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(Hardcover - 75th Anniversary Edition)
Reader Rating: (39 ratings)
Detailed Rating: "Educational" See All
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| Available in eBook | $4.95 |
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| Paperback | $10.40 |
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| Audio | $29.99 |
| Compact Disc | $68.00 |
| Library Binding | $24.21 |
| MP3 Book - Unabridged | $27.34 |
Kenneth Grahame's exuberant yet whimsical The Wind in the Willows belongs to the golden age of children's classic novels. These charming, exciting and humorous tales of the riverbank and its life featuring the wonderfully imagined Ratty, Mole, Badger and the irrepressible but conceited Toad of Toad Hall whose passion for motor cars ("The only way to travel! Here today in next week tomorrow") lands him in many scrapes still continue exert their charm over adults as well as children.
Kenneth Grahame was born in Edinburgh in 1859. He was educated at St Edward's School, Oxford but because of family circumstances he was unable to enter Oxford University. He joined the Bank of England as a gentleman clerk in 1879, rising to become Secretary to the Bank in 1898. He wrote a series of short stories published in such collections as The Golden Age (1895) and Dream Days (1898). These featured a fictional family of five children. In 1899 he married Elspeth Thomson and their only child, Alistair, was born a year later. He left the Bank in 1908 on health grounds. The same year, The Wind in the Willows was published. The book was not an immediate success, and he never attempted to write fiction again. However, the popularity of the novel grew steadily and by the time of Grahame's death in 1932 it was recognized as a children's classic.
One of the true classics of English literature, here are the adventures of Mole, Water Rat, Badger, and Toad. Grahame's idyllic world is as fresh now as when they first discovered his enchanting tales--of Ratty sculling his boat on the River, Badger grumpily entertaining his friends in his comfortable underground home, and the exasperating Toad being driven into one tangle after another by his obsession with motor cars.
Lavishly illustrated.
More Reviews and RecommendationsKENNETH GRAHAME (1859-1932) grew up in the village of Cookham Dene in Berkshire, England, which is the setting for much of his masterpiece, The Wind in the Willows. While pursuing his career in finance at the Bank of England, he wrote poems, essays, and novels.
MICHAEL FOREMAN is one of the world's leading illustrators of children's books and the winner of several major awards, including the Kate Greenaway Medal. He divides his time between London and St. Ives, England, his childhood home.
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November 12, 2009: I was disappointed when I got it home to find it had been abridged- the language simplified. I kept it for the illustrations but was very disappointed in the simplified style.
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September 23, 2009: This book shows once again the timelessness of the story. the illustrations are beautiful and the story engages even the smallest of children. lessons to be learned from the adventures. a real find for all ages.
Kenneth Grahame's exuberant yet whimsical The Wind in the Willows belongs to the golden age of children's classic novels. These charming, exciting and humorous tales of the riverbank and its life featuring the wonderfully imagined Ratty, Mole, Badger and the irrepressible but conceited Toad of Toad Hall whose passion for motor cars ("The only way to travel! Here today in next week tomorrow") lands him in many scrapes still continue exert their charm over adults as well as children.
Kenneth Grahame was born in Edinburgh in 1859. He was educated at St Edward's School, Oxford but because of family circumstances he was unable to enter Oxford University. He joined the Bank of England as a gentleman clerk in 1879, rising to become Secretary to the Bank in 1898. He wrote a series of short stories published in such collections as The Golden Age (1895) and Dream Days (1898). These featured a fictional family of five children. In 1899 he married Elspeth Thomson and their only child, Alistair, was born a year later. He left the Bank in 1908 on health grounds. The same year, The Wind in the Willows was published. The book was not an immediate success, and he never attempted to write fiction again. However, the popularity of the novel grew steadily and by the time of Grahame's death in 1932 it was recognized as a children's classic.
Lavishly illustrated.
Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix's style has been called "detailed impressionism," and the limpid watercolors of his lavish adaptation give that "Somewhere Else" quality to the classic story-2008 is the 100th anniversary of Graham's novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact-and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix's lush art as it deserves. For all ages.
K-Gr 6
This handsomely illustrated, unabridged edition celebrates the 100th anniversary of Grahame's classic animal fantasy. Ingpen's detailed paintings blend earthy tones with fire-lit highlights to create a warm mood. Each chapter is introduced with a landscape-style spread depicting the setting and characters contained within. The rest of the text is illustrated with a neatly balanced mix of full-page paintings and smaller images. Both the woodland scenes and animal abodes are charmingly depicted, and the characters, costumed in 19th-century garb, have loads of personality. An appealing choice, particularly for sharing aloud.-Joy Fleishhacker , School Library Journal
Loading...| Foreword | ix | |
| Chapter 1 | The River Bank | 1 |
| Chapter 2 | The Open Road | 25 |
| Chapter 3 | The Wild Wood | 48 |
| Chapter 4 | Mr. Badger | 70 |
| Chapter 5 | Dulce Domum | 94 |
| Chapter 6 | Mr. Toad | 121 |
| Chapter 7 | The Piper at the Gates of Dawn | 146 |
| Chapter 8 | Toad's Adventures | 165 |
| Chapter 9 | Wayfarers All | 191 |
| Chapter 10 | The Further Adventures of Toad | 221 |
| Chapter 11 | 'Like Summer Tempests Came His Tears' | 250 |
| Chapter 12 | The Return of Ulysses | 281 |
The Mole had been working very hard all the morning, spring cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said "Bother!" and "O blow!" and also "Hang spring cleaning!" and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the graveled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, "Up we go! Up we go!" till at last, pop! his snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.
"This is fine!" he said to himself. "This is better than whitewashing!" The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.
"Hold up!" said an elderly rabbit at the gap. "Sixpence for the privilege of passing by the private road!" He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. "Onion sauce! Onion sauce!" he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. "How stupid you are! Why didn't you tell him--" "Well, why didn't you say--" "You might have reminded him--" and so on, in the usual way; but, of course, it was then much too late, as is always the case.
It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting -- everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering, "Whitewash!" he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.
He thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before -- this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again. All was a-shake and a-shiver -- glints and gleams and sparkles, rustle and swirl, chatter and bubble. The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spellbound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.
As he sat on the grass and looked across the river, a dark hole in the bank opposite, just above the water's edge, caught his eye, and dreamily he fell to considering what a nice snug dwelling place it would make for an animal with few wants and fond of a bijou riverside residence, above flood level and remote from noise and dust. As he gazed, something bright and small seemed to twinkle down in the heart of it, vanished, then twinkled once more like a tiny star. But it could hardly be a star in such an unlikely situation; and it was too glittering and small for a glowworm. Then, as he looked, it winked at him, and so declared itself to be an eye; and a small face began gradually to grow up round it, like a frame round a picture.
A brown little face, with whiskers.
A grave round face, with the same twinkle in its eye that had first attracted his notice.
Small neat ears and thick silky hair.
It was the Water Rat!
Then the two animals stood and regarded each other cautiously.
"Hullo, Mole!" said the Water Rat.
"Hullo, Rat!" said the Mole.
"Would you like to come over?" inquired the Rat presently.
"Oh, it's all very well to talk," said the Mole, rather pettishly, he being new to a river and riverside life and its ways.
The Rat said nothing, but stooped and unfastened a rope and hauled on it; then lightly stepped into a little boat which the Mole had not observed. It was painted blue outside and white within, and was just the size for two animals; and the Mole's whole heart went out to it at once, even though he did not yet fully understand its uses ...
The Wind in the Willows Book and Charm. Copyright © by Kenneth Grahame. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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