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From the author of the award-winning Moth Smoke comes a perspective on love, prejudice, and the war on terror that has never been seen in North American literature.
At a café table in Lahore, a bearded Pakistani man converses with a suspicious, and possibly armed, American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful meeting. . .
Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by Underwood Samson, an elite firm that specializes in the “valuation” of companies ripe for acquisition. He thrives on the energy of New York and the intensity of his work, and his infatuation with regal Erica promises entrée into Manhattan society at the same exalted level once occupied by his own family back in Lahore.
For a time, it seems as though nothing will stand in the way of Changez’s meteoric rise to personal and professional success. But in the wake of September 11, he finds his position in his adopted city suddenly overturned, and his budding relationship with Erica eclipsed by the reawakened ghosts of her past. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and perhaps even love.
Elegant and compelling, Mohsin Hamid’s second novel is a devastating exploration of our divided and yet ultimately indivisible world.
“Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard: I am a lover of America. I noticed that you were looking for something; more than looking, in fact you seemed to beon a mission, and since I am both a native of this city and a speaker of your language, I thought I might offer you my services as a bridge.”
—from The Reluctant Fundamentalist
From the Hardcover edition.
The courage of The Reluctant Fundamentalist is in the telling of a story about a Pakistani man who makes it and then throws it away because he doesn't want it anymore, because he realizes that making it in America is not what he thought it was or what it used to be. The monologue form allows for an intimate conversation, as the reader and the American listener become one. Are we sitting across from Changez at a table in Lahore, joining him in a sumptuous dinner? Do his comments cause us to bristle, making us more and more uncomfortable?
Extreme times call for extreme reactions, extreme writing. Hamid has done something extraordinary with this novel, and for those who want a different voice, a different view of the aftermath of 9/11, The Reluctant Fundamentalist is well worth reading.
More Reviews and RecommendationsWhile Mohsin Hamid was born in Lahore, Pakistan, his experiences overseas -- as a student at Princeton and Harvard Law School, a consultant in New York City, and a writer living in London -- have clearly informed his powerful, award-winning novels.
More About the AuthorReader Rating:
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September 03, 2008: I read 122 pages of the book (it is only 184) before I put it down. A marketing comment on the dust jacket by Philip Pullman states 'A tale of enormous tension...' The only tension I felt was that I kept waiting, waiting, waiting for something (action and conflict) to happen. When it did, it was completely underwhelming. Mr. Hamid's writing strength is as a stylist. His prose is pleasing to the eye and mind, but pretty words alone cannot carry a weak story forward.
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June 08, 2008: This book was VERY DISAPPOINTING. It was one sided and didn't resolve. You were left hanging at the end, and wondered what just happened. DID THE STORY EVER BEGIN AND WHEN DID IT END?

Name:
Mohsin Hamid
Current Home:
London, U.K.
Date of Birth:
1971
Place of Birth:
Lahore, Pakistan
Education:
A.B., Princeton University, 1993; J.D., Harvard Law School, 1997
Awards:
Betty Trask Award, Moth Smoke, 2001; Barnes & Noble Recommends selection: The Reluctant Fundamentalist, 2007
Although he was born and raised in Lahore, Pakistan, award-winning novelist Mohsin Hamid spent part of his childhood in California while his father attended grad school at Stanford. Returning to the U.S. to complete his own education, Hamid graduated from Princeton University and Harvard Law School. He worked for a while as a management consultant in New York, then moved to London, where he continues to work and write.
Hamid made his literary debut in 2000 with Moth Smoke, a noir-inflected story about a young banker living on the fringes of Lahore society who plummets into an underworld of drugs and crime when he is fired from his job. Providing a rare glimpse into the complexities of the Pakistani class system, the book was called "a brisk, absorbing novel" (The New York Times Book Review), "a hip page-turner" (The Los Angeles Times), and "a first novel of remarkable wit, poise, profundity, and strangeness" (Esquire). Moth Smoke received a Betty Trask Award and was named a New York Times Notable Book of the Year.
