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A spellbinding, beautifully written novel that moves between contemporary times and one of the most fascinating and disturbing periods in American history -- the Salem witch trials.
Harvard graduate student Connie Goodwin needs to spend her summer doing research for her doctoral dissertation. But when her mother asks her to handle the sale of Connie's grandmother's abandoned home near Salem, she can't refuse. As she is drawn deeper into the mysteries of the family house, Connie discovers an ancient key secreted within a seventeenth-century Bible. The key contains a yellowing fragment of parchment with a name written upon it: Deliverance Dane. This discovery launches Connie on a quest to find out who this woman was, and to unearth a rare colonial artifact of singular power: a physick book, its pages a secret repository for lost knowledge of herbs and other, stranger things.
As the pieces of Deliverance's harrowing story begin to fall into place, Connie is haunted by visions of the long-ago witch trials, and begins to fear that she is more tied to Salem's dark past then she could have ever imagined.
Written with astonishing conviction and grace, The Physick Book of Deliverance Dane travels seamlessly between the trials in the 1690s, and a modern woman's story of mystery, intrigue, and revelation.
About the Author
Katherine Howe is completing a Ph.D. in American and New England Studies and is a descendant of Elizabeth Proctor, who survived the Salem witch trials, and Elizabeth Howe, who did not. The idea for this novel developed while Howe was studying for her doctoral qualifying exams and walking her dog through the woods between Marblehead and Salem. She lives in Massachusetts with her husband.
Howe's novel moves back and forth between the summer of 1991 in Salem, Mass., and the 17th-century witch trial era, as college student Connie Goodwin chances upon a mysterious book written by the elusive Deliverance Dane. The characters are thin and the plot predictable, but Katherine Kellgren does her best with the material. Her voice is pleasing, her pacing and emphasis good, her diction clear but conversational. Most of her characters are distinguishable and reasonably represented, but the exaggerated British accent she adopts for the villain makes him more comical than terrifying. A Hyperion/Voice hardcover (Reviews, May 25). (June)
More Reviews and RecommendationsKatherine Howe is the author of The Physick Book of Deliverance Dane (2009), a spellbinding novel that explores one of the most tragic and complicated chapters in American history -- the Salem witch trials.
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November 29, 2009: It's cliche, but true, I couldn't put this book down! The book jacket alone made me want to run home and start reading. Connie, the main character, is easy to empathize with since she is a graduate student dealing with the drama of a thesis, unrealistic professors and their expectations, and an "out there" mother. Each of these demanding aspects become even more weighted on Connie when she has to clean out her late grandmother's home while just beginning her research. Her foil, Sam, is a great male character who really helps the reader to understand her character. Connie finds a key and a name inside a seventeenth century Bible in her grandmother's home and the story begins. The name "Deliverance Dane" leads Connie to meet Sam, unmask her professor's true motives, and discover her hidden talents and family lineage. Bringing in historical facts from the witch trials, the author creates a fictional story for the women who suffered in 1692 from the accusations of the bewitched girls. The only complaint I have is that the key that is found in the Bible is never used to unlock anything. It seems to be forgotten about. Besides this trivial fact, the book is well written, stylistically, and made me want to find out the significance of the name found in the book. It is a great read when you want to get lost in seventeenth century New England.
I Also Recommend: People of the Book.
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November 28, 2009: The book started out with an interesting premise and showed real promise but then proceeded to fall apart. A rational, educated woman finds out that the women in her family are witches. The book takes place in two different eras. OK, so far so good. Her matter-of-factly accepting that she can bring plants back to life? Please. I wonder whether the author was up against a deadline or just lost interest in her topic. Some parts were well-researched, some descriptions were interesting but the book seriously lacked balance. You can't lose yourself in this book. Not worth buying even when it's available in mass market paperback.
