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Mary Leapor (1722-46) was the kitchen-maid daughter of a Northamptonshire gardener. Her poems are at times amusing, angry, and poignant. This volume presents all of her works, generously introduced and annotated, so that general readers may embrace this remarkable poet, whom many critics now believe to be one of the outstanding figures of eighteenth-century literature.
Richard Greene was born in 1961 in St. John's, Newfoundland. He took a BA in English from Memorial University of Newfoundland in 1983. He matriculated at Christ Church, Oxford, in 1984, and was granted his doctorate in English in 1991. From 1990-1995, he taught at Memorial University of Newfoundland. Since 1995, he has taught at the University of Toronto, where he is an associate professor. Ann Parshall Messenger, born in 1933, grew up in the United States and was educated at Oberlin College, Cornell University and Somerville College, Oxford. After a brief period teaching at the University of British Columbia, she joined the faculty at Simon Fraser University in Burnaby, British Columbia, where she was made Professor of English. She died in 1996.
| Abbreviations | ||
| Introduction | ||
| To John*****, Esq | ||
| To the Reader | ||
| Dorinda at her Glass | 3 | |
| Mira's Will | 6 | |
| The Friend in Disgrace | 7 | |
| An Ode on Mercy | 9 | |
| The Beauties of the Spring | 11 | |
| Damon and Strephon | 12 | |
| A Summer's Wish | 14 | |
| An Hymn to the Morning | 15 | |
| Colinetta | 17 | |
| The Linnet and the Goldfinch | 20 | |
| The Month of August | 21 | |
| An Epistle to a Lady | 24 | |
| The Proclamation of Apollo | 26 | |
| The Fall of Lucia | 30 | |
| The Crucifixion and Resurrection. An Ode | 31 | |
| The Third Chapter of the Wisdom of Solomon | 32 | |
| Essay on Happiness | 33 | |
| An Essay on Hope | 36 | |
| The Moral Vision | 39 | |
| A Prayer for the Year, 1745 | 41 | |
| David's Complaint | 43 | |
| Essay on Friendship | 44 | |
| The Mistaken Lover | 47 | |
| The Way of the World | 52 | |
| The Fox and the Hen. A Fable | 56 | |
| The Head-ach. To Aurelia | 58 | |
| Strephon to Celia. A Modern Love-Letter | 59 | |
| To Artemisia. Dr. King's Invitation to Bellvill: Imitated | 61 | |
| The Apparition | 62 | |
| The Inspir'd Quill | 63 | |
| The Penitent | 67 | |
| Song to Cloe, playing on her Spinet | 68 | |
| To Grammaticus | 69 | |
| The Ten-Penny Nail | 71 | |
| The Genius in Disguise | 74 | |
| Celadon to Mira | 77 | |
| On Mr. Pope's Universal Prayer | 80 | |
| The Fields of Melancholy and Chearfulness | 81 | |
| The Libyan Hunter, a Fable | 86 | |
| The Temple of Love | 91 | |
| Advice to Myrtillo | 93 | |
| On Discontent. To Stella | 95 | |
| The Proposal | 96 | |
| Soto. A Character | 97 | |
| The Universal Dream | 99 | |
| The Sow and the Peacock. A Fable | 100 | |
| Florimelia, the First Pastoral. By Mr. Newton | 102 | |
| Florimelia, the Second Pastoral. By Mr. Newton | 104 | |
| Catharina's Cave. By Mr. Newton | 107 | |
| The Enquiry | 109 | |
| The Rival Brothers | 111 | |
| The Question, Occasion'd by a serious Admonition | 124 | |
| The Sacrifice. An Epistle to Celia | 125 | |
| The Power of Beauty | 127 | |
| The Death of Abel | 128 | |
| Job's Curse, and his Appeal | 131 | |
| The Tale of Cushi | 134 | |
| Proserpine's Ragout | 136 | |
| The Charms of Anthony | 137 | |
| On the Death of a justly admir'd Author | 139 | |
| An Epitaph | 140 | |
| On Winter | 141 | |
| Mira to Octavia | 142 | |
| The Setting Sun. To Silvia | 144 | |
| An Epitaph | 144 | |
| On Sickness | 145 | |
| To a Gentleman with a Manuscript Play | 146 | |
| Silvia and the Bee | 148 | |
| The Cruel Parent. A Dream | 150 | |
| A Request to the Divine Being | 153 | |
| On Patience | 157 | |
| Phoebus to Artemisia | 158 | |
| Man the Monarch | 159 | |
| Mopsus; or, The Castle-Builder | 161 | |
| An Epistle to Artemisia. On Fame | 175 | |
| Advice to Sophronia | 180 | |
| Proper Ingredients for the Head of a Beau, found amongst the Rules of Prometheus | 181 | |
| To Lucinda | 182 | |
| August 1746 | 183 | |
| An Essay on Woman | 184 | |
| The Epistle of Deborah Dough | 186 | |
| Complaining Daphne. A Pastoral | 188 | |
| The Disappointment | 191 | |
| The Consolation | 192 | |
| Cicely, Joan, and Deborah | 193 | |
| The Complaint | 196 | |
| The Pocket-Book's Soliloquy | 197 | |
| The Pocket-Book's Petition to Parthenissa | 198 | |
| Parthenissa's Answer to the Pocket-Book's Soliloquy | 199 | |
| Nature Undone by Art | 201 | |
| Mira to Octavia | 202 | |
| Crumble-Hall | 206 | |
| Upon her Play being Returned to her Stained with Claret | 211 | |
| The Delicate Hen | 212 | |
| The Birth-Night | 213 | |
| The Muses Embassy | 215 | |
| Timon | 217 | |
| Fuddling Dicky, and Scolding Nelly | 218 | |
| Minutius. Artemisia. A Dialogue | 220 | |
| The Visit | 222 | |
| A New Ballad | 223 | |
| Corydon. Phillario, Or, Mira's Picture | 224 | |
| The XVIIIth Psalm Imitated, to the 15th Verse | 227 | |
| An Imperfect Scene | 275 | |
| Some Acts of a Second Play | 277 | |
| Letters, &c. Written by Mrs. Leapor | 297 | |
| Textual Notes | 308 | |
| Glossary of Recurrent Words | 310 | |
| Commentary | 311 | |
| Index of Titles and First Lines | 355 |
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