In 2007, Hamid added luster to his reputation with The Reluctant Fundamentalist. Written as a single, sustained monolog, this "elegant and chilling little novel" (The New York Times) is an electrifying psychological thriller that puts a dazzling new spin on culture, success, and loyalty in the post-9/11 world. The book became an international bestseller, as well as a Barnes & Noble Recommends selection; it was shortlisted for the Man Booker Prize, the Decibel Award, and the Commonwealth Writers Prize, and went on to win the South Bank Show Award for Literature.
There is no question that Hamid's unusual life experience, a cross-cultural stew of influences and perspectives, has informed his fiction. In addition to consulting and writing novels, he remains a much-in-demand freelance journalist, contributing articles and op-ed pieces -- often with a Pakistani slant -- to publications like Time magazine, The Guardian, The New York Times, The Independent, and The Washington Post. He holds dual citizenship in the U.K. and Pakistan.
Some fascinating outtakes from our interview with Hamid:
"When I was three years old I spoke no English, but fluent Urdu. We moved from Pakistan to America for a few years. I got lost in the backyard because all the townhouses were identical. I was knocking on the door of the townhouse next to ours by mistake, and some kids gathered around, making fun of me. For a month after that I didn't say a word. When I started speaking again, it was entirely, and fluently, in English."
"I once woke up in Pakistan and found a bullet in the bonnet of my car. Someone had fired it into the air, probably to celebrate a wedding, and it had hit on the way down. That incident set in motion an entire line of the plot of my first novel, Moth Smoke. Without it, the protagonist would not have been an orphan."
"My wife was born four houses from the house in which I had been born in Lahore, Pakistan. But we met for the first time by chance in a bar in London, thirty-two years later. It's a small world."
What was the book that most influenced your life or your career as a writer?
Toni Morrison's Jazz. Not because it is her best book, nor because it is my favorite book, but because it was the first book of hers I read and also the book I was reading when she read me. I wrote the first draft of my first novel, Moth Smoke, for a creative writing class with her in my final semester at Princeton. When she read my words aloud I understood something about writing, about the power of orality, of cadence and rhythm and the spoken word, that unlocked my own potential for finding voices and shaped everything I have written since. This book opened a door that I walked through without ever, in fourteen years, looking back.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I don't listen to music when I write. I need silence so I can hear the sound of the words. But I love music, and after a long writing session I often need something with real power. Rock will do for that, so anything from the broad swath between Pink Floyd to Metallica to Dire Straits. And blues is an old favorite, particularly John Lee Hooker. But I also love female vocalists, especially Nina Simone and Aretha Franklin. Among the Pakistani greats, Nusrat Fateh Ali Khan is beyond comparison, but there are amazing modern bands like Junoon as well. I like to dance, so that brings in a sweep of dance music from the '70s to now. And I have a weakness for pop as well, if it's cheesy and catchy enough. Basically, asking me what kind of music I like is like asking what kind of food I like: anything that tastes good, is the answer. I'm the kind of guy who spends three times as much on his speakers as he does on his television.
What are your favorite kinds of books to give -- and get -- as gifts?
Books that I love so much that I cannot help but give them out, like telling a joke that strikes me as too hilarious to keep to myself. Books one likes or finds interesting are perfectly nice to give and to receive. But books that meet the test of "please you must read this before you die" do exist, and they are often found in surprising places written by people one has never heard of, and they make for incredible gifts because they say so much about the giver.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I buy a notebook for each novel. For The Reluctant Fundamentalist it was one bound in a gorgeous orange suede that I bought in Tuscany. I don't tend to wear or buy things in bright colors but this gave off an exuberance I could not resist. That novel took seven years to finish and was an incredible struggle. So I have gone for the opposite this time: a black notebook, although it is a Moleskine and a pleasure to hold. But notebooks are just for capturing the thoughts and sketching the ideas that will become my novel. For the words themselves I turn to my computer and almost always write in bed, with it sitting on my lap. This may seem unromantic, but writing is a creative act and, after all, most of the human race is created in bed.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Both of my novels sold quickly once they were done. But "once they were done" meant seven years each. So I have spent fourteen years on two rather short novels. Luckily, I have good readers: friends, editors, agents who tell me when my drafts just don't work. And none of my drafts do work until the final one, when suddenly the response goes from "sorry, pal" to "don't change a thing." I operate on a six-annual-rejections-followed-by-a-loud-hallelujah-in-the-seventh-year cycle. Nothing good gets written without the writer suffering along the way, in my opinion. Writing should be a pleasure, but unless you feel almost broken many, many times in the journey to a novel, you haven't pushed yourself hard enough.
