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Elvis Cole is back...
With his acclaimed bestsellers, Hostage (a New York Times Notable Book) and Demolition Angel, Robert Crais drew raves for his unstoppable pacing, edgy characterizations, and cinematic prose.
The Last Detective is one more Robert Crais elegy for Los Angeles. — Eugen Weber
More Reviews and RecommendationsFollowing a tremendously successful run as a television screenwriter, Robert Crais broke into the publishing world in a big way with his Elvis Cole and Joe Pike mystery novels, proving that for a select few, Los Angeles truly can be a city of dreams.
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May 04, 2008: this is the first of this series that i have read. it was way better than i thought it would be. It is a must read.
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May 06, 2003: As a long-time Crais fan, this return to the Elvis Cole series is a welcome addition. The added bonus is the return of Carol Starkey (heroine of Demolition Angel--a stand-alone, non Cole title I enjoyed enormously) in a supporting role. The plotting is tight as a tick, the narrative races along with a few nice twists. Cole is more lugubrious this time out (as is long-time sidekick Joe Pike). However, given the seriousness of the plot, Cole's somberness is more than acceptable. This is a book that reads at the speed of light and is highly entertaining, and exceedingly violent. It works, though, because of Crais' great gift of characterization. What doesn't work, and is even mildly embarrassing, is the use of italicized front- and end-pieces that are, essentially, about finding one's 'inner child.' It's a bit too new-agey, a bit too sentimental (even maudlin) for everything Crais has structured in this book. That aside, though, it doesn't seriously detract from a well-wrought book. It's not Crais at his best but it's a long, long way from his worst (that would be Hostage). Recommended.
Name:
Robert Crais
Current Home:
Los Angeles, California
Date of Birth:
1953
Place of Birth:
Baton Rouge, Louisiana
Education:
B.S., Louisiana State University, 1976; Clarion Writers Workshop at Michigan State University
Awards:
Anthony and Macavity Awards for Best Novel of the Year for The Monkey's Raincoat, 1987
Los Angeles is known as the city of dreams, largely because so many Americans dream of breaking into the Hollywood film and television industry. In 1976, Robert Crais went west from Louisiana to pursue that very dream. As it turned out, he became one of the lucky few to break into the industry in a big way. Crais has since written for such hugely popular TV shows as Quincy, Cagney and Lacey, Miami Vice, Hill Street Blues, and L.A. Law, just to name a few. However, after achieving such success (which included a prestigious Emmy nomination) in a business that so many would give everything to break into, Robert Crais decided to step away and pursue his true dream. Frustrated by the collaborative process that comes with screenwriting, and inspired by pulp-pioneers such as Raymond Chandler, Crais became a mystery novelist. With his massively popular Elvis Cole/Joe Pike mysteries series, it seems as though success has a funny way of following Crais no matter what he decides to do.
Crais published his very first novel in 1987. The Monkey's Raincoat introduced mystery fans to Elvis Cole and Joe Pike, a pair of L.A. private investigators who would become his most-beloved recurring characters. Crais's transition from screenwriting to novel-writing was an astoundingly smooth one. The Monkey's Raincoat earned him nominations for the Edgar, Anthony, Shamus, and Macavity awards, winning both the Anthony and Macavity for "Best Novel of the Year." Crais's publisher was so overjoyed by the novel's success that he encouraged Crais to keep the Cole/Pike team going. "I started writing these books to get away from writing other people's concepts, like TV and movies," Crais told Barnes&Noble.com. "I never expected to write these guys as a series...but the book proved to be so popular and the characters were so popular that my publisher wanted more." What followed was a series of bestselling mysteries, including Stalking the Angel (1989), Free Fall (1993), L.A. Requiem (1999), and last year's The Forgotten Man.
Although the series was not part of Crais's original plan, he still seems to hold the Cole and Pike team closer to his heart than anything he has previously written. He explained, "The characters have deepened, and I think they kind of reflect what's going on with me and the world as I see it." When asked about whether or not we can expect to see the crime-solving buddies on the big screen anytime soon, he said, "I think I would have a difficult time in the collaborative process when other people suddenly put their fingerprints on Elvis and Joe," further illustrating his personal feelings for his P.I. team.
As much as Crais loves his series, he does occasionally write novels outside of the Cole/Pike world. His latest, The Two-Minute Rule, tells the story of career criminal Max Holman, a recently released-from-prison bank robber who finds himself hunting an entirely different kind of criminal after his son is gunned down. The book has since raked in positive reviews from such publications as Booklist, Publisher's Weekly, and The Library Journal. While The Two-Minute Rule does not feature Cole and Pike, Crais fans will notice one significant similarity between his latest novel and his famous series -- the Los Angeles setting. "I can't think of a better place to set crime novels because of what Los Angeles is. Los Angeles is the main where the nation goes to make its dreams come true. When you have a place like that where so many people are risking their very identities, not just money and cash, but they're risking who they are because it's their hopes and dreams, when you have that kind of tension and that kind of friction, you can't help but have crime."
