
Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
(Paperback - Reissue)
Being an heiress in 1920s Austria with nothing but a broken-down castle to your name and nary a penny in your purse could be frustrating for anyone but the Princess Theresa-Maria of Pfaffenstein. "Tessa," however, is thrilled with her situation, as it allows her to concentrate on her love of the arts—and no one in the Viennese opera company need know that their delightful and charming under-wardrobe mistress is really a princess. But when the dashing self-made millionaire Guy Farne arrives at the opera in search of suitable entertainment for his high society guests, Tessa realizes that there may be more to life—and love—than just music. But while the attraction between them in undeniable, Guy's insufferable snob of a fiancée only solidifies Tessa's determination to keep her true identity a secret. Yet, after a chance meeting with the handsome Englishman, Tessa's reserve begins to melt, and she starts to wonder if it's not too late for a fairytale ending...
Although born under the same Zodiac sign, the star-crossed lovers in this tale hail from very different backgrounds. Tessa is a princess; Guy an abandoned orphan-turned-self-made millionaire. Tessa, though as wealthy as she is beloved, hides her royal lineage and works (for love, not money) for a struggling opera company. When the prologue ends, it is 1922 and both Guy (age 30) and Tessa (19) are in Vienna. Despite his great fortune, Guy is far from extravagant, but he purchases Tessa's immense castle with the intent to woo, and wed, his first and only love, Nerine, who is recently widowed. Though beautiful on the outside, Nerine is vain, greedy, shallow and self-absorbed. Unfortunately, it takes Guy quite a while to figure this out. Meanwhile, as he and Tessa frequently cross paths, she is smitten with him, and he is fond of her, but more as a big brother/protector (or so he thinks). As in all of Ibbotson's charming period romances, the flawless, endearing heroine's actions are misinterpreted by the handsome, passionate hero, who spends most of the book denying his love for her. By not introducing Tessa until page 37, the book is off to a slow start; readers will require patience as well as an excellent vocabulary: "Everyone…resisted with vituperative ferocity all suggestions of a move to more salubrious quarters." Still, Tessa is tremendously appealing, Vienna a marvelously romantic backdrop, and Ibbotson's trademark wit, warmth and wonderful characters will bring many a smile. This book was previously published as Magic Flutes. Reviewer: Naomi Milliner
More Reviews and RecommendationsEva Ibbotson is a New York Times bestseller, and her novels have been shortlisted for the Carnegie Medal and the Guardian's Children's Fiction Prize in the United Kingdom. She lives in England.
Reader Rating:
See Detailed Ratings
November 22, 2009: The Reluctant Heiress is a sweet, love story. I fell in love with Tessa and Guy...exceptional characters. My only complaint is that the descriptions were superfluous. I found myself skipping paragraphs at a time to get back to the meat of the story. I would recommend this for anyone who enjoys a good clean love story.
Reader Rating:
See Detailed Ratings
September 29, 2009: Tessa has been raised to be a princess in the grand Austrian style but after losing her parents and most of the family fortune, she finds herself joyously happy to be working (for free) for the International Opera Company as a under-wardrobe mistress. Embracing her new life, Tessa feels only slight pains of regret when her aged aunts inform her of the proposed purchase of her family estate, the castle Pfaffenstein, by the millionaire Guy Farne for his fiance. Only this fiance is more in love with titles and money than Guy, but since she's so dang beautiful, he kind of missed that little detail. Tessa (of course) is awed by handsome Guy who helps her out of a few tight spots but it's not until she unknowingly returns to Pfaffenstein with her opera company that she discovers how connected she is to Guy.
The best part of any Eva Ibbotson novel is her introduction of the principle characters. Each has a richly developed history with personality traits (sometimes quirks) and anecdotal references to their youth. Guy's story is one of those standout characters to me - Ms. Ibbotson's descriptions of Guy morphing from a foundling who would fight against perceived injustice into a successful man had me rooting for him early on. And just like Martha Hodge, his foster mother, I too was enchanted with his changing eye color - green for unsettled and sad and brilliant blue for joy.Even though I enjoy her stories, I sometimes wish Ms. Ibbotson's character's could experience love without all the heartbreak. But one of her true talents lie in being able to express the hopeless pain stemming from unrealized love. Tessa is a model of heartbreak when she discovers has no chance with Guy, so maybe you gotta stick with what you do well - but things do work out for her characters in the end. It just usually takes a long time and plenty of shuffling of partners.I've come to expect at least one nasty fiance and one surprise or disastrous wedding in each of her books. On the flip side, I also expect plenty of prose on the subject of music, dance or literature and heroines who are almost always super-humanly sweet. Even with these conventions, I still loved Guy and Tessa's story. Although I wish I could have seen them together more often, their shared passion for music and equality helped to create a pretty solid relationship for me. Tessa could have had a little more backbone occasionally, but since I had just read a couple hundred pages about how intimidating Guy can be, I can understand her reticence to speak up for herself at times. Other than that, it was a fabulous stroll through the musical paradise of Vienna that left me running for my own recording of Brahms Lullaby.seemichelleread.blogspot.com