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Pendergast has taken Constance on a whirlwind Grand Tour, hoping to give her closure and a sense of the world that she's missed. They head to Tibet, where Pendergast intensively trained in martial arts and spiritual studies. At a remote monastery, they learn that a rare and dangerous artifact the monks have been guarding for generations has been mysteriously stolen. Pendergast agrees to take up the search. The trail leads him and Constance to the maiden voyage of the Queen Victoria, the world's largest and most luxurious passenger liner-and to an Atlantic crossing fraught with terror.
A new Preston/Child book is like a gift that keeps on giving. Through every story featuring FBI special agent Pendergast, the authors weave a tale of terror so engrossing that putting it down is an act of will. The first half of The Wheel of Darknessfinds Pendergast and his ward, Constance Green, in a Tibetan monastery in an effort to rid their minds and hearts of the horror that Pendergast's brother, Diogenes, put them through in The Book of the Dead. Pendergast is asked by one of the monks to help recover a most valuable stolen artifact, something that could prove to be a threat to the entire world. One slight problem: the monks have no idea what the artifact looks like since no one has dared to gaze at it for centuries. Once Pendergast discovers the missing item's location, the stage is set for part two: the maiden voyage of the Britannia, the largest ocean liner in the world and one that will soon be the victim of a terrifying series of events. Rene Auberjonois, veteran of previous Pendergast novels, is a master of voices and of maintaining suspense throughout. Through his skilled narration, readers will find themselves in perhaps the best Pendergast novel of all. Every library should have this in their audio collection; a great story presented by a great reader.
More Reviews and RecommendationsDouglas Preston is the co-author with Lincoln Child of a bestselling thriller/adventure series. He also writes novels and nonfiction books of his own and is a frequent contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure.
More About the AuthorReader Rating:
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September 14, 2009: I've read all the Agent Pendergrast novels, this being the most boring and contrived. I think the authers are running out of steam or ideas with this character. There was not enough adventure, excitment or mystery. Nor was there a compelling villian like in previous novels such as Alosius Pendergrast.
Reader Rating:
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September 12, 2009: I love Special Agent Pendergast. He is so good at what he does. I really love all the books featuring this character. The mystery is thrilling until the end and I was hooked. I found much enjoyment reading this series. For anyone who loves mystery, cleverness, and puzzling clues will love the Pendergast series of books. I hope the writers will continue to write Pendergast stories.
Name:
Douglas Preston
Place of Birth:
Cambridge, Massachusetts
Education:
B.A., Pomona College, 1978
Douglas Preston was born in 1956 in Cambridge, MA, was raised in nearby Wellesley (where, by his own admission, he and his brothers were the scourge of the neighborhood!), and graduated from Pomona College in California with a degree in English literature.
Preston's first job was as a writer for the American Museum of Natural History in New York -- an eight year stint that led to the publication of his first book, Dinosaurs in the Attic and introduced him to his future writing partner, Lincoln Child, then working as an editor at St. Martin's Press. The two men bonded, as they worked closely together on the book. As the project neared completion, Preston treated Child to a private midnight tour of the museum, an excursion that proved fateful. As Preston tells it, "...in the darkened Hall of Late Dinosaurs, under a looming T. Rex, Child turned to [me] and said: 'This would make the perfect setting for a thriller!'" Their first collaborative effort, Relic, would not be published until 1995, by which time Preston had picked up stakes and moved to Santa Fe to pursue a full-time writing career.
In addition to writing novels (The Codex, Tyrannosaur Canyon) and nonfiction books on the American Southwest (Cities of Gold, Ribbons of Time), Preston has collaborated with Lincoln Child on several post-Relic thrillers. While not strictly a series, the books share characters and events, and the stories all take place in the same universe. The authors refer to this phenomenon as "The Preston-Child Pangea."
Preston divides his time between New Mexico and Maine, while Child lives in New Jersey -- a situation that necessitates a lot of long-distance communication. But their partnership (facilitated by phone, fax, and email) is remarkably productive and thoroughly egalitarian: They shape their plots through a series of discussions; Child sends an outline of a set of chapters; Preston writes the first draft of those chapters, which is subsequently rewritten by Child; and in this way the novel is edited back and forth until both authors are happy. They attribute the relatively seamless surface of their books to the fact that "[a]ll four hands have found their way into practically every sentence, at one time or another."
