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Described by the Chicago Tribune as "a classic," The Rise of Theodore Roosevelt stands as one of the greatest biographies of our time. The publication of The Rise of Theodore Roosevelt on September 14th, 2001 marks the 100th anniversary of Theodore Roosevelt becoming president.
....It is a sweeping narrative of the outward man and a shrewd examination of his character.
More Reviews and RecommendationsFrom his prizewinning biographies of his favorite president -- The Rise of Theodore Roosevelt and, more recently, Theodore Rex -- to his controversial coverage of Ronald Reagan in Dutch, Edmund Morris has established a reputation as a presidential profiler to watch.
More About the AuthorReader Rating:
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July 25, 2009: I loved Theodore Roosevelt before I read this book but this put me over the top about how much I wish the man was alive today to fix the rest of the world. Compelling, heavy in detail, very picturesque, wonderfully written and detailed oriented. The man was a go getter, faced with tons of challenges he rose above it and made the world a better place. I have tried to read everything about him after reading this book, his autobiography, a book about his wife, his children to get other aspects of the man.
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June 11, 2009: By far the best book I've ever read about TR. It gives you great insight into his mind with brief diary enries and letters. If you want to know more about his character and what shaped him into the man he would become instead of just what he did, this is the book. Yes it's a thick book, however it was so interesting that I read through it quickly. If you love history and TR, this book is a must have.
I Also Recommend: Three Roads to the Alamo, The Pistoleer, Yeager, Rogue Warrior.
Name:
Edmund Morris
Current Home:
New York, New York, and Washington, D.C.
Date of Birth:
May 27, 1940
Place of Birth:
Nairobi, Kenya, Africa
Education:
Two years at Rhodes University, South Africa (no degree)
Awards:
Pulitzer Prize and American Book Award for The Rise of Theodore Roosevelt, 1980
In The Rise of Theodore Roosevelt, Edmund Morris does what every good biographer should do: He makes you feel as if you have slogged through all the letters, diaries, and other documentation yourself, writing with the kind of detail that comes from an author's intimacy with his subject. The book won a Pulitzer and is considered the premier T.R. tome.
Rise was the first book in a planned trilogy; the second title, Theodore Rex, was released more than two decades later. Though Morris's enthusiasm for his primary subject is clear in his ability to convey Roosevelt's outsized, eccentric personality, Morris can paint an evenhanded portrait. He told NPR in 2001, "If [Roosevelt] hadn't been such a funny man, such a comical man, I don't think I could have spent 21 years writing about him."
But this biographical achievement is not what many readers think of when they think of Morris; most likely, it's the controversy surrounding his Ronald Reagan biography, Dutch, that comes to mind. Reagan had appointed Morris as White House biographer in 1985, affording the author a seemingly ideal post from which to write the story of the actor-turned-world leader. But in the writing, Morris created fictional characters -- a version of himself, his "son," and a columnist -- that figure in Reagan's early life. Morris later called them "projectors" of Reagan's story, devices employed to get the story across; but many howled in protest, calling the stunt egotistical or just plain irresponsible. Though Dutch earned praise from one New York Times critic, among others, for effectively conveying the Gipper's mystery, the paper's Michiko Kakutani found the book "bizarre, irresponsible and monstrously self-absorbed." Times columnist Maureen Dowd jibed that Morris had become "Forrest Gump, historian."
Critics speculated on the reasons Morris had employed this technique. Was it writer's block? A response to the problem presented by a subject whose memory was being eaten away by Alzheimer's disease? The closest answer was that Morris, after all the time spent with Reagan, still felt his subject was both mysterious and, as he told PBS's NewsHour in 1999, "alarmingly boring" at times. He told the Oakland Tribune that same year, "I certainly did not want to write a dry book. Its method grew directly out of Reagan's own way of seeing the world. He was the central character in a lifelong movie, and I could only write about him from a view of a lifelong spectator."
Though the sagacity of using this "spectator" or "projector" method was roundly questioned, Morris adopted the technique fully anticipating (even welcoming) the controversy it caused. He defended it thusly on NewsHour: "I rejoice in the method because I know the movie I project, the story I tell is true and good; I know that my intentions as a biographer are honorable; everything's documented. It's a true story."
