The Hunger Games (Hunger Games Series #1) by Suzanne Collins

The Barnes & Noble Review

Sixteen-year-old Katniss is smart, athletic, and fast. She can take down a rabbit with a bow and arrow, hitting it straight through the eye. Will these skills be enough to survive the Hunger Games?

Suzanne Collins, the author of the middle-grade fantasy series The Underland Chronicles begins anew, exploring a future landscape that will be familiar to devotees of science fiction's dystopic strain. In a nation called Panem, which occupies the landmass that is the present United States, a parasitical fascist Capitol dominates 12 conquered districts. There was a thirteenth district but it was obliterated during a rebellion. The totalitarian government keeps the subjected populations in line by threatened devastation, starvation, and brutality.

The horrific rite at the heart of this culture is an annual event -- somewhere between a sport and a sacrifice -- is The Reaping. Two adolescent tributes from each district, one boy and one girl, ages ranging from 12 to 18, are selected. Although it will come as no surprise that the opening brings to mind Shirley Jackson's "The Lottery," the plot veers quickly in another direction. The tributes are taken from their home district, and in a contrived Survivor-like reality show, are forced to fight each other to the death. A selective real-time video is played on television. And in an interesting twist, watching The Hunger Games is mandatory.

Our heroine and narrator is Katniss Evergreen, a practical, level-headed teen and the sole support of her mother and younger sister. Her father having died in a mine explosion (the family lives in a coal-mining district with an Appalachian feel, called the Seam), without Katniss's ability to sneak into the forbidden forest to poach, her family would starve. We join her the day of the drawing. The odds are definitely not in her favor -- because of age and poverty, her name is entered many more times than average, and the same is true of her hunting companion, Gale. Katniss barely registers that her 12-year-old sister's name had been called when she dashes to the stage and volunteers to replace her. The second tribute from her district is Peeta, the baker's son.

The 24 teens are then sequestered in the Capitol, where a team of stylists -- and here is one aspect of how the author uses our familiarity with television shows like Survivor to recast a venerable science-fiction scenario -- is assigned to primp and prepare them for the Hunger Games. The more attractive and personable participants have better the odds of obtaining a sponsor. A wealthy sponsor can provide expensive gifts of food and medicine during the games that could mean the difference between life and death. District Twelve's prep team creates an illusion of romance between Katnis and Peeta to garner sympathy and perhaps support for these players.

Not that Katniss and Peeta think they have a chance. It has been more than 30 years since a winner came from District Twelve. Many of the other combatants are from the richer districts. These Career Tributes have been training their whole lives for this moment. They are healthy, well fed, and aggressive: one of them always wins.

Part of the drama involves watching Katniss and Peeta's responses as they are torn from a simple life of surviving in a harsh, oppressive existence and dropped into a technologically sophisticated environment. We luxuriate along with them as they experience an abundance of food and sumptuous clothing, as well as having all of their physical needs met. But there are constant reminders of the dark underside of these moments of pleasure. Not the least is a servant whose tongue was removed as a punishment for running away. Katniss recalls for us of the power of the Government to genetically engineer predators for their own amusement. Readers aren't allowed to forget that the end of this journey is a violent and spectacular death, broadcast to the nation.

Collins is a skillful storyteller who makes this nightmare vision a convincing one. Well-drawn characters range from the insensitive, relentlessly cheerful government representative, Effie Trinket (who resents being assigned to such a hopelessly low-profile district) to Haymitch, the last winner from their district, who -- despite his continuous inebriation -- may become a resourceful and effective mentor. Given the high stakes, Katniss's single-minded focus on survival and predicting the others' strategy, to the disregard of nearly all else, is believable. The plotting is tight, and Collins throws readers with plenty of small details that complicate the scenario and build suspense. Is there a secret rebellion amongst the citizens of the Capitol? What is the secret talent that gave tiny Rue such a high score? Will Peeta, who has no skill for either hunting or fighting, be even able to survive the first day? Is this an act or does he really love Katniss?