In between, Preston remains busy. He is a regular contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure, and he continues with varied solo literary projects. Which is not to say his partnership with Lincoln Child is over. Fans of the bestselling Preston-Child thrillers can be assured there are bigger and better adventures to come.
Douglas Preston counts among his ancestors the poet Emily Dickinson, the newspaperman Horace Greeley, and the infamous murderer and opium addict Amasa Greenough.
His brother is Richard Preston, the bestselling author of The Hot Zone, The Cobra Event, The Wild Trees, and other novels and nonfiction narratives.
Preston is an expert horseman and a member of the Long Riders Guild.
He is also a National Geographic Society Fellow, has traveled extensively around the world, and contributes archaeological articles to many magazines.
In our interview, Preston shared some fun and fascinating personal anecdotes.
"My first job was washing dishes in the basement of a nursing home for $2.10 an hour, and I learned as much about the value of hard work there as I ever did later."
"I need to write in a small room -- the smaller the better. I can't write in a big room where someone might sneak up behind my back."
"My hobbies are mountain biking, horseback riding and packing, canoeing and kayaking, hiking, camping, cooking, and skiing."
What was the book that most influenced your life or your career as a writer?
I would have to say the novel War and Peace influenced me more than any other book. This greatest of novels demonstrated to me the enormous power of literature and fired me up with a desire to become a writer, to participate in what I considered then to be the greatest of all endeavors.
What are your favorite books, and what makes them special to you?
What are some of your favorite films?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I can't write and listen to music. I have eclectic tastes -- classical, jazz, bluegrass, folk, Celtic, Italian popular music, among others.
What are your favorite kinds of books to give -- and get -- as gifts?
Blank books and poetry books. From those whose taste I respect, I like to get novels from authors I've never heard of.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
No. I work nine to five, just like any good bank clerk.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I've been writing for 25 years. Sure, I've got plenty of rejection slip horror stories. No so much from book publishers, but from magazines. Magazines in general treat writers horribly, despicably -- although there are exceptions, like The New Yorker, National Geographic, and a few other top magazines. Most (especially men's fashion magazines like GQ) generally treat writers like dirt.
What tips or advice do you have for writers still looking to be discovered?
Keep working. It's a career, not a book. If your first manuscript doesn't sell, quit messing with it and move on quickly to the next novel.
Pendergast has taken Constance on a whirlwind Grand Tour, hoping to give her closure and a sense of the world that she's missed. They head to Tibet, where Pendergast intensively trained in martial arts and spiritual studies. At a remote monastery, they learn that a rare and dangerous artifact the monks have been guarding for generations has been mysteriously stolen. Pendergast agrees to take up the search. The trail leads him and Constance to the maiden voyage of the Queen Victoria, the world's largest and most luxurious passenger liner-and to an Atlantic crossing fraught with terror.
A new Preston/Child book is like a gift that keeps on giving. Through every story featuring FBI special agent Pendergast, the authors weave a tale of terror so engrossing that putting it down is an act of will. The first half of The Wheel of Darknessfinds Pendergast and his ward, Constance Green, in a Tibetan monastery in an effort to rid their minds and hearts of the horror that Pendergast's brother, Diogenes, put them through in The Book of the Dead. Pendergast is asked by one of the monks to help recover a most valuable stolen artifact, something that could prove to be a threat to the entire world. One slight problem: the monks have no idea what the artifact looks like since no one has dared to gaze at it for centuries. Once Pendergast discovers the missing item's location, the stage is set for part two: the maiden voyage of the Britannia, the largest ocean liner in the world and one that will soon be the victim of a terrifying series of events. Rene Auberjonois, veteran of previous Pendergast novels, is a master of voices and of maintaining suspense throughout. Through his skilled narration, readers will find themselves in perhaps the best Pendergast novel of all. Every library should have this in their audio collection; a great story presented by a great reader.
Loading...The two figures rode up the valley, cowled against the chill wind. This was the last stage of a long journey, and despite the rising storm they rode at a slow pace, their horses on the vergeof exhaustion. As they approached the mouth of the gorge, they crossed a rushing stream once, and then a second time. Slowly, the two entered the gorge and vanished.
