• Table of Contents
• Interviews & Essays
• Forewords & Introductions
• Read an Excerpt
• Read a Sample Chapter

Table of Contents

Interviews & Essays

On Monday, July 19th, barnesandnoble.com welcomed Diana Gabaldon to discuss THE OUTLANDISH COMPANION.

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Moderator: Good evening, Diana Gabaldon, and welcome to the barnesandnoble.com live Auditorium! We're thrilled you could join us this evening to chat about THE OUTLANDISH COMPANION. How are you this evening?

Diana Gabaldon: Hi! I'm fine -- glad to be here!

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Christine from Easton, MA: Are your contemporary mysteries written in the first person, and do all your characters speak to you like Claire and Mother Hildegarde, specifically, characters in stories other than the Outlander series? In addition, is the excerpt you read Friday evening in Worcester available online? Thank you!

Diana Gabaldon: Dear Christine -- Yes, the main narrator of the contemporary mystery (he's a man!) does talk to me, and since it's his voice I hear strongly, the book is in the first person. No, the excerpt from Worcester is a partial one; it's not available online, because the whole piece is too long and might give away too much.

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Pat from Washington State: I have read all of your books, and just bought the companion book. When will you release another book? Hopefully, soon!

Diana Gabaldon: Dear Pat -- I hope to finish the first mystery early next year, and hope to finish THE FIERY CROSS (fifth Jamie and Claire novel) late next year -- after that, it's up to the publisher.

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Katelyn from Upstate New York: Do you have (is there) the actual "prayer" that Jamie says when he has to kill an animal larger than a hare? I thought it might be in THE COMPANION, but I didn't see it. Just curious... :-)

Diana Gabaldon: Dear Katelyn -- I'm sure Jamie has one, but since he doesn't speak it explicitly in any of the published books, I didn't include it in the "Poems and Quotes" appendix for THE OUTLANDISH COMPANION. THE COMPANION refers only to material from the already published books, not future ones. If he does use lines from the prayer in the next two books (and he may), then we'll print the whole text in the COMPANION, PART II.

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Brett from Los Angeles: Is the series in development for a movie or miniseries at the moment?

Diana Gabaldon: Dear Brett -- We haven't got that far. We have two (very respectable) production companies interested in doing two-to-three-night miniseries, and I said I'd talk to them. I've just (yesterday) come back from a book tour, so haven't yet talked.

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Bob Giampietro from Minneapolis, MN: Sort of a strange question: I was very interested in your books -- all of them. What percentage of your readers are male? It's the faction that I enjoyed the most. Sort of like Jack Finney's model. Thank you!

Diana Gabaldon: Dear Bob -- Thank you! [smile] As to percent male readers -- depends where you are. In Canada, it's about 50/50. In the U.S., it's more like 75 percent female to 25 percent male, because of the way the books were originally marketed. That seems to be shifting, though; on the tour I've just finished, I got many more people coming up to say that their fathers, brothers, or husbands had recommended the books to them, rather than vice versa.

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Jack Terryah from jackeffie@yahoo.com: How did you get published....what were your difficulties....pointers would help....how long did it take you for the initial book....how many rewrites....how many cups of coffee...[chuckle] did you use an agent..or...?...did your story line develop as you wrote or did you know where you were going...thanks.

Diana Gabaldon: Dear Jack -- Longish story, but I'll boil it down. I had an agent long before I finished the book -- had done research on agents among published authors I knew online (Compuserve's Literary and Writers Forums), and was eventually introduced to one of the agents I had my eye on, by an online acquaintance who was a client of his. When I finished the novel, the agent sent it immediately to five editors he thought were good prospects; within four days, three of them had called back with offers. [shrug] He negotiated among these, emerged with two offers for three-book contracts, and bing! I was an author; id est, I worked hard and got lucky. Both important, believe me!

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Mary Gorman from Amherst, MA: When Claire is trying to persuade Jamie not to kill Jack Randall in DRAGONFLY IN AMBER, she asks him to spare him so that Frank, her future husband and Jack's assumed descendant can be born, and she tries to tell him that he owes her a life for her saving his own. Why doesn't she point out the obvious? If there's no Frank, then she won't be in Scotland on a second honeymoon in 1946, and therefore she won't get to go through the stones to meet Jamie in the first place?