One of the most pleasurable aspects of the book is the treatment of the contrasting Districts and their struggles. When Katniss finds an unlikely ally in slight birdlike Rue, we find out that even in the agricultural districts the farmers are starving, a faint echo of the Irish Famine. The behavior of the oppressed may remind readers of the occupants of the Warsaw or Lodz Ghettos, with the internal hierarchy of governing class that collaborated with the oppressors to maintain order. Other elements of the society bring to mind the former Soviet Union's domination of satellite states. No one will miss the similarity of the inhabitants of the Capitol to some present-day citizens of the United States, who combine an obsession for entertainment and celebrities with a blindness toward those who are suffering.

Are these topics for seventh graders? Twelve-year-olds are certainly familiar with these themes. In the microcosm on the classroom, children experience cruelty and deprivation, some just trying to survive to adulthood. Behind closed doors some are abused, and small kindnesses take on disproportionate meaning. Survival sometimes depends on letting others help. A good classroom culture emphasizes the need in a strong community for compassionate members who care for the weakest. Young readers will be able divine a deeper meaning from what on the surface might seem to be the depiction of a violent reality-television show.

Does Suzanne Collins try to pack too much into this dystopic society? Probably, but this ambitious novel, threaded with romantic tension, cliffhanging uncertainty, and an engrossing vision of a possible tomorrow is likely to keep readers riveted. --Lisa Von Drasek

Lisa Von Drasek is the children's Librarian at the Bank Street College of Education. Her reviews and commentary have appeared in School Library Journal, The New York Times, Kirkus Reviews, The Bark, Knowledge Quest, Teaching K-8, Nick Jr., and more.

From the Publisher

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. But Katniss has been close to dead before-and survival.

The New York Times - John Green

brilliantly plotted and perfectly paced…a futuristic novel every bit as good and as allegorically rich as Scott Westerfeld's Uglies books…the considerable strength of the novel comes in Collins's convincingly detailed world-building and her memorably complex and fascinating heroine. In fact, by not calling attention to itself, the text disappears in the way a good font does: nothing stands between Katniss and the reader, between Panem and America. This makes for an exhilarating narrative and a future we can fear and believe in, but it also allows us to see the similarities between Katniss's world and ours.

The Washington Post - Mary Quattlebaum

This gripping tale explores ever-timely topics—violence-as-entertainment and rule-by-intimidation—and through Katniss holds out the possibility of change.

Publishers Weekly

Signature

Reviewed by Megan Whalen Turner

If there really are only seven original plots in the world, it's odd that "boy meets girl" is always mentioned, and "society goes bad and attacks the good guy" never is. Yet we have Fahrenheit 451, The Giver, The House of the Scorpion-and now, following a long tradition of Brave New Worlds, The Hunger Games.

Collins hasn't tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984 and rather more Death Race 2000, hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death.

Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser.

It's no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem-which needs to keep its tributaries subdued and its citizens complacent-may have created the Games, but mindless television is the real danger, the means by which societypacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time.

What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. "They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet," she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch.

Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more.

Megan Whalen Turner is the author of the Newbery Honor book The Thief and its sequels, The Queen of Attolia and The King of Attolia. The next book in the series will be published by Greenwillow in 2010.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Alan Review

Ta ke the ancient Greek myth of Crete demanding Athens send 14 of its children as sacrificial tributes, substitute the minotaur for gladiator combat pitting the youths against one another, set it in a dystopic future, make it all entertainment for the reality television of a tyrannical government, and then give it characters that add his/her own twist to the story— these are the ingredients for The Hunger Games, the first book in a thrilling new trilogy from Suzanne Collins. Collins doesn't waste a single character in the entire novel. From our narrator-heroine Katniss Everdeen, to her Hunger Games sponsor Haymitch Abernathy, to Hunger Games show host Caesar Flickerman, each character is rich in depth and worthy of his/her own story. Collins also keeps the action moving at a smooth and quick pace. The novel is violent without ever being bloody. Collins avoids easy, Hollywood-style endings and gives us realistic, complex characters. Librarians and teachers will have a hard time keeping this book on their shelves. Reviewer: John Ritchie

