic, A Room of One's Own (1929) and Three Guineas (1938). Her major novels include Mrs. Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), the family saga of The Years (1937), and Between the Acts (1941).
Author biography courtesy of Penguin Group (USA).
The novel that established Virginia Woolf as a leading writer of the twentieth century, To the Lighthouse is made up of three powerfully charged visions into the life of one family living in a summer house off the rocky coast of Scotland. As time winds its way through their lives, the Ramseys face, alone and simultaneously, the greatest of human challenges and its greatest triumph-the human capacity for change. A moving portrait in miniature of family life, it also has profoundly universal implications, giving language to the silent space that separates people and the space that they transgress to reach each other.
There are very few exceptional and miraculous novels that have the power to change their readers forever. To the Lighthouse is one of them.
Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.
It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abstract philosophy. This is a book that cannot be read-or heard-too often. (Jan.) Copyright 2006 Reed Business Information.
Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition. -- The New York Times
Loading...| Foreword | vii | |
| The Window | 3 | |
| Time Passes | 125 | |
| The Lighthouse | 145 |
"YES, OF COURSE, if it's fine tomorrow," said Mrs. Ramsay. "But you'll have to be up with the lark," she added.
To her son these words conveyed an extraordinary joy, as if it were settled, the expedition were bound to take place, and the wonder to which he had looked forward, for years and years it seemed, was, after a night's darkness and a day's sail, within touch. Since he belonged, even at the age of six, to that great clan which cannot keep this feeling separate from that, but must let future prospects, with their joys and sorrows, cloud what is actually at hand, since to such people even in earliest childhood any turn in the wheel of sensation has the power to crystallise and transfix the moment upon which its gloom or radiance rests, James Ramsay, sitting on the floor cutting out pictures from the illustrated catalogue of the Army and Navy Stores, endowed the picture of a refrigerator, as his mother spoke, with heavenly bliss. It was fringed with joy. The wheelbarrow, the lawnmower, the sound of poplar trees, leaves whitening before rain, rooks cawing, brooms knocking, dresses rustling- all these were so coloured and distinguished in his mind that he had already his private code, his secret language, though he appeared the image of stark and uncompromising severity, with his high forehead and his fierce blue eyes, impeccably candid and pure, frowning slightly at the sight of human frailty, so that his mother, watching him guide his scissors neatly round the refrigerator, imagined him all red and ermine on the Bench or directing a stern and momentous enterprise in some crisis of public affairs.
"But," said his father, stopping in front of thedrawing-room window, "it won't be fine."
Had there been an axe handy, or a poker, any weapon that would have gashed a hole in his father's breast and killed him, there and then, James would have seized it. Such were the extremes of emotion that Mr. Ramsay excited in his children's breasts by his mere presence; standing, as now, lean as a knife, narrow as the blade of one, grinning sarcastically, not only with the pleasure of disillusioning his son and casting ridicule upon his wife, who was ten thousand times better in every way than he was (James thought), but also with some secret conceit at his own accuracy of judgement. What he said was true. It was always true. He was incapable of untruth; never tampered with a fact; never altered a disagreeable word to suit the pleasure or convenience of any mortal being, least of all of his own children, who, sprung from his loins, should be aware from childhood that life is difficult; facts uncompromising; and the passage to that fabled land where our brightest hopes are extinguished, our frail barks founder in darkness (here Mr. Ramsay would straighten his back and narrow his little blue eyes upon the horizon), one that needs, above all, courage, truth, and the power to endure.
"But it may be fine-I expect it will be fine," said Mrs. Ramsay, making some little twist of the reddish-brown stocking she was knitting, impatiently. If she finished it tonight, if they did go to the Lighthouse after all, it was to be given to the Lighthouse keeper for his little boy, who was threatened with a tuberculous hip; together with a pile of old magazines, and some tobacco, indeed, whatever she could find lying about, not really wanted, but only littering the room, to give those poor fellows, who must be bored to death sitting all day with nothing to do but polish the lamp and trim the wick and rake about on their scrap of garden, something to amuse them. For how would you like to be shut up for a whole month at a time, and possibly more in stormy weather, upon a rock the size of a tennis lawn? she would ask; and to have no letters or newspapers, and to see nobody; if you were married, not to see your wife, not to know how your children were,-if they were ill, if they had fallen down and broken their legs or arms; to see the same dreary waves breaking week after week, and then a dreadful storm coming, and the windows covered with spray, and birds dashed against the lamp, and the whole place rocking, and not be able to put your nose out of doors for fear of being swept into the sea? How would you like that? she asked, addressing herself particularly to her daughters. So she added, rather differently, one must take them whatever comforts one can.
