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(Hardcover)
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(11 ratings)
Bestselling master of suspense Jeffery Deaver is back with a brand-new Lincoln Rhyme thriller.
Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose ingenious staging of crimes is enabled by a terrifying access to information....
When Lincoln's estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect -- too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's relative is sealed.
At the behest of Arthur's wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance -- despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft and manipulation.
An information service company -- the huge data miner Strategic Systems Datacorp -- seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and coverups, and their investigation points to one master criminal, whom they dub "522."
When "522" learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.
Dennis Boutsikaris's reading of Deaver's latest Lincoln Rhyme thriller is positively chilling. When the quadriplegic detective's cousin is arrested for murder, it seems to be an open-and-shut case, as plenty of forensic evidence links him to the crime. But Lincoln discovers that the real killer is framing others for his killings by manipulating intimate computer information. A deadly game of cat and mouse pits Lincoln; his partner, Amanda Sachs; and the rest of his NYPD crew against an adversary who is consistently one step ahead of them. Boutsikaris's reading is excellent, but he really ratchets the intensity when performing the passages told from the killer's point of view. His delivery fully embraces the cold, calculating mind of the murderer, imbuing his seemingly dispassionate thoughts with an underlying sense of barely controlled rage and menace. A Simon & Schuster hardcover (Reviews, Apr. 14). (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. More Reviews and RecommendationsWisely taking the advice given to him by legendary mystery writer Mickey Spillane -- "People don't read books to get to the middle. They read to get to the end" -- Jeffery Deaver has earned a reputation for prodigious pacing and slick suspense with his string of bestselling Lincoln Rhyme thrillers.
More About the Author
Number of Reviews: 11
Average Rating:
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A Real Standout
A reviewer, an Old Time Reader, 08/26/2008
I just loved this book. Read it in 2 days. Deavers has a way of drawing you in. Never thought of this aspect of identity theft. Makes you think.
another good read
todd, A reviewer, 07/20/2008
i really love reading deavers books, especially the lincoln rhyme series. this book was pretty good, it seemed to me though that it didnt quite have the usual in depth detail that usually comes along with a rhyme mystery. the whole book had its usual cant put down pace but the ending he just seemed to randomly pick a character and have it make sense in the end, but there wasent the typical deaver 'leave you guessing who it is right up until the end' ending. overall another good read but slightly disappointing, maybe just because he is putting out 2 books this year.
Also recommended: all deavers books, john sanford 'prey' series, jefferson bass
More Customer Reviews
Name:
Jeffery Deaver
Also Known As:
William Jefferies, Jeffery Wilds Deaver
Current Home:
Washington, D.C.
Date of Birth:
May 06, 1950
Place of Birth:
Chicago, Illinois
Education:
B.A., University of Missouri; Juris Doctor, cum laude, Fordham University School of Law
Awards:
Three-time recipient of the Ellery Queen Readers' Award for Best Short Story of the Year; W. H. Smith Thumping Good Read Award
Born just outside Chicago in 1950 to an advertising copywriter father and stay-at-home mom, Jeffery Deaver was a writer from the start, penning his first book (a brief tome just two chapters in length) at age 11. He went on to edit his high school literary magazine and serve on the staff of the school newspaper, chasing the dream of becoming a crack reporter.
Upon earning his B.A. in journalism from the University of Missouri, Deaver realized that he lacked the necessary background to become a legal correspondent for the high-profile publications he aspired to, such as The New York Times or The Wall Street Journal, so he enrolled at Fordham Law School. Being a legal eagle soon grew on Deaver, and rather than continue on as a reporter, he took a job as a corporate lawyer at a top Wall Street firm. Deaver's detour from the writing life wasn't to last, however; ironically, it was his substantial commute to the law office that touched off his third -- and current -- career. He'd fill the long hours on the train scribbling his own renditions of the kind of fiction he enjoyed reading most: suspense.
