Available for Download
Audiobook MP3 Made Easy!
(MP3 Book - Abridged)
Learn more
| More Formats | |
|---|---|
| Available in eBook | $7.99 |
| Hardcover | $25.60 |
| Mass Market Paperback - Reprint | $9.99 |
| Compact Disc - Abridged, 5 CDs, 6 hours | $28.49 |
| MP3 Book - Unabridged | $19.87 |
When a night-time call to 911 from a secluded Wisconsin vacation house is cut short, offduty deputy Brynn McKenzie leaves her husband and son at the dinner table and drives up to Lake Mondac to investigate. Was it a misdial or an aborted crime report?
Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy's disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn's loyal fellow deputies and elements from Milwaukee's underside. These various forces race along inexorably toward the novel's gritty and stunning conclusion.
The Bodies Left Behind is an epic cat-and-mouse chase, told nearly in real-time, and is filled with Deaver's patented twists and turns, where nothing is what it seems, and death lingers just around the next curve on a deserted path deep in the midnight forest.
The meticulously structured plot moves back and forth between hunter and hunted, covering a big stretch of wild country…a thrill-a-minute wilderness adventure.
More Reviews and RecommendationsWisely taking the advice given to him by legendary mystery writer Mickey Spillane -- "People don't read books to get to the middle. They read to get to the end" -- Jeffery Deaver has earned a reputation for prodigious pacing and slick suspense with his string of bestselling Lincoln Rhyme thrillers.
More About the AuthorReader Rating:
See Detailed Ratings
November 21, 2009: It was a fast read, and full of plot changes. some parts were a little over the top, but in general a very good book
Reader Rating:
See Detailed Ratings
November 11, 2009: I have read several Jeffery Deaver Books and find him am excellent story teller. The novel moves along at a good pace as do all his books. His charactyers build steadily if predictably in this case. The novel was a "page turner" for me but the fact that it takes place in all one day forces a great deal of action into a compressed time frame which can be a little frustarting since it seems difficult to accept that so much bad can happen to one person in so short a time. Very much like the Die Hard Movies after a while it becomes hard to swallow but worth a read as an escapist novel.
I Also Recommend: Garden of Beasts.
Name:
Jeffery Deaver
Also Known As:
William Jefferies, Jeffery Wilds Deaver
Current Home:
Washington, D.C.
Date of Birth:
May 06, 1950
Place of Birth:
Chicago, Illinois
Education:
B.A., University of Missouri; Juris Doctor, cum laude, Fordham University School of Law
Awards:
Three-time recipient of the Ellery Queen Readers' Award for Best Short Story of the Year; W. H. Smith Thumping Good Read Award
Born just outside Chicago in 1950 to an advertising copywriter father and stay-at-home mom, Jeffery Deaver was a writer from the start, penning his first book (a brief tome just two chapters in length) at age 11. He went on to edit his high school literary magazine and serve on the staff of the school newspaper, chasing the dream of becoming a crack reporter.
Upon earning his B.A. in journalism from the University of Missouri, Deaver realized that he lacked the necessary background to become a legal correspondent for the high-profile publications he aspired to, such as The New York Times or The Wall Street Journal, so he enrolled at Fordham Law School. Being a legal eagle soon grew on Deaver, and rather than continue on as a reporter, he took a job as a corporate lawyer at a top Wall Street firm. Deaver's detour from the writing life wasn't to last, however; ironically, it was his substantial commute to the law office that touched off his third -- and current -- career. He'd fill the long hours on the train scribbling his own renditions of the kind of fiction he enjoyed reading most: suspense.
Voodoo, a supernatural thriller, and Always a Thief, an art-theft caper, were Deaver's first published novels. Produced by the now-defunct Paperjacks paperback original house, the books are no longer in print, but they remain hot items on the collector circuit. His first major outing was the Rune series, which followed the adventures of an aspiring female filmmaker in the power trilogy Manhattan Is My Beat (1988), Death of a Blue Movie Star (1990), and Hard News (1991).
