The Hakawati by Rabih Alameddine

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(Hardcover)

Average Customer Rating: Customer Rating for this product is 5 out of 5 (2 ratings)

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  • Publisher: Knopf Publishing Group
  • Pub. Date: April 2008
  • ISBN-13: 9780307266798
  • Sales Rank: 7,055
  • 544pp
 
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The Barnes & Noble Review

Whether you read a sanitized version as a child or a bawdier version later on, the setup of Arabian Nights is well known. In the centuries-old collection of tales, Scheherazade saves her own life by bewitching her husband, a Persian king who marries a virgin each day only to have her executed the following morning, with a series of stories drawn out over 1,001 nights. The Hakawati, the new novel by Rabih Alameddine, is something of a modern-day Arabian Nights, and in this soaring, epic book, stories also serve as lifelines, albeit in a less literal way.

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Synopsis

“Here is absolute beauty. One of the finest novels I’ve read in years.” —Junot Diaz

An astonishingly inventive, wonderfully exuberant novel that takes us from the shimmering dunes of ancient Egypt to the war-torn streets of twenty-first-century Lebanon.

In 2003, Osama al-Kharrat returns to Beirut after many years in America to stand vigil at his father’s deathbed. The city is a shell of the Beirut Osama remembers, but he and his friends and family take solace in the things that have always sustained them: gossip, laughter, and, above all, stories.

Osama’s grandfather was a hakawati, or storyteller, and his bewitching stories—of his arrival in Lebanon, an orphan of the Turkish wars, and of how he earned the name al-Kharrat, the fibster—are interwoven with classic tales of the Middle East, stunningly reimagined. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the ancient, fabled Fatima; and Baybars, the slave prince who vanquished the Crusaders. Here, too, are contemporary Lebanese whose stories tell a larger, heartbreaking tale of seemingly endless war—and of survival.

Like a true hakawati, Rabih Alameddine has given us an Arabian Nights for this century—a funny, captivating novel that enchants and dazzles from its very first lines: “Listen. Let me take you on a journey beyond imagining. Let me tell you a story.”

The New York Times - Lorraine Adams

If any work of fiction might be powerful enough to transcend the mountain of polemic, historical inquiry, policy analysis and reportage that stands between the Western reader and the Arab soul, it's this wonder of a book—a book not about a jihadi but a hakawati (Arabic for storyteller)…In this book, where searing political upheavals like the Lebanese civil war figure but don't dominate, and in an era when almost all we seem to see of the Middle East is terrorism, it's bracing to come upon a work—and a world—that expands our narrow vision, transforming it to one of multiplicity, enchanting it with hope.

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Biography

Rabih Alameddine is the author of Koolaids, The Perv, and I, the Divine. He divides his time between San Francisco and Beirut.

Customer Reviews

Number of Reviews: 2
Average Rating: Customer Rating for this product is 5 out of 5
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Customer Rating for this product is 5 out of 5 Incredible
A reviewer, reading, 05/19/2008

As a good Hakawati should, Alameddine thoroughly bewitches his readers in this novel that is both epic and intimate. It navigates easily from tales of heros, villians, magic, jinnis, and treachery to the equally interesting story of one family's life together. One finds oneself easily relating to some of its characters, longing to be like others, but either way, living amongst them throughout this masterful work. Absolutely brilliant. Certainly one of the best I've EVER read. Bravo!

Also recommended: Jonathon Strange and Mr. Norrell, The Good Earth, In the Time of Butterflies, Shogun

Customer Rating for this product is 5 out of 5 Talk about novel!
Asa DeMatteo, A reviewer, 04/24/2008

Rabih Alameddine’s new novel, 'The Hakawati,' is a sprawling, delicious panoply of over-the-top tales of love, sex, murder, heroism, magic, loss, triumph, skulduggery, noblesse, repentance, lies, redemption, loyalty, curses, and just about everything else, all plaited into a set of parallel narratives which augment and illuminate each other. It is a masterful and startling accomplishment, a sort of literary maqam that twists and turns on recurrent themes and characters. The reader initially wonders how to relate all these seemingly unrelated stories, but quickly notices with growing awareness how they are really jazz riffs on single themes, embellishments that sear those themes into our consciousness so that we can’t get them out of our heads. This is not the first time that Alameddine has used such literary structure. His first novel, Koolaids, interlaced two parallel narratives, the worst years of the AIDS crisis and the civil war in Lebanon. There, as in 'The Hakawati,' the narratives resonated one with the other. And his second novel, 'I, the Divine,' an ingenious work all in first chapters of his narrator’s never-to-be-completed memoir, managed to give us multiple perspectives on events told by a single character, much as 'The Hakawati' gives us multiple views of universal themes that echo through very different tales. But whereas the two earlier works had some rough edges and unpolished facets, 'The Hakawati' is a perfect gem, burnished, intricate, complex, and with every feature serving to magnify its brilliance and dazzle. Here is a writer who has grown into his initial promise, perhaps beyond it. It is easy to fall in love with the tales themselves they are both currently relevant and timeless as well as entirely engrossing. The more discerning reader will also delight in the language of this book. Like other writers using English as a second language for their literary medium 'Conrad and Nabokov come to mind', Alameddine is almost preternaturally aware of its sound and cadence, its semantic subtleties, its echos and reverberations of meanings. He is clearly besotted with English, and we follow him in a vertiginous trance like a whirling dervish, lost in the ecstasy of the moment. Alameddine is nothing short, it seems, of a literary magician, pulling our emotions out of his hat, our dreams from out his sleeve, and showing them to us in a way that forces us to see them anew. This novel is a masterpiece, unlike anything I’ve ever read before or ever hope to read again.