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The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer, Annie Barrows
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- Pub. Date: August 2008
- Sales Rank: 23,247
- Duration: 8 hours, 6 minutes (equivalent to 7 audio CDs)
Reader Rating: (530 ratings)
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Product Details
- Pub. Date: August 2008
- Publisher: Books on Tape, Incorporated
- Format: MP3 Book
- Sales Rank: 23,247
- Duration: 8 hours, 6 minutes (equivalent to 7 audio CDs)
- File Size: 223 MB
- ISBN-13: 9780739368442
- ISBN: 0739368443
- Edition Description: Unabridged
Synopsis
January 1946: writer Juliet Ashton receives a letter from a stranger, a founding member of the Guernsey Literary and Potato Peel Pie Society. And so begins a remarkable tale of the island of Guernsey during the German occupation, and of a society as extraordinary as its name.
The Washington Post - Wendy Smith
Though it deals with a dark period in history, this first novel is an essentially sunny work. It affirms the power of books to nourish people enduring hard times—not so surprising, since Mary Ann Shaffer, who died earlier this year, had a long career as a librarian, bookseller and editor. Her niece Annie Barrows, a children's author, finished the manuscript after Shaffer fell ill; between them, they crafted a vivid epistolary novel whose characters spring to life in letters and telegrams exchanged over the course of nine months shortly after the end of World War II…You could be skeptical about the novel's improbabilities and its sanitized portrait of book clubs (doesn't anyone read trashy thrillers?), but you'd be missing the point. The Guernsey Literary and Potato Peel Pie Society is a sweet, sentimental paean to books and those who love them.
More Reviews and RecommendationsBiography
Mary Ann Shaffer worked as an editor, a librarian, and in bookshops. The Guernsey Literary and Potato Peel Pie Society was her first novel. Her niece, Annie Barrows, is best known as the author of the children’s series Ivy and Bean.
More About the AuthorCustomer Reviews
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Correspondence and life.by jb70
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November 27, 2009: There is something I just love about letters between people. So much more thought can go into what is put on the page versus what comes out in a conversation. Especially written letters versus email as many of us are now so used to sending and receiving. I loved the format of this book. It reminded me of "The Letters" which I read previously for this blog and a number of other books like "Daddy Long-Legs" that I've read in the past. Because of the length of each of the letters this made for good reading when interruptions were frequent or when free time was on the short side.
While some of the situations in the letters seemed to lead the story to stereotypical lines, the characters seemed real and honest. The history of the occupation of the Chanel Islands during WWII was new to me, this isn't an era that I've done all that much reading in so learning about what happened then has been very interesting to me. In that regard it reminded me of "The Postmistress" (also reviewed previously) for showing an historical time period through the eyes of characters living through it. Seeing history unfold in this way rather than just reading the facts in a book makes it much more real for me and adds a much greater depth to the experience.I liked Juliet and could understand how she would be burned out after both the war and the book tour she went on to promote the collection of essays she wrote for newspapers during the war. When she decides to go to Guernsey to connect with the friends she had made in her correspondence I breathed a sigh of relief, I had been afraid that she would only know them through their letters and was glad she was meeting them in person. The resourcefulness of the island residents in finding ways to connect and enjoy themselves even in tough times was refreshing and goes to show that even when everything seems to be going wrong one can still find the positive in the negative.It is too bad that the main author of the novel passed away so soon after publishing her first novel. Her niece stepped in at the end to do some editing and rewriting due to her aunt's illness, but the research and main writing and rewriting were all done by Mary Ann Shaffer.Correspondence and life.by jb70
Reader Rating:
See Detailed Ratings
November 27, 2009: There is something I just love about letters between people. So much more thought can go into what is put on the page versus what comes out in a conversation. Especially written letters versus email as many of us are now so used to sending and receiving. I loved the format of this book. It reminded me of "The Letters" which I read previously for this blog and a number of other books like "Daddy Long-Legs" that I've read in the past. Because of the length of each of the letters this made for good reading when interruptions were frequent or when free time was on the short side.
While some of the situations in the letters seemed to lead the story to stereotypical lines, the characters seemed real and honest. The history of the occupation of the Chanel Islands during WWII was new to me, this isn't an era that I've done all that much reading in so learning about what happened then has been very interesting to me. In that regard it reminded me of "The Postmistress" (also reviewed previously) for showing an historical time period through the eyes of characters living through it. Seeing history unfold in this way rather than just reading the facts in a book makes it much more real for me and adds a much greater depth to the experience.I liked Juliet and could understand how she would be burned out after both the war and the book tour she went on to promote the collection of essays she wrote for newspapers during the war. When she decides to go to Guernsey to connect with the friends she had made in her correspondence I breathed a sigh of relief, I had been afraid that she would only know them through their letters and was glad she was meeting them in person. The resourcefulness of the island residents in finding ways to connect and enjoy themselves even in tough times was refreshing and goes to show that even when everything seems to be going wrong one can still find the positive in the negative.It is too bad that the main author of the novel passed away so soon after publishing her first novel. Her niece stepped in at the end to do some editing and rewriting due to her aunt's illness, but the research and main writing and rewriting were all done by Mary Ann Shaffer.Fact File
Name:
Mary Ann Shaffer
Date of Birth:
1934
Place of Birth:
Martinsburg, West Virginia
Date of Death
00, 2008
Biography
MARY ANN SHAFFER
In 1976, inspired by a newfound fascination with Guernsey, Mary Ann Shaffer traveled to the island in the English Channel, only to be stranded there due to inclement weather. Waiting for a thick fog to lift so she could return to London, Shaffer read all the books in the Guernsey airport bookstore. Jersey Under the Jack-Boot sparked a particular interest in the German occupation of the Channel Islands.