Deaver's next series, this one featuring the adventures of ace movie location scout John Pellam, featured the thrillers Shallow Graves (1992), Bloody River Blues (1993), and Hell's Kitchen (2001). Written under the pen name William Jefferies, the series stands out in Deaver's body of work, primarily because it touched off his talent for focusing more on his vivid characters than on their perilous situations.
In fact, it is his series featuring the intrepid and beloved team of Lincoln Rhyme and Amelia Sachs that showcases Deaver at the top of his game. Confronting enormous odds (and always under somewhat gruesome circumstances), the embittered detective and his feisty partner and love interest made their debut in 1991's grisly caper The Bone Collector, and hooked fans for four more books: The Coffin Dancer (1998), The Empty Chair (2000), The Stone Monkey (2002), and The Vanishing Man(2003). Of the series, Kirkus Reviews observed, "Deaver marries forensic work that would do Patricia Cornwell proud to turbocharged plots that put Benzedrine to shame."
On the creation of Rhyme, who happens to be a paraplegic, Deaver explained to Shots magazine, "I wanted to create a Sherlock Holmes-ian kind of character that uses his mind rather than his body. He solves crimes by thinking about the crimes, rather than someone who can shoot straight, run faster, or walk into the bar and trick people into giving away the clues."
As for his reputation for conjuring up some of the most unsavory scenes in pop crime fiction, Deaver admits on his web site, "In general, I think, less is more, and that if a reader stops reading because a book is too icky then I've failed in my obligation to the readers."
Deaver revises his manuscripts "at least 20 or 30 times" before his publishers get to even see a version.
Two of his books have been made into major feature films. The first was A Maiden's Grave (the film adaptation was called Dead Silence), which starred James Garner and Marlee Matlin. The Bone Collector came next, starring Denzel Washington and Angelina Jolie.
In addition to being a bestselling novelist, Deaver has also been a folksinger, songwriter, music researcher, and professional poet.
Deaver's younger sister, Julie Reece Deaver, is a fellow author who writes novels for young adults.
In our interview with Deaver, he reveals, "My inspiration for writing is the reader. I want to give readers whatever will excite and please them. It's absolutely vital in this business for authors to know their audience and to write with them in mind."
What are your favorite books -- and why?
Favorite films?
If you had a book club, what would it be reading -- and why?
Popular fiction -- because I think some of our most important writing is done in this field nowadays.
What are your favorite books to give -- and get -- as gifts?
I tend to give nonfiction, since fiction tends to be very subjective, yet I know pretty well which friends will enjoy which books, such as cookbooks, biographies, travel books, etc. I, too, prefer to receive nonfiction.
Who are your favorite writers, and what makes their writing special?
John LeCarre, Thomas Harris, James Patterson, Ian Rankin, P. D. James, John Gilstrap, Barbara Vine (Ruth Rendell), and literary writers like Saul Bellow, John Updike, John Cheever, Jane Smiley, and poets Robert Frost and Richard Wilbur. Oh, yeah, that guy from England, too -- Bill Shakespeare -- he's okay, too.
Why them? Because they all tell stories (even the poets) rather than simply trying to dazzle with style and form alone.
What else do you want your readers to know?
It's a solitary life being a writer, so I enjoy activities that bring me into contact with others -- I love to entertain, cook and collect (and drink!) wine. Last year I had a Roman banquet for 50 people, in which I made authentic roman recipes. I've done a medieval banquet too. Usually I stick to more normal cooking -- French, Irish, Italian, Asian and Indian are my favorites, though I also make up recipes of my own.
I've been a non-athlete all my life, but in my advancing years I've taking up skiing and scuba diving. This year I skied the back bowls at Vail and loved it. But I'm never without my laptop. I don't think a day has gone by in the last ten years when I haven't done some work on a book or short story.