"It's due west," said the atheist Tansley, holding his bony fingers spread so that the wind blew through them, for he was sharing Mr. Ramsay's evening walk up and down, up and down the terrace. That is to say, the wind blew from the worst possible direction for landing at the Lighthouse. Yes, he did say disagreeable things, Mrs. Ramsay admitted; it was odious of him to rub this in, and make James still more disappointed; but at the same time, she would not let them laugh at him. "The atheist," they called him; "the little atheist." Rose mocked him; Prue mocked him; Andrew, Jasper, Roger mocked him; even old Badger without a tooth in his head had bit him, for being (as Nancy put it) the hundred and tenth young man to chase them all the way up to the Hebrides when it was ever so much nicer to be alone.
"Nonsense," said Mrs. Ramsay, with great severity. Apart from the habit of exaggeration which they had from her, and from the implication (which was true) that she asked too many people to stay, and had to lodge some in the town, she could not bear incivility to her guests, to young men in particular, who were poor as church mice, "exceptionally able," her husband said, his great admirers, and come there for a holiday. Indeed, she had the whole of the other sex under her protection; for reasons she could not explain, for their chivalry and valour, for the fact that they negotiated treaties, ruled India, controlled finance; finally for an attitude towards herself which no woman could fail to feel or to find agreeable, something trustful, childlike, reverential; which an old woman could take from a young man without loss of dignity, and woe betide the girl-pray Heaven it was none of her daughters!-who did not feel the worth of it, and all that it implied, to the marrow of her bones!
She turned with severity upon Nancy. He had not chased them, she said. He had been asked.
They must find a way out of it all. There might be some simpler way, some less laborious way, she sighed. When she looked in the glass and saw her hair grey, her cheek sunk, at fifty, she thought, possibly she might have managed things better-her husband; money; his books. But for her own part she would never for a single second regret her decision, evade difficulties, or slur over duties. She was now formidable to behold, and it was only in silence, looking up from their plates, after she had spoken so severely about Charles Tansley, that her daughters, Prue, Nancy, Rose-could sport with infidel ideas which they had brewed for themselves of a life different from hers; in Paris, perhaps; a wilder life; not always taking care of some man or other; for there was in all their minds a mute questioning of deference and chivalry, of the Bank of England and the Indian Empire, of ringed fingers and lace, though to them all there was something in this of the essence of beauty, which called out the manliness in their girlish hearts, and made them, as they sat at table beneath their mother's eyes, honour her strange severity, her extreme courtesy, like a Queen's raising from the mud to wash a beggar's dirty foot, when she thus admonished them so very severely about that wretched atheist who had chased them-or, speaking accurately, been invited to stay with them-in the Isles of Skye.
"There'll be no landing at the Lighthouse tomorrow," said Charles Tansley, clapping his hands together as he stood at the window with her husband. Surely, he had said enough. She wished they would both leave her and James alone and go on talking. She looked at him. He was such a miserable specimen, the children said, all humps and hollows. He couldn't play cricket; he poked; he shuffled. He was a sarcastic brute, Andrew said. They knew what he liked best-to be for ever walking up and down, up and down, with Mr. Ramsay, and saying who had won this, who had won that, who was a "first-rate man" at Latin verses, who was "brilliant but I think fundamentally unsound," who was undoubtedly the "ablest fellow in Balliol," who had buried his light temporarily at Bristol or Bedford, but was bound to be heard of later when his Prolegomena, of which Mr. Tansley had the first pages in proof with him if Mr. Ramsay would like to see them, to some branch of mathematics or philosophy saw the light of day. That was what they talked about.
She could not help laughing herself sometimes. She said, the other day, something about "waves mountains high." Yes, said Charles Tansley, it was a little rough. "Aren't you drenched to the skin?" she had said. "Damp, not wet through," said Mr. Tansley, pinching his sleeve, feeling his socks.
Copyright 1927 by Harcourt, Inc.
Copyright renewed 1955 by Leonard Woolf
Annotated Edition copyright © 2005 by Harcourt, Inc.
Introduction copyright © 2005 by Mark Hussey
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