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(Hardcover)
Average Customer Rating:
(165 ratings)
IT HAS BEEN A YEAR OF CHANGE since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father a
laudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances. Now, as Gemma approaches her London debut, the time has come to test these bonds.
The Order - the mysterious group her mother was once part of - is grappling for control of the realms, as is the Rakshana. Spence's burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.
The concluding volume in the trilogy begun in A Great and Terrible Beautyis a huge work of massive ambition, an undertaking that involves the plaiting and tying off a dozen plot threads-impending war in the realms and heroine Gemma Doyle's control of its magic being the central thread but, perhaps, not the most interesting. In chronicling Gemma's first year at Spence Academy, Bray has, over three books, widened her canvas from finishing school to fin-de-siècle London, weaving in the defining movements of the era-labor strikes over factory conditions, suffrage, the "radical" Impressionists just across the Channel, even fashion trends like bloomers for women daring enough to ride bicycles. Gemma is both buffeted and bolstered by her exposure to these developments, and readers experience how they shape her burgeoning understanding of who she is and who she may become. Some of Gemma's struggle is about power. As exalted as she is within the realms for her role as High Priestess of the secret society, her "otherness" marks her as unsuitable for proper Victorian circles. Gemma chafes not only at the physical constraints of a corset but at the myriad restrictions placed on women. Her quest is to break free, but at what cost? Bray poses these vital questions without sacrificing the gothic undertones of the previous volumes-the body count is high, and the deaths, gruesome. That creepiness is balanced by the fully realized company of players, including the insufferable headmistress, Mrs. Nightwing, the acid-tongued Felicity Worthington, hunky heartthrob Kartik and, of course, Gemma herself, a heroine readily embraced. Ages 14-up. (Dec.)
Copyright 2007 Reed Business Information More Reviews and RecommendationsLibba Bray is the author of the New York Times bestselling novels A Great and Terrible Beauty and Rebel Angels. She lives in Brooklyn, New York, with her husband, son, and a cat of questionable intelligence.
Number of Reviews: 165
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Addictive, Graceful
A reader, A reviewer, 06/22/2008
Libba Bray ended this series perfectly. Some might complain about the ending, but to those who truly understand the purpose of the book, it is fitting. I am truly sad this series is over. The themes discussed, especially power and the beauty of life's chaos, are ones that are not often dealt with in teen books and are handled gracefully and truthfully here. While this book could be considered fantasy, I feel the magic is used more as a metaphor for the pattern of life.
Also recommended: The Icarus Girl for those who enjoy light fantasy like Sweet Far Thing. Also: Gone with the Wind, The Painted Veil, The Great Gatsby, Diary of Anne Frank, Sloppy Firsts, Second Helpings, Charmed Thirds, The Thorn Birds, Shabanu, Haveli, Shiva's Fire, The
Great
A reviewer, a teen, 06/22/2008
I was so exicited when this book came out. I absolutly loved it and could not put it down. I never wanted it to end even thought some felt it was too long. As much as I would love a fourth book I felt satisfied with both Gemma's and Kartik's ending.
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