--------------------------------------------------------------------------
In the summer of 2004, we asked authors featured in Meet the Writers to give us a list of their all-time favorite summer reads, and tell us what makes them just right for the season. Here's what Jeffery Deaver had to say:
I was always a bookish kid, with no passion for sports (except passionately hoping the soft ball didn't get hit my way). So when summer came around, I was delighted, but not because of going away to camp or the athletic fields. No, I was ecstatic because I could look forward to three months of reading whenever -- and whatever -- I wanted to, and taking in a matinee at the movie house now and then.
My most memorable summer reads were -- and still are -- always good, basic stories. Plots, beginning, middle and end. I think of the following fondly:
When a night-time call to 911 from a secluded Wisconsin vacation house is cut short, offduty deputy Brynn McKenzie leaves her husband and son at the dinner table and drives up to Lake Mondac to investigate. Was it a misdial or an aborted crime report?
Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy's disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn's loyal fellow deputies and elements from Milwaukee's underside. These various forces race along inexorably toward the novel's gritty and stunning conclusion.
The Bodies Left Behind is an epic cat-and-mouse chase, told nearly in real-time, and is filled with Deaver's patented twists and turns, where nothing is what it seems, and death lingers just around the next curve on a deserted path deep in the midnight forest.
The meticulously structured plot moves back and forth between hunter and hunted, covering a big stretch of wild country…a thrill-a-minute wilderness adventure.
Usually a strong plotter, bestseller Deaver (The Bone Collector) fails to deliver on the promise of this stand-alone thriller's nicely creepy opening. When two masked men break into the isolated lakeside weekend house of Steven Feldman, who works for the Milwaukee Department of Social Services, and his wife, Emma, an attorney who may have stumbled on union corruption in the course of some corporate research, Steven has just enough time to phone 911 before the intruders shoot him and Emma dead. That interrupted plea for help brings Deputy Brynn McKenzie, who possesses a set of predictable emotional baggage (an abusive ex-wife, a troubled teenage son), to the scene. A protracted and less than suspenseful game of cat-and-mouse between McKenzie and the hired guns responsible for the murders ensues. A few twists will catch some readers by surprise, but the pacing and characterizations aren't up to Deaver's best. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.More thrills from the genre's master prestidigitator (The Broken Window, 2008, etc.).
Steven and Emma Feldman retreat from their jobs in Milwaukee to Wisconsin's Marquette State Park. But they haven't retreated far enough to keep two armed and masked men from breaking into their place. Responding to a 911 call Steven made moments before he was shot dead, sheriff's deputy Brynn McKenzie is swiftly pulled into a night of terror. In short order she's deprived of her sidearm and cell phone and saddled with flighty actress Michelle Kepler, the Feldmans' house guest, who promoted herself from inconvenient witness to priority target when she winged one of the intruders with his own gun. It's a pleasure watching Deaver, who has no rivals in the realm of sneaky plot twists, spin out a series of cat-and-mouse games through which the hired guns and the two unexpectedly resourceful women try to outwit each other. With a logician's skill, he exhausts every possibility for shifting advantages within each situation before adding a single new element—a car alarm, a canoe, a pair of campers with their adorable little girl—into the mix to provide new opportunities. The result is a tour de force in which the suspense never flags for the first 250 pages. But Deaver's fatal inability to leave well enough alone is as much on display as his trademark cleverness, and Brynn and Michelle's ordeal is followed by a series of further (and further) revelations as dazzling as they are preposterous, finishing touches that show why the best suspense novels depend on making you forget that you're reading a book, not rubbing your nose in the author's cleverness.
More proof that your first Deaver, before you'velearned the formula, is likely to be your favorite.
Loading...SILENCE.
The woods around Lake Mondac were as quiet as couldbe, a world of difference from the churning, chaotic city where the couple spent their weekdays.
Silence, broken only by an occasional a-hoo-ah of a distant bird, the hollow siren of a frog.
And now: another sound.
A shuffle of leaves, two impatient snaps of branch or twig.
Footsteps?
No, that couldn't be. The other vacation houses beside the lake weredeserted on this cool Friday afternoon in April.
