The Color of Water: A Black Man's Tribute to His White Mother by James McBride

From Barnes & Noble

As a young black boy in Brooklyn, James McBride wondered why his mother looked different. When he asked her if she was white or black, she would answer, "I'm light-skinned." Finally, when he had become an adult, she told him her story. She was a rabbi's daughter, born in Poland, raised in the American South. McBride's tribute, now published in a 10th anniversary edition, has become a classic in healthy race relations, a topic we are all apparently still learning.

From the Publisher

This national bestseller tells the story of James McBride and his mother—a rabbi's daughter, born in Poland and raised in the South, who fled to Harlem, married a black man, founded a church, and put 12 children through college. Unabridged. 6 CDs.

Salon - James Marcus

At a time when the relationship between African-Americans and Jews is deeply fissured, The Color of Water reminds us that the two groups have a long history of coexistence -- sometimes within a single person. The author's mother, Ruth Shilsky, was born in Poland in 1920, the daughter of an Orthodox Jewish rabbi. She grew up in rural Virginia, hemmed in by anti-Semitism and small-town claustrophobia, and at the age of 18 she fled to the cultural antipodes of Harlem. There, four years later, she married a black man named Dennis McBride, and since her family promptly disowned her, she launched a second existence as (to quote her son) "a flying compilation of competing interests and conflicts, a black woman in white skin." The lone Caucasian in her Brooklyn housing project, she somehow raised 12 children without ever quite admitting she was white. In retrospect, of course, her son is able to recognize that his parents "brought a curious blend of Jewish-European and African-American distrust and paranoia into our house." However, as children, James McBride and his 11 siblings didn't dwell on questions of their mother's color. Only later, after he became a professional journalist, did McBride feel compelled to tackle the riddle of his heritage. Bit by bit, he coaxed out his mother's story, and her voice -- stoic, funny, and with a matter-of-fact flintiness -- alternates perfectly with his own tale of biracial confusion and self-discovery.

Library Journal

The need to clarify his racial identity prompted the author to penetrate his veiled and troubled family history. Ruth McBride Jordan concealed her former life as Rachel Deborah Shilsky, the daughter of an Orthodox Jewish rabbi, from her children. Her grim upbringing in an abusive environment is left behind when she moves to Harlem, marries a black man, converts to Christianity, and cofounds a Baptist congregation with her husband. The courage and tenacity shown by this twice-widowed mother who manages to raise 12 children, all of whom go on to successful careers, are remarkable. Highly recommended for public libraries.-Linda Bredengerd, Univ. of Pittsburgh Lib., Bradford, Pa.

Mirabella

The Color of Water [will] make you proud to be a member of the human race.

NY Times Book Review

[A] triumph.

Product Details

• ISBN: 1573225789
  
• ISBN-13: 9781573225786
• Format: Paperback, 336pp
• Publisher: Penguin Group (USA)
• Pub. Date: February 1997
• Edition Description: REISSUE

• Table of Contents
• Interviews & Essays
• Read an Excerpt
• Read a Sample Chapter

Table of Contents

Interviews & Essays

November 13, 1997, renowned journalist James McBride joined BarnesandNoble@aol to discuss his memoir, THE COLOR OF WATER, which explores his white mother's Orthodox Jewish past as well as his own heritage as a man between black and white.

James McBride: Delighted to be here!

James McBride: Well, I always wondered where my mother came from. It was something that was on my mind for many, many years.

James McBride: I've considered it, but Christianity always worked for me. I grew up as a Christian. If my children decided to embrace the faith, I'd be more than delighted.

James McBride: No. It happened because after her mother died, she converted to Christianity. I think that it was the loss of her mother and the loss of her family and the love of my father and the embrace of the Christian church that pushed her into Christianity.

James McBride: I did indeed. I kissed her seven times.

James McBride: Well, writing teaches writing. Many books have been written between 5 and 7 in the morning. Never give up. It's a great catharsis.

James McBride: A very good question. I don't think so. I've thought about that a lot. I'm not sure if there was any other thing she could do. We didn't really have the time to think about her past that much. So it wasn't that great an issue. I was never angry at her for that. I think a lot of my anger was self-directed, meaning it had to do with my own feelings of inadequacy.

James McBride: I have no bitterness toward him. I'm sorry that he was the dysfunctional person that he was, but I certainly don't harbor any bitterness toward him. I guess I would say hello.

