The Spare Wife by Alex Witchel

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(Paperback - Reprint)

  • Pub. Date: January 2009
  • 304pp
  • Sales Rank: 128,681
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    Product Details

    • Pub. Date: January 2009
    • Publisher: Penguin Group (USA)
    • Format: Paperback, 304pp
    • Sales Rank: 128,681

    Synopsis

    Ponce Morris is a beautiful, rich widow who's known as "the spare wife" because she's the perfect companion to the wealthy, powerful, New York couples in her elite social circle. She throws elegant dinner parties, goes to sports events with the husbands, and shops with the wives. She's both flawlessly appropriate and coolly nonthreatening—everyone knows Ponce doesn't have a romantic bone in her body. Over the years, she has managed other people's lives—and her own—perfectly. Then Babette Seele, an ambitious, aspiring journalist, discovers that Ponce is having an affair with a socially prominent, very married man, and decides to break the scandal, turning Ponce's carefully calibrated world upside down. Witchel's sophisticated, witty, sexy satire provides a fascinating glimpse into the lives and loves of upper-class New Yorkers, sharply exposing the foibles of the fabulous.

    Publishers Weekly

    Witchel (Me Times Three) returns to the romances of Manhattan's upper echelons in this Gawkeriffic potboiler. Ponce Porter passed up college and left Harding, S.C., to try New York as an aspiring young model and quickly ended up married to Lee Morris, a very wealthy TV producer almost 40 years her senior. Childless by choice and bored, Ponce enrolled in NYU and then law school, eventually settling at a prestigious firm. Cut to the now-widowed Ponce-now 42 and dubbed "The Spare Wife" for her ability to gracefully attend social functions with any and all of upper New York-locking lips in a Chicago hotel with the happily married celebrity fertility doctor Neil Grossman, where she's spotted by Babette Steele, an aspiring 25-year-old assistant at the prestigious Boothby's Review. Babette knows she has the breakout story of her career, but Ponce and her delightfully crafted cast of friends aim to spoil Babette's feast. Witchel's drama-filled portrait of 40-something socialites in the Paris Hilton era has scandalous affairs and social to-dos to spare. It's extravagant and shallow, closely observed and entertaining. (Feb.)

    Copyright 2007 Reed Business Information

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    Biography

    Alex Witchel is a staff writer for The New York Times Magazine and writes "Feed Me," a monthly column for the Times Dining section. She is the author of the novel Me Times Three and the autobiographical essay collection Girls Only.

    Customer Reviews

    Could have been betterby AvidReaderVT

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    June 09, 2009: Life for the wealthy in New York makes for good reading and has since the days of Edith Wharton. The problem is that few writers past and present, especially present are as good as Wharton. Sadly people like Candace Bushnell are often compared to Wharton merely because they write (or try to) about wealthy people in New York.

    For well written escapism about New York's wealthy inhabitants the only modern day writer to really pull it off is Dominick Dunne.

    There are a few who manage to come up with some reasonably well written escapism (Olivia Goldsmith and Jane Stanton Hitchcock are favorites of mine) but generally the bookshelves are packed with bad attempts and this is one of them.

    While many of NY's social elite do have some comical names (Dunne was a master at capturing this) the character names in this book were just stupid and grating much like the characters themselves.

    None of the characters were likeable or interesting and while I hung on to the end to see what happened there were no surprises and no one to root for or against.

    Editors and publishers need to stop publishing drivel like this based only on the tried and true formula of wealthy NY residents and start digging for some well written work that tackles this very fun and addictive subject matter.

    DEVILISHLY FUNNYby GailCooke

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    February 24, 2008: Following her well received first novel 'Me Times Three,' New York Times Magazine writer Alex Witchel serves a delicious witty diss of Manhattan's upper echelon - the very, very rich and the famous (both now and then). In other words, it is a strata where 'The rich always mattered most, and the well known - an ever-changing group of the hot then the not, who were the evening's equivalent of the entertainment - always mattered less.' Witchel's dialogue sparkles and descriptions are deft as she opens her tale with a posh Park Avenue dinner party where guests were 'murmuring over the string of Tissots that reached from the dining room entrance to the duplex's main stairway. It looked like an opening night at the Met.' Observing this scene while very much a part of it is Ponce Morris, a former model still knockout gorgeous at 42. A widow, Ponce has found a place for herself as a friend, one who shops or lunches with women and talks sports with the men. She's known for her agreeable nature and total disinterest in sex. (Not quite true). She has helped the recently divorced Jacqueline Posner put this evening together in order to show their small world that Jacqueline is fine, her design business is steady, and she has no mind to fade into obscurity (after all, a move to Gracie Square isn't exactly nowhere). The guests are an interesting group - most noteworthy is BabetteSteele a bosomy young assistant at a trendy magazine who has been invited to amuse Montrose Merriweather who likes his women younger as he grows older. Although Babette's writing ability seems to be a moot question she has made herself helpful at the office and wants very much to be a full-time staff member - wants it so much that when she discover Ponce and Dr. Neil Grossman are having torrid togetherness she decides to sell this juicy tidbit in order to prove her editorial mettle. Will she or won't she? Ponce, quite obviously, is an able adversary while additional alliances throw rocks on Babette's path to success. Alex Witchel wields a barbed pen with the best of them while she invites us to smile at the absurdity of the existences described. - Gail Cooke


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