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Vroom Valley? That was where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls. It was very far away. It was a long time ago. But if he doesn’t solve the murder of just one dwarf, Command Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and his war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the solution. And darkness is following him. Oh . . . and at six o’clock every day, without fail, with no excuses, he must go home to read Where’s My Cow?, with all the right farmyard noises, to his little boy. There are some things you have to do!
From the Hardcover edition.
…the plot of a Discworld novel is never the point. The asides and the general goofiness and the imagination run amok are the point, every time and this time, too. And if, for instance, Carrot, the shy six-foot-tall dwarf (you had to be there), seems by this episode to be overstaying his welcome, that's also okay. All in all the only thing to be said about a Discworld novel is: Read it. You'll like it.
More Reviews and RecommendationsA beloved British author who genre-jumps from humorous fantasy to science fiction to young adult books, Terry Pratchett is perhaps best known for his series of novels set in the fantastical setting of Discworld.
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October 10, 2009: Who wouldn't love a cop like Samuel Vimes? Except when he's angry and just the wee bit possessed by evil. I loved seeing the darker side of Vimes, something that was always touched on in other Vimes based books but was never really fleshed out.
I reccommend to anyone, even someone who hasn't read a Discworld book before!I Also Recommend: Night Watch (Discworld Series), Guards! Guards! (Discworld Series), Jingo (Discworld Series).
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April 06, 2009: Once again the author keeps us abreast of familiar characters while introducing new people, where "people" means trolls, vampires, dwarves, werewolves and Nobby. Then he makes us like them and helps us understand the world from their perspective. Well, maybe not this world, but one as much like it as a disk on the back of four elephants and a universe traversing turtle can be.
Name:
Terry Pratchett
Also Known As:
Terence David John Pratchett
Current Home:
Salisbury, Wiltshire, England
Date of Birth:
April 28, 1948
Place of Birth:
Beaconsfield, Bucks, England
Education:
Four honorary degrees in literature from the universities of Portsmouth, Bristol, Bath and Warwick
Welcome to a magical world populated by the usual fantasy fare: elves and ogres, wizards and witches, dwarves and trolls. But wait -- is that witch wielding a frying pan rather than a broomstick? Has that wizard just clumsily tumbled off the edge of the world? And what is with the dwarf they call Carrot, who just so happens to stand six-foot six-inches tall? Why, this is not the usual fantasy fare at all -- this is Terry Pratchett's delightfully twisted Discworld!
Beloved British writer Pratchett first jump-started his career while working as a journalist for Bucks Free Press during the '60s. As luck would have it, one of his assignments was an interview with Peter Bander van Duren, a representative of a small press called Colin Smythe Limited. Pratchett took advantage of his meeting with Bander van Duren to pitch a weird story about a battle set in the pile of a frayed carpet. Bander van Duren bit, and in 1971 Pratchett's very first novel, The Carpet People, was published, setting the tone for a career characterized by wacky flights of fancy and sly humor.
Pratchett's take on fantasy fiction is quite unlike that of anyone else working in the genre. The kinds of sword-and-dragon tales popularized by fellow Brits like J.R.R. Tolkein and C. S. Lewis have traditionally been characterized by their extreme self-seriousness. However, Pratchett has retooled Middle Earth and Narnia with gleeful goofiness, using his Discworld as a means to poke fun at fantasy. As Pratchett explained to Locus Magazine, "Discworld started as an antidote to bad fantasy, because there was a big explosion of fantasy in the late '70s, an awful lot of it was highly derivative, and people weren't bringing new things to it."
In 1983, Pratchett unveiled Discworld with The Color of Magic. Since then, he has added installments to the absurdly hilarious saga at the average rate of one book per year. Influenced by moderately current affairs, he has often used the series to subtly satirize aspects of the real world; the results have inspired critics to rapturous praise. ("The most breathtaking display of comic invention since PG Wodehouse," raved The Times of London.) He occasionally ventures outside the series with standalone novels like the Johnny Maxwell Trlogy, a sci fi adventure sequence for young readers, or Good Omens, his bestselling collaboration with graphic novelist Neil Gaiman.
Sadly, in 2008 fans received the devastating news that Pratchett had been diagnosed with early onset Alzheimer's. He has described his own reaction as "fairly philosophical" and says he plans to continue writing so long as he is able.
Pratchett's bestselling young adult novel Only You Can Save Mankind was adapted for the British stage as a critically acclaimed musical in 2004.