KLIATT

This is an amazingly suspenseful story, combining the familiar ("Survivor"-type TV shows) with details of a horrific future. Once again, an author chooses a future in which some calamity has created a society cowed into submission by dictators, and manipulated and controlled through technology. The Hunger Games are this future culture's way of entertaining and frightening the people, all at once. Young people are chosen by lot as participants in the games. Once chosen, the "contestants" scheme for the others' deaths—real deaths—because that is the only way to survive: to be the last person standing. The people follow the "action" via camera, with strategy and suffering presented as entertainment (sort of like the action in the Roman Empire's Coliseum, I suppose). The heroine is 16-year-old Katniss, a skilled hunter and survivor managing to keep her mother and younger sister alive in their repressive society. When Katniss's younger sister, who is not very strong, draws the lot, Katniss takes her place, willing to die for her family. In a masterstroke of strategic planning, Katniss teams up with another contestant, a boy she has known in her village, to ensure their survival. The "games" themselves are nonstop action: physical, mental, emotional. Readers will be absorbed in the action, identifying with Katniss and frightened by this view of a possible future. Reviewer: Claire Rosser

VOYA

Sixteen-year-old Katniss Everdeen cannot believe it when her younger sister Prim is chosen as the female tribute from their district at the Reaping. In this futuristic society, each district is required to send two tributes to the Games in the Capitol where they must fight to the death while the whole country watches on live television. To protect her sister, Katniss volunteers to take her place, knowing that she will probably never again return home. Twenty-four young people are dropped off in a remote area and must fight for survival against the harsh conditions and each other. Only one is allowed to live. Katniss and Peeta, the other tribute from District 12, form an uneasy alliance that blossoms into romance amid the brutality and deprivation of the Hunger Games. Katniss and Peeta try to rebel against the Gamemakers but discover that they must play the game to its end. Collins moves up a level from the Gregor the Overlander books in this gripping story that is the first of a new trilogy. Themes of government control, "big brother," and personal independence are explored amidst a thrilling adventure that will appeal to science fiction, survival, and adventure readers. The suspense of this powerful novel will keep the reader glued to the page long after bedtime. Reviewer: Deborah L. Dubois

School Library Journal

Gr 7 Up

Suzanne Collins's first book (Scholastic, 2008) of a planned trilogy introduces an easy-to-imagine, cruel future society divided by wealth and obsessed with media and celebrity. The controlling Capitol broadcasts the Hunger Games, mandatory watching for all citizens of Panem. The annual event pits 24 Tributes-a girl and boy teen from each of the 12 Districts surrounding the Capitol-against one another in a desperate battle to the death. When 16-year-old Katniss Everdeen steps forward to take her younger sister's place as District Twelve's girl Tribute, she is thrown into a media frenzy, complete with stylists and costumes, literally fighting for her life in the arena. Intense, graphic action, along with a touch of romance, makes this dystopic adventure a great choice for older reluctant readers. Although the plot mimics both Stephen King's The Long Walk (Penguin, 1999) and Running Man (Signet, 1999) as well as Koushon Takami's Battle Royale (Tokyopop, 2007), Collins creates a fascinating world and Katniss is a believably flawed and interesting character. Carolyn McCormick ably voices the action-packed sequences and Katniss's every fear and strength shines through, along with her doomed growing attraction to one of her fellow Tributes. This engrossing audiobook belongs in all public and school libraries.-Charli Osborne, Oxford Public Library, MI

Kirkus Reviews

Katniss Everdeen is a survivor. She has to be; she's representing her District, number 12, in the 74th Hunger Games in the Capitol, the heart of Panem, a new land that rose from the ruins of a post-apocalyptic North America. To punish citizens for an early rebellion, the rulers require each district to provide one girl and one boy, 24 in all, to fight like gladiators in a futuristic arena. The event is broadcast like reality TV, and the winner returns with wealth for his or her district. With clear inspiration from Shirley Jackson's "The Lottery" and the Greek tale of Theseus, Collins has created a brilliantly imagined dystopia, where the Capitol is rich and the rest of the country is kept in abject poverty, where the poor battle to the death for the amusement of the rich. Impressive world-building, breathtaking action and clear philosophical concerns make this volume, the beginning of a planned trilogy, as good as The Giver and more exciting. However, poor copyediting in the first printing will distract careful readers-a crying shame. (Science fiction. 11 & up)

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1

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping.