Years later, prompted by her book club to write a novel of her own, Shaffer turned to this subject in creating the vivid world of The Guernsey Literary and Potato Peel Pie Society. Told entirely through a series of letters -- because, Shaffer confessed, "for some bizarre reason, I thought it would be easier" -- the novel skillfully renders the characters and concerns of Juliet, Sidney, and the other residents of Guernsey who have just emerged from the horrors and hardships of the Second World War.
Born in 1934 in Martinsburg, West Virginia, Mary Ann Shaffer made a career working with books -- as an editor, librarian, and bookseller -- before her death in February 2008. She died knowing that her novel was scheduled for publication and in the good hands of her niece and coauthor, Annie Barrows.
ANNIE BARROWS
A voracious reader (but an admittedly poor speller!), Annie Barrows grew up in northern California. One of her first jobs, while she was still in school, was re-shelving books in one of her favorite haunts, the public library. She attended the University of California at Berkeley and graduated with a degree in Medieval History. After graduation, she went to work for a publisher, editing books in many different fields.
Bitten by the writing bug, Barrows received her M.F.A in Creative Writing from California's Mills College. She wrote several books on such diverse topics as fortune telling, urban legends, and opera before branching into children's literature. In June of 2006, she released Ivy and Bean, the first award-winning book in a series about two young girls who become best friends in spite of their differences. In 2007, she published The Magic Half, a standalone children's fantasy about the middle child (between two sets of twins) who travels back in time and befriends a young girl in need of her help.
In addition, Barrows and her aunt, the late Mary Ann Shaffer, collaborated on a post-WWII epistolary novel entitled The Guernsey Literary and Potato Peel Pie Society. Conceived by Shaffer, the novel was accepted for publication shortly before Shaffer fell ill. Barrows stepped in to complete the project, and the book was published in 2008 to positive reviews.
Feature Interview
In the summer of 2008, we spoke with Annie Barrows, co-author with her late aunt, Mary Ann Shaffer, of The Guernsey Literary and Potato Peel Pie Society, an epistolary novel set in the aftermath of WWII. In this interview, Annie shares her memories of Mary Ann and discusses how the book came to be written: Can you tell us, please, what prompted Mary Ann to write her first novel, The Guernsey Literary and Potato Peel Pie Society?
Mary Ann was visiting England in 1976, and on a whim, she decided to fly down to Guernsey. Once she was there, a terrible fog rose from the sea and enveloped the island, and all ferry and plane service was shut down. Immured in the airport for seventy-two hours, Mary Ann passed the time warming herself under the hand-dryer in the men's restroom (the one in the women's restroom was broken) and reading all the books she could find in the airport bookstore.
Apparently, in 1976, the airport was the primary outlet for local publishing, and the subject of most of their books was the German Occupation of the island during the second World War. Mary Ann was always fascinated by accounts of the war, but this episode was unknown to her. She was riveted, there under the hand-dryer, gulping down book after book. When she was finally allowed to fly out, she brought half the contents of the airport bookstore in her suitcase.
Anyone who ever met Mary Ann knew that she was a writer-it wasn't just the tales she told, it was her relish in telling them. But writing was hard for her, and she never completed the manuscripts she started. Finally, in the late '90s, a writing group was formed for the express purpose of making Mary Ann write a book. The members were my mother, who doesn't even like to write, and two of Mary Ann's dearest friends. Each dutifully wrote something, until finally it was Mary Ann's turn. There was no way out of it-so she sat down and wrote the beginning of The Guernsey Literary and Potato Peel Pie Society.
At what point in the writing process were you brought in to collaborate?
In the summer of 2006, soon after The Guernsey Literary and Potato Peel Pie Society had been sold to Dial Press, Mary Ann's health began to fail. We kept hoping that she would feel better soon, but by the end of the summer, it was clear that the prospect of making the editorial changes on the book was going to be too much for her, and at that point, my cousin Liz called me to ask if I would take on the project. Of course, I said yes. Unlike plumbers or nurses or teachers, writers don't have very many opportunities to be useful to the people they love, and I was honored to be able to help my aunt.
Much of the story takes place on the Channel Island of Guernsey. What inspired this unusual setting?
The setting was a function of the history -- the Channel Islands were the only British land occupied by Germany during the Second World War, which makes their war story unique. Even apart from the war, Guernsey has its own interesting past as an amalgam of French and English culture. They manage to have British laws and French food, which was Voltaire's vision of a perfect society. Luckily, in addition to its history and culture, it's a beautiful island as well, with winding streets, lush fields, dramatic cliffs, and -- since the war -- a lot of empty German fortifications overgrown with wildflowers.
Why did Mary Ann choose to tell her story in a series of letters?
Mary Ann once told me that she chose the epistolary form because she thought it would be easier than narrative. Most writers would find that crazy, but I know what she meant: Writing in all those different voices was a blast. It's like playing 20 different roles, each with his or her own voltage and excitement. Furthermore, Mary Ann and I both adore reading other people's letters -- there's something a little bit forbidden and completely satisfying about it.
What was it like to work with your aunt on the book? Did you discover any surprises in the course of collaborating?
I didn't actually talk to Mary Ann much while I was working on the book, because she was wasn't well. Before I began, I was a little worried about my ability to carry through with Mary Ann's voice, but once I sat down and started writing, I realized that hers was a voice and a style that I knew from the inside out -- because I had been hearing them all my life. Mary Ann and my mother always lived near each other, and their stories were the wallpaper of my life. Some of these stories are embedded in the book, and some of the characters are direct descendents of people I know (that's as much as I'll say).
I was surprised to find that my all-time favorite childhood game, Dead Bride, made an appearance in the book. Unlike Kit, we never played it with a laundry hamper. We made our tombs out of blocks.
You are primarily a writer of children's books. What, if anything, was different about writing for an adult audience?
Kissing! No, no, what's truly different is the acreage -- when you write for children, you have to keep the story tight. You can't meander off into a subplot for the sheer joy of it; everything has to pertain. Writing for adults is deliciously unfettered -- you can linger on a character, you can follow an idea, you can use phonetically impossible words like phlegm if you want to (though why would you?).