Voodoo, a supernatural thriller, and Always a Thief, an art-theft caper, were Deaver's first published novels. Produced by the now-defunct Paperjacks paperback original house, the books are no longer in print, but they remain hot items on the collector circuit. His first major outing was the Rune series, which followed the adventures of an aspiring female filmmaker in the power trilogy Manhattan Is My Beat (1988), Death of a Blue Movie Star (1990), and Hard News (1991).
Deaver's next series, this one featuring the adventures of ace movie location scout John Pellam, featured the thrillers Shallow Graves (1992), Bloody River Blues (1993), and Hell's Kitchen (2001). Written under the pen name William Jefferies, the series stands out in Deaver's body of work, primarily because it touched off his talent for focusing more on his vivid characters than on their perilous situations.
In fact, it is his series featuring the intrepid and beloved team of Lincoln Rhyme and Amelia Sachs that showcases Deaver at the top of his game. Confronting enormous odds (and always under somewhat gruesome circumstances), the embittered detective and his feisty partner and love interest made their debut in 1991's grisly caper The Bone Collector, and hooked fans for four more books: The Coffin Dancer (1998), The Empty Chair (2000), The Stone Monkey (2002), and The Vanishing Man(2003). Of the series, Kirkus Reviews observed, "Deaver marries forensic work that would do Patricia Cornwell proud to turbocharged plots that put Benzedrine to shame."
On the creation of Rhyme, who happens to be a paraplegic, Deaver explained to Shots magazine, "I wanted to create a Sherlock Holmes-ian kind of character that uses his mind rather than his body. He solves crimes by thinking about the crimes, rather than someone who can shoot straight, run faster, or walk into the bar and trick people into giving away the clues."
As for his reputation for conjuring up some of the most unsavory scenes in pop crime fiction, Deaver admits on his web site, "In general, I think, less is more, and that if a reader stops reading because a book is too icky then I've failed in my obligation to the readers."
Deaver revises his manuscripts "at least 20 or 30 times" before his publishers get to even see a version.
Two of his books have been made into major feature films. The first was A Maiden's Grave (the film adaptation was called Dead Silence), which starred James Garner and Marlee Matlin. The Bone Collector came next, starring Denzel Washington and Angelina Jolie.
In addition to being a bestselling novelist, Deaver has also been a folksinger, songwriter, music researcher, and professional poet.
Deaver's younger sister, Julie Reece Deaver, is a fellow author who writes novels for young adults.
In our interview with Deaver, he reveals, "My inspiration for writing is the reader. I want to give readers whatever will excite and please them. It's absolutely vital in this business for authors to know their audience and to write with them in mind."
What are your favorite books -- and why?
Favorite films?
If you had a book club, what would it be reading -- and why?
Popular fiction -- because I think some of our most important writing is done in this field nowadays.
What are your favorite books to give -- and get -- as gifts?
I tend to give nonfiction, since fiction tends to be very subjective, yet I know pretty well which friends will enjoy which books, such as cookbooks, biographies, travel books, etc. I, too, prefer to receive nonfiction.
Who are your favorite writers, and what makes their writing special?
John LeCarre, Thomas Harris, James Patterson, Ian Rankin, P. D. James, John Gilstrap, Barbara Vine (Ruth Rendell), and literary writers like Saul Bellow, John Updike, John Cheever, Jane Smiley, and poets Robert Frost and Richard Wilbur. Oh, yeah, that guy from England, too -- Bill Shakespeare -- he's okay, too.
Why them? Because they all tell stories (even the poets) rather than simply trying to dazzle with style and form alone.
What else do you want your readers to know?
It's a solitary life being a writer, so I enjoy activities that bring me into contact with others -- I love to entertain, cook and collect (and drink!) wine. Last year I had a Roman banquet for 50 people, in which I made authentic roman recipes. I've done a medieval banquet too. Usually I stick to more normal cooking -- French, Irish, Italian, Asian and Indian are my favorites, though I also make up recipes of my own.