I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me. Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. He hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Entrails. No hissing. This is the closest we will ever come to love.

I swing my legs off the bed and slide into my hunting boots. Supple leather that has molded to my feet. I pull on trousers, a shirt, tuck my long dark braid up into a cap, and grab my forage bag. On the table, under a wooden bowl to protect it from hungry rats and cats alike, sits a perfect little goat cheese wrapped in basil leaves. Prim’s gift to me on reaping day. I put the cheese carefully in my pocket as I slip outside.

Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn’t until two. May as well sleep in. If you can. Our house is almost at the edge of the Seam. I only have to pass a few gates to reach the scruffy field called the Meadow. Separating the Meadow from the woods, in fact enclosing all of District 12, is a high chain-link fence topped with barbed-wire loops. In theory, it’s supposed to be electrified twenty-four hours a day as a deterrent to the predators that live in the woods — packs of wild dogs, lone cougars, bears — that used to threaten our streets. But since we’re lucky to get two or three hours of electricity in the evenings, it’s usually safe to touch. Even so, I always take a moment to listen carefully for the hum that means the fence is live. Right now, it’s silent as a stone. Concealed by a clump of bushes, I flatten out on my belly and slide under a two-foot stretch that’s been loose for years. There are several other weak spots in the fence, but this one is so close to home I almost always enter the woods here.

As soon as I’m in the trees, I retrieve a bow and sheath of arrows from a hollow log. Electrified or not, the fence has been successful at keeping the flesh-eaters out of District 12. Inside the woods they roam freely, and there are added concerns like venomous snakes, rabid animals, and no real paths to follow. But there’s also food if you know how to find it. My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

Even though trespassing in the woods is illegal and poaching carries the severest of penalties, more people would risk it if they had weapons. But most are not bold enough to venture out with just a knife. My bow is a rarity, crafted by my father along with a few others that I keep well hidden in the woods, carefully wrapped in waterproof covers. My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers. But the idea that someone might be arming the Seam would never have been allowed.

In the fall, a few brave souls sneak into the woods to harvest apples. But always in sight of the Meadow. Always close enough to run back to the safety of District 12 if trouble arises. “District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be? In the woods waits the only person with whom I can be myself. Gale. I can feel the muscles in my face relaxing, my pace quickening as I climb the hills to our place, a rock ledge overlooking a valley. A thicket of berry bushes protects it from unwanted eyes. The sight of him waiting there brings on a smile. Gale says I never smile except in the woods.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me. I finally had to kill the lynx because he scared off game. I almost regretted it because he wasn’t bad company. But I got a decent price for his pelt.

“Look what I shot,” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh. It’s real bakery bread, not the flat, dense loaves we make from our grain rations. I take it in my hands, pull out the arrow, and hold the puncture in the crust to my nose, inhaling the fragrance that makes my mouth flood with saliva. Fine bread like this is for special occasions.

“Mm, still warm,” I say. He must have been at the bakery at the crack of dawn to trade for it. “What did it cost you?” “Just a squirrel. Think the old man was feeling sentimental this morning,” says Gale. “Even wished me luck.”

“Well, we all feel a little closer today, don’t we?” I say, not even bothering to roll my eyes. “Prim left us a cheese.” I pull it out.

His expression brightens at the treat. “Thank you, Prim. We’ll have a real feast.” Suddenly he falls into a Capitol accent as he mimics Effie Trinket, the maniacally upbeat woman who arrives once a year to read out the names at the reaping. “I almost forgot! Happy Hunger Games!” He plucks a few blackberries from the bushes around us. “And may the odds —” He tosses a berry in a high arc toward me.

I catch it in my mouth and break the delicate skin with my teeth. The sweet tartness explodes across my tongue. “— be ever in your favor!” I finish with equal verve. We have to joke about it because the alternative is to be scared out of your wits. Besides, the Capitol accent is so affected, almost anything sounds funny in it.