Discworld is not just the subject of a bestselling series of novels. It has also inspired a series of computer games in which players play the role of the hapless wizard Rincewind.
A few fun outtakes from our interview with Pratchett:
"I became a journalist at 17. A few hours later I saw my first dead body, which was somewhat... colourful. That's when I learned you can go on throwing up after you run out of things to throw up."
"The only superstition I have is that I must start a new book on the same day that I finish the last one, even if it's just a few notes in a file. I dread not having work in progress.
"I grow as many of our vegetables as I can, because my granddad was a professional gardener and it's in the blood. Grew really good chilies this year.
"I'm not really good at fun-to-know, human interest stuff. We're not ‘celebrities', whose life itself is a performance. Good or bad or ugly, we are our words. They're what people meet.
What was the book that most influenced your life or your career as a writer?
There are so many. Doesn't everyone say that? But The Wind In the Willows by Kenneth Grahame was surely the biggest influence, because it was the first book I read for pleasure rather than as a school chore. It got me reading -- within a week, I was haunting the local library.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
Alien 2 because it was so tightly crafted, Time Bandits simply because it was so funny, and, Bubba Ho-tep, a gem made on a budget that'd probably make one second of The Matrix. You've got to love a movie where an elderly Elvis Presley (he didn't die) and John F. Kennedy (well, that's what he says) join together to save their old folks' rest home from a soul-sucking Egyptian mummy who wears a Stetson.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
For first drafts, Jim Steinman. For careful editing, something a capella. I've got wide tastes, but I don't like jazz.
What are your favorite kinds of books to give -- and get -- as gifts?
Usually, they're history books. Long after my schooldays, I found I was really interested in it; school never told me it was interesting.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
A cup of tea, maybe? I was a journalist, and learned to write anywhere.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Sorry, I sold my first story and my first novel. But I had to wait about 20 years to become an overnight success.
What tips or advice do you have for writers still looking to be discovered?
Don't talk about it, just write. And read widely, and think about what you read. And let grammar, spelling and punctuation enter your life.
The Barnes & Noble Review
This entry in Terry Pratchett's uproarious Discworld saga (Going Postal, Monstrous Regiment, et al.) examines the feud between dwarves and trolls. With the anniversary of Koom Valley quickly approaching -- a historic bloodbath where either trolls ambushed dwarves or dwarves attacked trolls, no one remembers or really cares -- Sam Vimes, Commander of the City Watch, must solve a murder of a fanatical dwarf leader while also trying to prevent an all-out war from erupting in the great city of Ankh-Morpork.
When a rabble-rousing dwarf is found with his head crushed and a troll is rumored to be the killer, Vimes and his team of misfits must get to the bottom of the mystery before tensions escalate out of control. To complicate matters, a priceless painting depicting the battle of Koom Valley (a painting that supposedly contains clues to the whereabouts of a hidden treasure) has been stolen from the Royal Art Museum. As Vimes digs deeper, he realizes that powerful dark magic is involved and that the answer to all his questions can only be found at the ancient battle site. But what he finds at Koom Valley will change perceptions forever…
Longtime fans of Discworld -- which began in 1983 with the publication of The Color of Magic and now encompasses an incredible 30 novels -- will enjoy revisiting beloved characters like Vimes, Ankh-Morpork's supreme leader Lord Vetinari, and everyone's favorite scythe wielder, Death, as well as meeting quirky new characters like the painfully uptight government inspector Mr. A. E. Pessimal and Sally von Humpeding, the new, blood-sucking Watch recruit. Outlandishly witty and as irreverent as it is insightful, Pratchett's Thud! is a knockout. Paul Goat Allen
Vroom Valley? That was where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls. It was very far away. It was a long time ago. But if he doesn’t solve the murder of just one dwarf, Command Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and his war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the solution. And darkness is following him. Oh . . . and at six o’clock every day, without fail, with no excuses, he must go home to read Where’s My Cow?, with all the right farmyard noises, to his little boy. There are some things you have to do!
From the Hardcover edition.
…the plot of a Discworld novel is never the point. The asides and the general goofiness and the imagination run amok are the point, every time and this time, too. And if, for instance, Carrot, the shy six-foot-tall dwarf (you had to be there), seems by this episode to be overstaying his welcome, that's also okay. All in all the only thing to be said about a Discworld novel is: Read it. You'll like it.