James McBride: It gave me a tremendous sense of self. It made me feel complete. It gave me a sense of peace. It imbued in me my own sense of my "Jewishness." I don't consider myself qualified to go around claiming to be a Jew. But I'm proud to be one anyway. I like who I am.

James McBride: She was a very religious woman. And her faith in God is what has sustained her.

James McBride: Before I started writing Quincy Jones's biography for Doubleday, which I began last February, I was working on a novel for Riverhead. I enjoyed it immensely, though it was much more difficult than nonfiction. I plan to finish that novel after finishing Quincy's biography. That's due in late 1998.

James McBride: In a way, yes. I wrote the book partly because I didn't know who I was. And I realized I couldn't discover who I was until I discovered who my mother was.

James McBride: The schools in New York were better. The variety of students added to my education. There were good things about the segregated school. The teachers were very kind and very educated, but I got a far better education in the New York City schools that were integrated.

James McBride: I used to perform music. No longer. I wrote songs for Anita Baker, Grover Washington, and Gary Burton. I'm literally in the recording studio now, working on a demo for a Disney audition to write the score for one of their theatrical musicals. I play saxophoneall the saxophonesand I play piano and I write. I started on piano and clarinet as a boy. My mother encouraged music around the house. And no, performing music doesn't affect my writing. I always loved music, even as a boy. I've just always been attracted to it.

James McBride: At the time, black power was a huge deal in my neighborhood, and we were all imbued with a sense of black pride and black consciousness. In that context, she did not fit.

James McBride: My favorite childhood memory is swimming in the Red Hook swimming pool with my mother, brothers, and sisters. I remember the strength in her hands and the firm way in which she held me.

James McBride: I would prefer to choose "other," but I'll always choose "black." I think there should be one box human being. But in the real world, I choose black.

James McBride: I guess I would have to answer that with three. "It Might as Well Be Swing," which is Frank Sinatra with the Count Basie Orchestra, with Quincy Jones as the arranger; "Kind of Blue" by Miles Davis; and "Stolen Moments" by Oliver Nelson. My favorite tenor saxophone player is Billy Harper.

James McBride: When I was a little boy, I would ask my mother, "What color is God?" I asked her if God was white or black. She said God was the color of water.

James McBride: I'm sorry but I haven't seen it.

James McBride: What you have to do as a writer is find the gatepost moments of your story. The points of highest drama that prove your point.

James McBride: It was a catharsis for Mommy. It was painful, but wonderful and terrifyingly exhilarating for her. I was moved by it. My sister Judy was there. It was just as moving for her.

James McBride: I don't think it ever occurred to any of them, but they were just as interested. My siblings felt that God had put this story in my heart, and they felt it was appropriate that I be the one to tell it.

James McBride: I just climbed into her skin. And felt what it felt like to be her. It wasn't hard -- she is my mother. Eighty percent of those words were hers.

James McBride: I'm working on a novel about a group of black soldiers who stumble upon a group of Jewish refugees after World War II.

James McBride: I'm honored to be the recipient of so much love from so many people. My mother, myself, and my siblings feel truly blessed beyond words.

James McBride: Thank you!

Read an Excerpt

INTRODUCTION

James McBride grew up one of twelve siblings in the all-black housing projects of Red Hook, Brooklyn, the son of a black minister and a woman who would not admit she was white. The object of McBride's constant embarrassment, and his continuous fear for her safety, his mother was an inspiring figure, who through sheer force of will saw her dozen children through college, and many through graduate school. McBride was an adult before he discovered the truth about his mother: the daughter of a failed itinerant Orthodox rabbi in rural Virginia, she had run away to Harlem, married a black man, and founded an all-black Baptist church in her living room in Red Hook. In this remarkable memoir, she tells in her own words the story of her past. Around her narrative, James McBride has written a powerful portrait of growing up, a meditation on race and identity, and a poignant, beautifully crafted hymn from a son to his mother.

ABOUT JAMES MCBRIDE

Praise

DISCUSSION QUESTIONS

1. Discuss Ruth McBride's refusal to reveal her past and how that influenced her children's sense of themselves and their place in the world. How has your knowledge—or lack thereof—about your family background shaped your own self-image?
    
2. The McBride children's struggle with their identities led each to his or her own "revolution." Is it also possible that that same struggle led them to define themselves through professional achievement?
    
3. Several of the McBride children became involved in the civil rights movement. Do you think that this was a result of the times in which they lived, their need to belong to a group that lent them a solid identity, or a combination of these factors?
    