What tips or advice do you have for writers still looking to be discovered?
Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent. So do it because you have to do it, because it feeds some need that cannot be met in any other way, and then you will persevere and find the strength to finish, and finish well. And once you have done that you must have faith in your work, and trust that you have done enough. Discovery will follow, but more importantly you will have done what you needed to do.
A Selection of Barnes & Noble Recommends
A psychological thriller that spans continents and cultures, The Reluctant Fundamentalist takes us from the privileged confines of Princeton University to the anxious streets of contemporary Pakistan; from the sun-baked Greek island of Santorini to a sanitarium in the Hudson Valley; from the galleries of downtown Manhattan to the highest echelons of American finance. It's a journey we take in less than 200 pages, and without leaving, until the very end, a small table at a modest tearoom in Lahore, Pakistan -- and yet it is a journey that may reveal more about the human realities of the post-9/11 world than a shelf of thick political treatises.
At the table sit two men: a young Pakistani named Changez and an unnamed American. Only Changez speaks, and his mesmerizing monologue relates his story, beginning with his happy days at Princeton and continuing through his initial success as a well-paid financial analyst. His budding romance with Erica, a beautiful fellow Princetonian, runs in counterpoint to the early promise of his career.
Then come the attacks of September 11. Over the next few months, slowly but inexorably, the innocence of Changez's ambition is shadowed by his experience of the unexpected political present -- and by his altered understanding of his Pakistani past. As his career crumbles and Erica is consumed by her own demons, Changez's sense of his identity fractures under the strain of conflicting impulses of pride, passion, and loyalty. He returns to his homeland, and the complexity of his new life there is reflected in the alternating currents of his voice — ingratiating, insinuating, articulate, respectful, blunt, affecting, and, last but not least, sinister -- as he leads his companion toward an uncertain yet ominous conclusion.
An extraordinary work of empathy and imagination, Mohsin Hamid's novel vividly dramatizes the turmoil and terror of today's world in a single, unforgettable voice.
From Our Booksellers
Crisp and compelling…with an ending that will certainly encourage discussion…. A quick read that will have a long, lingering impact."
—Melissa Willits, Carmel, IN
Truly a work of genius.... Nothing is black and white in this world and Hamid doesn't let us forget that.
—Diane Carr, Chestnut Hill, MA
Controversial and eye-opening. I finished the book in one sitting.
—Tim Baldwin, Houston, TX
A terrifying look at the very thin line between us and them.
—Sandra Guerfi, White Plains, NY
Insightful, timely, and unsettling. This book puts a human face on a currently demonized culture.
—Teresa Patek, Crystal Lake, IL
From the author of the award-winning Moth Smoke comes a perspective on love, prejudice, and the war on terror that has never been seen in North American literature.
At a café table in Lahore, a bearded Pakistani man converses with a suspicious, and possibly armed, American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful meeting. . .
Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by Underwood Samson, an elite firm that specializes in the “valuation” of companies ripe for acquisition. He thrives on the energy of New York and the intensity of his work, and his infatuation with regal Erica promises entrée into Manhattan society at the same exalted level once occupied by his own family back in Lahore.
For a time, it seems as though nothing will stand in the way of Changez’s meteoric rise to personal and professional success. But in the wake of September 11, he finds his position in his adopted city suddenly overturned, and his budding relationship with Erica eclipsed by the reawakened ghosts of her past. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and perhaps even love.
Elegant and compelling, Mohsin Hamid’s second novel is a devastating exploration of our divided and yet ultimately indivisible world.
“Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard: I am a lover of America. I noticed that you were looking for something; more than looking, in fact you seemed to beon a mission, and since I am both a native of this city and a speaker of your language, I thought I might offer you my services as a bridge.”