You and Mary Ann share a background in books and publishing, and this novel has been described as "a celebration of the written word in all its guises." How do you view reading, and what role has literature played in your aunt's life and in your own?
Mary Ann and I have this common background in libraries, bookstores, and publishing precisely because we really never did anything other than read in our entire lives. To be honest, working in any profession other than a book-related one would be impossible; books seem to be our only area of expertise.
Is there anything else you'd like our readers to know about you, Mary Ann, or this wonderful novel?
I would like everyone to know that I have actually made and consumed a Potato-Peel Pie. I want lots of credit for this, because it tasted like paste.
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The Guernsey Literary and Potato Peel Pie Society begins in January 1946, when popular author Juliet Ashton, much like her fellow British citizens, is emerging from the dark days of World War II. As Juliet exchanges a series of letters with her publisher and her best friend, readers immediately warm to this author in search of a new subject in the aftermath of war. By the time Juliet receives an unexpected query from Dawsey Adams, we are caught in a delightful web of letters and vivid personalities and eager for Juliet to find the inspiration she seeks.
Dawsey, a farmer on the island of Guernsey in the English Channel, has come into possession of a book that once belonged to Juliet. Spurred by a mutual admiration for the writer, the two launch an epistolary conversation that reveals much about Dawsey's Guernsey and the islanders' recent lives under Nazi occupation. Juliet is especially interested to learn about the curious beginnings of "The Guernsey Literary and Potato Peel Pie Society," and before long she is exchanging letters with its other members — not only Dawsey but Isola the vegetable seller, Eben the fisherman, and blacksmith Will Thisbee, creator of the famous potato peel pie.
As Juliet soon discovers, the most compelling island character is Elizabeth, the courageous founder of the society, who lives in the memories of all who knew her. Each person who writes to Juliet adds another chapter to the story of Elizabeth's remarkable wartime experiences. Touched by the stories the letters deliver, Juliet can't help but travel to Guernsey herself -- a decision that will have surprising consequences for everyone involved.
Drawn together by their love of books and affection for each other, the unforgettable characters of The Guernsey Literary and Potato Peel Pie Society collectively tell a moving tale of endurance and friendship. Through the chorus of voices they have created, Mary Ann Shaffer and Annie Barrows have composed a rich tale that celebrates the power of hope and human connection in the shadows of war.
About the Authors
In 1976, inspired by a newfound fascination with Guernsey, Mary Ann Shaffer traveled to the island in the English Channel, only to be stranded there due to inclement weather. Waiting for a thick fog to lift so she could return to London, Shaffer read all the books in the Guernsey airport bookstore. Jersey Under the Jack-Boot sparked a particular interest in the German occupation of the Channel Islands.
Years later, prompted by her book club to write a novel of her own, Shaffer turned to this subject in creating the vivid world of The Guernsey Literary and Potato Peel Pie Society. Told entirely through a series of letters -- because, Shaffer confessed, "for some bizarre reason, I thought it would be easier" -- the novel skillfully renders the characters and concerns of Juliet, Sidney, and the other residents of Guernsey who have just emerged from the horrors and hardships of the Second World War.
Born in 1934 in Martinsburg, West Virginia, Mary Ann Shaffer made a career working with books -- as an editor, librarian, and bookseller -- before her death in February 2008. She died knowing that her novel was scheduled for publication and in the good hands of her niece and coauthor, Annie Barrows. Also a veteran of the publishing industry, having been an editor at a textbook company and at Chronicle Books before becoming a writing teacher, Barrow has written nonfiction for adults under the pen name Ann Fiery. Her energetic series for young readers, Ivy and Bean, has received multiple awards, including an ALA Notable Children's Book designation. She lives in northern California.
The Guernsey Literary and Potato Peel Pie Society is the first novel for both authors.
From Our Booksellers
Clear your calendars and take the phone off the hook. You won't want to be interrupted once you start this book!
—Anne Sojka, Wheaton, IL
Reminiscent of 84, Charing Cross Road, this book is a gem. It celebrates the very reasons we read for pure enjoyment. It made me want to take the next boat to Guernsey to search for these charming characters.
--Karen Schafroth, Des Peres, MO
What a story! The war, the possibility of romance in the most unlikely of places, and best of all, the glowing love of reading and of books — all of it wrapped up in such lovely, unpretentious prose that after every chapter I wanted to hand it to strangers.
--Steve Donoghue, Boston, MA
I fell in love with the characters, and became so enamored with Guernsey that I had to get out a map to make sure it was real, and then Google it to see how I could get there.
--Jill Borage, St. Louis, MO
From the Publisher
January 1946: writer Juliet Ashton receives a letter from a stranger, a founding member of the Guernsey Literary and Potato Peel Pie Society. And so begins a remarkable tale of the island of Guernsey during the German occupation, and of a society as extraordinary as its name.
The Washington Post - Wendy Smith
Though it deals with a dark period in history, this first novel is an essentially sunny work. It affirms the power of books to nourish people enduring hard times—not so surprising, since Mary Ann Shaffer, who died earlier this year, had a long career as a librarian, bookseller and editor. Her niece Annie Barrows, a children's author, finished the manuscript after Shaffer fell ill; between them, they crafted a vivid epistolary novel whose characters spring to life in letters and telegrams exchanged over the course of nine months shortly after the end of World War II…You could be skeptical about the novel's improbabilities and its sanitized portrait of book clubs (doesn't anyone read trashy thrillers?), but you'd be missing the point. The Guernsey Literary and Potato Peel Pie Society is a sweet, sentimental paean to books and those who love them.