I've been a non-athlete all my life, but in my advancing years I've taking up skiing and scuba diving. This year I skied the back bowls at Vail and loved it. But I'm never without my laptop. I don't think a day has gone by in the last ten years when I haven't done some work on a book or short story.
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In the summer of 2004, we asked authors featured in Meet the Writers to give us a list of their all-time favorite summer reads, and tell us what makes them just right for the season. Here's what Jeffery Deaver had to say:
I was always a bookish kid, with no passion for sports (except passionately hoping the soft ball didn't get hit my way). So when summer came around, I was delighted, but not because of going away to camp or the athletic fields. No, I was ecstatic because I could look forward to three months of reading whenever -- and whatever -- I wanted to, and taking in a matinee at the movie house now and then.
My most memorable summer reads were -- and still are -- always good, basic stories. Plots, beginning, middle and end. I think of the following fondly:
Bestselling master of suspense Jeffery Deaver is back with a brand-new Lincoln Rhyme thriller.
Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose ingenious staging of crimes is enabled by a terrifying access to information....
When Lincoln's estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect -- too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's relative is sealed.
At the behest of Arthur's wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance -- despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft and manipulation.
An information service company -- the huge data miner Strategic Systems Datacorp -- seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and coverups, and their investigation points to one master criminal, whom they dub "522."
When "522" learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.
Dennis Boutsikaris's reading of Deaver's latest Lincoln Rhyme thriller is positively chilling. When the quadriplegic detective's cousin is arrested for murder, it seems to be an open-and-shut case, as plenty of forensic evidence links him to the crime. But Lincoln discovers that the real killer is framing others for his killings by manipulating intimate computer information. A deadly game of cat and mouse pits Lincoln; his partner, Amanda Sachs; and the rest of his NYPD crew against an adversary who is consistently one step ahead of them. Boutsikaris's reading is excellent, but he really ratchets the intensity when performing the passages told from the killer's point of view. His delivery fully embraces the cold, calculating mind of the murderer, imbuing his seemingly dispassionate thoughts with an underlying sense of barely controlled rage and menace. A Simon & Schuster hardcover (Reviews, Apr. 14). (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Deaver's (The Sleeping Doll) latest novel, which pairs disabled criminologist Lincoln Rhyme and Detective Amelia Sachs for the eighth time, is sure to be one of his most popular books to date. When Lincoln suspects his cousin is being framed for murder, other similar cases of stolen identities and innocent people being set up lead him to a data mining company. However, Lincoln is able to track the real killer by exposing crime-scene evidence unintentionally left behind. As the killer feels the police closing in on him, he targets his pursuers by messing with their records, changing information to complicate their lives. Pertinent to today's society of credit cards and computer data, Deaver's thriller reminds us how vulnerable we really are and will be an essential purchase for all public libraries. [See Prepub Alert, LJ2/15/08.]
It's a must-solve case for quadriplegic criminalist Lincoln Rhyme when his cousin is arrested for murder. The evidence seems incontrovertible. Arthur Rhyme came over to Alice Sanderson's apartment-leaving generous amounts of trace evidence from his home and DNA traces from his person-then attacked and killed her; stole a prized painting she'd just purchased; and left, obligingly depositing trace evidence from the crime scene back home. But since Rhyme can't believe that his cousin killed anyone, he's forced to conclude that there's been an elaborate frame-up by someone who may well have done the same thing before. Fans of the serial-killer specialist (The Cold Moon, 2006, etc.) won't be surprised when Rhyme, his partner Amelia Sachs and the rest of the NYPD crew he's hastily cobbled together turn up two well-nigh identical crimes that exonerate Arthur to their satisfaction, even though he continues to languish in a lockup that seems to get more dangerous by the hour. A rare slip by the elusive killer leaves Rhyme with a bag of material he'd been on his way to plant at the home of still another innocent suspect. The big catch here is a Post-It note that sends Rhyme and company to Strategic Systems Datacorp, which collects and resells data, mountains of data, on every American it can. Deciding that the perp knows so much about the patsies he sets up, from their shoe sizes to their favorite brands of underwear, that he must have some connection to SSD, Rhyme commences collecting data on the data collectors. The ensuing investigation, which bogs down amid factitious thrills and the faceless geeks at SSD, feels like the work of a ghostwriter who knows the formula and uses the right names butlacks Deaver's customary brio and fiendish ingenuity. On the plus side, the master criminal, instantly forgettable on his own terms, will tap into many paranoid readers' twin bogeymen: identity theft and government surveillance. Agent: Deborah Schneider/Gelfman Schneider
Number of Reviews: 11
Average Rating:
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A Real Standout
A reviewer, an Old Time Reader, 08/26/2008
I just loved this book. Read it in 2 days. Deavers has a way of drawing you in. Never thought of this aspect of identity theft. Makes you think.
