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The United States government is given a warning by the pre-eminent biophysicists in the country: current sterilization procedures applied to returning space probes may be inadequate to guarantee uncontaminated re-entry to the atmosphere.
Two years later, seventeen satellites are sent into the outer fringes of space to "collect organisms and dust for study." One of them falls to earth, landing in a desolate area of Arizona.
Twelve miles from the landing site, in the town of Piedmont, a shocking discovery is made: the streets are littered with the dead bodies of the town's inhabitants, as if they dropped dead in their tracks.
The terror has begun . . .
More Reviews and RecommendationsIt stands to reason that someone with as many pursuits as Michael Crichton (novelist, nonfiction writer, screenwriter, director, software engineer, M.D.) might achieve only modest success in any of them. But Crichton somehow excelled at them all. His books, suffused with his scientific research and knowledge, never failed to present imaginative, chilling scenarios that jumped from historical capers to futuristic sci-fi. He died on November 4, 2008, after a long battle against cancer.
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December 02, 2008:
I was very captured by this story from the very beginning and it kept me going all the way to the end of the book. I like the attention to detail Crichton gives on the different stages of the book. I was really pulled into the story as if it was happening right in front of me. The end of the book lacks closure, although this could be the point.
I believe all Michael Crichton fans would enjoy this thrilling quick-read.
I Also Recommend: Prey.
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November 25, 2008:
Michael Crichton?s impressive first work ?The Andromeda Strain? is about an extraterrestrial disease that lands in a small American town called Piedmont. Even worse is the fact that everyone in Piedmont is dead save for a raging alcoholic and a infant. A team is assembled to combat the disease at a research station (Wild Fire) designed to locate, analyze, and defeat an alien disease.
While the novel is impressive (especially for a first work), it does suffer from some problems. The characters are a bland to the point you have trouble remembering their names. You may find yourself in a situation where you remember them by their profession. The language used while informative may be a bit too technical for those without some kind of medical training, and even those with sufficient information (i.e. a 9th grade education) will need to re read some. I won?t spoil the ending, but the action starts 20 pages before the ending. So if you?re looking for an action packed book keep looking (although those last 20 pages are riveting). Finally I must rant about the ending. While I appreciate the open ending I must protest the extent. It leaves too much to the imagination.
The book has problems but it also has many excellent qualities. The story is very informational considering it is a work of fiction. While it lacks memorable characters the story and the disease itself are unforgettable. The book is veal for any intellectual, and is an absolute must read, and own. While it lacks the action of other books by this brilliant author (Jurassic Park, Congo, Timeline) it has a certain charm that cannot be replicated.
In conclusion I must recommend this masterful work. As anything it has draw backs, and I would not recommend to someone who has never read a Crichton, and lacks a knowledge of medicine. It?s a nice short read that you can probably finish in a plane flight. The question is do you want to come down after reading it?
Name:
Michael Crichton
Also Known As:
John Michael Crichton (full name), Jeffery Hudson, John Lange
Current Home:
Los Angeles, California
Date of Birth:
October 23, 1942
Place of Birth:
Chicago, Illinois
Date of Death
November 04, 2008
Place of Death
Los Angeles, California
Education:
B.A.. in Anthropology, Harvard University, 1964; M.D., Harvard Medical School, 1969
Awards:
Edgar Award for In Case of Need (1968) and The Great Train Robbery (1980); New ankylosaurus species named Crichtonsaurus bohlini, 2003
Michael Crichton's oeuvre is so vivid and varied that it hard to believe everything sprang from the mind of a single writer. There's the dino-movie franchise and merchandising behemoth Jurassic Park; the long-running, top-rated TV series ER, which Crichton created; and sci-fi tales so cinematic a few were filmed more than once. He's even had a dinosaur named after him.
Ironically, for someone who is credited with selling over 150 million books, Crichton initially avoided writing because he didn't think he would make a living at it. So he turned to medical school instead, graduating with an M.D. from Harvard in 1969. The budding doctor had already written one award-winning novel pseudonymically (1968's A Case of Need) to help pay the bills through school; but when The Andromeda Strain came out in the same year of his med school graduation, Crichton's new career path became obvious.