Diana Gabaldon: Dear Mary -- Well, she's rather upset at the time, and may not be marshaling every logical prospect. Besides, there's nothing to say that she might not have been in Scotland for some other reason -- while there is reason (i.e., Jamie's sense of honor) to base an appeal on a life-for-a-life.

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Les from South Africa: If you ever have time to read for pleasure, do you read science fiction? And if you do, who are your favorite sci-fi writers?

Diana Gabaldon: Dear Les -- Sure, I read for pleasure all the time! I read everything, including sf/f. Let's see...love Connie Willis, Vonda McIntyre, Laurell Hamilton (she's more horror, but definitely a fantasy twist). Enjoy Mike Stackpole, Owl Goingback...gone blank on names, but there are lots.

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Allison the Bold from Canton, NY: I just finished rereading OUTLANDER. Is Murtagh an onion, a mushroom, or a hard nut, and what is the family connection? Jenny and Jamie seem vague about it.

Diana Gabaldon: Dear Allison the Bold -- Murtagh was definitely a mushroom. He's (I think) Brian Fraser's second cousin. I had the relationship figured out and written down while I was doing the COMPANION, but hadn't had occasion to use it, since the family trees didn't go that far. I'll be telling his story (how he fell in love with Ellen and became Jamie's godfather) in the prequel book, though, so we'll elucidate the relationship there, I'm sure.

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Sofía Márquez from Spain: Where are men like Jamie Fraser?

Diana Gabaldon: Dear Sofía -- Everywhere, I reckon. [smile] You just need to look carefully!

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Marilyn from North Carolina: Why did you think a companion to the novels was necessary, and if other novels are going to be upcoming in this series, will a supplement to THE COMPANION be written?

Diana Gabaldon: Dear Marilyn -- As I said in the Prologue, everything in THE COMPANION is there because somebody wrote to me and asked for it. After eight years of telling people things over and over and over, I decided maybe the readers as a whole really did want to know these things, so I should go ahead and write them down. There will be two more novels in Jamie and Claire's story, plus a prequel volume (three linked novellas) dealing with Jamie's parents and the 1715 Rising, so I figure that we probably will need a COMPANION, PART II -- I can put the comprehensive index that some readers have asked for in that one!

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Mary Gorman from Amherst, MA: In the newspaper clipping that causes Roger and Brianna to go back through the standing stones, it says that Claire and Jamie die in a fire and leave no children. Is this a hint that something is going to happen to Brianna?

Diana Gabaldon: Dear Mary -- Well, it might be. Then again, it might not. I can't really tell you things that might or might not happen in future books, because the books aren't written yet -- I don't plan them out ahead of time, so even I don't necessarily know what will happen!

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Allison the Bold from Canton, NY: In THE COMPANION, you list Judith Merkle Riley's books on the Methadone list. Have you read them (they are wonderful) or are they ones recommended by others? (I thought perhaps you were one and the same. You both write historical epics, with a wonderful sense of humor and great characters!)

Diana Gabaldon: Dear Allison -- Yes, I've read just about everything on the Methadone List (those books that I haven't read personally are noted) -- I love JMR, too! (And thanks for the compliment!)

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Rita from LOL: Hi, Diana. We've debated this in the Reading Group at LOL, and I was wondering if Jamie took an active part in the killing of Murchison at Ardsmuir, and if so, if it was self-defense or some kind of "prisoners justice." Or will this be dealt with in the next books? Thank you!

Diana Gabaldon: Dear Rita -- Well, as Harry Quarry told Lord John (you've been reading HELLFIRE, I gather?), "A man isn't helpless, just because he's in chains." As to what happened, exactly...stay tuned! (Id est, yes, we'll deal with this a bit more in FIERY CROSS.)

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Rita from LOL: Hi, Diana. Why is Black Jack buried at St. Kilda and not in Sussex? Or will we find out about it later? Thank you.

Diana Gabaldon: Dear Lady Rita -- You'll find out about it later.

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Tara from Bakersfield, CA: Jamie and Claire both have a wonderful sense of humor; which do you think is closer to your own sense of humor?

Diana Gabaldon: Dear Tara -- I don't know; they're both me, you know.

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Leslie Harris from Johannesburg, South Africa: Hi Ms. Gabaldon, and thanks so much for all the fun reading! If time travel were a real possibility, would you prefer to travel to the future or to the past?