another good read
todd, A reviewer, 07/20/2008
i really love reading deavers books, especially the lincoln rhyme series. this book was pretty good, it seemed to me though that it didnt quite have the usual in depth detail that usually comes along with a rhyme mystery. the whole book had its usual cant put down pace but the ending he just seemed to randomly pick a character and have it make sense in the end, but there wasent the typical deaver 'leave you guessing who it is right up until the end' ending. overall another good read but slightly disappointing, maybe just because he is putting out 2 books this year.
Also recommended: all deavers books, john sanford 'prey' series, jefferson bass
Another Deaver Dazzler
Carole, retired, & reading 'everything', 07/11/2008
The Broken Window is yet another gem of a thriller. When I get my hands on a new 'Deaver' I get totally taken in by the suspense & wild rides in the story. He also shows such respect for his readers, with all the research he puts into his books. That's one of the most important features for me. Yes, I read other authors' work, but there is no comparison with the expertise of this man. This book left me electrified for days after I finished it. 'Breathtaking brilliance'!
Also recommended: How about ALL of Deaver's books?
A reviewer
Luanne Ollivier, A Reviewer, 07/07/2008
Lincoln Rhyme, Amelia Sachs and crew are back in the 7th book of this series by Jeffery Deaver. Lincoln's estranged cousin, Arthur Rhyme is arrested on murder and rape charges. He claims he is innocent. Against his wishes, his wife Judy contacts Lincoln for help. For those of you unfamiliar with this series, Lincoln Rhyme is a former police captain, injured on the job and now a quadriplegic. Amelia Sachs was a young aspiring policewoman who became Rhymes eyes as she 'walked' crime scenes, gathering evidence for him. Together they have solved many crimes based on Lincoln's expertise with forensic evidence. And that is what bothers Lincoln about Arthur's case - the evidence is just too perfect. The case seems airtight. Some digging unearths two other cases similar to Arthur's. Further investigation leads to SSD - a data mining corporation. It seems the real perpetrator might be hiding behind walls of SSD. Data mining is real and very scary. When you get to page 352, there's a dossier put together on one of the characters, listing literally everything. Purchases, habits, relationships, financial data, lifestyle, communications and lots more. It's quite frightening - think of all the loyalty cards you have, the debit and credit cards you swipe, the searches you do on the web. The perpetrator is using this information to commit crimes and have someone else take the fall. He's always one step ahead of the police. Then he starts messing with their personal information and things take a turn for the worse. The novel opens, closes and contains references to a case involving an assassin the Lincoln last encountered in 'The Cold Moon'. If you've not read it yet, you might find these references a bit confusing. I believe this is what the next Rhyme novel, due in 2010, will focus on. Deaver is always a great read. The clues, evidence and the ingenious way they are used to pursue the case are fascinating. The Broken Window was very hard to put down at the end of the day. I always enjoy finding a series that you can follow the character's lives as well as the mystery presented. Fans of TV shows like CSI will enjoy this series. Faithful readers of John Sandford would enjoy it as well.