Morris returned to Teddy Roosevelt for his next installment of the trilogy, Theodore Rex -- a controversy-free, lauded second book on the Bull Moose, which covers the first decade of the 20th century, when Roosevelt acceded the presidency. Here, Morris was back in his element -- his adept rendering of this pivotal period spurred critics to use words like "breezy," "dazzling," and "exhilarating" to describe the book's effect. Whether or not he will be brave enough to pull any more creative stunts in his future biographies, Morris has already established himself as an undeniably engaging writer and the foremost Roosevelt authority.
Morris is married to biographer Sylvia Jukes Morris, author of a volume on Theodore Roosevelt's wife, Edith.
He dropped out of college in South Africa and moved to London, becoming an advertising copywriter before immigrating to the U.S. in 1968.
Described by the Chicago Tribune as "a classic," The Rise of Theodore Roosevelt stands as one of the greatest biographies of our time. The publication of The Rise of Theodore Roosevelt on September 14th, 2001 marks the 100th anniversary of Theodore Roosevelt becoming president.
....It is a sweeping narrative of the outward man and a shrewd examination of his character.
Loading...| Prologue: New Year's Day, 1907 | ||
| Pt. 1 | 1858-1886 | |
| 1 | The Very Small Person | 3 |
| 2 | The Mind, But Not the Body | 30 |
| 3 | The Man with the Morning in His Face | 54 |
| 4 | The Swell in the Dog Cart | 80 |
| 5 | The Political Hack | 115 |
| 6 | The Cyclone Assemblyman | 140 |
| 7 | The Fighting Cock | 168 |
| 8 | The Dude from New York | 187 |
| 9 | The Honorable Gentleman | 213 |
| 10 | The Delegate-at-Large | 235 |
| 11 | The Cowboy of the Present | 261 |
| 12 | The Four-Eyed Maverick | 289 |
| 13 | The Long Arm of the Law | 313 |
| 14 | The Next Mayor of New York | 339 |
| Interlude: Winter of the Blue Snow, 1886-1887 | 363 | |
| Pt. 2 | 1887-1901 | |
| 15 | The Literary Feller | 371 |
| 16 | The Silver-Plated Reform Commissioner | 400 |
| 17 | The Dear Old Beloved Brother | 438 |
| 18 | The Universe Spinner | 470 |
| 19 | The Biggest Man in New York | 494 |
| 20 | The Snake in the Grass | 534 |
| 21 | The Glorious Retreat | 563 |
| 22 | The Hot Weather Secretary | 588 |
| 23 | The Lieutenant Colonel | 618 |
| 24 | The Rough Rider | 646 |
| 25 | The Wolf Rising in the Heart | 661 |
| 26 | The Most Famous Man in America | 695 |
| 27 | The Boy Governor | 723 |
| 28 | The Man of Destiny | 747 |
| Epilogue: September 1901 | 775 | |
| Acknowledgments | 781 | |
| Bibliography | 783 | |
| Notes | 789 | |
| Illustrations | 891 | |
| Index | 895 |
Chapter 1
The Very Small Person
Then King Olaf entered,
Beautiful as morning,
Like the sun at Easter
Shone his happy face.
On the late afternoon of 27 October 1858, a flurry of activity disturbed the genteel quietness of East Twentieth Street, New York City. Liveried servants flew out of the basement of No. 28, the Roosevelt brownstone, and hurried off in search of doctors, midwives, and stray members of the family-a difficult task, for it was now the fashionable visiting hour. Meanwhile Mrs. Theodore Roosevelt lay tossing in her satinwood bed, awaiting the arrival of her second child and first son.
Gaslight was flaring on the cobbles by the time a doctor arrived. The child was born at a quarter to eight, emerging so easily that neither chloroform nor instruments were needed. “Consequently,” reported his grandmother, “the dear little thing has no cuts nor bruises about it.” Theodore Roosevelt, Junior, was “as sweet and pretty a young baby as I have ever seen.”
Mittie Roosevelt, inspecting her son the following morning, disagreed. She said, with Southern frankness, that he looked like a terrapin.
Apart from these two contradictory images, there are no further visual descriptions of the newborn baby. He weighed eight and a half pounds, and was more than usually noisy. When he reappears in the family chronicles ten months later, he has acquired a milk-crust and a nickname, “Teedie.” At eighteen months the milk-crust has gone, but the nickname has not. He is now “almost a little beauty.”
