This Is Not the Tropics by Ladette Randolph

From the Publisher

The stories collected in This Is Not the Tropics come from the geographic center of a divided nation, and its protagonists evoke a split personality—one half submerged in America's own diehard mythology, the other half searching to escape tradition. Together they form a portrait of the Plains that is both quirky and poignant. While the themes in this collection are familiar—love and betrayal, loneliness and regret, the needs of the individual versus the needs of the community—the stories themselves are startling and new. Whether it is the story of an eccentric, out-of-work accordion player; a woman ending a long marriage against the backdrop of a visit from her failing mother; a young girl who wishes to solve a mystery until real mystery enters her life; two sisters who watch as their mother battles an entire town, including their father; a man who comes to be suspicious of his new girlfriend's stalker story; or all of the men in a small Nebraska town who annually compete in a hilariously earnest beauty pageant, these are tales that speak of the lives lived in the small towns, the prairie cities, and on the dirt roads off blue highways in the middle of nowhere and everywhere.

Publishers Weekly

A clear-eyed portrait of the Plains emerges over 15 debut stories from University of Nebraska press executive editor Randolf. In "Billy,"a long-resigned housewife trapped in a loveless marriage gets ready to flee town with a more compatible if unexciting married man when her husband suddenly dies. In the poignant, unnerving "Hyacinths," an unexpected pregnancy and the possibility of a church group's dubious intervention causes a once cheerful mother to rebel against the hypocrisy of a town "fossilized in the past." House-sitting her eccentric professor's home, replete with pornographic art and two needy pugs, may have more to teach a young college student about life than her closest friends in "The Girls." A small Nebraska town becomes a hotbed of aggressively charged transvestism in "Miss Kielbasa," as local men ready for the annual "queen contest" while a white daughter frets over her family's reaction to her upcoming nuptials to a black man. Solid but never surprising, the stories have a claustrophobic feel that is often appropriate to their characters' circumscribed lives, but that just as often limits their reach. (Sept.) Copyright 2005 Reed Business Information.

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• Table of Contents

Table of Contents