Diana Gabaldon: Dear Leslie -- Thank you! I think I'd rather go to the past. More fun to get a "real" perspective on stuff I knew something about, I think. Besides, I sort of feel you need to "earn" the future, by living your way there.

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Lisa from Red Springs, NC: Diana, I just found your books about a year ago and have read and loved all of them. I was amazed and thrilled when I read that there are still two more to come. My friend and I are simply stupefied by the amount of information in these books -- how much of information in them did you have at your fingertips through your own knowledge (for instance the medicinal herbs etc.) and how much was out of the research books?

Diana Gabaldon: Dear Lisa -- Hard to say; a writer uses stuff from everywhere. For whatever it's worth, I knew absolutely nothing about either Scotland or the 18th century when I began writing OUTLANDER. And as you can see from the bibliography in the COMPANION, I did use an enormous amount of research material.

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Jay from Bowling Green, KY: Ms. Gabaldon: When Stephen King was trying to get THE STAND published, his editor insisted that he whittle it down to a manageable size. King subsequently published a second edition with all the original material added back in. Is it possible that you have little snips and bits of Jamie and Claire's story that you haven't published? I'd gladly read all four books again! I've already read and reread them several times waiting on the next installment.

Diana Gabaldon: Dear Jay -- I do have a few snips and bits of leftover text (I call them "orts"), but not really much in the way of big chunks or scenes -- and nothing that I feel should be "put back," as King felt with THE STAND. One of the final things I do to a manuscript is what I call "slash-and-burn," where I go through and remove everything that I think is not indispensable to the book. Fortunately, my editor tends to agree with me, as to what's necessary.

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Bob from Minnesota: Diana, Have you ever encountered anyone who has told you they have, in fact, gone backward (or forward) in time? Did you believe them?

Diana Gabaldon: Dear Bob -- No, I never have met anyone who's said that to me. I have met a number of people who are convinced they've lived before, but that's something different. Some such people are very convincing, others less so. I tend not to believe the ones who think they were Cleopatra or Queen Elizabeth I.

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Lisa from North Carolina: I am curious as to what your connection to Scotland is. Your bio states that you live in Arizona, and I'm just wondering what drew you to write so in depth about this particular area.

Diana Gabaldon: Dear Lisa -- Plain accident. I was looking for a historical period in which to set a practice novel, and chose 18th-century Scotland on a whim (gotta start somewhere, I thought), after seeing a "Dr. Who" rerun on PBS that had a minor Scottish character. The whole story -- with details -- is provided in THE OUTLANDISH COMPANION's Prologue, but is too long to tell here.

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Linda from Saratoga Springs, NY: The Saratoga battlefield, located ten miles from my home, has a monument to a revolutionary war hero with last name Fraser. Did you incorporate this fact into any of your upcoming novels where you talk about the Battle of Saratoga?

Diana Gabaldon: Dear Linda -- If you mean Simon Fraser, yes. I've walked the Saratoga battlefield two or three times.

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Dian from Toronto, ON: Further to Mary's question about the clipping about the fire, do you purposely write things into the novels that will be a challenge to you later to try to write your way out of?

Diana Gabaldon: Dear Dian -- Oh, yeah; all the time.

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Tina from Texas: In the COMPANION, you mention how a name comes to you and how later on you actually find that name somewhere else. How do you feel about seeing names of your character's sort of coming into real life?

Diana Gabaldon: Dear Tina -- Well, it tends to make me feel that I must be on the right track.

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Kristy from the Pacific Northwest: I loved all of the parts in VOYAGER with "Jamie's pet Chinaman." Will we see more of him?

Diana Gabaldon: Dear Kristy -- I think we might, but I haven't written any such parts as yet. Oh -- one small note -- while "Chinaman" was the customary usage in the 18th century (and therefore we do use that in the books), it's considered highly offensive today.

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Nita from Kentucky: If your books were ever developed into a movie or miniseries, who would you like to see play the main characters?

Diana Gabaldon: Dear Nita -- [shrug] I don't know. I've never seen any actors who resemble them strongly -- but I don't watch a lot of TV or movies, anyway. It hardly matters; I wouldn't have anything in particular to say regarding casting, if a film version were made.

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JoAnne from Augusta, GA: While I realize you don't have to believe in something to write about it, i.e., time travel, do you believe in ghosts?

Diana Gabaldon: Dear JoAnne -- Oh, yes.

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Autumn from Dayton, OH: Considering that there is no DNA testing in the 1700s...will we ever know the real identity of Jeremiah's father (Roger or Bonnet)?