Inside the gorge, they continued following the faint trail as it climbed above the roaring stream. Hollows of blue ice lay in the shadows where the rock wall met the boulder-strewn floor. Dark clouds scudded across the sky, pushed before a rising wind that moaned in the upper reaches of the gorge.
The trail changed abruptly at the base of the great rock wall, mounting upward through a steep and terrifying cut. An ancient guard station, built on a projecting tongue of rock, lay in ruins: four broken stone walls supporting nothing more than a row of blackbirds. At the very foot of the cut stood a huge mani stone, carved with a Tibetan prayer, rubbed and polished by thousands of hands of those wishing a blessing before attempting the dangerous journey to the top.
At the guard station, the two travelers dismounted. From here they were forced to proceed on foot, leading their horses up the narrow trail as the overhang was too low to admit a rider. In places, landslides had peeled away the sheer rock wall, taking the trail with it; these gaps had been bridged by rough planks and poles drilled into the rock, forming a series of narrow, creaking bridges without railings. Elsewhere, the trail was so steep that the travelers and their mounts were forced to climb steps carved into the rock, made slick and uneven by the passage of countless pilgrims and animals.
The wind shifted now, driving through the gorge with a booming sound, carrying flakes of snow with it. The stormshadow fell into the gorge, plunging it into a gloom as deep as night. Still the two figures pushed up the vertiginous trail, up the icy staircases and rock pitches. As they rose, the roar of the waterfall echoed strangely between the walls of stone, mingling with the rising wind like mysterious voices speaking in an unknown tongue.
When the travelers at last topped the ridge, the wind almost halted them in their tracks, whipping their robes and biting at their exposed skin. They hunched against it and, pulling their reluctant horses forward, continued along the spine of the ridge until they reached the remains of a ruined village. It was a bleak place, the houses thrown down by some ancient cataclysm, their timbers scattered and broken, the mud bricks dissolving back into the earth from which they had been formed.
In the center of the village, a pile of prayer stones rose, topped by a pole from which snapped dozens of tattered prayer flags. To one side lay an ancient cemetery whose retaining wall had collapsed, and now erosion had opened the graves, scattering bones and skulls down a long scree slope. As the two approached, a group of ravens flapped up in noisy protest from the wreckage, their scratchy cries rising toward the leaden clouds.
At the pile of stones, one of the travelers stopped and dismounted, gesturing for the other to wait. He bent down, picked up an old stone, and added it to the pile. Then he paused briefly in silent meditation, the wind lashing at his robes, before retaking the reins of his horse. They continued on.
Beyond the deserted village the trail narrowed sharply along a knife-edge ridge. Struggling against the violence of the wind, the two figures crept along it, arcing around the shoulder of a mountain-and then at last they could just begin to spy the battlements and pinnacles of a vast fortress, standing dully against the dark sky.
This was the monastery known as Gsalrig Chongg, a name that might be translated as "the Jewel of the Awareness of Emptiness." As the trail continued around the side of the mountain, the monastery came fully into view: massive red-washed walls and buttresses mounting the sides of a barren granite rock, ending in a complex of pinnacled roofs and towers that shone here and there with patches of gold leaf.
The Gsalrig Chongg monastery was one of very few in Tibet to have escaped the ravages of the Chinese invasion, in which soldiers drove out the Dalai Lama, killed thousands of monks, and destroyed countless monasteries and religious structures. Gsalrig Chongg was spared partly because of its extreme remoteness and its proximity to the disputed border with Nepal, but also due to a simple bureaucratic oversight: its very existence had somehow escaped official attention. Even today, maps of the so-called Tibet Autonomous Region do not locate this monastery, and the monks have taken great pains to keep it that way.
The trail passed by a steep scree slope, where a group of vultures picked away at some scattered bones.
"There appears to have been a recent death," the man murmured, nodding toward the heavy birds, which hopped about, utterly fearless.
"How so?" asked the second traveler.
"When a monk dies, his body is butchered and thrown to the wild animals. It is considered the highest honor, to have your mortal remains nourish and sustain other living things."
"A peculiar custom."