Publishers Weekly
Shaffer's debut novel, written with her niece Barrow, is an original account of one writer's relationship with a member of a unique book club formed as an alibi to protect its members from arrest at the hands of the Nazis during WWII. With a small cast of gifted narrators including Paul Boehmer, Susan Duerdan, John Lee, Rosalyn Landor and the enjoyable Juliet Mills, this production is first-class from top to bottom. The narrators' British dialects, each quite regional and equally as different as they are ear-pleasing, serve the story well and allow Shaffer's words to leap from the page into the hearts and minds of her listeners. The final result is an almost theatrical experience with a plethora of enthusiastic performances. A Dial Press hardcover (Reviews, Apr. 21).(July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Staff - Library Journal
Read LJ's 9/9/08 starred audio review of this debut title, currently a best seller in hardcover, which was recently optioned for film, at
Kirkus Reviews
The German occupation of the Channel Islands, recalled in letters between a London reporter and an eccentric gaggle of Guernsey islanders. This debut by an "aunt-niece" authorial team presents itself as cozy fiction about comfortably quirky people in a bucolic setting, but it quickly evinces far more serious, and ambitious, intent. In 1946, Juliet, famous for her oxymoronic wartime humor column, is coping with life amid the rubble of London when she receives a letter from a reader, Dawsey, a Guernsey resident who asks her help in finding books by Charles Lamb. After she honors his request, a flurry of letters arrive from Guernsey islanders eager to share recollections of the German occupation of the islands. (Readers may be reminded of the PBS series, Island at War.) When the Germans catch some islanders exiting from a late-night pig roast, the group, as an excuse for violating curfew and food restrictions, invents a book club. The "Literary and Potato Peel Pie Society" is born, affording Guernseyites an excuse to meet and share meager repasts. (The Germans have confiscated all the real food.) Juliet's fractious correspondents, including reputed witch Isola, Booker, a Jewish valet who masquerades as a Lord, and many other L&PPPS members, reveal that the absent founder of their society, Elizabeth, loved Christian, a German captain. No one accuses Elizabeth of collaboration (except one crotchety islander, Adelaide) because Christian was genuinely nice. An act of bravery caused Elizabeth's deportation to France, and her whereabouts remain unknown. The Society is raising four-year-old Kit, Elizabeth's daughter by Christian. To the consternation of her editor and friend, Sidney, Juliet isentertaining the overtures, literary and romantic, of a dashing but domineering New York publisher, Markham. When Juliet goes to Guernsey, some hard truths emerge about Elizabeth's fate and defiant courage. Elizabeth and Juliet are appealingly reminiscent of game but gutsy '40s movie heroines. The engrossing subject matter and lively writing make this a sure winner, perhaps fodder for a TV series. Agent: Liza Dawson/Liza Dawson Associates
What People Are Saying
I can't remember the last time I discovered a novel as smart and delightful as this one, a world so vivid that I kept forgetting this was a work of fiction populated with characters so utterly wonderful that I kept forgetting they weren't my actual friends and neighbors. Treat yourself to this book please -- I can't recommend it highly enough.
--Elizabeth Gilbert, author of Eat, Pray, Love
Mary Ann Shaffer and Annie Barrows have written a wondrous, delightful, poignant book -- part Jane Austen, part history lesson…. An absolute treasure.
--Sarah Addison Allen, author of Garden Spells
Loading...Product Details
- Pub. Date: August 2008
- Publisher: Books on Tape, Incorporated
- Format: MP3 Book
- Sales Rank: 23,247
- Duration: 8 hours, 6 minutes (equivalent to 7 audio CDs)
- File Size: 223 MB
- ISBN-13: 9780739368442
- ISBN: 0739368443
- Edition Description: Unabridged
Reading Group Guide
Questions for Discussion1. What was your experience reading a novel composed entirely of letters? Are there types of information or emotion that letters convey more successfully than other forms of expression? Would a novel in emails have different strengths and weaknesses?
2. What makes Sidney and Sophie ideal friends for Juliet? What common ground do they share? Do you now have or have you had people in your life who have offered similar support to you?
3. Dawsey first writes to Juliet because books are so difficult to obtain on Guernsey in the aftermath of the war. What differences do you note between bookselling in the 1940s and bookselling today? Do book lovers share common qualities across generations?
4. What were your first impressions of Dawsey? How is he different from the other men in Juliet’s life?
5. Discuss the writers who capture the hearts of the members of the Guernsey Literary and Potato Peel Pie Society. Does a reader's taste in books reveal anything significant about his or her personality?
5. Whose lives are changed the most by their membership in the society?
6. In what ways are Juliet and Elizabeth kindred spirits? What does Elizabeth's spontaneous invention of the Society say about her approach to life? What does her bravery reveal about it?
7. Numerous Guernsey residents give Juliet access to their private memories of the occupation. Which voices were most memorable for you? What is the effect of reading a variety of responses to a shared tragedy? 8. How does Remy's presence enhance the lives of those on Guernsey? Through her survival, what recollections, hopes, and lessons are preserved?
9. What historical facts about life in England during World War II were you especially surprised to discover? What qualities of wartime experience are captured in a detail such as the invention of the potato peel pie? Are there ways in which fiction can provide the means for more fully understanding a historical reality?
10. Which member of the Society was your favorite? Whose literary opinions are most like your own? Do you agree with Isola that "reading good books ruins you for enjoying bad ones"?
Further Reading
84, Charing Cross Road by Helene Hanff
Love Walked In by Marisa de los Santos
Garden Spells by Sarah Addison Allen
The Book of Ebenezer Le Page by G. B. Edwards
Read an Excerpt
Part One8th January, 1946
Mr. Sidney Stark, Publisher
Stephens & Stark Ltd.
21 St. James's Place
London S.W.1
England
Dear Sidney,
Susan Scott is a wonder. We sold over forty copies of the book, which was very pleasant, but much more thrilling from my standpoint was the food. Susan managed to procure ration coupons for icing sugar and real eggs for the meringue. If all her literary luncheons are going to achieve these heights, I won't mind touring about the country. Do you suppose that a lavish bonus could spur her on to butter? Let's try it—you may deduct the money from my royalties.
Now for my grim news. You asked me how work on my new book is progressing. Sidney, it isn't.
