The Barnes & Noble Review
Harry Potter was the top Twitter topic for days on end when the final book, Harry Potter and the Deathly Hallows, came out in paperback and Harry Potter and the Half-Blood Prince opened in movie theaters. Fans were taking the "Which Harry Potter Character Are You?" quiz and bemoaning the coming Harry Potter vacuum ("If only Hogwarts were real..."). Having read every Harry Potter novel within days of release in "real time," I'm among those feeling bereft.
Along comes Time magazine senior book critic and Nerd World blog regular Lev Grossman's impeccably timed fantasy novel aimed at grown-ups who love J. K. Rowling's bewitching tales. The Magicians has the familiar mix of budding magicians and villains, and a group of spell-casting friends who are transported to a magical kingdom -- called Fillory -- not unlike Narnia. However, while The Magicians draws inspiration from Rowling, Lewis, Tolkien, and others, with appropriate tips of the hat, Grossman avoids schematic parallels to his predecessors. His creation is a deliciously detailed new universe -- notably X-rated in comparison to those more child-friendly fantasies, filled with complicated adult impulses and angst, not to mention sex, drugs, and single-malt scotch.
Quentin Coldwater is a tall, thin 17-year-old who yearns for happiness but settles for being "ridiculously brilliant" in matters mathematical and magical. Quentin is obsessed with the "Fillory and Further" novels, a series of five 1930s English books in which five Chatwin siblings discover a magical land while visiting their eccentric aunt and uncle in the countryside. In the last book in the series, the eldest son, Martin, does not come back from Fillory.
While his classmates have moved on, Quentin never quite outgrew the Fillory books, nor the hope that they could do what books promised to do and never quite did --"get you out, really out, of where you were and into somewhere better."
The novel opens in Brooklyn, where Quentin and his best friend, James, are on their way to a final admissions interview with a Princeton graduate. "The real problem with being around James was that he was always the hero," Quentin notes wryly." And what did that make you? Either the sidekick or the villain." Quentin and James discover their interviewer dead on the floor of his den. An attractive paramedic gives Quentin an envelope that contains a notebook with the first page handwritten in ink: "The Magicians: Book Six of Fillory and Further." Drum roll. A piece of white notepaper flies out of the notebook and leads Quentin to a portal in a community garden in the Brooklyn neighborhood of Park Slope. From there he is whisked off to Brakebills, a school for magicians up the Hudson.
Step one: Quentin is tested. As he comes to the end of the day, he's called upon to prove his magical talent with a deck of cards. "With two hands together, as if he were releasing a dove, he tossed the deck of cards lightly up to the ceiling. The deck broke apart and scattered in flight, like a meteorite losing cohesion in the atmosphere, and as the cards fluttered back down to earth they stacked themselves on the tabletop. They formed a house of cards."
Quentin passes, joining 100 students (20 in each class) to spend five years studying the art and craft of magic. Obviously, Brakebills is modeled after Hogwarts, but most everything is freshly minted and enthralling (an exception is the game of "welters," an echo of Quidditch that doesn't quite work as well). Each year at Brakebills has its challenges, rivalries, and casualties. The most ominous moment comes during Quentin's third year. Bored during a lecture, he casts a spell. For an instant, "the film of reality slipped off the spokes of its projector." And standing behind the lecturing professor is a small, well-dressed man with a leafy branch partially obscuring his face.
Everyone in the room is frozen in place for hours. Finally Amanda Orloff, a Brakebills student, gets free and begins chanting a powerful offensive spell, a bit of war magic -- taboo to students -- aimed at tearing an opponent apart. The dapper fellow -- termed thereafter "the beast" -- retaliates by eating Amanda alive. At last he disappears, although he pops up more than once to terrorize Quentin and his friends.
Grossman is superb at describing Quentin's transformations into animals. Along with half the other fourth-year students, Quentin is awakened one January night and magically turned into a goose for a flight to Brakebills South (at the pole)."Quentin's new goose-brain, it emerged, was not much given to reflection. His senses tracked only a handful of key stimuli but it tracked those very, very closely. This body was made for either sitting or flying, not much else, and as it happened, Quentin was in a mood to fly. In fact, he felt like flying more than he had ever felt like doing anything else in his entire life."