Fortunately, Crais will never have to succumb to such friction and tension since, for a success story such as he, Los Angeles completely lived up to its promise of being the city of dreams.
Some fun and fascinating outtakes from our interview with Crais:
"My first job was cleaning dog kennels. It was especially, ah, aromatic during those hot, humid Louisiana summers, but it prepared me for Hollywood."
"My fiction is almost always inspired by a character's need or desire to rise above him-or herself. No one is perfect and some of us have much adversity in our lives; it is those people who struggle to rise above their nature or background that I find the most interesting and heroic."
"Fun details? Like Elvis Cole, I have a dry sense of humor. Sometimes I am so dry that people don't know I'm kidding and think I'm being serious. I enjoy this because their reactions are often funny. Also, I wear beautifully colored shirts like Elvis Cole, only I was wearing them before him. People will say, ‘Look, RC dresses just like Elvis Cole,' and I'll say, 'No, Elvis Cole dresses like me!' I also wear sunglasses like Joe Pike, but not indoors and not at night."
"Elvis Cole wrote two episodes of television. No lie. It happened like this: I had written episodes of Miami Vice and Jag that were rewritten by person or persons unknown -- changed so badly that I didn't want my name on them, so I used Elvis Cole's name as a pen name."
What book most influenced your life or career as a writer?
It wasn't just one book or author, but many and from many genres -- Chandler and Hammett and Robert B. Parker; John Steinbeck and Ernest Hemingway; Robert A. Heinlein and Ray Bradbury; the list goes on. But if I was forced to narrow the field, I would have to say Raymond Chandler's The Little Sister. It was the first book in the detective field I read. I fell in love with the main character, Philip Marlowe, and the setting, Los Angeles, and the power of Chandler's language.
What are your ten favorite books, and what makes them special to you?
My favorite books change with my mood. I'll give you a few titles today, but ask me again in six months and the answers might be different. Let's start with five:
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I listen to all types of music, from rock to country to classical, but not while I'm writing. If the music is something I like, I end up thinking about the music instead of thinking about what I'm writing.
If you had a book club, what would it be reading?
The Two Minute Rule, of course!
What are your favorite kinds of books to give -- and get -- as gifts?
Nonfiction books. I love history, biographies, and popular science.
What are you working on now?
Next year's book, which happens to be an Elvis Cole novel.
Many writers are hardly ‘overnight success' stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Ha. It took me about fifteen years to become an "overnight success." I had scores and scores of rejections at the beginning of my career when I was writing short stories. I found fairly easy success when I wrote television, but I ‘rediscovered' rejections when I turned to novels. I wrote two novels that were so bad I didn't even market them. Then I wrote The Monkey's Raincoat, which was rejected nine times before it sold. Even then, my career built slowly, but steadily. Each book sold more than the last. I finally hit the bestseller lists with the paperback publication of L.A. Requiem. The worst rejection I received was back in my short story days. I received one of those pre-printed form rejections with a very short, two-word note in the margin. The note was: You suck.
What tips or advice do you have for writers still looking to be discovered?
If you've already written something, write something else. Newer writers will often finish a short story or novel, then live or die through the submission process without working on new material. Keep writing! My other big tip is to write what you love. This might seem obvious to some, but many aspiring writers chase trends or write what other people tell them they should write. This is a huge mistake. Write what you love. Follow your passion. And try to write well. None of us -- including myself -- is ever so good that we can stop trying to improve.
The Barnes & Noble Review
L.A. private eye Elvis Cole is back, and this time crime strikes very close to home -- Cole's canyon home, in fact, where's he's babysitting his girlfriend, Lucy's, ten-year-old son, Ben. One moment, Ben's playing with his Game Freak, a handheld shoot-'em-up game that makes enough noise to be heard halfway to the moon. The next moment, there's an eerie silence…and Cole can't find the kid anywhere. Just as Elvis is reassuring Lucy, there's a chilling phone call: Ben has been kidnapped, supposedly in retaliation for a betrayal in Vietnam that took place a generation before the boy was even born. Cole remembers his time in 'Nam -- often all too well -- but he doesn't recall betraying anyone. As the police check out Rangers from Cole's old unit, perps from his past cases, and the possibility this was all a prank-gone-wrong, staged by Ben or even by Cole himself, Cole's own investigation gradually uncovers some very troubling facts. It seems there's more than one crime and more than one villain -- and it's becoming increasingly clear that the true betrayal wasn't in the past but here and now by someone very close to Cole. The Last Detective is a real page-turner, with a major cat-and-mouse ending. Sue Stone
P.I. Elvis Cole’s relationship with attorney Lucy Chenier is strained. Then the unthinkable happens. While Lucy is away on business and her ten-year-old son Ben is staying with Elvis, the boy vanishes without a trace. When the kidnappers call, it’s not for ransom, but for a promise to punish Cole for past sins he claims he didn’t commit. With the LAPD wrestling over the case, and the boy’s estranged father attempting to take control of the investigation, Cole vows to find Ben first. But Cole’s partner, Joe Pike, knows more about this case than he has said. Pike lives in a world where dangerous men commit crimes beyond all reckoning. Now, one of those men is alive and well in L.A.—and calling Elvis Cole to war. . . .