Name:
Katherine Howe
Also Known As:
Katherine Bygrave Howe
Current Home:
Marblehead, MA
Place of Birth:
Houston, TX
Education:
B.A., Columbia University, 1999; M.A., Boston University, 2006
Awards:
Boston University Graduate Writing Fellowship, 2006-2008
Katherine Howe's ancestors settled Essex County, Massachusetts, in the 1620s and stayed there through the 20th century. Family members included Elizabeth Proctor, who survived the Salem witch trials, and Elizabeth Howe, who did not.
Katherine is completing a Ph.D. in American and New England Studies at Boston University, which included teaching a research seminar on New England witchcraft. The idea for her debut novel, The Physick Book of Deliverance Dane, developed while she was studying for her doctoral qualifying exams, walking her dog through the woods between Marblehead and Salem.
She lives in Marblehead, Massachusetts with her husband and assorted animals
Some interesting outtakes from our interview with Katherine Howe:
What was the book that most influenced your life or your career as a writer -- and why?
When I was about 13, a friend of my parents gave me a copy of he Writing Life by Annie Dillard. It was, quite frankly, way over my head at the time, but I already thought of myself as a writer by then, had already learned that writing was an activity on which I absolutely depended, and so I was determined to absorb from it what I could. What struck me first was the spareness of Dillard's language; like a lot of people I have to force myself not to use too many adjectives or adverbs, and as a teenager that problem was especially acute. Dillard writes with a clarity and precision that astonishes me, and I still spend time with her sentences to see how she is able to accomplish so much in such an efficient space.
Of course, the book itself is also a meditation on the act of being a writer, or on writing as an activity in everyday life. She captures the fear that undergirds the practice of writing, which is something I did not fully understand until recently. Revision, Dillard says, is the rebuilding of a house; at times, a supporting wall must come down, and there is nothing that you can do about it but grab a sledgehammer, swing, and duck. It takes courage to throw out bad work, she is saying, and seeing another writer name and confront that fear helps me to confront my own.
What are your ten favorite books, and what makes them special to you?
I love to read so much that choosing only ten books to talk about has proven nearly impossible for me. There are other great novels that I would mention, like Pride and Prejudice or The Custom of the Country. I could list history books that I have read for research but which are also wonderfully engrossing, like In the Devil's Snare, Entertaining Satan, or A Midwife's Tale. I could talk about books of little redeeming value which I nevertheless secretly love, like Valley of the Dolls. Ask me again next week, and my answers will probably change.
What are some of your favorite films, and what makes them unforgettable to you?
The films that I most enjoy can be broken down into a few broad categories, most of which also overlap to a large extent.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I have pretty idiosyncratic taste in music. In college I was a disc jockey for an experimental music program that ran from one to five in the morning once a week, playing the kind of music that one doesn't necessarily listen to for pleasure: Steve Reich, Philip Glass, assorted forms of noise and electronica. I still count a minimalist Tony Conrad electric violin performance seen in college as one of the transformative aesthetic experiences of my life. But it's not all craziness. I also love female vocalists like Billie Holiday, Patsy Cline, Sarah Vaughn, and Ute Lempur. I like Eighties indie rock music, like The Cure and The B-52's (The Cure's cover of "Purple Haze" was Physick Book's protagonist's unofficial theme song in my mind). I like grunge rock from the early Nineties, like Nirvana and Pearl Jam. I listen to a lot of David Bowie, some trip hop like Portishead, weird fifties lounge music like Martin Denny. Lately my husband and I have been going occasionally to the Boston Symphony, which has been wonderful.
I almost never listen to music while writing, because I find it distracting, or because it conjures associations that might not be part of what I am trying to say. However, the summer when I was finishing Physick Book, the cafe where I did a lot of writing went through a substantial Led Zeppelin phase, and it happened to correspond with one of my most productive stages with the book. What can I say? I still have a soft spot for Led Zeppelin.
What are your favorite kinds of books to give -- and get -- as gifts?