I watch as Gale pulls out his knife and slices the bread. He could be my brother. Straight black hair, olive skin, we even have the same gray eyes. But we’re not related, at least not closely. Most of the families who work the mines resemble one another this way.

That’s why my mother and Prim, with their light hair and blue eyes, always look out of place. They are. My mother’s parents were part of the small merchant class that caters to officials, Peacekeepers, and the occasional Seam customer. They ran an apothecary shop in the nicer part of District 12. Since almost no one can afford doctors, apothecaries are our healers. My father got to know my mother because on his hunts he would sometimes collect medicinal herbs and sell them to her shop to be brewed into remedies. She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type. Gale spreads the bread slices with the soft goat cheese, carefully placing a basil leaf on each while I strip the bushes of their berries. We settle back in a nook in the rocks. From this place, we are invisible but have a clear view of the valley, which is teeming with summer life, greens to gather, roots to dig, fish iridescent in the sunlight. The day is glorious, with a blue sky and soft breeze. The food’s wonderful, with the cheese seeping into the warm bread and the berries bursting in our mouths. Everything would be perfect if this really was a holiday, if all the day off meant was roaming the mountains with Gale, hunting for tonight’s supper. But instead we have to be standing in the square at two o’clock waiting for the names to be called out.

“We could do it, you know,” Gale says quietly.

“What?” I ask.

“Leave the district. Run off. Live in the woods. You and I, we could make it,” says Gale.

I don’t know how to respond. The idea is so preposterous.

“If we didn’t have so many kids,” he adds quickly.

They’re not our kids, of course. But they might as well be. Gale’s two little brothers and a sister. Prim. And you may as well throw in our mothers, too, because how would they live without us? Who would fill those mouths that are always asking for more? With both of us hunting daily, there are still nights when game has to be swapped for lard or shoelaces or wool, still nights when we go to bed with our stomachs growling.

“I never want to have kids,” I say.

“I might. If I didn’t live here,” says Gale.

“But you do,” I say, irritated.

“Forget it,” he snaps back.

The conversation feels all wrong. Leave? How could I leave Prim, who is the only person in the world I’m certain I love? And Gale is devoted to his family. We can’t leave, so why bother talking about it? And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. When we met, I was a skinny twelve-year-old, and although he was only two years older, he already looked like a man. It took a long time for us to even become friends, to stop haggling over every trade and begin helping each other out.

Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

“What do you want to do?” I ask. We can hunt, fish, or gather.

“Let’s fish at the lake. We can leave our poles and gather in the woods. Get something nice for tonight,” he says. Tonight. After the reaping, everyone is supposed to celebrate. And a lot of people do, out of relief that their children have been spared for another year. But at least two families will pull their shutters, lock their doors, and try to figure out how they will survive the painful weeks to come.

We make out well. The predators ignore us on a day when easier, tastier prey abounds. By late morning, we have a dozen fish, a bag of greens and, best of all, a gallon of strawberries. I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

On the way home, we swing by the Hob, the black market that operates in an abandoned warehouse that once held coal. When they came up with a more efficient system that transported the coal directly from the mines to the trains, the Hob gradually took over the space. Most businesses are closed by this time on reaping day, but the black market’s still fairly busy. We easily trade six of the fish for good bread, the other two for salt. Greasy Sae, the bony old woman who sells bowls of hot soup from a large kettle, takes half the greens off our hands in exchange for a couple of chunks of paraffin. We might do a tad better elsewhere, but we make an effort to keep on good terms with Greasy Sae. She’s the only one who can consistently be counted on to buy wild dog. We don’t hunt them on purpose, but if you’re attacked and you take out a dog or two, well, meat is meat. “Once it’s in the soup, I’ll call it beef,” Greasy Sae says with a wink. No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier. When we finish our business at the market, we go to the back door of the mayor’s house to sell half the strawberries, knowing he has a particular fondness for them and can afford our price. The mayor’s daughter, Madge, opens the door. She’s in my year at school. Being the mayor’s daughter, you’d expect her to be a snob, but she’s all right. She just keeps to herself. Like me. Since neither of us really has a group of friends, we seem to end up together a lot at school. Eating lunch, sitting next to each other at assemblies, partnering for sports activities. We rarely talk, which suits us both just fine.

