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(Paperback)
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(3 ratings)
Two men-one English, the other French-meet by chance in a provincial railway station and are astounded that they are so much alike that they could easily pass for each other. Over the course of a long evening, they talk and drink. It is not until he awakes the next day that John, the Englishman, realizes that he may have spoken too much. His French companion is gone, having stolen his identity. For his part, John has no choice but to take the Frenchman’s place-as master of a château, director of a failing business, head of a large and embittered family, and keeper of too many secrets. Loaded with suspense and crackling wit, The Scapegoat tells the double story of the attempts by John, the imposter, to escape detection by the family, servants, and several mistresses of his alter ego, and of his constant and frustrating efforts to unravel the mystery of the enigmatic past that dominates the existence of all who live in the château.
Dame Daphne du Maurier (1907-1989) was a prolific writer whose works include Rebecca, Jamaica Inn, The House on the Strand, and The Birds.
What a magnificent thriller this is.
The Cornish coast had probably never seemed so ominous until Daphne du Maurier set her pen to it. Playing up the isolated, somewhat wild patches of the area she called home, du Maurier created gothic stories tinged by both romance and horror -- most famously with her tale of the ultimate nightmare ex-wife, Rebecca.
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Number of Reviews: 3
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Great Read!
Hermione, A reviewer, 06/20/2005
I had just finished Rebecca when I picked up this other Daphne du Maurier title. I LOVED it. I had no idea what it would be like...and it was amazing. read read read! very good.
Also recommended: Rebecca
perhaps her best
stephen g davis
(incui@yahoo.com)
, an artist / painter, 02/16/2005
A period , the fifties, which Heinrich Boll treats so well , here much more within texture and not without humour : Jean speaking to gathering of hunters for instance to the broad sweep of story which is as little real , tentative, assessed as conceptual thought may commonly be and certainly as delusively entertaining .
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