I love being given novels as a present, because it exposes me to new voices that I might not otherwise find for myself. I first encountered Douglas Coupland and Chuck Palahniuk as gifts from literary friends. I also think that hardback books are a special treat to receive as a present, because they are beautifully designed, and meant to last for a long while on someone's shelf. There is a heft and authority to a hardback book. Whenever I acquire a new book, be it novel or history or exhibition catalogue, I write my name on the inside cover, and usually the date or a note about when I was reading it, and why. I can never bear to get rid of books, and neither can my husband -- we have two copies of probably a hundred different titles.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
The hardest part of writing for me is, of course, getting started. Even if I am in the middle of a project, if I am starting a new segment of it -- like a chapter, for example -- I spend a lot of time agonizing without actually getting anything written down. I will find anything else to do: laundry is perfect, because you can really draw out the folding process. This can go on for hours or days. Then I will usually push through the fear long enough to get something written, like a page or so, which I promise myself can be thrown out later.
My desk is fairly spare. It contains a jar of pens, a box of graham crackers, a photograph of my husband, a couple of finger puppets, and a small sculpture of an ancient Egyptian cat, a replica of one in the Metropolitan Museum in New York. My study is a small room in the attic of our house, probably eight feet by nine feet, with a sloping ceiling. When we bought the house the room was painted black, with a trompe l'oeil cloudy sky overhead. I repainted the whole thing flat white, and nothing is hanging on the walls except for one mirror, to catch the light from the window. The desk faces the only window in the room, which looks out over an auto repair shop roof and down the street to a sign that says "Not a Through Way."
Sometimes, home offers too many distractions (laundry to do, dog to walk, refrigerator to stare into), and so I work at a little table in a cafe in Salem. They make terrific coffee, sell half-sandwiches, and I can camp out by the screen door at the back, looking at a sliver of brick walkway and nothing else. I can be incredibly productive there, largely because I can't leave the computer at the table by itself. With no excuse to get up, all I can do is work.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I was shockingly fortunate with Physick Book, though the road to the writing life was circuitous for me. I had always written, usually just on my own, and had never considered that writing could be a viable way to support myself. A life in academia seemed like the natural alternative, leaving time for writing and thinking in between teaching and research. I slogged my way through the first half of my Ph.D program, often doubled up on teaching to make ends meet. In 2005 I was scheduled to take my qualifying exams, and the stress from preparing for that process caused me to lose ten pounds, in addition to developing near chronic insomnia. The only way I could escape from that anxiety was to take my dog walking in the woods, and since my mind if left unsupervised would automatically turn itself back to worrying, I started telling myself stories as a distraction. The outline for my first novel gradually coalesced out of these stories. After passing the qualifying exam I began work on my dissertation, while secretly starting to write the novel on the side. My dissertation was slow going, however, and funding quickly began to run out. Meanwhile, without my knowledge, a close friend who is a novelist, Matthew Pearl, mentioned my project to his wonderful, marvelous literary agent. To my utter surprise and delight, she was able to place The Physick Book of Deliverance Dane with Hyperion/Voice when it was finally finished, about three years after I first started to play with the ideas that went into it. The day that my first ever advance check arrived, I had $112 in my checking account and $130 in my savings account. And it was my turn to pay the rent.
What tips or advice do you have for writers still looking to be discovered?
The first, and most important, thing that I would say to an aspiring writer is that one should never be afraid to share your work with others. I initially balked at mentioning my novel project to any of my "real" writer friends, for fear that they would think it was silly just because it was different from the kind of work that they did. Of course if I had never said anything to anyone, Matthew Pearl would never have mentioned my project to his agent, and my book would probably still be sitting on my laptop, read only by my husband and me.
The second, and perhaps equally important, suggestion that I would make is that a writer must be able to listen to constructive criticism. I had been teaching freshman composition courses at Boston University while working on the novel, and one of the biggest pedagogical challenges for me in those classes was to reassure students that writing, while it feels very personal and closely tied to who we are and what we think, is actually a project separate from ourselves. Sometimes it can help to imagine a writing project as a daring cooking experiment, like grapefruit and fennel risotto (the most colossal dinnertime failure I have ever made). You're trying new things, learning technique and ingredients. Before it comes together, it is bound to need reworking. You might have to throw the whole thing out and start over, and that is okay. Teaching students how to revise and accept criticism was invaluable in helping me revise and listen to feedback about my own work. I think I went through ten or twelve drafts of just the first chapter of Physick Book, and not just little tweaks either: entire points of view, characters, outcomes, and pacing changed several times over. Revision and criticism can only make the work stronger.