Emma Feldman, in her early thirties, set down her martini on the kitchen table, where she sat across from her husband. She tucked a strand of curly black hair behind her ear and walked to one of the grimy kitchen windows. She saw nothing but dense clusters of cedar, juniper and black spruce rising up a steep hill, whose rocks resembled cracked yellow bone.
Her husband lifted an eyebrow. "What was it?"
She shrugged and returned to her chair. "I don't know. Didn't see anything."
Outside, silence again.
Emma, lean as any stark, white birch outside one of the many windows of the vacation house, shook off her blue jacket. She was wearing the matching skirt and a white blouse. Lawyer clothes. Hair in a bun. Lawyer hair. Stockings but shoeless.
Steven, turning his attention to the bar, had abandoned his jacket as well, and a wrinkled striped tie. The thirty-six-year-old, with a full head of unruly hair, was in a blue shirt and his belly protruded inexorably over the belt of his navy slacks. Emma didn'tcare; she thought he was cute and always would.
"And look what I got," he said, nodding towardthe upstairs guest room and unbagging a large bottle of pulpy organic vegetable juice. Their friend,visiting from Chicago this weekend, had been flirting with liquid diets lately, drinking the most disgusting things.
Emma read the ingredients and wrinkled her nose. "It's all hers. I'll stick with vodka."
"Why I love you."
The house creaked, as it often did. The place was seventy-six years old. It featured an abundance of wood and a scarcity of steel and stone. The kitchen, where they stood, was angular and paneled in glowing yellow pine. The floor was lumpy. The colonial structure was one of three houses on this private road, each squatting on ten acres. It couldbe called lakefront property but only because the lake lapped at a rocky shore two hundred yards from the front door.
The house was plopped down in a small clearing on the east side of a substantial elevation. Midwest reserve kept peoplefrom labeling these hills "mountains" here in Wisconsin, though it rose easily seven or eight hundred feet into the air. At the moment the big house was bathed in blue late-afternoon shadows.
Emma gazed out at rippling Lake Mondac, far enough from the hill to catch some descending sun. Now, in early spring, the surrounding area was scruffy, reminding of wet hackles rising from a guard dog's back. The house was much nicer than they couldotherwise afford they'd bought it through foreclosure and she knew from the moment she'd seen it that this was the perfect vacation house.
Silence...
The colonial also had a pretty colorful history.
The owner of a big meatpacking company in Chicago had built the place before World War II. It was discovered years later that much of his fortune had come from selling black-market meat, circumventing the rationing system that limited foods here at home to make sure the troops were nourished. In 1956 the man's body was found floating in the lake; he was possibly the victim of veterans who had learned of his scheme and killed him, then searched the house, looking for the illicit cash he'd hidden here.
No ghosts figured in any version of the death, though Emma and Steven couldn't keep from embellishing. When guests were staying here they'd gleefully take note of who kept the bathroom lights on and who braved the dark after hearing the tales.
Two more snaps outside. Then a third.
Emma frowned. "You hear that? Again, that sound. Outside."
Steven glanced out the window. The breeze kicked up now and then. He turned back.
Her eyes strayed to her briefcase.
"Caught that," he said, chiding.
"What?"
"Don't even think about opening it."
She laughed, though without much humor.
"Work-free weekend," he said. "We agreed."
"And what's in there?" she asked, nodding at the backpack he carried in lieu of an attaché case. Emma was wrestling the lid off a jar of cocktail olives.
"Only two things of relevance, Your Honor: my le Carré novel and that bottle of Merlot I had at work. Shall I introduce the latter into evid..." Voice fading. He looked to the window, through which they could see a tangle of weeds and trees and branches and rocks the color of dinosaur bones.
Emma too glanced outside.
"That I heard," he said. He refreshed his wife's martini. She dropped olives into both drinks.
"What was it?"
"Remember that bear?"
"He didn'tcome up to the house." They clinked glasses and sipped clear liquor.
Steven said, "You seem preoccupied. What's up, the union case?"
Research for a corporate acquisition had revealed some possible shenanigans within the lakefront workers union in Milwaukee. The government had become involved and the acquisition was temporarily tabled, which nobody was very happy about.