Diana Gabaldon: Dear Autumn -- Oh, there are other ways than DNA, I assure you. Meaning yes, you'll find out. Eventually.

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Linda the Lame from Saratoga Springs, NY: Will you ever write a story about Claire's parents?

Diana Gabaldon: Dear Linda -- I haven't any intention of writing about them at the moment; they sort of don't "talk" to me. You never know what might happen in the future, though, so I wouldn't totally rule it out; I just don't think so.

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Marilyn from North Carolina: Any thoughts on why your series is so tremendously popular -- besides the obvious fact that they are great reads?

Diana Gabaldon: Dear Marilyn -- Well...one reader said she liked them because "your characters are all mentally healthy -- not dysfunctional wimps!" Really, people seem to like all kinds of things about the books, but the principal thing is just that they feel they "know" these characters; they care about them and want to find out how their lives are going on. Beyond that -- some people like the adventure, or the vivid writing that makes them feel part of the setting and story, or the idea that they are "learning something" while being entertained (because of the rich details and factual historical background). Other people like the sex. [cough]

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Elise from barnesandnoble.com: What is the worst job you ever had, and why was it so bad?

Diana Gabaldon: Dear Elise -- That would probably be the postdoctoral appointment where I butchered seabirds for a living, dried the body tissues, extracted the fats, then incinerated the remains in a 600-degree muffle-furnace. As to why...gannets (the main type of bird I dealt with) eat squid, and have heads like concrete (I used to have to open the skulls with a hammer and chisel to get the brains out). Have you ever smelled the guts of something that eats squid?!?!

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Laura from Royal Oak, MI: In DRAGONFLY IN AMBER, "Black Jack" Randall obviously thinks that Jamie was dead. Why? What did he think happened to Jamie when the herd of cows came in?

Diana Gabaldon: Dear Laura -- Well, he had been torturing Jamie rather extensively. [cough] I suppose he figured Jamie had died of his injuries -- which, in fact, he nearly did -- since he hadn't heard further word of him.

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Kate from Dalton, GA: Will we find out about the meaning of the ghost outside Claire's window (Jamie) before she goes back for the first time?

Diana Gabaldon: Dear Kate -- Yes. Last thing in the last book.

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Laura from Royal Oak, MI: Jamie smiling in his sleep was such a key part of THE OUTLANDER. Now that trait seems to not be mentioned. Was it destroyed at Culloden or might he be able to do it again now that he is reunited with Claire? Thanks!

Diana Gabaldon: Dear Laura -- Oddly enough, he did that just last month, while sleeping (in a cave full of goats) with his head in Claire's lap. As his sister says, he does it when he's happy.

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Joan from Oakland, CA: The silkie's treasure in VOYAGER seemed to include ancient coins from the Duke of Sandringham's collection. To whom did the silkie's treasure belong, Geillis Duncan or the Duke? What was the relationship between Geillis and the Duke?

Diana Gabaldon: Dear Joan -- Well, we'll probably find out in detail later -- possibly much later -- but for whatever it's worth now, bear in mind that Dougal did get Geilie away to France, and Dougal was a Jacobite, and Dougal himself was in Paris (in DRAGONFLY IN AMBER) and would have had plenty of opportunity to meet secretly with Sandringham. Now, whether he did or not...I don't know, but we'll likely find out.

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Judie R. from Vancouver -- LOL Headquarters: Hi Diana. Nice to see you again. :-) Nice chat venue, too. Anyway, the question: Will Brianna and Willie ever meet, and if so, does Brianna find out that Willie is her half brother?

Diana Gabaldon: Dear Lady Judie -- Nice to see you, too! As to your questions, I think so. As to what happens then, though...

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Justin from Encino, CA: Did you ever watch a show called "Time Tunnel," and was it any sort of inspiration for you. If not, what inspired to use time travel as a key element for your stories?

Diana Gabaldon: Dear Justin -- No, never heard of it. As to what inspired the time travel, it was the personality of the main narrator, Claire Randall. She wouldn't shut up and talk like an 18th-century woman, so I said, "Fine, go ahead and be modern -- I'll figure out how you got there later!"