A Selection of Barnes & Noble Recommends
"Have you not considered the distinct possibility that the accused
were simply guilty of witchcraft?"
Connie Goodwin thinks her academic advisor is teasing her; she
has mastered the scholarship surrounding the Salem witch
trials of 1692 and knows the question he poses is preposterous.
She never suspects that answering it will alter
everything she knows about the past, her family,
and the professor himself.
Interweaving two narratives, one set in 1991 and
one set three centuries earlier, Katherine Howe's
debut novel is a marvel of invention and historical
reconstruction. The author employs her training
as a historian to vividly depict the realities of
17th-century Salem, dramatizing the plight of the
unfortunate victims as they fall prey to the mania of
their accusers. But it is the leap of imagination by
which she connects Connie to that distant past that
turns The Physick Book of Deliverance Dane into a
bewitching reading experience.
Sent by her mother to prepare her long-deceased grandmother's home for sale, Connie finds a decrepit dwelling filled with venerable oddities, including a collection of ancient
bottles filled with peculiar liquids and powders. On her first
night there, Connie chances on a crumbling bit of paper, bearing
the words "Deliverance Dane," that has been carefully hidden
inside a key tucked between the pages of a 300-year-old family
Bible. Combing the local church registry for traces of this
mysterious name, Connie strikes up an acquaintance with Sam,
a steeplejack engaged in the church’s preservation. Together
they piece together Deliverance's tragic story and learn of her
precious book of spells and recipes for healing potions. When a
series of sinister events threaten Sam's life, Connie's search for
the book is transformed from scholarly pursuit to a matter
of life and death -- and love.
With breathless suspense and emotional sympathy, Katherine
Howe guides readers between past and present as she reveals
the discoveries of Connie Goodwin and the secrets of
Deliverance Dane, condemned as a witch in the Salem hysteria.
Told with conviction and thrillingly paced, this extraordinary
first novel proves Howe's command of what may be the greatest
sorcery of all: that of the consummate storyteller.
From the Critics
Spellbinding, vividly detailed, witty, and astutely plotted.... A keen and
magical historical mystery laced with romance and sly digs at society’s
persistent underestimation of women. --Booklist (Starred Review)
From Our Booksellers
Deliverance Dane has everything: a memorable story, a fresh historical
perspective, unforgettable characters, and a spark of magic! Bewitching! --Karen Schafroth, Des Peres, MO
Howe hit the perfect balance between spine-tingling thriller and thoughtful
questioning of the Salem witch trials. I couldn’t, and didn’t, put it down. --Doug Britt, Chicago, IL
Read this book and feel history being rewritten. --Sandra Guerfi, White Plains, NY
I devoured this book! An academic mystery for fans of The Historian,
Garden Spells, Possession, or Anne Rice’s Mayfair books. --Rosey McArdell, Apple Valley, MN
A spellbinding, beautifully written novel that moves between contemporary times and one of the most fascinating and disturbing periods in American history -- the Salem witch trials.
Harvard graduate student Connie Goodwin needs to spend her summer doing research for her doctoral dissertation. But when her mother asks her to handle the sale of Connie's grandmother's abandoned home near Salem, she can't refuse. As she is drawn deeper into the mysteries of the family house, Connie discovers an ancient key secreted within a seventeenth-century Bible. The key contains a yellowing fragment of parchment with a name written upon it: Deliverance Dane. This discovery launches Connie on a quest to find out who this woman was, and to unearth a rare colonial artifact of singular power: a physick book, its pages a secret repository for lost knowledge of herbs and other, stranger things.
As the pieces of Deliverance's harrowing story begin to fall into place, Connie is haunted by visions of the long-ago witch trials, and begins to fear that she is more tied to Salem's dark past then she could have ever imagined.