Ankh-Morpork's City Watch Commander, Sam Vimes, stars in the latest entry in Pratchett's popular Discworld series (Going Postal, etc.). "Thud" is the sound that commences the novel, as a dwarf is bludgeoned to death; it's also the name of a chesslike match that recreates the battle of Koom Valley, a long-ago fight between trolls and dwarfs. As the anniversary of the battle approaches, ancient politics and the present-day murder cause tensions between the trolls and dwarfs to boil. Though Koom Valley was a disaster for both sides, certain community leaders from each side have been spoiling for a rematch-something Vimes is duty-bound to prevent. In the midst of this, a push toward affirmative action forces Vimes to hire a vampire named Sally to the Watch. She's sworn off human blood, but that's cold comfort to the assortment of humans, dwarfs, trolls, werewolves and golems that make up the police force. Vimes and his motley crew of coppers are called upon to not only find the murderer and keep the peace but also, in a jab at The Da Vinci Code, solve the riddle of a painting that reputedly holds the secret to what really happened at Koom Valley. Pratchett's fantastic imagination and satirical wit are on full display. Agent, Ralph M. Vicinanza. (Oct.) Copyright 2005 Reed Business Information.
Thud! is the 30th book in Pratchett's "Disc-world" series and the seventh book in the "Watch" subseries (e.g. Guards! Guards!). In this installment, Commander Sam Vimes-a copper's copper-must deal with dwarfs and trolls as the anniversary of the battle of Koom Valley, a long-ago fight between trolls and dwarfs, draws near. Although the reason for the battle is lost to history, ancient politics and what appears to be the murder of a dwarf official by a troll cause tensions between the two races to escalate. If Sam and crew cannot solve the mystery in time, the battle of Koom Valley could be re-enacted on the streets of Ankh-Morpork. The subplots move the story along, and reader Stephen Briggs, who has adapted 14 of the "Discworld" novels for the stage, gives all of Pratchett's characters crisp and unique voices. Recommended for all libraries.-Tim Daniels, Georgia State Univ. Lib., Atlanta Copyright 2006 Reed Business Information.
More amiable mockery from one of our leading lights. The most rewarding part of Discworld, Prachett's comedic fictional universe, is the teeming city of Ankh-Morpork, and specifically, the city's effective yet accident-prone keepers of the peace, The Watch, whose "fine traditions . . . largely consist of finding somewhere out of the rain." This time out, The Watch, under the leadership of their long-suffering commander, Sam Vimes, are charged with keeping order in the tinderbox city, due to go up in flames at any moment as a result of the bitter inter-species hatred between the dwarves and the trolls. Things are especially tense now because of the anniversary of Koom Valley, an ancient battle between the two races that had become "a rallying cry, the ancestral reason why you couldn't trust those short, bearded/big, rocky bastards." Into this pool of gasoline is tossed a match, in the form of the murder of an important dwarf whom the old dwarf fundamentalists, called "deep-downers," were trying to blame on the trolls. Pratchett (Going Postal, 2004, etc.) takes on a target in every novel, something in the modern world that really seems to get his goat. This time it's a few things: ethnic clannishness and strife, religious fundamentalism, The Da Vinci Code and cell phones (presented here as a small, obnoxious imp in a handheld box called a Gooseberry(tm)). As always, Vimes staggers through the chaos and idiocy as the exasperated, excruciatingly decent British voice of reason. Though Pratchett loses his way a bit towards the end, fans will not be disappointed. Bitingly relevant and laugh-out-loud funny.
Loading...Thud ... that was the sound the heavy club made as it connected with the head. The body jerked, and slumped back.
And it was done, unheard, unseen: the perfect end, a perfect solution, a perfect story.
But, as the dwarfs say, where there is trouble you will always find a troll.
The troll saw.
It started out as a perfect day. It would soon enough be an imperfect one, he knew, but just for these few minutes, it was possible to pretend that it wouldn't.
Sam Vimes shaved himself. It was his daily act of defiance, a confirmation that he was ... well, plain Sam Vimes.
Admittedly, he shaved himself in a mansion, and while he did so his butler read out bits from the Times, but they were just ... circumstances. It was still Sam Vimes looking back at him from the mirror. The day he saw the duke of Ankh-Morpork in there would be a bad day. "Duke" was just a job description, that's all.