As a fox at Brakebills South, Quentin has sex with a fellow student named Alice. "He locked his teeth in the thick fur of her neck….. Something crazy and urgent was going on.and there was no way to stop it, or probably there was but why would you? Stopping was one of those pointless, life-defeating human impulses for which his merry little fox brain had nothing but contempt."
By his fifth year, Quentin is obsessed with what to do after graduation. The thought of a transition to a world outside of magic brings him to despair. At the Brakebills Fifth Years graduation banquet, he has his first taste of scotch." It was amazing that anything in liquid form could taste that much like both smoke and fire." That night each Brakebills graduate is gifted with a tattoo inset with a customized demon that will fight to the death to protect them.
The Magicians takes a sinister turn as the new graduates settle into gritty life in New York. Quentin has forgotten what it was like to be in the mundane world all the time. "Nothing was enchanted; everything was what it was and nothing more. Every conceivable surface was plastered with words -- concern posters, billboards, graffiti, maps, signs, warning labels, alternate-side parking regulations -- but none of it meant anything, not the way a spell did....To a magician's eyes, Manhattan looked like a desert."
Quentin, Alice, Eliot, Janet, and Josh laze away their days and give lavish dinner parties. Quentin grows so bored he betrays Alice after a long, boozy night and wakes up in bed with Janet and Eliot. Just as Alice confronts him, former Brakebills classmate Penny reappears and offers the gang a chance to go to Fillory. Off they go, without knowing that something ominous is going on, and evil has taken over the magical place.
The final battle of The Magicians is a hair-raising and riveting phantasmagoria of demons and monsters armed with the finest in battle magic. There are dead to be counted in the end, and several after-moments (including the appearance of a memorable centauress doctor named Alder Acorn Agnes Allison-fragrant timber). When, at last, The Magicians concluded, I wanted to keep the magic going. So I reread it. With relief I realized that although Grossman polished each plot turn and detail to a fine finish, he has left enough of a question mark at the end to make for the possibility -- yes! -- of a sequel. --Jane Ciabattari
Jane Ciabattari is president of the National Book Critics Circle.
From the Publisher
Unabridged CDs
• 10 CDs, 12 hours
Jonathan Strange and Mr. Norell meet Harry Potter in a sophisticated and menacing new coming-of-age tale.
The New York Times -
Michael Agger
Brakebills will remind readers of Hogwarts, though with more illicit fondling. Grossman has written what could crudely be labeled a Harry Potter for adults. He takes the rudiments of that story—an alternate society of magicians bumpily coexists with our own—and injects mature themes. Quentin and his circle sleep around. They cook great meals and slosh wine. They also mope about and ponder the purpose of the magical life. It turns out that it can be kind of boring. You have great power but no meaningful way to apply it. Kind of like comp lit majors, or faded rock stars.
Publishers Weekly
Grossman's novel is a postadolescent Harry Potter, following apprentices in the art of magic through their time as students at an upstate New York college to their postcollegiate Manhattan misdeeds, with jaded ennui tempering the magical aura. Mark Bramhall, a smooth baritone with a supple speaking voice, reads carefully, with a slight air of heaviness and sorrow. He pauses frequently and freights the silences with a tenderness well befitting a coming-of-age novel. A Viking hardcover (Reviews, June 1). (July)
Entertainment Weekly
Sly and lyrical, [The Magicians] captures the magic of childhood and the sobering years beyond.
Washington Post
Grossman clearly has read his Potter and much more. While this story invariably echoes a whole body of romantic coming-of-age tales, Grossman's American variation is fresh and compelling. Like a jazz musician, he riffs on Potter and Narnia, but makes it his own.
Salon
An irresistible storytelling momentum makes The Magicians a great summer book, both thoughtful and enchanting.
Seattle Times
Grossman skillfully moves us through four years of school and a postgraduate adventure, never letting the pace slacken . . . beguiling.