"On the contrary, the logic is impeccable. Our customs are peculiar."
The trail ended at a small gate in the massive encircling wall. The gate was open and a Buddhist monk stood there, wrapped in robes of scarlet and saffron, holding a burning torch, as if expecting them.
The two huddled travelers passed through the gate, still leading their horses. A second monk appeared and silently took the reins, leading the animals off to stables within the encircling wall.
The travelers stopped before the first monk, in the gathering darkness. He said nothing, but merely waited.
The first traveler pulled back his cowl-revealing the long, pale face, white-blond hair, marble features, and silvery eyes of Special Agent Aloysius Pendergast of the Federal Bureau of Investigation.
The monk turned toward the other. The second figure removed its cowl with a tentative movement, brown hair spilling out into the wind, catching the swirling snowflakes. She stood, head slightly bowed, a young woman who appeared to be in her early twenties, with a delicate face, finely formed lips, and high cheekbones-Constance Greene, Pendergast's ward. Her penetrating violet eyes darted around, taking in everything quickly, before dropping again to the ground.
The monk stared at her for only a moment. Making no comment, he turned and gestured for them to follow him down a stone causeway toward the main complex.
Pendergast and his ward followed the monk in silence as he passed through a second gate and entered the dark confines of the monastery itself, the air laden with the scent of sandalwood and wax. The great ironbound doors boomed shut behind them, muffling the howling wind to a faint whisper. They continued down a long hallway, one side of which was lined with brass prayer cylinders, creaking and turning round and round, driven by some hidden mechanism. The hall forked, and turned again, driving deeper into the monastic depths. Another monk appeared in front of them carrying large candles in brass holders, their flickering light revealing a series of ancient frescoes lining both walls.
The mazelike turnings brought them at last into a large room. One end was dominated by a gold statue of Padmasambhava, the Tantric Buddha, illuminated by hundreds of candles. Unlike the contemplative, half-closed eyes of most depictions of the Buddha, the Tantric Buddha's eyes were wide open, alert and dancing with life, symbolizing the heightened awareness achieved by his study of the secret teachings of Dzogchen and the even more esoteric Chongg Ran.
The Gsalrig Chongg monastery was one of two repositories in the world preserving the discipline of Chongg Ran, the enigmatic teachings known to those few who were familiar with them as the Jewel of the Mind's Impermanence.
At the threshold to this inner sanctum, the two travelers paused. At the far end, a number of monks reposed in silence, sitting on tiered stone benches as if awaiting someone.
The uppermost tier was occupied by the abbot of the monastery. He was a peculiar-looking man, his ancient face wrinkled into a permanent expression of amusement, even mirth. His robes hung from his skeletal frame like laundry draped on a rack. Next to him sat a slightly younger monk, also known to Pendergast: Tsering, one of only very few of the monks who spoke English, who acted as the "manager" of the monastery. He was an exceptionally well-preserved man of perhaps sixty. Below them sat a row of twenty monks of all ages, some teenagers, others ancient and wizened.
Tsering rose and spoke in an English shot through with the strange, musical lilt of Tibetan. "Friend Pendergast, we welcome you back to monastery of Gsalrig Chongg, and we welcome your guest. Please sit down and take tea with us."
He gestured to a stone bench set with two silk "embroidered cushions" the only cushions in the room. The two sat, and moments later several monks appeared carrying brass trays loaded with cups of steaming buttered tea and tsampa. They drank the sweet tea in silence, and only when they had finished did Tsering speak again.
"What brings friend Pendergast back to Gsalrig Chongg?" he asked.
Pendergast rose.
"Thank you, Tsering, for your welcome," he said quietly. "I'm glad to be back. I return to you in order to continue my journey of meditation and enlightenment. Let me introduce to you Miss Constance Greene, who also has come in hopes of study." He took her hand and she rose.
A long silence ensued. At last, Tsering rose. He walked over to Constance and stood before her, looking calmly into her face, and then reached up and touched her hair, fingering it delicately. Then, ever so gently, he reached out and touched the swell of her breasts, first one, then the other. She remained standing, unflinching.
"Are you a woman?" he asked.
"Surely you've seen a woman before," said Constance dryly.