"Most of the news is about the current ... dwarfish situation, sir," said Willikins, as Vimes negotiated the tricky area under the nose. He still used his granddad's cutthroat razor. It was another anchor to reality. Besides, the steel was a lot better than the steel you got today. Sybil, who had a strange enthusiasm for modern gadgetry, kept on suggesting he get one of those new shavers, with a little magic imp inside that had its own scissors and did all the cutting very quickly, but Vimes had held out. If anyone was going to be using a blade near his face, it was going to be him.
"Koom Valley, Koom Valley," he muttered to his reflection. "Anything new?"
"Not as such, sir," said Willikins, turning back to the front page. "There is a report of that speech by Grag Hamcrusher. There was a disturbance afterwards, it says. Several dwarfs and trolls were wounded. Community leaders have appealed for calm."
Vimes shook some lather off the blade. "Hah! I bet they have. Tell me, Willikins, did you fight much when you were a kid? Were you in a gang or anything?"
"I was privileged to belong to the Shamlegger Street Rude Boys, sir," said the butler primly.
"Really?" said Vimes, genuinely impressed. "They were pretty tough nuts, as I recall."
"Thank you, sir," said Willikins smoothly. "I pride myself I used to give somewhat more than I got if we needed to discuss the vexed area of turf issues with the young men from Rope Street. Stevedore's hooks were their weapon of choice, as I recall."
"And yours ... ?" said Vimes, agog.
"A cap-brim sewn with sharpened pennies, sir. An ever-present help in times of trouble."
"Ye gods, man! You could put someone's eye out with something like that."
"With care, sir, yes."
And here you stand now, in your pinstripe trousers and butlering coat, shiny as schmaltz and fat as butter, Vimes thought, while he tidied up under the ears. And I'm a duke. How the world turns.
"And have you everheard someone say 'let's have a disturbance'?" he said.
"Never, sir," said Wilkins, picking up the paper again.
"Me neither. It only happens in newspapers." Vimes glanced at the bandage on his arm. It had been quite disturbing, even so.
"Did it mention I took personal charge?" he said.
"No, sir. But it does say here that rival factions in the street outside were kept apart by the valiant efforts of the Watch, sir."
"They actually used the word 'valiant'?" said Vimes.
"Indeed they did, sir."
"Well, good," Vimes conceded grumpily. "Do they record that two officers had to be taken to the Free Hospital, one of them quite badly hurt?"
"Unaccountably, not, sir," said the butler.
"Huh. Typical. Oh, well ... carry on."
Willikins coughed a butlery cough. "You might wish to lower the razor for the next one, sir. I got into trouble with her ladyship about last week's little nick."
Vimes watched his image sigh, and lowered the razor. "All right, Willikins. Tell me the worst."
Behind him, the paper was professionally rustled. "The headline on page three is: 'Vampire Officer For The Watch?,' sir," said the butler and took a careful step backwards.
"Damn! Who told them?"
"I really couldn't say, sir. It says you are not in favor of vampires in the Watch, but will be interviewing a recruit today. It says there is a lively controversy over the issue."
"Turn to page eight, will you?" said Vimes grimly. Behind him, the paper rustled again.
"Well?" he said. "That's where they usually put their silly political cartoon, isn't it?"
"You did put the razor down, did you, sir?" said Willikins.
"Yes!"
"Perhaps it would also be just as well if you stepped away from the washbasin, too, sir."
"There's one of me, isn't there ..." said Vimes grimly.
"Indeed there is, sir. It portrays a small, nervous vampire and, if I may say so, a rather larger-than-life drawing of yourself leaning over your desk, holding a wooden stake in your right hand. The caption is 'Any good on a stakeout, eh?,' sir, this being a humorous wordplay referring, on the one hand, to the standard police procedure -- "
"Yes, I think I can just about spot it," said Vimes wearily. "Any chance you could nip down and buy the original before Sybil does? Every time they run a cartoon of me, she gets hold of it and hangs it up in the library!"
"Mr., er, Fizz does capture a very good likeness, sir," the butler conceded. "And I regret to say that her ladyship has already instructed me to go down to the Timesoffice on herbehalf."
Vimes groaned.
"Moreover, sir," Willikins went on, "her ladyship desired me to remind you that she and Young Sam will meet at the studio of Sir Joshua at eleven sharp, sir. The painting is at an important stage, I gather."
"But I -- "
"She was very specific, sir. She said if a commander of police cannot take time off, who can?"
Continues...
Excerpted from Thud! by Terry Pratchett Copyright © 2005 by Terry Pratchett.
Excerpted by permission.
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