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From Elie Wiesel, a profoundly moving novel about the healing power of compassion.
Gamaliel Friedman is only a child when his family flees Czechoslovakia in 1939 for the relative safety of Hungary. For him, it will be the beginning of a life of rootlessness, disguise, and longing. Five years later, in desperation, Gamaliel’s parents entrust him to a young Christian cabaret singer named Ilonka. With his Jewish identity hidden, he survives the war, but in 1956, to escape the stranglehold of communism, he leaves Budapest after painfully parting with Ilonka.
He settles in Vienna, then Paris, and finally, after a failed marriage, in New York, where he works as a ghostwriter, living through the lives of others. Eventually, he falls in with a group of exiles: a Spanish Civil War veteran, a survivor of the Warsaw ghetto, a victim of Stalinism, a former Israeli intelligence agent, and a rabbi—a mystic whose belief in the potential for grace in everyday life powerfully counters Gamaliel’s feelings of loss and dispossession. When Gamaliel is asked to help draw out an elderly, disfigured Hungarian woman who is barely able to communicate but who may be his beloved Ilonka, he begins to understand that a real life in the present is possible only if he will reconcile with his past.
Aching, unsentimental, deeply affecting, and thought-provoking, The Time of the Uprooted is the work of a master.
Nobel Prize-winner Wiesel (The Judges, Night) considers the cost of exile for a writer and his circle of refugee friends in this meandering yet weighty new novel. Gamaliel Friedman, a Czech Jew, escaped to Hungary as a child during WWII and survived in the care of a Christian cabaret singer named Ilonka. As the book opens in present-day New York, Gamaliel calls on a nameless dying woman who only speaks Hungarian, and his numerous visits to her hospital bed are interspersed with stories of his many loves and losses. Gamaliel's statelessness is in some ways at the root of all his misery: Ilonka's disappearance, his wife's suicide, daughters who despise him and his unhappy career as a ghostwriter. His only consolations are his manuscript the Secret Book, and his small, colorful group of fellow stateless Jews. Wiesel entwines their searing memories and present troubles with Gamaliel's, and the novel's structure sometimes represents the refugee experience: buffeted from one place to the next, never sure of the journey's goal. Though the story ends on an optimistic note, this remains a bleak and unsettling novel, an exploration of the power and mystery of stories, as well as their ultimate failure to change the world. (Sept. 2) Copyright 2005 Reed Business Information.
More Reviews and RecommendationsSince his unprecedented memoir Night woke up the world to the atrocities of the Holocaust in 1958, Nobel laureate Elie Wiesel has dedicated his days to turning his survival story from one of horror to one of hope. From several works inspired by his experience to his insightful reflections in After the Darkness, Wiesel’s work serves to both admonish and inspire.
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August 04, 2005: In 1939, Germany is cleansing Czechoslovakia of the Jewish problem forcing the Friedmans to flee their home for Hungary. The Nazis soon march into Budapest where they continue to implement the final solution. Hoping to keep their son safe, the Friedmans leave their child Gamaliel with a young Christian cabaret singer Ilonka. She keeps him safe until the war ends. Gamaliel ultimately leaves Hungary and settles in New York. Though residing in America for decades, Gamaliel feels displaced, a man without a country. Family life failed him as his wife committed suicide and his daughters hate him and he lost all contact with Ilonka years ago when she seems to have vanished. Work is unfair as he ghost writes for others to gain accolades. He has five fellow lost souls, who can tell interchangeable survival tales and only having to substitute names because their stories are identical. His only solace is the manuscript he has written Secret Book life is miserable as he feels like a drifting refugee with no place to call home until a doctor asks him to talk with an ailing elderly woman who only speaks Hungarian. --- Nobel Prize winning Elie Wiesel provides a well written but bleak look at the plight of the nation-less displaced people who once removed from their roots never find homes. Gamaliel is terrific as he reflects back on his melancholy life as a symbolism of all the refugees dislocated and relocated at the whims of the powerful and never knowing when if ever to settle in anticipation of the next dislocation. This is a desolate look at humanity even with a somewhat uplifting climax. --- Harriet Klausner