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Hope (known as Lady Solace of LOL) from Montana: I know that Jamie, Claire, "Black Jack" Randall, and many of the others are all a part of you. I was wondering, though, if it came right down to it, do you have a favorite? I love the way all of your characters are written -- they jump right off of the page. Most of LOL of course agrees on Jamie, and it may be near to heresy for me to say that Claire is my favorite by a very narrow margin.

Diana Gabaldon: Dear Hope -- No, I wouldn't say I have a favorite; whoever is "talking" is the voice in my head at the moment, and they're all real to me. You can't write a convincing character if you don't love them, I don't think.

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Helen from Fort Myers, FL: OUTLANDER was recommended to me while I was traveling through Scotland. I've read all your books so far and look forward to your next ones. Have you traveled through Scotland while doing your research? You made everything seem so real.

Diana Gabaldon: Dear Helen -- I'd never been to Scotland when I wrote OUTLANDER (since I was writing it for practice!) -- I did that from library research. Since the publisher did give me a three-book contract, though, I told my husband I thought I really must go see the place. I've been there four times, now -- will be there again next month, when I do an "event" for the Edinburgh International Book Festival.

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Marisa from Massachusetts: I am in the middle of your fourth book in the series of Jamie and Claire....I just bought THE OUTLANDISH COMPANION...should I wait till I finish DRUMS OF AUTUMN before I read THE OUTLANDISH COMPANION, or will it be better to read at the same time? I just love your writing....can't wait for your next book! Thank you for making my summer reading so enjoyable!

Diana Gabaldon: Dear Marisa -- I'd wait 'til you finish DRUMS, myself; there are synopses of all the books in the COMPANION (you could skip the DRUMS one, of course), but also an annotated cast of characters and various references in the different essays and articles that might give away plot points and the like.

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Kristy from Oregon: The biggest compliment I can give you is that we all feel like we know Jamie and Claire. Have you been overwhelmed by people contacting you now that COMPANION is out? Before, people had to follow you through the web. Now you've given them a whole book with lots of insights into your personal life, as well as into the creation of our two favorite people.

Diana Gabaldon: Dear Kristy -- Thank you! [smile] As for overwhelming, that's been happening since I published DRUMS with my email addresses in it! (If I'd know the book was going to be that successful, I might have thought twice about doing that.) I get an average of 50 emails a day -- more like 90 to 100 a day when there's a new book out. We try to answer them all, but it does take time.

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Marcia Whetsel from Morristown, TN: Diana, Thank you so much for writing and publishing the COMPANION! I'm almost finished reading all of it and it is such a beautiful work of love that you have given to your readers! I am constantly amazed at your writing process! Thank you again for sharing it with us! I believe you said that the sixth book will end the Outlander series around 1800. Will you elaborate? Will it end in Scotland or in the new U.S.?

Diana Gabaldon: Dear Marcia -- Thank you! I'm glad you like the COMPANION. [smile] I really enjoyed doing it and am very pleased that most readers seem to be enjoying it a lot, too (always discounting a few cranky souls who are mad that I didn't publish the next novel right this minute!). The sixth book ends in Scotland.

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Moderator: Thank you so much for joining us, tonight. You've been a great guest, and we hope you will join us again with your next book. We wish you the best of luck.

Diana Gabaldon: Thank you. Goodnight.

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Forewords & Introductions

New York Times bestselling author Diana Gabaldon has captured the hearts of millions with her critically acclaimed novels Outlander, Dragonfly in Amber, Voyager, and Drums of Autumn. From the moment Claire Randall accidentally stepped through a magical stone that transported her back in time more than 200 years to 1743, and into the arms of Scottish soldier Jamie Frasier, readers have been enthralled with this epic saga of time travel, adventure, and love everlasting. Now Gabaldon has written the ultimate companion guide to her bestselling series, the book only she could write.

Read an Excerpt

) "learning something" while being entertained. Many like the sense of connection, of rediscovering their own heritage. A good many enjoy the curious details: the botanical medicine, the medical procedures, the how and why of daily life in another time. But by far the most common element that people enjoy in the books is simply the characters -- readers care for these people, are interested in them, and want to know more about them.

So, this companion is intended for the readers: a quick reference for those who don't necessarily want to reread a million and a half words in order to refresh their memories as to Who or What; a source of information and (maybe) insight on the characters; a companion for those with an interest in backgrounds and trivia; an auxiliary guide for those with an interest in the eighteenth century and Things Scottish; and finally -- a brief glimpse into the working methods of a warped mind.