Written with astonishing conviction and grace, The Physick Book of Deliverance Dane travels seamlessly between the trials in the 1690s, and a modern woman's story of mystery, intrigue, and revelation.
About the Author
Katherine Howe is completing a Ph.D. in American and New England Studies and is a descendant of Elizabeth Proctor, who survived the Salem witch trials, and Elizabeth Howe, who did not. The idea for this novel developed while Howe was studying for her doctoral qualifying exams and walking her dog through the woods between Marblehead and Salem. She lives in Massachusetts with her husband.
Howe's novel moves back and forth between the summer of 1991 in Salem, Mass., and the 17th-century witch trial era, as college student Connie Goodwin chances upon a mysterious book written by the elusive Deliverance Dane. The characters are thin and the plot predictable, but Katherine Kellgren does her best with the material. Her voice is pleasing, her pacing and emphasis good, her diction clear but conversational. Most of her characters are distinguishable and reasonably represented, but the exaggerated British accent she adopts for the villain makes him more comical than terrifying. A Hyperion/Voice hardcover (Reviews, May 25). (June)
Howe's debut novel explores the Salem witch trials from the perspective of Connie Goodwin, a Ph.D. candidate in history at Harvard. While cleaning out her grandmother's house near Salem in the summer of 1991, Connie discovers an old key along with a fragment of paper bearing only the words Deliverance Dane. At the urging of her adviser, Connie embarks upon a frenzy of research in local archives. Evidence mounts that Deliverance was a local herbalist and wise woman who became a victim of the witch trials. Finding Deliverance's "physick book" of recipes becomes a priority for Connie, particularly when she realizes that it may hold the key to curing her new boyfriend of his mysterious ailment. Howe inserts short interludes featuring Deliverance and her descendants, adding depth to the story. Howe's own connection to Salem (two of her ancestors were accused of witchcraft) adds a welcome personal touch. This enjoyable novel is too slow-paced to be considered a thriller, but it's a solid selection that may appeal to readers who enjoyed recent novels about Salem's witches (i.e., Brunonia Barry's The Lace Reader and Kathleen Kent's The Heretic's Daughter).
A first novel about alchemy, magic and witchcraft, set unsurprisingly in Salem, Mass., in the late 17th century and also, perhaps surprisingly, in Marblehead, Mass., in 1991. Connie Goodwin has just passed her doctoral oral exam in colonial American history at Harvard, and she looks forward to working with her mentor, Professor Manning Chilton, on breaking new ground in her dissertation. Then Connie gets an unexpected call from her New Age-y mother Grace, who is about to lose the house in Marblehead she inherited from her own mother because she's neglected for 20 years to pay the taxes on it-can Connie get it cleaned up and on the market for her? The house is, of course, eerie as well as abandoned. As Connie begins to look through Granna's house, she picks up an old Bible that gives her both an otherworldly feeling and an electric charge. Out of the Bible falls an antique key with a tiny scroll bearing the cryptic words "Deliverance Dane." Ever the good historian, Connie begins to track down the name. Eventually she finds allusions to a "Physick Book": a manual of medicine used by knowledgeable women in the colonial era, but also a book of spells. The volume seems ever more elusive as Connie's desire grows stronger to track it down. She's also feeling some uncomfortable pressure from Professor Chilton, who wants the book as badly as Connie, ostensibly because he thinks it will be helpful in a scholarly presentation he plans to make but more overtly because he seems to have some sinister agenda of his own. Howe alternates her narrative between Connie's groping attempts to track down the truth about the past and flashbacks to the real story of Deliverance Dane. We learn that she was awitch condemned in the 17th century, desperate for good reasons to keep her book hidden from ecclesiastical authorities. Informative, though not as creepy as it purports to be.
A fresh present-day story infused with an original take on popular history. Forget broomsticks and pointy hats; here are witches that could well be walking among us today. This debut novel flows with poetic charm and eloquence that achieves high literary merit while concocting a gripping supernatural puzzler. Katherine Howe’s talent is spellbinding.
--Matthew Pearl, author of The Poe Shadow and The Dante Club
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