English Foibles seemed so promising at first. After all, one should be able to write reams about the Society to Protest the Glorification of the English Bunny. I unearthed a photograph of the Vermin Exterminators' Trade Union, marching down an Oxford street with placards screaming "Down with Beatrix Potter!" But what is there to write about after a caption? Nothing, that's what.
I no longer want to write this book—my head and my heart just aren't in it. Dear as Izzy Bickerstaff is—and was—to me, I don't want to write anything else under that name. I don't want to be considered a light-hearted journalist anymore. I do acknowledge that making readers laugh—or at least chuckle—during the war was no mean feat, but I don't want to do it anymore. I can't seem to dredge up any sense of proportion or balance these days, and God knows one cannot write humor without them.
In the meantime, I am very happyStephens & Stark is making money on Izzy Bickerstaff Goes to War. It relieves my conscience over the debacle of my Anne Bront biography.
My thanks for everything and love,
Juliet
P.S. I am reading the collected correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? "My dear little Jane, everybody is born with a vocation, and yours is to write charming little notes." I hope Jane spat on her.
From Sidney to Juliet
10th January, 1946
Miss Juliet Ashton
23 Glebe Place
Chelsea
London S.W. 3
Dear Juliet:
Congratulations! Susan Scott said you took to the audience at the luncheon like a drunkard to rum—and they to you—so please stop worrying about your tour next week. I haven't a doubt of your success. Having witnessed your electrifying performance of "The Shepherd Boy Sings in the Valley of Humiliation" eighteen years ago, I know you will have every listener coiled around your little finger within moments. A hint: perhaps in this case, you should refrain from throwing the book at the audience when you finish.
Susan is looking forward to ushering you through bookshops from Bath to Yorkshire. And of course, Sophie is agitating for an extension of the tour into Scotland. I've told her in my most infuriating older-brother manner that It Remains To Be Seen. She misses you terribly, I know, but Stephens & Stark must be impervious to such considerations.
I've just received Izzy's sales figures from London and the Home Counties—they are excellent. Again, congratulations!
Don't fret about English Foibles; better that your enthusiasm died now than after six months spent writing about bunnies. The crass commercial possibilities of the idea were attractive, but I agree that the topic would soon grow horribly fey. Another subject—one you'll like—will occur to you.
Dinner one evening before you go? Say when.
Love,
Sidney
P.S. You write charming little notes.
From Juliet to Sidney
11th January, 1946
Dear Sidney,
Yes, lovely—can it be somewhere on the river? I want oysters and champagne and roast beef, if obtainable; if not, a chicken will do. I am very happy that Izzy's sales are good. Are they good enough that I don't have to pack a bag and leave London?
Since you and S&S have turned me into a moderately successful author, dinner must be my treat.
Love,
Juliet
P.S. I did not throw "The Shepherd Boy Sings in the Valley of Humiliation" at the audience. I threw it at the elocution mistress. I meant to cast it at her feet, but I missed.
From Juliet to Sophie Strachan
12th January, 1946
Mrs. Alexander Strachan
Feochan Farm
by Oban Argyll
Dear Sophie,
Of course I'd adore to see you, but I am a soul-less, will-less automaton. I have been ordered by Sidney to Bath, Colchester, Leeds, and several other garden spots I can't recall at the moment, and I can't just slither off to Scotland instead. Sidney's brow would lower—his eyes would narrow—he would stalk. You know how nerve-racking it is when Sidney stalks.
I wish I could sneak away to your farm and have you coddle me. You'd let me put my feet on the sofa, wouldn't you? And then you'd tuck blankets around me and bring me tea? Would Alexander mind a permanent resident on his sofa? You've told me he is a patient man, but perhaps he would find it annoying.
Why am I so melancholy? I should be delighted at the prospect of reading Izzy to an entranced audience. You know how I love talking about books, and you know how I adore receiving compliments. I should be thrilled. But the truth is that I'm gloomy—gloomier than I ever was during the war. Everything is so broken, Sophie: the roads, the buildings, the people. Especially the people.
This is probably the aftereffect of a horrid dinner party I went to last night. The food was ghastly, but that was to be expected. It was the guests who unnerved me—they were the most demoralizing collection of individuals I've ever encountered. The talk was of bombs and starvation. Do you remember Sarah Morecroft? She was there, all bones and gooseflesh and bloody lipstick. Didn't she use to be pretty? Wasn't she mad for that horse-riding fellow who went up to Cambridge? He was nowhere in evidence; she's married to a doctor with grey skin who clicks his tongue before he speaks. And he was a figure of wild romance compared to my dinner partner, who just happened to be a single man, presumably the last one on earth—oh Lord, how miserably mean-spirited I sound!
I swear, Sophie, I think there's something wrong with me. Every man I meet is intolerable. Perhaps I should set my sights lower—not so low as the grey doctor who clicks, but a bit lower. I can't even blame it on the war—I was never very good at men, was I?
Do you suppose the St. Swithin's furnace-man was my one true love? Since I never spoke to him, it seems unlikely, but at least it was a passion unscathed by disappointment. And he had that beautiful black hair. After that, you remember, came the Year of Poets. Sidney's quite snarky about those poets, though I don't see why, since he introduced me to them. Then poor Adrian. Oh, there's no need to recite the dread rolls to you, but Sophie—what is the matter with me? Am I too particular? I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with.
What a dreadful, complaining letter. You see? I've succeeded in making you feel relieved that I won't be stopping in Scotland. But then again, I may—my fate rests with Sidney.
Kiss Dominic for me and tell him I saw a rat the size of a terrier the other day.
Love to Alexander and even more to you,
Juliet
From Dawsey Adams, Guernsey, Channel Islands, to Juliet
12th January, 1946
Miss Juliet Ashton
81 Oakley Street
Chelsea
London S.W. 3
Dear Miss Ashton,
My name is Dawsey Adams, and I live on my farm in St. Martin's Parish on Guernsey. I know of you because I have an old book that once belonged to you—the Selected Essays of Elia, by an author whose name in real life was Charles Lamb. Your name and address were written inside the front cover.