Today her drab school outfit has been replaced by an expensive white dress, and her blonde hair is done up with a pink ribbon. Reaping clothes.

“Pretty dress,” says Gale.

Madge shoots him a look, trying to see if it’s a genuine compliment or if he’s just being ironic. It is a pretty dress, but she would never be wearing it ordinarily. She presses her lips together and then smiles. “Well, if I end up going to the Capitol, I want to look nice, don’t I?”

Now it’s Gale’s turn to be confused. Does she mean it? Or is she messing with him? I’m guessing the second. “You won’t be going to the Capitol,” says Gale coolly. His eyes land on a small, circular pin that adorns her dress. Real gold. Beautifully crafted. It could keep a family in bread for months. “What can you have? Five entries? I had six when I was just twelve years old.”

“That’s not her fault,” I say.

“No, it’s no one’s fault. Just the way it is,” says Gale. Madge’s face has become closed off. She puts the money for the berries in my hand. “Good luck, Katniss.”

“You, too,” I say, and the door closes.

We walk toward the Seam in silence. I don’t like that Gale took a dig at Madge, but he’s right, of course. The reaping system is unfair, with the poor getting the worst of it. You become eligible for the reaping the day you turn twelve. That year, your name is entered once. At thirteen, twice. And so on and so on until you reach the age of eighteen, the final year of eligibility, when your name goes into the pool seven times. That’s true for every citizen in all twelve districts in the entire country of Panem. But here’s the catch. Say you are poor and starving as we were. You can opt to add your name more times in exchange for tesserae. Each tessera is worth a meager year’s supply of grain and oil for one person. You may do this for each of your family members as well. So, at the age of twelve, I had my name entered four times. Once, because I had to, and three times for tesserae for grain and oil for myself, Prim, and my mother. In fact, every year I have needed to do this. And the entries are cumulative. So now, at the age of sixteen, my name will be in the reaping twenty times. Gale, who is eighteen and has been either helping or single-handedly feeding a family of five for seven years, will have his name in forty-two times.

You can see why someone like Madge, who has never been at risk of needing a tessera, can set him off. The chance of her name being drawn is very slim compared to those of us who live in the Seam. Not impossible, but slim. And even though the rules were set up by the Capitol, not the districts, certainly not Madge’s family, it’s hard not to resent those who don’t have to sign up for tesserae.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

As we walk, I glance over at Gale’s face, still smoldering underneath his stony expression. His rages seem pointless to me, although I never say so. It’s not that I don’t agree with him. I do. But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Gale and I divide our spoils, leaving two fish, a couple of loaves of good bread, greens, a quart of strawberries, salt, paraffin, and a bit of money for each.

“See you in the square,” I say.

“Wear something pretty,” he says flatly.

At home, I find my mother and sister are ready to go. My mother wears a fine dress from her apothecary days. Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins. Even so, she’s having trouble keeping the blouse tucked in at the back.

A tub of warm water waits for me. I scrub off the dirt and sweat from the woods and even wash my hair. To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes.

“Are you sure?” I ask. I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me. And this is something special. Her clothes from her past are very precious to her.

“Of course. Let’s put your hair up, too,” she says. I let her towel-dry it and braid it up on my head. I can hardly recognize myself in the cracked mirror that leans against the wall.

“You look beautiful,” says Prim in a hushed voice.

“And nothing like myself,” I say. I hug her, because I know these next few hours will be terrible for her. Her first reaping. She’s about as safe as you can get, since she’s only entered once. I wouldn’t let her take out any tesserae. But she’s worried about me. That the unthinkable might happen.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face. I notice her blouse has pulled out of her skirt in the back again and force myself to stay calm. “Tuck your tail in, little duck,” I say, smoothing the blouse back in place.

Prim giggles and gives me a small “Quack.”

“Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me. “Come on, let’s eat,” I say and plant a quick kiss on the top of her head.