The Andromeda Strain brilliantly and convincingly sets out an American scientific crisis in the form of a deadly epidemic. Its tone -- both critical of and sympathetic toward the scientific community -- set a precedent for Crichton works to come. A 1970 nonfiction work, Five Patients offers the same tone in a very different form, that being an inside look at a hospital.
Crichton's works were inspired by a remarkably curious mind. His plots often explored scientific issues -- but not always. Some of his most compelling thrillers were set against the backdrop of global trade relations (Rising Sun), corporate treachery (Disclosure) and good old-fashioned Victorian-era theft (The Great Train Robbery). The author never shied away from challenging topics, but it's obvious from his phenomenal sales that he never waxed pedantic. Writing about Prey, Crichton's cautionary tale of nanotech gone awry, The New York Times Book Review put it this way: "You're entertained on one level and you learn something on another."
On the page, Crichton's storytelling was eerily nonfictional in style. His journalistic, almost professorial, and usually third-person narration lent an air of credibility to his often disturbing tales -- in The Andromeda Strain, he went so far as to provide a fake bibliography. Along the way, he revelled in flouting basic, often subconscious assumptions: Dinosaurs are long-gone; women are workplace victims, not predators; computers are, by and large, predictable machines.
The dazzling diversity of Crichton's interests and talents became ever more evident as the years progressed. In addition to penning bestselling novels, he wrote screenplays and a travel memoir, directed several movies, created Academy Award-winning movie production software, and testified before Congress about the science of global warming -- this last as a result of his controversial 2004 eco-thriller State of Fear, a novel that reflected Crichton's own skepticism about the true nature of climate change. His views on the subject were severely criticized by leading environmentalists.
On November 4, 2008, Michael Crichton died, following a long battle against cancer. Beloved by millions of readers, his techno-thrillers and science-inflected cautionary tales remain perennial bestsellers and have spawned a literary genre all its own.
Some interesting outtakes from our 2005 interview with Crichton:
"I'm very interested in 20th-century American art."
"I have always been interested in movies and television as well as books. I see all these as media for storytelling, and I don't discriminate among them. At some periods of my life I preferred to work on movies, and at others I preferred books."
"In the early 1990s, interviewers began calling me ‘the father of the techno-thriller.' Nobody ever had before. Finally I began asking the interviewers, ‘Why do you call me that?' They said, ‘Because Tom Clancy says you are the father of the techno-thriller.' So I called Tom up and said, ‘Listen, thank you, but I'm not the father of the techno-thriller.' He said, ‘Yes you are.' I said, ‘No, I'm not, before me there were thrillers like Failsafe and Seven Days in May and The Manchurian Candidate that were techno-thrillers.' He said, ‘No, those are all political. You're the father of the techno-thriller.' And there it ended."
"My favorite recreation is to hike in the wilderness. I am fond of Hawaii."
"I used to scuba dive a lot, but haven't lately. For a time I liked to photograph sharks but like anything else, the thrill wears off. Earlier in my life I took serious risks, but I stopped when I became a parent."
"I taught myself to cook by following Indian and Szechuan recipes. They each have about 20 ingredients. I used to grind my own spices, I was really into it. Now I don't have much time to cook anymore. When I do, I cook Italian food."
"I read almost exclusively nonfiction. Most times I am researching some topic, which may or may not lead to a book. So my reading is pretty focused, although the focus can shift quickly."
"I have always been interested in whatever is missing or excluded from conventional thought. As a result I am drawn to writers who are out of fashion, bypassed, irritating, difficult, or excessive. I also like the disreputable works of famous writers. Thus I end up reading and liking Paul Feyerabend (Against Method), G. K. Chesterton (Orthodoxy, What's Wrong with the World), John Stuart Mill, Hemingway (Garden of Eden), Nietzsche, Machiavelli, Alain Finkielkraut (Defeat of the Mind), Anton Ehrenzweig (Hidden Order of Art), Arthur Koestler (Midwife Toad, Beyond Reductionism), Ian McHarg (Design with Nature), Marguerite Duras, Jung, late James M. Cain (Serenade), Paul Campos.