Very Good Read
Jeff, a reviewer, 07/05/2008
As always, Deaver keeps you turning the pages,very good book
Showing 1-5 NextChapter One
Something nagged, yet she couldn't quite figure out what.
Like a faint recurring ache somewhere in your body.
Or a man on the street behind you as you near your apartment...Was he the same one who'd been glancing at you on the subway?
Or a dark dot moving toward your bed but now vanished. A black widow spider?
But then her visitor, sitting on her living room couch, glanced at her and smiled and Alice Sanderson forgot the concern -- if concern it was. Arthur had a good mind and a solid body, sure. But he had a great smile, which counted for a lot more.
"How 'bout some wine?" she asked, walking into her small kitchen.
"Sure. Whatever you've got."
"So, this's pretty fun -- playing hooky on a weekday. Two grown adults. I like it."
"Born to be wild," he joked.
Outside the window, across the street, were rows of painted and natural brownstones. They could also see part of the Manhattan skyline, hazy on this pleasant spring weekday. Air -- fresh enough for the city -- wafted in, carrying the scents of garlic and oregano from an Italian restaurant up the street. It was their favorite type of cuisine -- one of the many common interests they'd discovered since they'd met several weeks ago at a wine tasting in SoHo. In late April, Alice had found herself in the crowd of about forty, listening to a sommelier lecture about the wines of Europe, when she'd heard a man's voice ask about a particular type of Spanish red wine.
She had barked a quiet laugh. She happened to own a case of that very wine (well, part of a case now). It was made by a little-known vineyard. Perhaps not the best Rioja ever produced but the wineoffered another bouquet: that of fond memory. She and a French lover had consumed plenty of it during a week in Spain -- a perfect liaison, just the thing for a woman in her late twenties who'd recently broken up with her boyfriend. The vacation fling was passionate, intense and, of course, doomed, which made it all the better.
Alice had leaned forward to see who'd mentioned the wine: a nondescript man in a business suit. After a few glasses of the featured selections she'd grown braver and, juggling a plate of finger food, had made her way across the room and asked him about his interest in the wine.
He'd explained about a trip he'd taken to Spain a few years ago with an ex-girlfriend. How he'd come to enjoy the wine. They'd sat at a table and talked for some time. Arthur, it seemed, liked the same food she did, the same sports. They both jogged and spent an hour each morning in overpriced health clubs. "But," he said, "I wear the cheapest JCPenney shorts and T-shirts I can find. No designer garbage for me..." Then he'd blushed, realizing he'd possibly insulted her.
But she'd laughed. She took the same approach to workout clothes (in her case, bought at Target when visiting her family in Jersey). She'd quashed the urge to tell him this, though, worried about coming on too strong. They'd played that popular urban dating game: what we have in common. They'd rated restaurants, compared Curb Your Enthusiasm episodes and complained about their shrinks.
A date ensued, then another. Art was funny and courteous. A little stiff, shy at times, reclusive, which she put down to what he described as the breakup from hell -- a long-term girlfriend in the fashion business. And his grueling work schedule -- he was a Manhattan businessman. He had little free time.
Would anything come of it?
He wasn't a boyfriend yet. But there were far worse people to spend time with. And when they'd kissed on their most recent date, she'd felt the low ping that meant, oh, yeah: chemistry. Tonight might or might not reveal exactly how much. She'd noticed that Arthur had furtively -- he thought -- been checking out the tight pink little number she'd bought at Bergdorf's especially for their date. And Alice had made some preparations in the bedroom in case kissing turned into something else.
Then the faint uneasiness, the concern about the spider, returned.
What was bothering her?
Alice supposed it was nothing more than a residue of unpleasantness she'd experienced when a deliveryman had dropped off a package earlier. Shaved head and bushy eyebrows, smelling of cigarette smoke and speaking in a thick Eastern European accent. As she'd signed the papers, he'd looked her over -- clearly flirting -- and then asked for a glass of water. She brought it to him reluctantly and found him in the middle of her living room, staring at her sound system.