I will speak plain—I love Charles Lamb. My own book says Selected, so I wondered if that meant he had written other things to choose from? These are the pieces I want to read, and though the Germans are gone now, there aren't any bookshops left on Guernsey.
I want to ask a kindness of you. Could you send me the name and address of a bookshop in London? I would like to order more of Charles Lamb's writings by post. I would also like to ask if anyone has ever written his life story, and if they have, could a copy be found for me? For all his bright and turning mind, I think Mr. Lamb must have had a great sadness in his life.
Charles Lamb made me laugh during the German Occupation, especially when he wrote about the roast pig. The Guernsey Literary and Potato Peel Pie Society came into being because of a roast pig we had to keep secret from the German soldiers, so I feel a kinship to Mr. Lamb.
I am sorry to bother you, but I would be sorrier still not to know about him, as his writings have made me his friend.
Hoping not to trouble you,
Dawsey Adams
P.S. My friend Mrs. Maugery bought a pamphlet that once belonged to you, too. It is called Was There a Burning Bush? A Defense of Moses and the Ten Commandments. She liked your margin note, "Word of God or crowd control???" Did you ever decide which?
From Juliet to Dawsey
15th January, 1946
Mr. Dawsey Adams
Les Vauxlarens
La Bouree
St. Martin's, Guernsey
Dear Mr. Adams,
I no longer live on Oakley Street, but I'm so glad that your letter found me and that my book found you. It was a sad wrench to part with the Selected Essays of Elia. I had two copies and a dire need of shelf-room, but I felt like a traitor selling it. You have soothed my conscience.
I wonder how the book got to Guernsey? Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers. How delightful if that were true.
Because there is nothing I would rather do than rummage through bookshops, I went at once to Hastings & Sons upon receiving your letter. I have gone to them for years, always finding the one book I wanted—and then three more I hadn't known I wanted. I told Mr. Hastings you would like a good, clean copy (and not a rare edition) of More Essays of Elia. He will send it to you by separate post (invoice enclosed) and was delighted to know you are also a lover of Charles Lamb. He said the best biography of Lamb was by E. V. Lucas, and he would hunt out a copy for you, though it may take a while.
In the meantime, will you accept this small gift from me? It is his Selected Letters. I think it will tell you more about him than any biography ever could. E. V. Lucas sounds too stately to include my favorite passage from Lamb: "Buz, buz, buz, bum, bum, bum, wheeze, wheeze, wheeze, fen, fen, fen, tinky, tinky, tinky, cr'annch! I shall certainly come to be condemned at last. I have been drinking too much for two days running. I find my moral sense in the last stage of a consumption and my religion getting faint." You'll find that in the Letters (it's on page 244). They were the first Lamb I ever read, and I'm ashamed to say I only bought the book because I'd read elsewhere that a man named Lamb had visited his friend Leigh Hunt, in prison for libeling the Prince of Wales.
While there, Lamb helped Hunt paint the ceiling of his cell sky blue with white clouds. Next they painted a rose trellis up one wall. Then, I further discovered, Lamb offered money to help Hunt's family outside the prison—though he himself was as poor as a man could be. Lamb also taught Hunt's youngest daughter to say the Lord's Prayer backward. You naturally want to learn everything you can about a man like that.
That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another bit there will lead you onto a third book. It's geometrically progressive—all with no end in sight, and for no other reason than sheer enjoyment.
The red stain on the cover that looks like blood—is blood. I got careless with my paper knife. The enclosed postcard is a reproduction of a painting of Lamb by his friend William Hazlitt.
If you have time to correspond with me, could you answer several questions? Three, in fact. Why did a roast pig dinner have to be kept a secret? How could a pig cause you to begin a literary society? And, most pressing of all, what is a potato peel pie—and why is it included in your society's name?
I have sub-let a flat at 23 Glebe Place, Chelsea, London S.W.3. My Oakley Street flat was bombed in 1945 and I still miss it. Oakley Street was wonderful—I could see the Thames out of three of my windows. I know that I am fortunate to have any place at all to live in London, but I much prefer whining to counting my blessings. I am glad you thought of me to do your Elia hunting.
Yours sincerely,
Juliet Ashton
P.S. I never could make up my mind about Moses—it still bothers me.
From Juliet to Sidney
18th January, 1946
Dear Sidney,
This isn't a letter: it's an apology. Please forgive my moaning about the teas and luncheons you set up for Izzy. Did I call you a tyrant? I take it all back—I love Stephens & Stark for sending me out of London.
Bath is a glorious town: lovely crescents of white, upstanding houses instead of London's black, gloomy buildings or—worse still—piles of rubble that were once buildings. It is bliss to breathe in clean, fresh air with no coal smoke and no dust. The weather is cold, but it isn't London's dank chill. Even the people on the street look different—upstanding, like their houses, not grey and hunched like Londoners.
Susan said the guests at Abbot's book tea enjoyed themselves immensely—and I know I did. I was able to un-stick my tongue from the roof of my mouth after the first two minutes and began to have quite a good time.
Susan and I are off tomorrow for bookshops in Colchester, Norwich, King's Lynn, Bradford, and Leeds.
Love and thanks,
Juliet
From Juliet to Sidney
21st January, 1946
Dear Sidney,
Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper—they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.
From the Hardcover edition.
Read a Sample Chapter
The Guernsey Literary and Potato Peel Pie Society
By Annie Barrows The Dial Press
Copyright © 2008 Annie Barrows
All right reserved.
ISBN: 9780385340991
Part One
8th January, 1946
Mr. Sidney Stark, Publisher
Stephens & Stark Ltd.