Scattered references in other letters indicate a bright, hyperactiveinfant. Yet already the first of a succession of congenital ailments was beginning to weaken him. Asthma crowded his lungs, depriving him of sleep. “One of my memories,” the ex-President wrote in his Autobiography, “is of my father walking up and down the room with me in his arms at night when I was a very small person, and of sitting up in bed gasping, with my father and mother trying to help me.” Even more nightmarish was the recollection of those same strong arms holding him, as the Roosevelt rig sped through darkened city streets, forcing a rush of air into the tiny lungs.
Theodore Roosevelt, Senior, was no stranger to childhood suffering. Gifted himself with magnificent health and strength-“I never seem to get tired”-he overflowed with sympathy for the small, the weak, the lame, and the poor. Even in that age when a certain amount of charitable work was expected of well-born citizens, he was remarkable for his passionate efforts on behalf of the waifs of New York. He had what he called “a troublesome conscience.”
Every seventh day of his life was dedicated to teaching in mission schools, distributing tracts, and interviewing wayward children. Long after dark he would come home after dinner at some such institution as the Newsboys’ Lodging-House, or Mrs. Sattery’s Night School for Little Italians. One of his prime concerns, as a founder of the Children’s Aid Society, was to send street urchins to work on farms in the West. His charity extended as far as sick kittens, which could be seen peeking from his pockets as he drove down Broadway.
At the time of Teedie’s birth, Theodore Senior was twenty-seven years old, a partner in the old importing firm of Roosevelt and Son, and already one of the most influential men in New York. Handsome, wealthy, and gregarious, he was at ease with millionaires and paupers, never showing a trace of snobbery, real or inverse, in his relations with either class. “I can see him now,” remembered a society matron years later, “in full evening dress, serving a most generous supper to his newsboys in the Lodging-House, and later dashing off to an evening party on Fifth Avenue.”
A photograph taken in 1862 shows deep eyes, leonine features, a glossy beard, and big, sloping shoulders. “He was a large, broad, bright, cheerful man,” said his nephew Emlen Roosevelt, “. . . deep through, with a sense of abundant strength and power.” The word “power” runs like a leitmotif through other descriptions of Theodore Senior: he was a person of inexorable drive. “A certain expression” on his face, as he strode breezily into the offices of business acquaintances, was enough to flip pocketbooks open. “How much this time, Theodore?”
For all his compulsive philanthropy, he was neither sanctimonious nor ascetic. He took an exuberant, masculine joy in life, riding his horse through Central Park “as though born in the saddle,” exercising with the energy of a teenager, waltzing all night long at society balls. Driving his four-in-hand back home in the small hours of the morning, he rattled through the streets at such a rate that his grooms allegedly “fell out at the corners.”
Such a combination of physical vitality and genuine love of humanity was rare indeed. His son called Theodore Senior “the best man I ever knew,” adding, “. . . but he was the only man of whom I was ever really afraid.”
In all respects except their intense love for each other, Theodore and Martha Roosevelt were striking opposites. Where he was big and disciplined and manly, “Mittie” was small, vague, and feminine to the point of caricature. He was the archetypal Northern burgher, she the Southern belle eternal, a lady about whom there always clung a hint of white columns and wisteria bowers. Born and raised in the luxury of a Georgia plantation, she remained, according to her son, “entirely unreconstructed until the day of her death.”
Of her beauty, especially in her youth (she was twenty-three when Teedie was born), contemporary accounts are unanimous in their praise. Her hair was fine and silky black, with a luster her French hairdresser called noir doré. Her skin was “more moonlight-white than cream-white,” and in her cheeks there glowed a suggestion of coral.14 Every day she took two successive baths, “one for cleaning, one for rinsing,” and she dressed habitually in white muslin, summer and winter. “No dirt,” an admirer marveled, “ever stopped near her.”
On Mittie’s afternoons “at home” she would sit in her pale blue parlor, surrounded always by bunches of violets, while “neat little maids in lilac print gowns” escorted guests into her presence. Invariably they were enchanted. “Such loveliness of line and tinting . . . such sweet courtesy of manner!” gushed Mrs. Burton Harrison, a memoirist of the period. Of five or six gentlewomen whose “birth, breeding, and tact” established them as the flowers of New York society, “Mrs. Theodore Roosevelt seemed to me easily the most beautiful.”
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