The Mysterious Flame of Queen Loana by Umberto Eco, Geoffrey Brock (Translator)

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  • Publisher: Harcourt
  • Pub. Date: June 2006
  • ISBN-13: 9780641882425
  • 469pp
  • Edition Description: Bargain

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Synopsis

Yambo, a sixtyish rare-book dealer who lives in Milan, has suffered a loss of memory-he can remember the plot of every book he has ever read, every line of poetry, but he no longer knows his own name, doesn't recognize his wife or his daughters, and remembers nothing about his parents or his childhood. In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love.

A fascinating, abundant new novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

Publishers Weekly

Guidall gives a polished, Masterpiece Theatre-worthy sheen to Eco's odd, funny tale of Yambo, a man who discovers that while remembering the plots and details of all the books and films he's ever read or seen, he has no recollection of his own life or his name. His sonorous tones are soothing, lending Eco's prose a certain hushed aura, but there is something strangely off about the marriage of the Italian author's intellectual mystery story and Guidall's rolling British cadences. It is as if Guidall's Oxbridge enunciation were thought necessary to gussy up Eco's novel, something it is distinctly not in need of. Overemoting, Guidall turns Yambo into a ham actor rather than a slightly comic figure befuddled by a world full of mysterious and alluring signs. Guidall does do a solid job capturing the quicksilver changes in emotional temperature of the volatile protagonist, who is unable to comprehend the confusing new world he finds himself in. Even in this, though, Guidall is more like an actor professing befuddlement than someone actually finding himself disoriented by his mind's empty spaces. Simultaneous release with Harcourt hardcover (Reviews, Mar. 21). (June) Copyright 2005 Reed Business Information.

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Biography

Few cultural critics and novelists carry the scholarly heft of Umberto Eco, who was a noted historian and semiotician before he brought these sensibilites to bear on major novels such as The Name of the Rose and Foucault's Pendulum. Whether he is deconstructing modern wax museums or spinning a 13th-century tale, he is always clever, stately and profound.

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Customer Reviews

Number of Reviews: 6
Average Rating: Customer Rating for this product is 4.5 out of 5
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Customer Rating for this product is 4 out of 5 Intelligently and elegantly crafted fiction
A reviewer, a writer, 06/16/2007

An older book dealer suddenly and unexpectedly holds in his hands Shakespeare's first folio from 1623 and the shock of the discovery triggers a coma from which the narrator is attempting to recover his memory and re-discover himself. It's an intriguing premise as the book dealer revisits an attic to dig through boxes of his old books to learn what light they can shed on his remembrance of lost time. The books, dating from his childhood, trigger memories of life in Fascist Italy, as he re-learns who he is by what he has already read, including children's tales, religious works, advertising, comic books, paperback novels and war propoganda. I admire the intelligence of Eco, a scholar whose style is fluid, clear, articulate, erudite and engaging. I also admire the translation of the novel, which reads beautifully and flows naturally. This novel seems self-indulgent in places and has a great many cultural and historical references, which will elude readers outside Italy. Of all the works referenced in this novel, there didn't seem to be enough of the real masterpieces here. Perhaps, that's the tragedy that any reader may risk by overcommitting to reading time squandered upon the works of lesser literary lights. By the way, this novel is masterfully illustrated by the publisher. I was intrigued by Eco and am well into Foucault's Pendulum, which is more impressive for the wit and sheer intellectual luminosity of the writing but that's another story for another day. I may well end up giving Eco's list a run for its money, if the rest of his work is as good as these two very fine but not quite great novels. Time spent reading Eco clearly is time well spent.

Customer Rating for this product is 4 out of 5 Visually Stimulating if Nothing Else
Davenger Mendes (davengermendes@hotmail.com) , sitting behind someone important, 04/04/2007

I picked this one up with the warning of my friend's experience in mind, that being that he had a difficult time getting past all of Mr. Eco's esoteric references to various pieces of fiction and former pop-culture ephemera. True, those references are there, but what emerges on the surface is a mystery story wherein the detective is also the murder AND the victim. In all, an incredible story, very well put together, though I would contend that it got a bit too preachy toward the end. Those words might have better served in a psychology, or new age text on memory, though again, the illustrations were a joy in themselves, and I enjoy looking back at them even though I have finished the book. I won't argue that it's a classic, nor that if you are a very busy person that it is necessarily worth your time, but you could do worse. Unfortunately, I haven't read any of Mr. Eco's other books, so I am unable to say whether this one holds true to some vein of greatness he might have tapped into, but I'm not turned off on reading his others if that can be construed as any sort of reccomendation.

Also recommended: Edwin Mullhouse by Steven Millhauser

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