The fish and greens are already cooking in a stew, but that will be for supper. We decide to save the strawberries and bakery bread for this evening’s meal, to make it special we say. Instead we drink milk from Prim’s goat, Lady, and eat the rough bread made from the tessera grain, although no one has much appetite anyway.

At one o’clock, we head for the square. Attendance is mandatory unless you are on death’s door. This evening, officials will come around and check to see if this is the case. If not, you’ll be imprisoned.

It’s too bad, really, that they hold the reaping in the square — one of the few places in District 12 that can be pleasant. The square’s surrounded by shops, and on public market days, especially if there’s good weather, it has a holiday feel to it. But today, despite the bright banners hanging on the buildings, there’s an air of grimness. The camera crews, perched like buzzards on rooftops, only add to the effect.

People file in silently and sign in. The reaping is a good opportunity for the Capitol to keep tabs on the population as well. Twelve- through eighteen-year-olds are herded into roped areas marked off by ages, the oldest in the front, the young ones, like Prim, toward the back. Family members line up around the perimeter, holding tightly to one another’s hands. But there are others, too, who have no one they love at stake, or who no longer care, who slip among the crowd, taking bets on the two kids whose names will be drawn. Odds are given on their ages, whether they’re Seam or merchant, if they will break down and weep. Most refuse dealing with the racketeers but carefully, carefully. These same people tend to be informers, and who hasn’t broken the law? I could be shot on a daily basis for hunting, but the appetites of those in charge protect me. Not everyone can claim the same.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker.

The space gets tighter, more claustrophobic as people arrive. The square’s quite large, but not enough to hold District 12’s population of about eight thousand. Latecomers are directed to the adjacent streets, where they can watch the event on screens as it’s televised live by the state. I find myself standing in a clump of sixteens from the Seam. We all exchange terse nods then focus our attention on the temporary stage that is set up before the Justice Building. It holds three chairs, a podium, and two large glass balls, one for the boys and one for the girls. I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting. Two of the three chairs fill with Madge’s father, Mayor Undersee, who’s a tall, balding man, and Effie Trinket, District 12’s escort, fresh from the Capitol with her scary white grin, pinkish hair, and spring green suit. They murmur to each other and then look with concern at the empty seat.

Just as the town clock strikes two, the mayor steps up to the podium and begins to read. It’s the same story every year. He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated. The Treaty of Treason gave us the new laws to guarantee peace and, as our yearly reminder that the Dark Days must never be repeated, it gave us the Hunger Games. The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion.

Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.” To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others. The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food. All year, the Capitol will show the winning district gifts of grain and oil and even delicacies like sugar while the rest of us battle starvation.

“It is both a time for repentance and a time for thanks,” intones the mayor.

Then he reads the list of past District 12 victors. In seventy-four years, we have had exactly two. Only one is still alive. Haymitch Abernathy, a paunchy, middle-aged man, who at this moment appears hollering something unintelligible, staggers onto the stage, and falls into the third chair. He’s drunk. Very. The crowd responds with its token applause, but he’s confused and tries to give Effie Trinket a big hug, which she barely manages to fend off. The mayor looks distressed. Since all of this is being televised, right now District 12 is the laughingstock of Panem, and he knows it. He quickly tries to pull the attention back to the reaping by introducing Effie Trinket. Bright and bubbly as ever, Effie Trinket trots to the podium and gives her signature, “Happy Hunger Games! And may the odds be ever in your favor!” Her pink hair must be a wig because her curls have shifted slightly offcenter since her encounter with Haymitch. She goes on a bit about what an honor it is to be here, although everyone knows she’s just aching to get bumped up to a better district where they have proper victors, not drunks who molest you in front of the entire nation.

Through the crowd, I spot Gale looking back at me with a ghost of a smile. As reapings go, this one at least has a slight entertainment factor. But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him. It’s time for the drawing. Effie Trinket says as she always does, “Ladies first!” and crosses to the glass ball with the girls’ names. She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath and then you can hear a pin drop, and I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me.

It’s Primrose Everdeen.

Chapter 1, from THE HUNGER GAMES by Suzanne Collins © 2008 Suzanne Collins. Used by permission of Scholastic Inc. All rights reserved.