21 St. James's Place
London S.W.1
England
Dear Sidney,
Susan Scott is a wonder. We sold over forty copies of the book, which was very pleasant, but much more thrilling from my standpoint was the food. Susan managed to procure ration coupons for icing sugar and real eggs for the meringue. If all her literary luncheons are going to achieve these heights, I won't mind touring about the country. Do you suppose that a lavish bonus could spur her on to butter? Let's try it—you may deduct the money from my royalties.
Now for my grim news. You asked me how work on my new book is progressing. Sidney, it isn't.
English Foibles seemed so promising at first. After all, one should be able to write reams about the Society to Protest the Glorification of the English Bunny. I unearthed a photograph of the Vermin Exterminators' Trade Union, marching down an Oxford street with placards screaming "Down with Beatrix Potter!" But what is there to write about after a caption? Nothing, that's what.
I no longer want to write this book—my head and my heart just aren't in it. Dear as Izzy Bickerstaff is—and was—to me, I don't want to write anything else under that name. Idon't want to be considered a light-hearted journalist anymore. I do acknowledge that making readers laugh—or at least chuckle—during the war was no mean feat, but I don't want to do it anymore. I can't seem to dredge up any sense of proportion or balance these days, and God knows one cannot write humor without them.
In the meantime, I am very happy Stephens & Stark is making money on Izzy Bickerstaff Goes to War. It relieves my conscience over the debacle of my Anne Bront biography.
My thanks for everything and love,
Juliet
P.S. I am reading the collected correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? "My dear little Jane, everybody is born with a vocation, and yours is to write charming little notes." I hope Jane spat on her.
From Sidney to Juliet
10th January, 1946
Miss Juliet Ashton
23 Glebe Place
Chelsea
London S.W. 3
Dear Juliet:
Congratulations! Susan Scott said you took to the audience at the luncheon like a drunkard to rum—and they to you—so please stop worrying about your tour next week. I haven't a doubt of your success. Having witnessed your electrifying performance of "The Shepherd Boy Sings in the Valley of Humiliation" eighteen years ago, I know you will have every listener coiled around your little finger within moments. A hint: perhaps in this case, you should refrain from throwing the book at the audience when you finish.
Susan is looking forward to ushering you through bookshops from Bath to Yorkshire. And of course, Sophie is agitating for an extension of the tour into Scotland. I've told her in my most infuriating older-brother manner that It Remains To Be Seen. She misses you terribly, I know, but Stephens & Stark must be impervious to such considerations.
I've just received Izzy's sales figures from London and the Home Counties—they are excellent. Again, congratulations!
Don't fret about English Foibles; better that your enthusiasm died now than after six months spent writing about bunnies. The crass commercial possibilities of the idea were attractive, but I agree that the topic would soon grow horribly fey. Another subject—one you'll like—will occur to you.
Dinner one evening before you go? Say when.
Love,
Sidney
P.S. You write charming little notes.
From Juliet to Sidney
11th January, 1946
Dear Sidney,
Yes, lovely—can it be somewhere on the river? I want oysters and champagne and roast beef, if obtainable; if not, a chicken will do. I am very happy that Izzy's sales are good. Are they good enough that I don't have to pack a bag and leave London?
Since you and S&S have turned me into a moderately successful author, dinner must be my treat.
Love,
Juliet
P.S. I did not throw "The Shepherd Boy Sings in the Valley of Humiliation" at the audience. I threw it at the elocution mistress. I meant to cast it at her feet, but I missed.
From Juliet to Sophie Strachan
12th January, 1946
Mrs. Alexander Strachan
Feochan Farm
by Oban Argyll
Dear Sophie,
Of course I'd adore to see you, but I am a soul-less, will-less automaton. I have been ordered by Sidney to Bath, Colchester, Leeds, and several other garden spots I can't recall at the moment, and I can't just slither off to Scotland instead. Sidney's brow would lower—his eyes would narrow—he would stalk. You know how nerve-racking it is when Sidney stalks.
I wish I could sneak away to your farm and have you coddle me. You'd let me put my feet on the sofa, wouldn't you? And then you'd tuck blankets around me and bring me tea? Would Alexander mind a permanent resident on his sofa? You've told me he is a patient man, but perhaps he would find it annoying.
Why am I so melancholy? I should be delighted at the prospect of reading Izzy to an entranced audience. You know how I love talking about books, and you know how I adore receiving compliments. I should be thrilled. But the truth is that I'm gloomy—gloomier than I ever was during the war. Everything is so broken, Sophie: the roads, the buildings, the people. Especially the people.
This is probably the aftereffect of a horrid dinner party I went to last night. The food was ghastly, but that was to be expected. It was the guests who unnerved me—they were the most demoralizing collection of individuals I've ever encountered. The talk was of bombs and starvation. Do you remember Sarah Morecroft? She was there, all bones and gooseflesh and bloody lipstick. Didn't she use to be pretty? Wasn't she mad for that horse-riding fellow who went up to Cambridge? He was nowhere in evidence; she's married to a doctor with grey skin who clicks his tongue before he speaks. And he was a figure of wild romance compared to my dinner partner, who just happened to be a single man, presumably the last one on earth—oh Lord, how miserably mean-spirited I sound!
I swear, Sophie, I think there's something wrong with me. Every man I meet is intolerable. Perhaps I should set my sights lower—not so low as the grey doctor who clicks, but a bit lower. I can't even blame it on the war—I was never very good at men, was I?
Do you suppose the St. Swithin's furnace-man was my one true love? Since I never spoke to him, it seems unlikely, but at least it was a passion unscathed by disappointment. And he had that beautiful black hair. After that, you remember, came the Year of Poets. Sidney's quite snarky about those poets, though I don't see why, since he introduced me to them. Then poor Adrian. Oh, there's no need to recite the dread rolls to you, but Sophie—what is the matter with me? Am I too particular? I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with.
What a dreadful, complaining letter. You see? I've succeeded in making you feel relieved that I won't be stopping in Scotland. But then again, I may—my fate rests with Sidney.
Kiss Dominic for me and tell him I saw a rat the size of a terrier the other day.