"True. I have heard the point made, though, that the novelist's skill lies in the artful selection of detail. Do you not suppose that a volume of such length may indicate a lack of discipline in such selection, and hence a lack of skill?"

Fraser considered, sipping the ruby liquid slowly.

"I have seen books where that is the case, to be sure," he said. "An author seeks by sheer inundation of detail to overwhelm the reader into belief. In this case, however, I think it isna so. Each character is most carefully considered, and all the incidents chosen seem necessary to the story. No, I think it is true that some stories simply require a greater space in which to be told."
--Voyager, Chapter 11: "The Torremolinos Gambit"

Copyright © 1999 by Diana Gabaldon

Read a Sample Chapter

I had told Perry when I gave him the book that there seemed to be more to this story, but I thought that perhaps I should stop while I could still lift the manuscript. Being a good agent, Perry emerged with a three-book contract. After that . . . well, after that, things got out of hand, and here we are, eight years later.

So where are we, exactly? As I said above, I don't write with an outline--if I knew what was going to happen, it wouldn't be any fun to write the book, now, would it? However, as I go along, merrily gluing pieces together, I do sometimes get a vague idea as to some events that may take place in the story. So, as I finished Cross Stitch (my working title for what later became Outlander),13 I could see that there was more to the story.

With a three-book contract in hand, I started in on the second book, Dragonfly in Amber. A little over halfway through, though, I began to get this uneasy feeling that perhaps I wouldn't be able to cram the entire American Revolution into one more book, and there would have to be four volumes. I confided this fear to Perry, who said, "Don't tell them that. Not until the first one is on the shelves, anyway."

Fortunately, by the time we decided to reveal the Awful Truth, the first books had come out and sold decency, and the publisher was happy to make us an offer for the fourth (and presumably final) book in the series. Feeling that this was perhaps the only chance I might get to induce someone to pay me to write a mystery, I got bold and said they could have the fourth book if they'd also give me a contract to write a contemporary mystery. Rather to my surprise, they gave me acontract for two mysteries--and the fourth of the Outlander books.

So I set in to write. I wrote, and I wrote, and I wrote, and after a year and a half of this, I said, I've got a quarter-million words here; why the heck am I not nearly done with this? A little thought revealed the answer; I had (once again) too much story to fit into one book.

Attending a writers' conference at which my editor was also present, I leaned over during the awards banquet and hissed in her ear, "Guess what? There are five of them." To which Jackie, a woman of great presence and equanimity, replied, "Why am I not surprised to hear this?"

Actually, it was worse than I thought. When I removed all the pieces that belonged in the fifth book, I finally realized that what I was looking at was a double trilogy--six books in all. The first three books--Outlander, Dragonfly in Amber, and Voyager--are centered around the Jacobite Rising of 1745. The second three books are centered in a similar way around the American Revolution, which was, in a way, a greatly magnified echo of the earlier conflict that ended at Culloden.

And that leads us in turn to a consideration of just what's going on in these books. Once I realized that I really was a writer, and that I had not one, but a series of books, I had two main intentions.

One was a desire to follow the great social changes of the eighteenth century. This was a time of huge political and social upheaval that saw the transition of the Western world from the last remnants of feudalism into the modern age, in terms of everything from politics and science to art and social custom. The tide of history was changing, flowing from the Old World to the New, borne on the waves of war, and what better way to look at this than through the eyes of a time-traveler?

Now, this is great stuff for the background of a novel, to be sure, but the fact is that good novels are about people. A book that doesn't have an absorbing personal story in the foreground may be good history, or have good ideas--but it won't be good fiction. So what about the personal angle of this story?

The first book was originally marketed as a historical romance because, although the book didn't fit neatly into any genre (and at the same time was certainly not "literary fiction"), of all the markets that it might conceivably appeal to, romance was by far the biggest. However . . .

Other considerations aside, romance novels are courtship stories. They deal with the forming of a bond between a couple, and once that bond is formed, by marriage and sexual congress (in that order, we hope)--well, the story's over. That was never what I had in mind.

I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years--or more. I wanted to tell not the story of a courtship, but the story of a marriage.

Now, to handle adequately themes like the Age of Enlightenment, the fall of monarchy, and the nature of love and marriage, one requires a certain amount of room. One also requires rather a complex story. People now and then say to me, "But aren't you getting tired of writing about the same old characters?" I certainly would be, if these were the same old characters--but they're not. They grow, and they change. They get older, and their lives become more complex. They develop new depths and facets. While they do--I hope--remain true to their basic personalities, I have to rediscover them with each new book.