"Because I get up so early to work, I tend to go to bed early, around 10 or 11. So I don't go out much. I suppose I am borderline reclusive. I don't care."
What was the book that most influenced your life or your career as a writer?
Arthur Conan Doyle's The Hound of the Baskervilles was the first novel I read as a young person, that I genuinely enjoyed. (I was plowing my way through the classics at the time, and Lorna Doone wasn't doing much for me.) I subsequently read all the Holmes stories, and later in life went back to study them, to see how Conan Doyle had moved his narratives forward so quickly. In fact, his techniques are quite cinematic.
What are your ten favorite books, and what makes them special to you?
I am not the sort of person who has lists of favorites. But off the top of my head, here are some books that I like a great deal:
What are some of your favorite films, and what makes them unforgettable to you?
Again, I don't have favorites. As a younger person I was heavily influenced by Kurosawa, Hitchcock, and Kubrick. As a child I saw Citizen Kane and was astonished by it. Few movies have astonished me since in that way.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
My tastes in music are eclectic. I like everything from Bach to Coldplay. I do my workouts to heavy rock 'n' roll, George Thorogood, AC/DC, BTO. I have a special fondness for the music I grew up with, which are now considered Golden Oldies: Little Richard, the Beatles, the Stones, the Coasters, the Beach Boys. I never listen to music when I am writing. I like it quiet.
What are your favorite kinds of books to give -- and get -- as gifts?
Art books and photography books.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I go to an office about a mile from my house. I start early, sometimes 4 or 5 in the morning. I work in a small room with the shades drawn so I don't see outside. I start the day with a cup of instant coffee and I begin to type. I have always typed ever since I was a kid -- in the old days on a manual typewriter, and since the 1970s on a word processor. Since 1985 I have written on Macintosh computers. I prefer them to PCs, although I work with PCs, too. I generally finish writing by noon. I graph my output in Excel. I used to eat the same thing every day, when I was working, but no longer follow this ritual. In the afternoon, I answer mail, and go work out to blow off steam. I do yoga several times a week. I think it helps.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sold my first writing when I was 14 -- a travel article to The New York Times. That encouraged me to write more, and I sent stories and articles to magazines at a rapid rate. I could have papered a room with rejection slips. The next time I really sold anything was when I was 24. Ten years later. That's a lot of rejection slips.
What tips or advice do you have for writers still looking to be discovered?
Keep writing. People who successfully enter creative fields generally follow a path all their own. But I think writers, in particular, need to do a lot of writing to find their voice. It's all trial and error, so it takes time. Also, writing can be a frustrating and lonely job, and you might as well see if you really can tolerate the frustration, and the loneliness. Plenty of people think they can, but it turns out they can't.
The United States government is given a warning by the pre-eminent biophysicists in the country: current sterilization procedures applied to returning space probes may be inadequate to guarantee uncontaminated re-entry to the atmosphere.
Two years later, seventeen satellites are sent into the outer fringes of space to "collect organisms and dust for study." One of them falls to earth, landing in a desolate area of Arizona.
Twelve miles from the landing site, in the town of Piedmont, a shocking discovery is made: the streets are littered with the dead bodies of the town's inhabitants, as if they dropped dead in their tracks.
The terror has begun . . .
Loading...Chapter One
The Country of Lost Borders
A man with binoculars. That is how it began: with a man standing by the side of the road, on a crest overlooking a small Arizona town, on a winter night.
Lieutenant Roger Shawn must have found the binoculars difficult. The metal would be cold, and he would be clumsy in his fur parka and heavy gloves. His breath, hissing out into the moonlit air, would have fogged the lenses. He would be forced to pause to wipe them frequently, using a stubby gloved finger.
He could not have known the futility of this action. Binoculars were worthless to see into that town and uncover its secrets. He would have been astonished to learn that the men who finally succeeded used instruments a million times more powerful than binoculars.
There is something sad, foolish, and human in the image of Shawn leaning against a boulder, propping his arms on it, and holding the binoculars to his eyes. Though cumbersome, the binoculars would at least feel comfortable and familiar in his hands. It would be one of the last familiar sensations before his death.
We can imagine, and try to reconstruct, what happened from that point on.