She'd told him she was expecting company and he'd left, frowning, as if angry over a snub. Alice had watched out the window and noted that nearly ten minutes had passed before he got into the double-parked van and left.
What had he been doing in the apartment building all that time? Checking out --
"Hey, Earth to Alice..."
"Sorry." She laughed, continued to the couch, then sat next to Arthur, their knees brushing. Thoughts of the deliveryman vanished. They touched glasses, these two people who were compatible in all-important areas -- politics (they contributed virtually the same amount to the Dems and gave money during NPR pledge drives), movies, food, traveling. They were both lapsed Protestants.
When their knees touched again, his rubbed seductively. Then Arthur smiled and asked, "Oh, that painting you bought, the Prescott? Did you get it?"
Her eyes shone as she nodded. "Yep. I now own a Harvey Prescott."
Alice Sanderson was not a wealthy woman by Manhattan standards but she'd invested well and indulged her true passion. She'd followed the career of Prescott, a painter from Oregon who specialized in photorealistic works of families -- not existing people but ones he himself made up. Some traditional, some not so -- single parent, mixed race or gay. Virtually none of his paintings were on the market in her price range but she was on the mailing lists of the galleries that occasionally sold his work. Last month she'd learned from one out west that a small early canvas might be coming available for $150,000. Sure enough, the owner decided to sell and she'd dipped into her investment account to come up with the cash.
That was the delivery she'd received today. But the pleasure of owning the piece now diminished again with a flare-up of concern about the driver. She recalled his smell, his lascivious eyes. Alice rose, on the pretense of opening the curtains wider, and looked outside. No delivery trucks, no skinheads standing on the street corner and staring up at her apartment. She thought about closing and locking the window, but that seemed too paranoid and would require an explanation.
She returned to Arthur, glanced at her walls and told him she wasn't sure where to hang the painting in her small apartment. A brief fantasy played out: Arthur's staying over one Saturday night and on Sunday, after brunch, helping her find the perfect place for the canvas.
Her voice was filled with pleasure and pride as she said, "You want to see it?"
"You bet."
They rose and she walked toward the bedroom, believing that she heard footsteps in the corridor outside. All the other tenants should have been at work, this time of day.
Could it be the deliveryman?
Well, at least she wasn't alone.
They got to the bedroom door.
Which was when the black widow struck.
With a jolt Alice now understood what had been bothering her, and it had nothing to do with the deliveryman. No, it was about Arthur. When they'd spoken yesterday he'd asked when the Prescott would be arriving.
She'd told him she was getting a painting but had never mentioned the artist's name. Slowing now, at the bedroom door. Her hands were sweating. If he'd learned of the painting without her telling him, then maybe he'd found other facts about her life. What if all of the many things they had in common were lies? What if he'd known about her love of the Spanish wine ahead of time? What if he'd been at the tasting just to get close to her? All the restaurants they knew, the travel, the TV shows...
My God, here she was leading a man she'd known for only a few weeks into her bedroom. All her defenses down...
Breathing hard now...Shivering.
"Oh, the painting," he whispered, looking past her. "It's beautiful."
And, hearing his calm, pleasant voice, Alice laughed to herself. Are you crazy? She must have mentioned Prescott's name to Arthur. She tucked the uneasiness away. Calm down. You've been living alone too long. Remember his smiles, his joking. He thinks the way you think.
Relax.
A faint laugh. Alice stared at the two-by-two-foot canvas, the muted colors, a half dozen people at a dinner table looking out, some amused, some pensive, some troubled.
"Incredible," he said.
"The composition is wonderful but it's their expressions that he captures so perfectly. Don't you think?" Alice turned to him.
Her smile vanished. "What's that, Arthur? What are you doing?" He'd put on beige cloth gloves and was reaching into his pocket. And then she looked into his eyes, which had hardened into dark pinpricks beneath furrowed brows, in a face she hardly recognized at all.Copyright © 2008 by Jeffery Deaver
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