Love to Alexander and even more to you,
Juliet
From Dawsey Adams, Guernsey, Channel Islands, to Juliet
12th January, 1946
Miss Juliet Ashton
81 Oakley Street
Chelsea
London S.W. 3
Dear Miss Ashton,
My name is Dawsey Adams, and I live on my farm in St. Martin's Parish on Guernsey. I know of you because I have an old book that once belonged to you—the Selected Essays of Elia, by an author whose name in real life was Charles Lamb. Your name and address were written inside the front cover.
I will speak plain—I love Charles Lamb. My own book says Selected, so I wondered if that meant he had written other things to choose from? These are the pieces I want to read, and though the Germans are gone now, there aren't any bookshops left on Guernsey.
I want to ask a kindness of you. Could you send me the name and address of a bookshop in London? I would like to order more of Charles Lamb's writings by post. I would also like to ask if anyone has ever written his life story, and if they have, could a copy be found for me? For all his bright and turning mind, I think Mr. Lamb must have had a great sadness in his life.
Charles Lamb made me laugh during the German Occupation, especially when he wrote about the roast pig. The Guernsey Literary and Potato Peel Pie Society came into being because of a roast pig we had to keep secret from the German soldiers, so I feel a kinship to Mr. Lamb.
I am sorry to bother you, but I would be sorrier still not to know about him, as his writings have made me his friend.
Hoping not to trouble you,
Dawsey Adams
P.S. My friend Mrs. Maugery bought a pamphlet that once belonged to you, too. It is called Was There a Burning Bush? A Defense of Moses and the Ten Commandments. She liked your margin note, "Word of God or crowd control???" Did you ever decide which?
From Juliet to Dawsey
15th January, 1946
Mr. Dawsey Adams
Les Vauxlarens
La Bouree
St. Martin's, Guernsey
Dear Mr. Adams,
I no longer live on Oakley Street, but I'm so glad that your letter found me and that my book found you. It was a sad wrench to part with the Selected Essays of Elia. I had two copies and a dire need of shelf-room, but I felt like a traitor selling it. You have soothed my conscience.
I wonder how the book got to Guernsey? Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers. How delightful if that were true.
Because there is nothing I would rather do than rummage through bookshops, I went at once to Hastings & Sons upon receiving your letter. I have gone to them for years, always finding the one book I wanted—and then three more I hadn't known I wanted. I told Mr. Hastings you would like a good, clean copy (and not a rare edition) of More Essays of Elia. He will send it to you by separate post (invoice enclosed) and was delighted to know you are also a lover of Charles Lamb. He said the best biography of Lamb was by E. V. Lucas, and he would hunt out a copy for you, though it may take a while.
In the meantime, will you accept this small gift from me? It is his Selected Letters. I think it will tell you more about him than any biography ever could. E. V. Lucas sounds too stately to include my favorite passage from Lamb: "Buz, buz, buz, bum, bum, bum, wheeze, wheeze, wheeze, fen, fen, fen, tinky, tinky, tinky, cr'annch! I shall certainly come to be condemned at last. I have been drinking too much for two days running. I find my moral sense in the last stage of a consumption and my religion getting faint." You'll find that in the Letters (it's on page 244). They were the first Lamb I ever read, and I'm ashamed to say I only bought the book because I'd read elsewhere that a man named Lamb had visited his friend Leigh Hunt, in prison for libeling the Prince of Wales.
While there, Lamb helped Hunt paint the ceiling of his cell sky blue with white clouds. Next they painted a rose trellis up one wall. Then, I further discovered, Lamb offered money to help Hunt's family outside the prison—though he himself was as poor as a man could be. Lamb also taught Hunt's youngest daughter to say the Lord's Prayer backward. You naturally want to learn everything you can about a man like that.
That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another bit there will lead you onto a third book. It's geometrically progressive—all with no end in sight, and for no other reason than sheer enjoyment.
The red stain on the cover that looks like blood—is blood. I got careless with my paper knife. The enclosed postcard is a reproduction of a painting of Lamb by his friend William Hazlitt.
If you have time to correspond with me, could you answer several questions? Three, in fact. Why did a roast pig dinner have to be kept a secret? How could a pig cause you to begin a literary society? And, most pressing of all, what is a potato peel pie—and why is it included in your society's name?
I have sub-let a flat at 23 Glebe Place, Chelsea, London S.W.3. My Oakley Street flat was bombed in 1945 and I still miss it. Oakley Street was wonderful—I could see the Thames out of three of my windows. I know that I am fortunate to have any place at all to live in London, but I much prefer whining to counting my blessings. I am glad you thought of me to do your Elia hunting.
Yours sincerely,
Juliet Ashton
P.S. I never could make up my mind about Moses—it still bothers me.
From Juliet to Sidney
18th January, 1946
Dear Sidney,
This isn't a letter: it's an apology. Please forgive my moaning about the teas and luncheons you set up for Izzy. Did I call you a tyrant? I take it all back—I love Stephens & Stark for sending me out of London.
Bath is a glorious town: lovely crescents of white, upstanding houses instead of London's black, gloomy buildings or—worse still—piles of rubble that were once buildings. It is bliss to breathe in clean, fresh air with no coal smoke and no dust. The weather is cold, but it isn't London's dank chill. Even the people on the street look different—upstanding, like their houses, not grey and hunched like Londoners.
Susan said the guests at Abbot's book tea enjoyed themselves immensely—and I know I did. I was able to un-stick my tongue from the roof of my mouth after the first two minutes and began to have quite a good time.
Susan and I are off tomorrow for bookshops in Colchester, Norwich, King's Lynn, Bradford, and Leeds.
Love and thanks,
Juliet
From Juliet to Sidney
21st January, 1946
Dear Sidney,
Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper—they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.
Continues...
Excerpted from The Guernsey Literary and Potato Peel Pie Society by Annie Barrows Copyright © 2008 by Annie Barrows. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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