Lieutenant Shawn swept over the town slowly and methodically. He could see it was not large, just a half-dozen wooden buildings, set out along a single main street. It was very quiet: no lights, no activity, no sound carried by the gentle wind.
He shifted his attention from the town to the surrounding hills. They were low, dusty, and blunted, with scrubby vegetation and an occasional withered yucca treecrusted in snow. Beyond the hills were more hills, and then the flat expanse of the Mojave Desert, trackless and vast. The Indians called it the Country of Lost Borders.
Lieutenant Shawn found himself shivering in the wind. It was February, the coldest month, and it was after ten. He walked back up the road toward the Ford Econovan, with the large rotating antenna on top. The motor was idling softly; it was the only sound he could hear. He opened the rear doors and climbed into the back, shutting the doors behind him.
He was enveloped in deep-red light: a night light, so that he would not be blinded when he stepped outside. In the red light the banks of instruments and electronic equipment glowed greenly.
Private Lewis Crane, the electronics technician, was there, also wearing a parka. He was hunched over a map, making calculations with occasional reference to the instruments before him.
Shawn asked Crane if he were certain they had arrived at the place, and Crane confirmed that they had. Both men were tired: they had driven all day from Vandenberg in search of the latest Scoop satellite. Neither knew much about the Scoops, except that they were a series of secret capsules intended to analyze the upper atmosphere and then return. Shawn and Crane had the job of finding the capsules once they had landed.
In order to facilitate recovery, the satellites were fitted with electronic beepers that began to transmit signals when they came down to an altitude of five miles.
That was why the van had so much radio-directional equipment. In essence, it was performing its own triangulation. In Army parlance it was known as single-unit triangulation, and it was highly effective, though slow. The procedure was simple enough: the van stopped and fixed its position, recording the strength and direction of the radio beam from the satellite. Once this was done, it would be driven in the most likely direction of the satellite for a distance of twenty miles. Then it would stop and take new coordinates. In this way, a series of triangulation points could be mapped, and the van could proceed to the satellite by a zigzag path, stopping every twenty miles to correct any error. The method was slower than using two vans, but it was safer -- the Army felt that two vans in an area might arouse suspicion.
For six hours, the van had been closing on the Scoop satellite. Now they were almost there.
Crane tapped the map with a pencil in a nervous way and announced the name of the town at the foot of the hill: Piedmont, Arizona. Population forty-eight; both men laughed over that, though they were both inwardly concerned. The Vandenberg ESA, or Estimated Site of Arrival, had been twelve miles north of Piedmont. Vandenberg computed this site on the basis of radar observations and 1410 computer trajectory projections. The estimates were not usually wrong by more than a few hundred yards.
Yet there was no denying the radio-directional equipment, which located the satellite beeper directly in the center of town. Shawn suggested that someone from the town might have seen it coming down -- it would be glowing with the heat -- and might have retrieved it, bringing it into Piedmont.
This was reasonable, except that a native of Piedmont who happened upon an American satellite fresh from space would have told someone -- reporters, police, NASA, the Army, someone.
But they had heard nothing.
Shawn climbed back down from the van, with Crane scrambling after him, shivering as the cold air struck him. Together, the two men looked out over the town.
It was peaceful, but completely dark. Shawn noticed that the gas station and the motel both had their lights doused. Yet they represented the only gas station and motel for miles.
And then Shawn noticed the birds.
In the light of the full moon he could see them, big birds, gliding in slow circles over the buildings, passing like black shadows across the face of the moon. He wondered why he hadn't noticed them before, and asked Crane what he made of them.
Crane said he didn't make anything of them. As a joke, he added, "Maybe they're buzzards."
The Andromeda Strain. Copyright © by Michael Crichton. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.A man with binoculars. That is how it began: with a man standing by the side of the road, on a crest overlooking a small Arizona town, on a winter night.
Lieutenant Roger Shawn must have found the binoculars difficult. The metal would be cold, and he would be clumsy in his fur parka and heavy gloves. His breath, hissing out into the moonlit air, would have fogged the lenses. He would be forced to pause to wipe them frequently, using a stubby gloved finger.