"No," said Tsering. "I have not seen woman since I come here" at age of two."
Constance colored. "I'm very sorry. Yes, I am a woman."
Tsering turned to Pendergast. "This is first woman ever to come to Gsalrig Chongg. We never accept woman before as student. I am sorry to say it cannot be permitted. Especially now, in middle of funeral ceremonies for Venerable Ralang Rinpoche."
"The Rinpoche is dead?" Pendergast asked.
Tsering bowed.
"I am sorry to hear of the death of the Most High Lama."
At this, Tsering smiled. "Is no loss. We will find his reincarnation" the nineteenth Rinpoche-and he will be with us again. It is I who am sorry to deny your request."
"She needs your help. I need your help. We are both ... tired of the world. We have come a long way to find peace. Peace, and healing."
"I know how difficult journey you make. I know how much you hope. But Gsalrig Chongg exist for thousand year without female presence, and it cannot change. She must leave."
A long silence ensued. And then Pendergast raised his eyes to the ancient, unmoving figure occupying the highest seat. "Is this also the decision of the abbot?"
At first, there was no sign of movement. A visitor might have even mistaken the wizened figure for some kind of happy, senile idiot, grinning vacantly from his perch above the others. But then there was the merest flick of a desiccated finger, and one of the younger monks climbed up and bent over the abbot, placing his ear close to the man's toothless mouth. After a moment he straightened up and said something to Tsering in Tibetan.
Tsering translated. "The abbot asks woman to repeat name, please."
"I am Constance Greene," came the small but determined voice.
Tsering translated into Tibetan, having some difficulty over the name.
Another silence ensued, stretching into minutes.
Again the flick of the finger; again the ancient monk mumbled into the ear of the young monk, who repeated it in a louder voice.
Tsering said, "The abbot asks if this real name."
She nodded. "Yes, it is my real name."
Slowly the ancient lama raised a sticklike arm and pointed to a dim wall of the room with a fingernail that extended at least an inch from his finger. All eyes turned toward a temple painting hidden under a draped cloth, one of many hanging on the wall.
Tsering walked over and lifted the cloth, holding up a candle to it. The glow revealed a stunningly rich and complex image: a bright green female deity with eight arms, sitting on a white moon disk, with gods, demons, clouds, mountains, and gold filigree swirling about her, as if caught in a storm.
The old lama mumbled at length into the ear of the young monk, his toothless mouth working. Then he sat back and smiled while Tsering again translated.
"His Holiness ask to direct attention to thangka painting of Green Tara."
There was a murmuring and shuffling of the monks as they rose from their seats and respectfully stood in a circle around the painting, like students waiting for a lecture.
The old lama flapped a bony arm at Constance Greene to join the circle, which she hastily did, the monks shuffling aside to afford her space.
"This is picture of Green Tara," Tsering continued, still translating at one remove the mumbled words of the old monk. "She is mother of all Buddhas. She have constancy. Also wisdom, activity of mind, quick thinking, generosity, and fearlessness. His Holiness invite female to step closer and view mandala of Green Tara."
Constance stepped forward tentatively.
"His Holiness ask why student given name of Green Tara."
Constance looked around. "I don't know what you mean."
"Your name Constance Greene. This name contain two important attribute of Green Tara. His Holiness ask how you get name."
"Greene is my last name. It's a common English surname, but I've no idea of the origin. And my first name, Constance, was given to me by my mother. It was popular in ... around the time I was born. Any resemblance of my name to the Green Tara is obviously a coincidence."
Now the abbot began to laugh, shakily, and struggled to stand with the help of two monks. In a few moments he was standing, but just barely, as if the slightest nudge would jostle him into a loose heap. He continued to laugh as he spoke again, a low, wheezy sound, displaying his pink gums, his bones almost rattling with mirth.
"Coincidence? No such thing. Student make funny joke," Tsering translated. "The abbot like good joke."
Constance glanced at Tsering to the abbot and back again. "Does that mean I'll be allowed to study here?"
"It mean your study is already begun," said Tsering, with a smile of his own.
(Continues...)
Excerpted from The Wheel of Darkness by Douglas Preston Lincoln Child Copyright © 2007 by Splendide Mendax, Inc. and Lincoln Child. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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