And that leads to another question I'm often asked: What is it that people find interesting about the books? For a long time, I replied (honestly), "Beats me," but after years of getting letters and E-mail, I now have some idea of the things readers say they like.

Many of them enjoy the sense of "being there"; the vicarious experience of another place and time. Many like the historical aspects of the books; they enjoy (they say) "learning something" while being entertained. Many like the sense of connection, of rediscovering their own heritage. A good many enjoy the curious details: the botanical medicine, the medical procedures, the how and why of daily life in another time. But by far the most common element that people enjoy in the books is simply the characters--readers care for these people, are interested in them, and want to know more about them.

So, this companion is intended for the readers: a quick reference for those who don't necessarily want to reread a million and a half words in order to refresh their memories as to Who or What; a source of information and (maybe) insight on the characters, a companion for those with an interest in backgrounds and trivia; an auxiliary guide for those with an interest in the eighteenth century and Things Scottish, and finally--a brief glimpse into the working methods of a warped mind.

"True. I have heard the point made, though, that the novelist's skill lies in the artful selection of detail. Do you not suppose that a volume of such length may indicate a lack of discipline in such selection, and hence a lack of skill?"

Fraser considered, sipping the ruby liquid slowly.

"I have seen books where that is the case, to be sure," he said. "An author seeks by sheer inundation of detail to overwhelm the reader into belief. In this case, however, I think it isna so. Each character is most carefully considered, and all the incidents chosen seem necessary to the story. No, I think it is true that some stories simply require a greater space in which to be told."

--Voyager, chapter 11: "The Torremolinos Gambit"


1. The university and I later sold this pub1ication to John Wiley & Sons, Inc., though I continued to serve as editor. It eventually was sold again, to a small British pub1isher, who merged it with an existing publication called Laboratory Microcomputer. Last time I looked, I was still listed as a contributing editor, but that was some time ago.

2. Oh, the comic books. Well, my mother taught me to read at an early age, in part by reading me Walt Disney comics. What with one thing and another, I never stopped. At the age of twenty-eight or so, I was reading one of these, and said to myself, You know, this story is pretty bad. I bet I could do better myself.

I found out the name and address of the editor in charge, and sent him a medium-rude letter, saying in essence, "I've been reading your comic books for twenty-five years, and they're getting worse and worse. I don't know that I could do better myself, but I'd like to try. "

Fortunately the editor--Del Connell--was a gentleman with a sense of humor. He wrote back and said, "Okay. Try. "He didn't buy my first attempt, but did something much more valuab1e; he told me what was wrong with it. He bought my second story--one of the Great Thrills of my life--and I wrote for him and for another Disney editor, Tom Golberg, for some three years, until their backlog ob1iged them to stop purchasing freelance scripts.

Between them, Del and Tom taught me most of what I know about story structure. I acknowledge the debt with great gratitude.

3. This is a really sound technique, by the way.

4. Doctor Who is unfortunately no longer on our local PBS channel, but luckily I can still do my nails on Saturday nights, while watching Mystery Science Theater 3000--which is, in fact, the only TV I do watch on a regular basis. No doubt this explains something, but I couldn't tell you what.

5. It was "War Games, "for those interested in trivia.

6. See "Research".

7. Via posted messages, left bulletin-board style; I've never been in a "chat room" in my life, save as an invited guest for a mass pub1ic interview.

8 "Libraries "are electronic spaces set aside within CompuServe forums for members to post--semipermanently--things they'd like to share: stories, poems, essays, articles, shareware files, etc.

9. Chat rooms and live-time interactions did not exist at the time. CompuServe messages, unlike those of AOL, exist only temporarily, with new messages essentially "pushing" old ones off into the ether.

10. A slightly altered version of this synopsis appears in Part Two.

11. Ignorant as I was at the time, I hadn't realized that agent (and editors) normally want to see a complete manuscript before making a judgment on it--just to be sure that the writer can actually finish the book. Perry, fortunately, was willing to gamb1e that I could.

12. Who, interestingly enough, rejected the manuscript. "It's a great story, "she said, "but it's not really a standard romance novel, and that's what we publish."

13. See "Where Titles Come From (and Other Matters of General Interest)". I just love footnotes, don't you?