He could not have known the futility of this action. Binoculars were worthless to see into that town and uncover its secrets. He would have been astonished to learn that the men who finally succeeded used instruments a million times more powerful than binoculars.
There is something sad, foolish, and human in the image of Shawn leaning against a boulder, propping his arms on it, and holding the binoculars to his eyes. Though cumbersome, the binoculars would at least feel comfortable and familiar in his hands. It would be one of the last familiar sensations before his death.
We can imagine, and try to reconstruct, what happened from that point on.
Lieutenant Shawn swept over the town slowly and methodically. He could see it was not large, just a half-dozen wooden buildings, set out along a single main street. It was very quiet: no lights, no activity, no sound carried by the gentle wind.
He shifted his attention from the town to the surrounding hills. They were low, dusty, and blunted, with scrubby vegetation and an occasional withered yucca tree crusted in snow. Beyond the hills were more hills, and then the flat expanse of the Mojave Desert, trackless and vast. The Indians called it the Country of Lost Borders.
Lieutenant Shawn found himself shivering in the wind. It was February, the coldest month, and it was after ten. He walked back up the road toward the Ford Econovan, with the large rotating antenna on top. The motor was idling softly; it was the only sound he could hear. He opened the rear doors and climbed into the back, shutting the doors behind him.
He was enveloped in deep-red light: a night light, so that he would not be blinded when he stepped outside. In the red light the banks of instruments and electronic equipment glowed greenly.
Private Lewis Crane, the electronics technician, was there, also wearing a parka. He was hunched over a map, making calculations with occasional reference to the instruments before him.
Shawn asked Crane if he were certain they had arrived at the place, and Crane confirmed that they had. Both men were tired: they had driven all day from Vandenberg in search of the latest Scoop satellite. Neither knew much about the Scoops, except that they were a series of secret capsules intended to analyze the upper atmosphere and then return. Shawn and Crane had the job of finding the capsules once they had landed.
In order to facilitate recovery, the satellites were fitted with electronic beepers that began to transmit signals when they came down to an altitude of five miles.
That was why the van had so much radio-directional equipment. In essence, it was performing its own triangulation. In Army parlance it was known as single-unit triangulation, and it was highly effective, though slow. The procedure was simple enough: the van stopped and fixed its position, recording the strength and direction of the radio beam from the satellite. Once this was done, it would be driven in the most likely direction of the satellite for a distance of twenty miles. Then it would stop and take new coordinates. In this way, a series of triangulation points could be mapped, and the van could proceed to the satellite by a zigzag path, stopping every twenty miles to correct any error. The method was slower than using two vans, but it was safer -- the Army felt that two vans in an area might arouse suspicion.
For six hours, the van had been closing on the Scoop satellite. Now they were almost there.
Crane tapped the map with a pencil in a nervous way and announced the name of the town at the foot of the hill: Piedmont, Arizona. Population forty-eight; both men laughed over that, though they were both inwardly concerned. The Vandenberg ESA, or Estimated Site of Arrival, had been twelve miles north of Piedmont. Vandenberg computed this site on the basis of radar observations and 1410 computer trajectory projections. The estimates were not usually wrong by more than a few hundred yards.
Yet there was no denying the radio-directional equipment, which located the satellite beeper directly in the center of town. Shawn suggested that someone from the town might have seen it coming down -- it would be glowing with the heat -- and might have retrieved it, bringing it into Piedmont.
This was reasonable, except that a native of Piedmont who happened upon an American satellite fresh from space would have told someone -- reporters, police, NASA, the Army, someone.
But they had heard nothing.
Shawn climbed back down from the van, with Crane scrambling after him, shivering as the cold air struck him. Together, the two men looked out over the town.
It was peaceful, but completely dark. Shawn noticed that the gas station and the motel both had their lights doused. Yet they represented the only gas station and motel for miles.
And then Shawn noticed the birds.
In the light of the full moon he could see them, big birds, gliding in slow circles over the buildings, passing like black shadows across the face of the moon. He wondered why he hadn't noticed them before, and asked Crane what he made of them.
Crane said he didn't make anything of them. As a joke, he added, "Maybe they're buzzards."
The Andromeda Strain. Copyright © by Michael Crichton. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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