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(Paperback)
Usually, graphic designers are know as formulators -- with emphasis on form -- making what others have to say look good. But industry darling Stefan Sagmeister (best known for creating iconic album covers for the likes of Lou Reed and David Byrne) has produced an unbound book illustrating his own aphoristic maxims, and the globe-trotting shenanigans he employed to stage them: the result is worth not just reading but beholding. First, TIHLIMLSF is a fun thing to play with -- a die-cut cardboard box (outlining the author's face) with contents that can be shuffled to create radically different "covers." Muppet blue! Mad monkey mask! Pimples! Silly, but irrationally satisfying.Sagmeister not only has a mighty morphing mind, he also literally puts a lot of himself into his work. This monograph of projects represents a series of performance-art-stunt extremes: he dangled his legs outside an Empire State Building office window holding a sign and traveled to a shuttered amusement park in Singapore to erect bamboo scaffolding spelling out words on a man-sized scale. That he convinced his corporate clients to underwrite these wacky, costly endeavors is itself impressive. In the final analysis, the greatest value this exuberant catalogue offers is as a creative challenge; he makes it clear that if a merry prankster like him can have this much (lucrative) fun, so can you. --Victoria C. Rowan
More Reviews and RecommendationsThis book began as a list designer Stefan Sagmeister made in his diary under the title Things I have learned in my life so far, which includes statements such as "Worrying solves nothing" and "Trying to look good limits my life." The list reveals something that is profoundly true: Although human beings have been pursuing happiness for countless generations, it is not so easily achieved. And we need constant reminders to keep us on the right path.
With the support of his clients, Sagmeister transformed these sentences into typographic works, from billboards in France to sign-toting inflatable monkeys on the streets of Scotland. Accompanied by essays from design historian Steven Heller, Guggenheim chief curator Nancy Spector, and UK psychologist Daniel Nettle, as well as Sagmeister's own words, the series is revealed as a complex blend of personal revelation, art, and design--an eclectic mix of visual audacity and sound advice.
This book consists of 15 unbound signatures in a laser-cut slipcase. Shuffling the sequence of the signatures will produce 15 different covers.
Stefan Sagmeister is one of the most influential graphic designers working today. Since 1993, Sagmeister Inc. has focused on all things printed. He lives in New York.
Daniel Nettle is a reader in Psychology at Newcastle University and is the author of Happiness: The Science Behind Your Smile.
Steven Heller is co-chair of the MFA/Design program at the School of Visual Arts.
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February 16, 2009: This is a book that is front and center on shelf or coffeetable. The laser cut slipcase makes even the cover ever-intriguing. Slide out a section and be prepared - no, not possible to be prepared - just let the visual maxims and essays take you on a journey to places you'd never have imagined. Sagmeister's collaborations on projects that visually illustrate life lessons like "being not truthful works against me". Sagmeister's approach is always fresh with incredible imagination and concepts. This book is not for everyone - but anyone with even marginal creativity and curiosity should own and recommend this truely inspirational collection!
I Also Recommend: Quiltmaker's Gift, Old Black Fly, Songs in the Night, Wilfrid Gordon McDonald Partridge, The Art of Lisbeth Zwerger.
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May 30, 2008: Dutch artist Amie Dicke has taken magazine clippings of models in ads and cut them with an x-acto by hand, resulting in a image similar to this cover- as a graphic artist, you'd think he'd 1. be familiar with dicke, 2. know better than to release this if he is familiar with dicke, 3. at least have people who know people who know her work and could say, hey, she talks about media and his work IS media, so let's not let them intertwine... just a point.