—from The Reluctant Fundamentalist
From the Hardcover edition.
The courage of The Reluctant Fundamentalist is in the telling of a story about a Pakistani man who makes it and then throws it away because he doesn't want it anymore, because he realizes that making it in America is not what he thought it was or what it used to be. The monologue form allows for an intimate conversation, as the reader and the American listener become one. Are we sitting across from Changez at a table in Lahore, joining him in a sumptuous dinner? Do his comments cause us to bristle, making us more and more uncomfortable?
Extreme times call for extreme reactions, extreme writing. Hamid has done something extraordinary with this novel, and for those who want a different voice, a different view of the aftermath of 9/11, The Reluctant Fundamentalist is well worth reading.
The novel begins a few years after 9/11. Changez happens upon the American in Lahore, invites him to tea and tells him the story of his life in the months just before and after the attacks. That monologue is the substance of Hamid's elegant and chilling little novel…A less sophisticated author might have told a one-note story in which an immigrant's experiences of discrimination and ignorance cause his alienation. But Hamid's novel, while it contains a few such moments, is distinguished by its portrayal of Changez's class aspirations and inner struggle. His resentment is at least in part self-loathing, directed at the American he'd been on his way to becoming. For to be an American, he declares, is to view the world in a certain waya perspective he absorbed in his eagerness to join the country's elite.
Hamid's second novel succeeds so well it begs the question -- what other narrative format than a sustained monologue could have been as appropriate?
Hamid grabs hold of the American Dream as seen through the eyes of a young Princeton grad from Pakistan in a post-9/11 world. As the protagonist, Changez, finds moderate business success and romantic love in New York City, his heritage and identity will be lost in a sea of subtle and blatant bigotry as well as international politics. In relating this journey from loving to loathing of all things American, Changez speaks to a nameless and speechless American whom he encounters in the marketplace of his home city, Lahore, Pakistan. Bhabha's English-influenced Pakistani accent proves soothing and inviting for listeners. His gentle demeanor captures the courteous and polite manner of Changez. His American accent comes in the form of a Midwestern accent with a confident-almost arrogant-lilt. He lapses when it comes to vocalizing women. Though lighter, his voice exudes a stoic resonance instead of a feminine one. But the casual tone of Changez telling his life story translates perfectly with the help of Bhabha's velvet voice. Simultaneous release with the Harcourt hardcover (Reviews, Dec. 11). (Apr.)
Copyright 2007 Reed Business InformationHamid's second book (after Moth Smoke) is an intelligent and absorbing 9/11 novel, written from the perspective of Changez, a young Pakistani whose sympathies, despite his fervid immigrant embrace of America, lie with the attackers. The book unfolds as a monologue that Changez delivers to a mysterious American operative over dinner at a Lahore, Pakistan, cafe. Pre-9/11, Princeton graduate Changez is on top of the world: recruited by an elite New York financial company, the 22-year-old quickly earns accolades from his hard-charging supervisor, plunges into Manhattan's hip social whirl and becomes infatuated with Erica, a fellow Princeton graduate pining for her dead boyfriend. But after the towers fall, Changez is subject to intensified scrutiny and physical threats, and his co-workers become markedly less affable as his beard grows in ("a form of protest," he says). Erica is committed to a mental institution, and Changez, upset by his adopted country's "growing and self-righteous rage," slacks off at work and is fired. Despite his off-putting commentary, the damaged Changez comes off as honest and thoughtful, and his creator handles him with a sympathetic grace. (Apr.) Copyright 2006 Reed Business Information.
"... elegant and chilling ..."
"It's a testament to author Mohsin Hamid's skill that Changez, despite this cold-blooded admission, remains a partly sympathetic character ... Everything we know comes to us by his voice, by turns emotionally raw, teasingly ambiguous, fawning and tinged with menace. We read on to see what he will reveal, increasingly certain that he will also conceal."
"Extreme times call for extreme reactions, extreme writing. Hamid has done something extraordinary with this novel, and for those who want a different voice, a different view of the aftermath of 9/11, The Reluctant Fundamentalist is well worth reading."
