The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community, and Everyday Life by Richard Florida

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(Paperback - Reprint)

  • Pub. Date: December 2003
  • 464pp
  • Sales Rank: 25,266

    Reader Rating: (5 ratings)

    Detailed Rating: "Innovative" See All

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    Product Details

    • Pub. Date: December 2003
    • Publisher: Basic Books
    • Format: Paperback, 464pp
    • Sales Rank: 25,266

    Synopsis

    The national bestseller that defines a new economic class and shows how it is key to the future of our cities

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    Biography

    Richard Florida is Professor of Business and Creativity at the Rotman School of Management, University of Toronto, and the founder of the Creative Class Group, a for-profit think tank that charts trends in business, communities, and lifestyles. His national bestseller The Rise of the Creative Class was awarded the Washington Monthly’s Political Book Award and Harvard Business Review’s Breakthrough Idea Award. He lives in Toronto, Canada.

    Customer Reviews

    The Rise of the Creative Class has provoked more thought and discussion than any other publication iby Anonymous

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    May 31, 2009: Whether you find it compelling in its conclusions, confusing in its statistical analysis, or a little too simplistic, it is still a must read for students and professionals in planning or economic development.

    Insightful!by Anonymous

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    June 08, 2004: The good news is, Richard Florida?s book recognizes the growing economic and sociological impact of creativity. The bad news is that in just two years, it has lost some of its gloss. The collapse of the bull market, the popping of the dot.com bubble, the 9/11 trauma, each took some shine off of the creative economy, with its casual dress days, flexible schedules and free rides. But even though this appraisal occasionally sounds quaint, we believe that the book?s faith in the transforming economic and social power of creativity, its broad view, and its excellent references and quotations make it worth recommending.


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