But she said, "This's something else. One of our clients makes car parts."
"Right. Kenosha Auto. See? I do listen."
She looked at her husband with an astonished glance. "Well, the CEO, turns out, is an absolute prick." She explained about a wrongful death case involving components of a hybrid car engine: a freak accident, a passenger electrocuted. "The head of their R-and-D department...why, he demanded I return all the technical files. Imagine that."
Steven said, "I liked your other case better that state representative's last will and testament...the sex stuff."
"Shhhh," she said, alarmed. "Remember, I never said a word about it."
"My lips are sealed."
Emma speared an olive and ate it. "And how was your day?"
Steven laughed. "Please...I don't make enough to talk about business after hours." The Feldmans were a shining example of a blind date gone right, despite the odds. Emma, a U of W law school valedictorian, daughter of Milwaukee-Chicago money; Steven, a city college bachelor of arts grad from the Brewline, intent on helping society. Their friends gave them six months, tops; the Door County wedding, to which all those friends were invited, had occurred exactly eight months after their first date.
Steven pulled a triangle of Brie out of a shopping bag. Found crackers and opened them.
"Oh, okay. Just a little."
Snap, snap...
Her husband frowned. Emma said, "Honey, it's freaking me a little. That was footsteps."
The three vacation houses here were eight or nine miles from the nearest shop or gas station and a little over a mile from the county highway, which was accessed via a strip of dirt poorly impersonating a road. Marquette State Park, the biggest in the Wisconsin system, swallowed most of the land in the area; Lake Mondac and these houses made up an enclave of private property.
Very private.
And very deserted.
Steven walked into the utility room, pulled aside the limp beige curtain and gazed past a cut-back crepe myrtle into the side yard. "Nothing. I'm thinking we "
Emma screamed.
"Honey, honey, honey!" her husband cried.
A face studied them through the back window. The man's head was covered with a stocking, though you could see crew-cut, blondish hair, a colorful tattoo on his neck. The eyes were halfway surprised to see peopleso close. He wore an olive drab combat jacket. He knocked on the glass with one hand. In the other he was holding a shotgun, muzzle up. He was smiling eerily.
"Oh, God," Emma whispered.
Steven pulled out his cell phone, flipped it open and punched numbers, telling her, "I'll deal with him. Go lock the front door."
Emma ran to the entryway, dropping her glass. The olives spun amid the dancing shards, picking up dust. Crying out, she heard the kitchen door splinter inward. She looked back and saw the intruder with the shotgun rip the phone from her husband's hand and shove him against the wall. A print of an old sepia landscape photograph crashed to the floor.
The front door too swung open. A second man, his head also covered with mesh, pushed inside. He had long dark hair, pressed close by the nylon. Taller and stockier than the first, he held a pistol. The black gun was small in his outsized hand. He pushed Emma into the kitchen, where the other man tossed him the cell phone. The bigger one stiffened at the pitch, but caught the phone one-handed. He seemed to grimace in irritation at the toss and dropped the phone in his pocket.
Steven said, "Please...What do you...?" Voice quavering.
Emma looked away quickly. The less she saw, she was thinking, the better their chances to survive.
"Please," Steven said, "Please. You can take whatever you want. Just leave us. Please."
Emma stared at the dark pistol in the taller man's hand. He wore a black leather jacket and boots. His were like the other man's, the kind soldiers wear.
Both men grew oblivious to the couple. They looked around the house.
Emma's husband continued, "Look, you can have whatever you want. We've got a Mercedes outside. I'll get the keys. You "
"Just, don't talk," the taller man said, gesturing with the pistol.
"We have money. And credit cards. Debit card too. I'll give you the PIN."
"What do you want?" Emma asked, crying.
"Shhh."
Somewhere, in its ancient heart, the house creaked once more.
Copyright © 2008 by Jeffery Deaver
loading...
loading...
loading...
Terms of Use, Copyright, and Privacy Policy
© 1997-2010 Barnesandnoble.com llc