The Last Detective is one more Robert Crais elegy for Los Angeles. — Eugen Weber
After two bestselling stand-alone novels (Demolition Angel and Hostage), Crais has returned to his popular Elvis Cole series with a thrilling action-adventure yarn. The private eye's eighth and last crusade against evil, L.A. Requiem, explored the events, from childhood on, that turned his sidekick, Joe Pike, into a hardened killing machine (albeit a moral one). Now it's Elvis's turn to be analyzed, as he tries to rescue his beloved Lucy Chenier's son, Ben, whose kidnapping by ruthless mercenaries apparently was prompted by something in the sleuth's past. With its relentless pacing, large cast, flashbacks to Elvis's unhappy youth and war experiences and constant shifting from first- to third-person narration, the book poses significant problems for an audio interpreter. Daniels, one of the format's prime performers, has given voice to Elvis and Joe before, on the less complex Lullaby Town and Free Fall (both Brilliance titles). He takes the present challenge in stride, using his own voice for the Elvis-narrated sections and an appropriate just-the-facts approach to the straightforward sentences in the third person passages. Just as deftly, he distinguishes the cultured Lucy from the rougher-edged policewoman Carole Starkey (the author's Demolition Angel in a surprise cameo); finds an assortment of Louisiana accents for Lucy's ex-husband and his bayou crew; and, most stirringly, treats Pike to a hardboiled whisper Clint Eastwood might mistake for his own. Crais is notoriously protective of his Elvis novels, reputedly rejecting the wealth of Hollywood rather than trust others with his creations. He's got nothing to worry about here. Simultaneous release with the Doubleday hardcover (Forecasts, Jan. 27). (Feb.) Copyright 2003 Reed Business Information.
Elvis Cole's domesticity is shattered when ten-year-old Ben, son of his girlfriend Lucy, disappears one afternoon while Elvis is babysitting. Worse, a ransom note arrives, sounding less interested in money than in destroying Elvis for atrocities he allegedly committed in Vietnam. Then Lucy's rich ex-husband, Richard, shows up with a couple of goons, determined to solve the kidnapping on his own. Crais's ninth Cole novel (the first since 1997) features sharply drawn characters, including lethal, silent sidekick Joe Pike, and detective Carol Starkey, visiting from Crais's nonseries Demolition Angel. Reader James Daniels maintains tension admirably, as Elvis and Carol follow up on the merest clues, getting some lucky breaks along the way and tracking some truly bad bad guys. When the solution comes, it requires a huge suspension of disbelief, but listeners will be so involved, they may not care. Recommended.-John Hiett, Iowa City P.L. Copyright 2003 Reed Business Information.
Before he hit the big time with Hostage (2001), Crais made his name with seven novels about wisecracking but ever tougher L.A. shamus Elvis Cole. Now his old hero’s overheated return suggests that somebody can’t go home again. Minutes before Elvis’s ladylove, lawyer-turned-TV commentator Lucy Chenier, returns from five days on the road, her son Ben, who’s been bonding with Elvis during his mom’s absence, is snatched from under his host’s nose. The scant evidence points to a team of professional mercenaries, killers for hireexactly the sort of guys Lucy’s ex, Baton Rouge gas exec Richard Chenier, has repeatedly warned Lucy her new beau attractsso it’s no wonder that Richard, jumping a jet out to the coast, arrives with smoke pouring from his ears and a trio of his own alleged experts in tow: a pair of retired New Orleans cops and Leland Myers, Richard’s own security chief. The obligatory squabbles about whose fault the kidnapping is, who ought to be first up in the investigation, and who ought to just stay out of the way is notable mainly for Elvis’s ease in getting L.A. detective Carol Starkey, visiting from another Crais stand-alone (Demolition Angel, 2000), to side with him and his old partner Joe Pike, who’s manfully struggling to recover from the wounds he suffered in Elvis’s last outing (L.A. Requiem, 1999) and his shame at running from a bear (don’t ask). The detective work, when Elvis has a chance for it, is sound and the plot twisty enough, but that’s no longer enough for Crais, who ups the ante with flashbacks to Elvis’s neglected childhood and Vietnam service, gives his villains the world-class bad-guy credentials you’d expect from an Austin Powers movie, and stagesaction scenes so quick that "all of it happened in milliseconds, or maybe even faster." Elvis on steroids. Strictly for the Russian-judge contingent.
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Hear our exclusive audio interview with Robert Crais (9:24).
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