4. "Our house was a combination three-ring circus and zoo, complete with ongoing action, daring feats, music, and animals." Does Helen leave to escape her chaotic homelife or to escape the mother whose very appearance confuses her about who she is?
    
5. "It was in her sense of education, more than any other, that Mommy conveyed her Jewishness to us." Do you agree with this statement? Is it possible that Ruth McBride Jordan's unshakable devotion to her faith, even though she converted to Christianity from Judaism, stems from her Orthodox Jewish upbringing?
    
6. "Mommy's contradictions crashed and slammed against one another like bumper cars at Coney Island. White folks, she felt, were implicitly evil toward blacks, yet she forced us to go to white schools to get the best education. Blacks could be trusted more, but anything involving blacks was probably substandard... She was against welfare and never applied for it despite our need, but championed those who availed themselves of it." Do you think these contradictions served to confuse Ruth's children further, or did they somehow contribute to the balanced view of humanity that James McBride possesses?
    
7. While reading the descriptions of the children's hunger, did you wonder why Ruth did not seek out some kind of assistance?
    
8. Do you think it was naïve of Ruth McBride Jordan to think that her love for her family and her faith in God would overcome all potential obstacles or did you find her faith in God's love and guidance inspiring?
    
9. How do you feel about Ruth McBride Jordan's use of a belt to discipline her children?
    
10. While reading the book, were you curious about how Ruth McBride Jordan's remarkable faith had translated into the adult lives of her children? Do you think that faith is something that can be passed on from one generation to the next or do you think that faith that is instilled too strongly in children eventually causes them to turn away from it?
     
11. Do you think it would be possible to achieve what Ruth McBride has achieved in today's society?

Read a Sample Chapter

I'm dead.

You want to talk about my family and here I been dead to them for fifty years. Leave me alone. Don't bother me. They want no parts of me and me I don't want no parts of them. Hurry up and get this interview over with. I want to watch Dallas. See, my family, if you had a been part of them, you wouldn't have time for this foolishness, your roots, so to speak. You'd be better off watching the Three Stooges than to interview them, like to go interview my father, forget it. He'd have a heart attack if he saw you, He's dead now anyway, or if not he's 150 years old.

I was born an Orthodox Jew on April 1, 1921. April Fool's Day, in Poland. I don't remember the name of the town where I was born, but I do remember my Jewish name: Ruchel Dwajra Zylska. My parents got rid of that name when we came to America and changed it to Rachel Deborah Shilsky, and I got rid of that name when I was nineteen and never used it again after I left Virginia for good in 1941. Rachel Shilsky is dead as far as I'm concerned, She had to die in order for me, the rest me, to live.

My family mourned me when I married your father. They said kaddish and sat shiva. That's how Orthodox Jews mourn their dead. They say prayers, turn their mirrors down, sit on boxes for seven days, and cover their heads. It's a real workout, which is maybe why I'm not a Jew now. There were too many rules to follow, too many forbiddens and "you can'ts" and "you mustn'ts," but does anybody say they love you? Not in my family we didn't. We didn't talk that way. We said things like, "There's a box in there for the nails," or my father would say, "Be quiet while I sleep."

My father's name was Fishel Shilsky and he was an Orthodox rabbi. He escaped from the Russian army and snuck over the Polish border and married my mother in an arranged marriage. He used to say he was under fire when he ran off from the army, and his ability to slick himself out of anything that wasn't good for him stayed with him for as long as I knew him. Tateh, we called him, That means father in Yiddish. He was a fox, especially when it came to money. He was short, dark, hairy, and gruff. He wore a white shirt, black pants, and a tallis on his shirtsleeve, and that was like his uniform, He'd wear those black pants till they glazed and shined and were ripe enough to stand in the corner by themselves, but God help you if those pants were coming your way in a hurry, because he was nobody to fool with, my father. He was hard as a rock.

My mother was named Hudis and she was the exact opposite of him, gentle and meek. She was born in 1896 in the town of Dobryzn, Poland, but if you checked there today, nobody would remember her family because any Jews who didn't leave before Hitler got through with Poland were wiped out in the Holocaust. She was pretty about the face. Dark hair, high cheekbones, but she had polio. It paralyzed her left side and left her in overall poor health. Her left hand was useless. It was bent at the wrist and held close to her chest, She was nearly blind in her left eye and walked with a severe limp, dragging her left foot behind her. She was a quiet woman, my sweet Mameh, That's what we called her, Mameh. She's one person in this world I didn't do right by....