Jenne Bergstrom
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Library Journal
Most of us secretly believed as children that we were somehow destined for greatness. Someday there would be a letter delivered by owl or a magical wardrobe, and it would turn out we were the long-lost ruler of a land in eternal winter! Time magazine book critic Grossman (The Codex) explores what it might be like if this really happened. High school senior Quentin is on his way to a college interview when he wanders off the street and ends up transported to another place...where it's still summer. At first he thinks he must be in the land of Fillory, where his favorite childhood books took place, but no, he is actually at a magical college in upstate New York. He passes the entrance exam and decides to skip the rest of senior year and become a wizard instead-well, wouldn't you? In the course of his adventures, he finds out that studying magic is actually insanely difficult and that fighting a war for the royal succession of an alternate world is much less glamorous than it sounds. But this is not quite a "be careful what you wish for" story. Ultimately, being a magician is, in fact, awesome. This is a book for grown-up fans of children's fantasy and would also appeal to those who loved Donna Tartt's The Secret History. Highly recommended.
Kirkus Reviews
Grossman (Codex, 2004, etc.) imagines a sorcery school whose primary lesson seems to be that bending the world to your will isn't all it's cracked up to be. When Quentin manages to find Brakebills College for Magical Pedagogy and pass its baffling entrance exam, he finally feels at home somewhere. Back in the real world, Quentin and fellow students, like brilliant, crippling shy Alice and debonair, sexually twisted Eliot, were misfits, obsessed with a famous children's series called Fillory and Further (The Chronicles of Narnia, very lightly disguised). Brakebills teaches them how to tap into the universe's flow of energy to cast spells; they're ready to graduate and . . . then what? "You can do nothing or anything or everything," cautions Alice, who has become Quentin's lover. "You have to find something to really care about to keep from running totally off the rails." Her warning seems apt as he indulges in aimless post-grad drinking and partying, eventually betraying Alice with two other Brakebills alums. The discovery that Fillory actually exists offers Quentin a chance to redeem himself with Alice and find a purpose for his life as well. But Fillory turns out to be an even more dangerous, anarchic place than the books suggested, and it harbors a Beast who's already made a catastrophic appearance at Brakebills. The novel's climax includes some spectacular magical battles to complement the complex emotional entanglements Grossman has deftly sketched in earlier chapters. The bottom line has nothing to do with magic at all: "There's no getting away from yourself," Quentin realizes. After a dreadful loss that he discovers is the result of manipulation by forces that care nothing about himor his friends, Quentin chooses a bleak, circumscribed existence in the nonmagical world. Three of his Brakebills pals return to invite him back to Fillory: Does this promise new hope, or threaten more delusions?Very dark and very scary, with no simple answers provided-fantasy for grown-ups, in other words, and very satisfying indeed. Agent: Tina Bennett/Janklow & Nesbit
What People Are Saying
Gary Shteyngart
Remember the last time you ran home to finish a book? This is it, folks. The Magicians is the most dazzling, erudite and thoughtful fantasy novel to date.
Scott Smith
"The Magicians is fantastic. It's strange, fanciful, extravagant, eccentric, and truly remarkable-a great story, masterfully told."--(Scott Smith, bestselling author of The Ruins and A Simple Plan)
Junot Diaz
"Stirring, complex, adventurous . . . from the life of Quentin Coldwater, his slacker Park Slope Harry Potter, Lev Grossman delivers superb coming of age fantasy."--(Junot Diaz, Pulitzer-prize winning author of The Brief Wondrous Life of Oscar Wao)
Booklist
Fantasy fans can't afford to miss the darkly comic and unforgettably queasy experience of reading this book-and be glad for reality. (Starred Review)
Kate Christensen
"The Magicians is a spellbinding, fast-moving, dark fantasy book for grownups that feels like an instant classic."--(Kate Christensen, PEN/Faulkner award winning author of The Great Man and The Epicure's Lament)
Kelly Link
"The Magicians ought to be required reading for anyone who has ever fallen in love with a fantasy series, or wished they went to a school for wizards."--(Kelly Link, author of Magic for Beginners and Stranger Things Happen)
George R.R. Martin
"The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea."--(George R.R. Martin, bestselling author of A Game of Thrones)
Fiction,Fantasy,&,Science
. . . provocative, unput-downable . . . one of the best fantasies I've read in ages.
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