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The Sweet Far Thing by Libba Bray

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(Hardcover)

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Synopsis

IT HAS BEEN A YEAR OF CHANGE since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father a
laudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances. Now, as Gemma approaches her London debut, the time has come to test these bonds.

The Order - the mysterious group her mother was once part of - is grappling for control of the realms, as is the Rakshana. Spence's burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.


Publishers Weekly

The concluding volume in the trilogy begun in A Great and Terrible Beautyis a huge work of massive ambition, an undertaking that involves the plaiting and tying off a dozen plot threads-impending war in the realms and heroine Gemma Doyle's control of its magic being the central thread but, perhaps, not the most interesting. In chronicling Gemma's first year at Spence Academy, Bray has, over three books, widened her canvas from finishing school to fin-de-siècle London, weaving in the defining movements of the era-labor strikes over factory conditions, suffrage, the "radical" Impressionists just across the Channel, even fashion trends like bloomers for women daring enough to ride bicycles. Gemma is both buffeted and bolstered by her exposure to these developments, and readers experience how they shape her burgeoning understanding of who she is and who she may become. Some of Gemma's struggle is about power. As exalted as she is within the realms for her role as High Priestess of the secret society, her "otherness" marks her as unsuitable for proper Victorian circles. Gemma chafes not only at the physical constraints of a corset but at the myriad restrictions placed on women. Her quest is to break free, but at what cost? Bray poses these vital questions without sacrificing the gothic undertones of the previous volumes-the body count is high, and the deaths, gruesome. That creepiness is balanced by the fully realized company of players, including the insufferable headmistress, Mrs. Nightwing, the acid-tongued Felicity Worthington, hunky heartthrob Kartik and, of course, Gemma herself, a heroine readily embraced. Ages 14-up. (Dec.)

Copyright 2007 Reed Business Information

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Biography

Libba Bray is the author of the New York Times bestselling novels A Great and Terrible Beauty and Rebel Angels. She lives in Brooklyn, New York, with her husband, son, and a cat of questionable intelligence.


Customer Reviews

Angieville: THE SWEET FAR THINGby Angieville

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November 20, 2008: And so ends the trilogy that began with A GREAT AND TERRIBLE BEAUTY , continued with REBEL ANGELS, and concludes in this final volume, THE SWEET FAR THING. I liked the first one well enough because of its unique blend of a wild, magical, mythical realm barely constrained behind stiff Victorian curtains. I really got into the second one as the plot became more complex, Gemma came into her own powers, Felicity and Ann's stories became more layered, and poor beautiful Pippa was relegated to the Realms indefinitely. When I saw how thick the third one was, my eagerness ratcheted up a notch. After all, I have been sitting around lately asking for longer books. Suddenly, here one is.

Unfortunately, 800 pages later, the best thing about it remains the first four words, it's lovely title, taken from a poem by W.B. Yeats. And it does capture the extremely bittersweet feel of the last portion of the book. But somehow this installment failed to capture my imagination. It frustrated me more than anything. Instead of making good use of everything she fought for in REBEL ANGELS, Gemma spends the entire novel trying to decide whether or not to do what she decided to do at the end of the last book. Not until the final pages does she get a grip on herself and do what needs to be done. I thought we were done with crippling indecision in the previous books. I wanted the Gorgon to just let loose and throttle her! Meanwhile, Felicity and Ann are apparently thirteen again and spend the majority of their time being petty and distrustful, backstabbing Gemma whenever they get the chance. Pippa is the most interesting of the original friends, munching on the berries of the dead in all her Miss Havisham glory. But her path is extremely predictable. And Kartik? Fiery, beautiful Kartik? Sigh. The end to his story had far too much in common with Merlin's fate for my taste. I will say that the scene where Gemma and Kartik place their hands inside the stone was achingly beautiful. But, as with much in this hefty book, it was too little too late and I'm left feeling sad. Wishing, somehow, it could all have gone differently.

Reviewed by Lynn Crow for TeensReadToo.comby TeensReadToo

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November 17, 2008: The third and final book in Libba Bray's Gemma Doyle trilogy, THE SWEET FAR THING picks up a few months after REBEL ANGELS ended.

It's now spring, and Gemma has been unable to reenter the realms with or without her friends since the Christmas holidays, when she sealed all the magic inside herself. She has grown uneasy with dreams of the supposedly dead Circe and the absence of Kartrik, despite his pledge to support her. As Mrs. Nightwing oversees the rebuilding of Spence Academy's long destroyed East Wing, Gemma discovers a door that leads into the realms. Soon she, Felicity, and Ann have rejoined Pippa in the realms.

All is far from well, however. Within the realms, the various tribes strive to convince Gemma to share her magic, and she finds herself unable to trust any of them. Circe is not dead after all, and her warnings frighten Gemma. And what of the new visions, in which Gemma sees a former student of Spence Academy, who writes of the Tree of All Souls?

Outside the realms, there is just as much uncertainty. Gemma prepares for her debut and tries to make her peace with her father and brother. Felicity's headstrong behavior has put her on the verge of losing her inheritance and freedom. Ann must decide whether to risk everything on the chance of a career in the theatre.

As dark forces spread through the realms and the girls' debuts approach, Gemma must find more strength in herself than she ever thought possible, and decide just what kind of woman she wants to be -- for herself, not anyone else.

Fans of the trilogy will tear through this book, eager to reach its conclusion and learn the fates of all its characters. Bray's descriptions of Victorian life and the mysterious realms are as colorful as ever. Gemma makes a sympathetic if sometimes frustrating narrator, believable in her struggle to make the right decision. At over 800 pages, THE SWEET FAR THING is far longer than either of the books before it, and there is some repetition to the earlier scenes, but those who love the world will be happy to spend as much time there as they can. Toward the end, the plot picks up to a heart-pounding pace. Between cheering the happier parts of the ending, and grieving over its inevitable sadness, readers will be glad to have lived through this tale with Gemma and her friends.


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