"Brief, charming, and quietly furious … Hamid … is an artist of fantastic cunning, and his second novel (following the rightly praised Moth Smoke) demonstrates … that it is possible to simultaneously address the byzantine monstrosity of contemporary existence and care about the destiny of one's characters ... [A] resounding success."
"Far from seeming bothered by the literariness of literature, Mohsin Hamid appears to savor it. Ambiguity starts out as the delicate organizing principle of his novel The Reluctant Fundamentalist. By the end of the book it has turned into the disturbing payoff."
"The author develops Changez's character so convincingly that by mid-book, readers understand Changez's anger, even if they don't agree with it ... brilliantly written and well worth a read."
"I read Mohsin Hamid's The Reluctant Fundamentalist with increasing admiration. It is beautifully written--what a joy it is to find such intelligent prose, such clarity of thought and exposition--and superbly constructed. The author has managed to tighten the screw of suspense almost without our being aware it is happening, and the result is a tale of enormous tension. I read a lot of thrillers--or rather I start reading a lot of thrillers, and put most of them down--but this is more exciting than any thriller I've read for a long time, as well as being a subtle and elegant analysis of the state of our world today. I was enormously impressed."
"A brilliant book. With spooky restraint and masterful control, Hamid unpicks the underpinnings of the most recent episode of distrust between East and West. But this book does not merely excel in capturing a developing bitterness. The narrative is balanced by a love as powerful as the sinister forces gathering, even when it recedes into a phantom of hope. It is this balance, and the constant negotiation of the political with the personal, that creates a nuanced and complex portrait of a reluctant fundamentalist."
" ... taut and accomplished ..."
"A searing and powerful account of a Pakistani in New York after 9/11."
A Princeton degree, a high-class job, a well-connected girlfriend: immigrant Changez would seem to have it all, until the tumbling of the Twin Towers realigns his thinking. From the author of Moth Smoke, a Betty Trask Award winner. Copyright 2006 Reed Business Information.
A young Muslim's American experience raises his consciousness and shapes his future in this terse, disturbing successor to the London-based Pakistani author's first novel, Moth Smoke (2000). It's presented as a "conversation," of which we hear only the voice of protagonist Changez, speaking to the unnamed American stranger he encounters in a cafe in the former's native city of Lahore. Changez describes in eloquent detail his arrival in America as a scholarship student at Princeton, his academic success and lucrative employment at Underwood Samson, a "valuation firm" that analyzes its clients' businesses and counsels improvement via trimming expenses and abandoning inefficient practices-i.e., going back to "fundamentals." Changez's success story is crowned by his semi-romantic friendship with beautiful, rich classmate Erica, to whom he draws close during a summer vacation in Greece shared by several fellow students. But the idyll is marred by Erica's distracted love for a former boyfriend who died young and by the events of 9/11, which simultaneously make all "foreigners" objects of suspicion. Changez reacts in a manner sure to exacerbate such suspicions ("I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees"). A visit home to a country virtually under siege, a breakdown that removes the fragile Erica yet further from him and the increasing enmity toward "non-whites" all take their toll: Changez withdraws from his cocoon of career and financial security (". . . my days of focusing on fundamentals were done") and exits the country that had promised so much, becoming himself the bearded, vaguely menacing "stranger" who accompanies hisincreasingly worried listener to the latter's hotel. The climax builds with masterfully controlled irony and suspense. A superb cautionary tale, and a grim reminder of the continuing cost of ethnic profiling, miscommunication and confrontation.
Philip Pullman
From the author of The Golden Compass:
I read Mohsin Hamid's The Reluctant Fundamentalist with increasing admiration…. [T]his is more exciting than any thriller I've read for a long time, as well as being a subtle and elegant analysis of the state of our world today. I was enormously impressed.
Kiran Desai
From the author of The Inheritance of Loss:
A brilliant book. With spooky restraint and masterful control, Hamid unpicks the underpinnings of the most recent episode of distrust between East and West…. The narrative is balanced by a love as powerful as the sinister forces gathering, even when it recedes into a phantom of hope.
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See our exclusive video interview with Mohsin Hamid (5:47).
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